Movie Distributor Release Plans
Week of May 16 – May 22
The Chronicles of Narnia: Prince Caspian Disney Wide
Reprise Miramax Limited

Week of May 23 – May 29
Indiana Jones and the Kingdom Of the Crystal Skull Paramount Wide
The Children of Huang Shi Sony Classics NY/LA

OK - who do I have to kill to become a member of the "circuit"? :D

This is probably a really dumb question but what it the Bel-Air Digital Circuit?:o

Not dumb Chuck, just trendy.;)

http://www.avsforum.com/avs-vb/showthread.php?t=977764

Hey Peter, I invested in a short, independent film last year. That makes me a "producer" ;) I'm ready to take out a second mortgage and sell my first-born so let me know how soon we can make this happen...

according to Ruben it is not that hard once you have the gear to get in with some studios, there are just some studios that are really picky. Start saving.

Week of June 27 –July 3
Wall-E Disney Wide
Wanted Universal Wide

Week of July 4 –July 10
Hancock Sony Wide

Week of July 11 - July 17
Meet Dave 20th Century Wide
Hellboy 2: The Golden Army Universal Wide
Journey to the Center of the Earth 3D Warner Bros. Wide

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Week of July 4 –July 10
Hancock Sony Wide


4K?

Wolfgang already made some comparisons between Blu-ray and DCI sources, and found out that the difference for the video is barely noticeable.

As for the audio, you get umcompressed digital (which is good) but output in a format that no consumer (high end or otherwise) processor can use. This means that you are stuck with the analog outputs from the professional audio processors, which are very likely to sound very bad compared to high end consumer processors like the Mark Levinson ones.

In summary, one will get:

- Barely better video. Nothing to fret about.

- Day and date release, which is good.

- Rented movies. Once the provided keys expire, you can't watch them anymore. Very bad.

- Mediocre audio, as bad as in theaters.

No thanks.

The audio is 8 x aes ebu UNENCRYPTED at 48khz. The new tact audio has that, just have to wait for it.

In the meantime you could use any dac's. The digital is not encrypted.

I am very pleased with the way Blue ray plays on the Barco, and yes it is going to be difficult to improve upon , but the fact remains that one file is 30 gigabytes and some others are 220 gigabytes, THAT HAS TO BE NOTICEABLE.

I think wolfgang got a bunch of IMAX content. Was any of it DCI general release?

- Barely better video. Nothing to fret about.

From personal experience, I have to totally disagree.

one file is 30 gigabytes and some others are 220 gigabytes, THAT HAS TO BE NOTICEABLE.

It is easily noticeable. Back to back, the effect of the data rate was readily apparent to me, color was noticeable too.

Watching a proper Distribution Package without comparison, I was always aware that I was watching better than Blu-ray.

The audio is 24bit but can be 96kHz as well as 48kHz.

A few things you should clearly notice with content. Colors more saturated, an improvement in banding and lack of edge enhancement. As with Film the difference varies depending on the title.
I was surprised to find out all but a few titles are 1080 files. If you have a Digital Cinema
projector the 1920 is scaled to 2048. The scaling is small enough I doubt it causes any artifacts.
I was also surprised and disappointed to see 235:1 titles are just as they are in the home theater arena...letterboxed. The vertical rez is about 800. You have a choice in the server to perform the vertical stretch if you are using a anamorphic lens.
Most Blue Ray players are adding some form of sharpness adding to the ringing. Go with an HD SDI BD player if possible bypassing the internal processing.
Ill take and prefer any form of " better then HD " as it will be the reference that hopefully will give BD the competition needed to keep them on their toes.

- Barely better video. Nothing to fret about.



You're joking right?
Oh, I've done some tests as well and found that the difference between night and day is barely noticeable as well... :rolleyes:

analog outputs from the professional audio processors, which are very likely to sound very bad compared to high end consumer processors like the Mark Levinson ones.

Again, from direct experience, totally disagree.

The audio is 8 x aes ebu UNENCRYPTED at 48khz. The new tact audio has that, just have to wait for it.

Until I see some documentation, I'll seriously doubt that a consumer product will support 5.1 management with 3 separate stereo digital inputs.

Besides,TACT is not what I call high end. The products I tested sounded quite mediocre, and the total lack of support is an insult to their customers.


In the meantime you could use any dac's. The digital is not encrypted.


And how do you manage volume and speaker delays if you use 3 stereo external DACS?

analog outputs from the professional audio processors, which are very likely to sound very bad compared to high end consumer processors like the Mark Levinson ones.

Again, from direct experience, totally disagree.

The uncompressed audio at 48kHz is pristine via balanced analogs

Again, from direct experience, totally disagree.

The uncompressed audio at 48kHz is pristine via balanced analogs

I don't doubt that the digital output is state of the art, but my point is that there is no way to use it aside with at best mediocre analog outputs.

As for direct experience, what audio processor are you using at home which could give you a point of reference?

I don't doubt that the digital output is state of the art, but my point is that there is no way to use it aside with at best mediocre analog outputs.

As for direct experience, what audio processor are you using at home which could give you a point of reference?

You seem to have misunderstood, or I wasn't clear. The balanced analogs aren't mediocre at all.

For processing I use an Arcam AV9 and 2 AVR350s. Till recently the AV9 was driving a straight through 7.1 arrangement of Genelec 324As and Dual HTS6s. I think that gives me a good appreciation for genuine world class HT sound.

The dolby show player has no analog out per se, you need to convert them. I personally have been involved in the design of the 8 channel aes ebu digital in for the Tact.

Dolby makes an outboard dac with analog balanced outs.

In defense of tact their theater correction system is the best sounding multichannel eq implementation I have heard followed by the now aborted Lingdorf.

I believe that the tact tcs mk3 will be an excellent unit once the darned hdmi chips get delivered as advertised. The 8 channel digital in is accomplished by ganging 4 digital inputs. Bass management is applied much in the same way that an analog multichannel.

You seem to have misunderstood, or I wasn't clear. The balanced analogs aren't mediocre at all.

For processing I use an Arcam AV9 and 2 AVR350s. Till recently the AV9 was driving a straight through 7.1 arrangement of Genelec 324As and Dual HTS6s. I think that gives me a good appreciation for genuine world class HT sound.

Arcam makes excellent products in their class, but they are not ultimate high end.

It's very possible since you say so that the Dolby analog outputs are similar in quality, but I want much better than that.

Besides, outputing analog to the processor involves either lack of processing, or another analog/digital/analog conversion. Again something I don't want.

In defense of tact their theater correction system is the best sounding multichannel eq implementation I have heard followed by the now aborted Lingdorf.

I never heard a correction system remotely good sounding. They all kill the music one way or another.


I believe that the tact tcs mk3 will be an excellent unit once the darned hdmi chips get delivered as advertised. The 8 channel digital in is accomplished by ganging 4 digital inputs. Bass management is applied much in the same way that an analog multichannel.

If they effetively deliver that, that will make them unique in the market. Thanks for the information.

But unless they made significant progress in the audio domain too, that won't overcome how bad a Tact can sound compared to the best there is currently.

Edit: I could use a Tact system if it was outputting digital directly, assuming they manage a decent volume control in the digital domain, the way Goldmund does with their processor. That would allow to use the DACs in my amps directly, by-passing the Tact ones.

Arcam makes excellent products in their class, but they are not ultimate high end.

It's very possible since you say so that the Dolby analog outputs are similar in quality, but I want much better than that.

Now you're just being silly.

Your video comments in your "summary" were shown to be way off, by a number of people with genuine experience. Try to learn from that experience.
I notice you didn't ask any questions on that or even acknowledge it, but just looked for other holes to pick.

The Arcam units are ALWAYS placed top shelf for pure SQ. I auditioned many of the best units available prior to choosing the AV9. None had noticeably better sound, some had more features. Some, including the Levinsons, didn't have the noise floor that was suitable, during silence, for very high SPLs. The Arcams were the only ones that provided total and utter silence. Thats why I chose them.

Peter Moncrieff of WSR said of the 350, just over a year ago.....

"The Arcam AVR350 is easily the best-sounding surround receiver or processor I have ever tested, regardless of price. The AVR350 marks a stunning sonic advance over the already excellent AVR300, and over all other brands of competing units that I have tested, even those costing far more money. The margin of the AVR350’s sonic superiority over other units is dramatic. And the breadth of its sonic superiority is breathtaking, encompassing virtually every important sonic aspect (transparency, clean purity, intertransient silence, spatial imaging, etc.). The AVR350’s trump card is its implementation of Dolby Pro Logic IIx, which substantially cures the sonic weaknesses found in all other surround processors, opening a whole new sonic world for this surround mode that is so widely applicable to both music and soundtracks and is so impressive in creating a believable surround spatial image. And the icing on the cake is the AVR350’s modest price, only a slight premium over the AVR300, for a souped-up hot rod that dusts everyone else in sonic performance."

The AF spectrum, unless I missed something, hasn't changed since then.


Anyway, its not about that, so please move on. Get back OT in what could be an interesting ongoing thread.

I hear that the only studio that does not play ball is Disney, they wont release their content to Bel-Air circuit residences. The rest seem to be doing it.

Wolfgang already made some comparisons between Blu-ray and DCI sources, and found out that the difference for the video is barely noticeable.

There should be an appreciable difference at least for the colors (gamut and definition (no subsampling)).

There should be an appreciable difference at least for the colors (gamut and definition (no subsampling)).

His comment was that the colors were maybe a bit better.

I guess that cinema gamut and 4.4.4 are not that significant when you make a side by side comparison. And that AVC at 30-40 Mbs is extremely close to the master.

i have now since about 2 months a dci cinema server and saw some
more content.
sad that the barco is brocken since some weeks.

i saw materail that is very nice and some are very bad.
the most differnce is the clean picture with NO ENHANCEMEN at all.

no sharpness increase at all.

but when you not switch at cinema prozessing the scaling on (that is default on my barco ) you can see also some bugs but if you have it on it decrease the
high freq. a bit.

i have now some sequenzes at bd and dci to compare but as my barco is brocken
since some time i cant do this direct comparision.

but i am sure there is no day and night differences.
i will saying this till i saw material side by side that change my view.

most of the best material i saw was disney material.
seams they take care about this material.

Wolfgang,
Are you saying that color doesn't look much different to you (DCI content vs BD)

Art

art

i sad already earlier that color is a bit better and thats the case.
color wise its the same its not day and night but
may other people will rate it different.

may this will discribe it also.

when you have a very very good uhp lamp pr. and i guess you have one
than you need to have this unit side by side to a very good
xenon lamp pr. to see the difference.
thats may how i rate it.
if you have a bad uhp lamp pr. you not need to have both side by side as
the xenon lamp pr. is so much better.

ontill we get "some day" true 4k sourc material that shot from a digital 4k camera
in 4.4.4 color cinema content is the best you can get but its not day and night to
a good blue ray.

and not forgeth you can not change saturation brighness sharpness and all the
other parameters at dci material like you can do easy with consumer sources.

art

i sad already earlier that color is a bit better and thats the case.
color wise its the same its not day and night but
may other people will rate it different.

may this will discribe it also.

when you have a very very good uhp lamp pr. and i guess you have one
than you need to have this unit side by side to a very good
xenon lamp pr. to see the difference.
thats may how i rate it.
if you have a bad uhp lamp pr. you not need to have both side by side as
the xenon lamp pr. is so much better.

ontill we get "some day" true 4k sourc material that shot from a digital 4k camera
in 4.4.4 color cinema content is the best you can get but its not day and night to
a good blue ray.

and not forgeth you can not change saturation brighness sharpness and all the
other parameters at dci material like you can do easy with consumer sources.

Thanks ! It sounds like the differences are are small. I know I've seen a few instances watching DCI content local commercial Christi units that there were both positive a negative aspects compared to my HT 5000 and BD/HDDVD.

Art

i sad already earlier that color is a bit better and thats the case.

in 4.4.4 color cinema content is the best you can get but its not day and night to
a good blue ray.



Although I have not done an A/B yet, I agree with the statement. For example King Kong is one HD DVD transfer that is perfect in every way.




and not forgeth you can not change saturation brighness sharpness and all the
other parameters at dci material like you can do easy with consumer sources.

The fact that you cannot touch up color , hue sharpness etc. IS THE SELLING POINT OF DIGITAL CINEMA units. I myself and you may want to correct the picture photorealistically, but we are not allowed because THE INTENT OF THIS PROJECTOR IS TO REPLICATE IN THE THOUSANDS THE "DIRECTOR'S INTENTION".

I myself am looking forward to the Premiere of "QUANTUM SOLACE" in Prometheus.

Week of July 11 - July 17
Meet Dave 20th Century Wide
Hellboy 2: The Golden Army Universal Wide
Journey to the Center of the Earth 3D Warner Bros. Wide

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OK - who do I have to kill to become a member of the "circuit"? :D

Move to Hollywood.
Make it big in the entertainment industry.
Move to Bel Air.
Be 'big' enough to not only have Steven Spielberg's number on speed dial, but to have him answer your call, even if he's on the line with Will Smith.:D

The fact that you cannot touch up color , hue sharpness etc. IS THE SELLING POINT OF DIGITAL CINEMA units. I myself and you may want to correct the picture photorealistically, but we are not allowed because THE INTENT OF THIS PROJECTOR IS TO REPLICATE IN THE THOUSANDS THE "DIRECTOR'S INTENTION".

There is no sharpness adjustment, but everything else listed and much more is fully adjustable. You may have to use Communicator to do this. The 3.02 Post Production version is now available at the Barco Partnerzone site. The color and hue adjusments are in the PCF editing section. This section also allows adjustment of all the decoder formula parameters. However, it's best not to touch any of these controls.

The new projectors shipping lately (Prometheus) have software 3.211.

Odyssey at one point I would like to compare notes on specific tools one should have for the Barco maintenance.

The Torque wrench with 9nm and 2.5 nm is hard to find in a self-contained wrench.

Are there other mysterious torque tools needed for the convergence, elca box service, etc etc? Or the 9 and 2.5nm are the only two?

Peter,

Communicator Post Prod 3.02 is the latest version. This is the PC software that can be used to control the projector and not the projector software. You need a license from Barco to use it but it should be easy to get one. The Barco Partnerzone site requires registration and has the latest software, firmware, and manuals.

I have a full set of metric tools. The mm wrench sizes you listed are probably all you would need for the DP1500.

wow, a 9 nm torque wrench... i bet that is a real bitch to get on. forget needle threading, use that wrench as a vision test.

Newton Meters, comedian.

Week of July 11 - July 17
Meet Dave 20th Century Wide
Hellboy 2: The Golden Army Universal Wide
Journey to the Center of the Earth 3D Warner Bros. Wide

Week of July 18 –July 24
The Dark Knight Warner Bros. Wide
Space Chimps 20th Century Wide
Mamma Mia! Universal Wide

Week of July 25 - July 31
The X-Files: I Want to Believe 20th Century Wide
Step Brothers Sony Wide

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November 7-13 Madagascar: Escape 2 Africa Paramount Wide
November 7-13 Role Models Universal Wide
November 7-13 Soul Men MGM Wide
November 7-13 Repo: The Genetic Opera Lionsgate Limited
November 7-13 The Boy in Striped Pajamas Miramax Limited
November 7-13 Spin Blowtorch Exclusive
November 7-13 Dear Zachary Oscilloscope Pictures Exclusive
October 17-23 Max Payne 20th Century Fox Wide
October 17-23 Sex Drive Summit Entrtainment Wide
October 17-23 The Secret Life of Bees Fox Searchlight Wide
October 17-23 W Lionsgate Wide
October 17-23 Happy Go Lucky Miramax Expansion
October 17-23 What Just Happened? Magnolia Expansion
October 17-23 Morning Light Disney Limited
October 24-30 High School Musical 3: Senior Year Disney Wide
October 24-30 Pride and Glory Warner Bros. Wide
October 24-30 Saw V Lionsgate Wide
October 24-30 Happy Go Lucky Miramax Expansion
October 24-30 Changeling Universal Limited
October 24-30 Passengers Sony Pictures Limited
October 24-30 Tim Burtons Nightmare Before Christmas 3D Disney Limited
October 24-30 Trainwreck: My Life as an Idiot 41 Inc. Limited
October 24-30 I've Loved You So Long Sony Classics NY/LA
October 24-30 Let the Right One In Magnolia NY/LA
October 31 - November 6 Changeling Universal Wide
October 31 - November 6 The Haunting of Molly Hartley Freestyle Releasing Wide
October 31 - November 6 Zack and Miri Make a Porno TWC Wide
October 31 - November 6 RocknRolla Warner Bros. Expansion
October 31 - November 6 Eden Lake Third Rail Releasing Limited
October 31 - November 6 Splinter Magnolia Limited
October 31 - November 6 The Other End of the Line MGM Limited

November 14-20 Slumdog Millionaire Fox Searchlight Limited
November 14-20 Quantum of Solace Sony Pictures Wide
November 14-20 The Boy in Striped Pajamas Miramax Expansion
November 14-20 Faded Memories Rocky Mountain Pictures Limited
November 14-20 House Rocky Mountain Pictures Limited
November 14-20 Trainwreck: My Life as an Idiot 41 Inc. Limited
November 14-20 A Christmas Tale IFC NY/LA
November 21-27 Desbocados Frontera Limited
November 21-27 Bolt Disney Wide
November 21-27 Twilight Summit Entertainment Wide
November 21-27 The Boy in Striped Pajamas Miramax Expansion
November 21-27 Special Magnolia Limited
November 28 - December 4 Australia 20th Century Fox Wide
November 28 - December 4 Four Christmases Warner Bros. Wide
November 28 - December 4 Transporter 3 Lionsgate Wide
November 28 - December 4 Milk Focus Limited
November 7-13 Madagascar: Escape 2 Africa Paramount Wide
November 7-13 Role Models Universal Wide
November 7-13 Soul Men MGM Wide
November 7-13 Repo: The Genetic Opera Lionsgate Limited
November 7-13 The Boy in Striped Pajamas Miramax Limited
November 7-13 Spin Blowtorch Exclusive
November 7-13 Dear Zachary Oscilloscope Pictures Exclusive
October 24-30 Changeling Universal Limited
October 24-30 Passengers Sony Pictures Limited
October 24-30 Tim Burtons Nightmare Before Christmas 3D Disney Limited
October 24-30 Trainwreck: My Life as an Idiot 41 Inc. Limited
October 24-30 I've Loved You So Long Sony Classics NY/LA
October 24-30 Let the Right One In Magnolia NY/LA
October 31 - November 6 Changeling Universal Wide
October 31 - November 6 The Haunting of Molly Hartley Freestyle Releasing Wide
October 31 - November 6 Zack and Miri Make a Porno TWC Wide
October 31 - November 6 RocknRolla Warner Bros. Expansion
October 31 - November 6 Eden Lake Third Rail Releasing Limited
October 31 - November 6 Splinter Magnolia Limited
October 31 - November 6 The Other End of the Line MGM Limited

I hope so. I was chatting with Ken a bit ago and we are definitely going.

I wonder what this transfer will bring and if I will be able to see the benefit of DCI color space.

Either way, I'm sure I will come away impressed. :)

Cliff

Have fun. Hope the system doesn't need calibration .;)

I envy you guys...

November 14-20 Slumdog Millionaire Fox Searchlight Limited
November 14-20 Quantum of Solace Sony Pictures Wide
November 14-20 The Boy in Striped Pajamas Miramax Expansion
November 14-20 Faded Memories Rocky Mountain Pictures Limited
November 14-20 House Rocky Mountain Pictures Limited
November 14-20 Trainwreck: My Life as an Idiot 41 Inc. Limited
November 14-20 A Christmas Tale IFC NY/LA
November 21-27 Desbocados Frontera Limited
November 21-27 Bolt Disney Wide
November 21-27 Twilight Summit Entertainment Wide
November 21-27 The Boy in Striped Pajamas Miramax Expansion
November 21-27 Special Magnolia Limited
November 28 - December 4 Australia 20th Century Fox Wide
November 28 - December 4 Four Christmases Warner Bros. Wide
November 28 - December 4 Transporter 3 Lionsgate Wide
November 28 - December 4 Milk Focus Limited

December 5 - 11 Crossing Over TWC Limited
December 5 - 11 Nobel Son Freestyle Releasing Wide
December 5 - 11 The Punisher: War Zone Lionsgate Wide
December 5 - 11 Milk Focus Expansion
December 5 - 11 Cadillac Records Sony Pictures Limited
December 5 - 11 Extreme Movie TWC Limited
December 5 - 11 Local Color Empire Limited
December 5 - 11 Frost/Nixon Universal Exclusive
December 5 - 11 Playing with Fire Regent Exclusive
December 5 - 11 Hunger IFC NY/LA
November 14-20 Slumdog Millionaire Fox Searchlight Limited
November 14-20 Quantum of Solace Sony Pictures Wide
November 14-20 The Boy in Striped Pajamas Miramax Expansion
November 14-20 Faded Memories Rocky Mountain Pictures Limited
November 14-20 House Rocky Mountain Pictures Limited
November 14-20 Trainwreck: My Life as an Idiot 41 Inc. Limited
November 14-20 A Christmas Tale IFC NY/LA
November 21-27 Desbocados Frontera Limited
November 21-27 Bolt Disney Wide
November 21-27 Twilight Summit Entertainment Wide
November 21-27 The Boy in Striped Pajamas Miramax Expansion
November 21-27 Special Magnolia Limited
November 28 - December 4 Australia 20th Century Fox Wide
November 28 - December 4 Four Christmases Warner Bros. Wide
November 28 - December 4 Transporter 3 Lionsgate Wide
November 28 - December 4 Milk Focus Limited

December 12-18 The Reader TWC Limited
December 12-18 Delgo Freestyle Releasing Wide
December 12-18 Nothing Like the Holidays 20th Century Fox Wide
December 12-18 Milk Focus Expansion
December 12-18 Dark Streets IDP Limited
December 12-18 Doubt Miramax Limited
December 12-18 Frost/Nixon Universal Limited
December 12-18 Trainwreck: My Life as an Idiot 41 Inc. Limited
December 12-18 Gran Torino Warner Bros. NY/LA
December 12-18 Timecrimes Magnolia NY/LA
December 19-25 The Wrestler Fox Searchlight Limited
December 19-25 Seven Pounds Sony Pictures Wide
December 19-25 The Tale of Despereaux Universal Wide
December 19-25 Yes Man Warner Bros. Wide
December 19-25 Doubt Miramax Expansion
December 19-25 Gran Torino Warner Bros. Expansion
December 19-25 The Brothers Bloom Summit Entertainment NY/LA
December 19-25 Nothing But the Truth Yari Film Group NY/LA
December 19-25 The Class Sony Classics NY/LA
December 26 - January 1 Secret of the Grain IFC NY/LA
December 26 - January 1 Bedtime Stories Disney Wide
December 26 - January 1 Marley and Me 20th Century Fox Wide
December 26 - January 1 The Curious Case of Benjamin Button Paramount Wide
December 26 - January 1 The Spirit Lionsgate Wide
December 26 - January 1 Valkyrie MGM Wide
December 26 - January 1 Doubt Miramax Expansion
December 26 - January 1 Frost/Nixon Universal Expansion
December 26 - January 1 Gran Torino Warner Bros. Expansion
December 26 - January 1 The Reader TWC Expansion
December 26 - January 1 Last Chance Harvey Overture Films Limited
December 26 - January 1 Revolutionary Road Paramount/Vantage Wide

February 6-12 Coraline Focus Wide
February 6-12 He's Just Not That Into You Warner Bros. Wide
February 6-12 Push Summit Entertainment Wide
February 6-12 Pink Panther 2 Sony Pictures Wide
February 6-12 Fanboys TWC Limited
January 30 - February 5 New in Town Lionsgate Wide
January 30 - February 5 Taken 20th Century Fox Wide
January 30 - February 5 The Uninvited Paramount Wide
January 30 - February 5 The Class Sony Classics

February 13-19 Confessions of a Shopaholic Disney Wide
February 13-19 Friday the 13th Paramount Wide
February 13-19 The International Sony Pictures Wide
February 13-19 Two Lovers Magnolia Limited
February 13-19 Under the Sea 3D Warner Bros. Limited
February 20-26 Fired Up Sony Pictures Wide
February 20-26 Tyler Perry's Madea Goes to Jail Lionsgate Wide
February 20-26 Echelon Conspiracy After Dark Films Limited
February 20-26 Fall Down Dead 41 Inc. Limited
February 20-26 Youth in Revolt TWC Limited

February 13-19 Confessions of a Shopaholic Disney Wide
February 13-19 Friday the 13th Paramount Wide
February 13-19 The International Sony Pictures Wide
February 13-19 Two Lovers Magnolia Limited
February 13-19 Under the Sea 3D Warner Bros. Limited
February 20-26 Fired Up Sony Pictures Wide
February 20-26 Tyler Perry's Madea Goes to Jail Lionsgate Wide
February 20-26 Echelon Conspiracy After Dark Films Limited
February 20-26 Fall Down Dead 41 Inc. Limited
February 20-26 Youth in Revolt TWC Limited
February 27 - March 5 Jonas Brothers: The 3D Concert Experience Disney Wide
February 27 - March 5 Street Fighter 20th Century Fox Wide
February 27 - March 5 Crossing Over TWC Limited
March 6-12 12 Sony Classics NY/LA
March 6-12 All About Steve 20th Century Fox Wide
March 6-12 Venus & Vegas 41 Inc. Wide
March 6-12 Watchmen Warner Bros. Wide
March 6-12 A Beautiful Life 41 Inc. Limited
March 6-12 American Violet IDP Limited

April 17-23 17 Again Warner Bros. Wide
April 17-23 Crank 2 Lionsgate Wide
April 17-23 State of Play Universal Wide
April 24-30 Earth Disney Limited
April 24-30 Fighting Universal Wide
April 24-30 Obsessed Sony Pictures Wide
April 24-30 The Soloist Paramount Wide
April 24-30 Vanilla Gorilla Freestyle Releasing Wide
April 24-30 Red Velvet 41 Inc. Limited
April 24-30 What Doesn't Kill You Yari Film Group Limited
April 24-30 Every Little Step Sony Classics NY/LA
April 24-30 OHorten Sony Classics NY/LA
May 1-7 The Ghosts of Girl Friends Past Warner Bros. Wide
May 1-7 X Men Origins: Wolverine 20th Century Fox Wide
May 8-14 Next Day Air Summit Entertainment Wide
May 8-14 Star Trek Paramount Wide
May 8-14 Wild Child Universal Wide
May 8-14 My Life in Ruins Fox Searchlight Limited
May 8-14 Adoration Sony Classics NY/LA

June 12-18 Imagine That Paramount Wide
June 12-18 The Taking of Pelham 123 Sony Pictures Wide
June 12-18 Away We Go Focus Expansion
June 12-18 Call of the Wild 3D Vivendi Limited
June 12-18 Food Inc. Magnolia NY/LA
June 12-18 Moon Sony Classics NY/LA
June 19-25 The Proposal Disney Wide
June 19-25 $9.99 Regent Exclusive
June 19-25 Whatever Works Sony Classics NY/LA
June 19-25 Dead Snow IFC Limited
June 19-25 Year One Sony Pictures Wide

August 7 - August 13 A Perfect Getaway Universal Wide
August 7 - August 13 G.I. Joe: Rise of the Cobra Paramount Wide
August 7 - August 13 Julie & Julia Sony Pictures Wide
August 7 - August 13 Cold Souls IDP NY/LA
July 31 - August 6 Adam Fox Searchlight Limited
July 31 - August 6 Aliens in the Attic 20th Century Fox Wide
July 31 - August 6 Funny People Universal Wide
July 31 - August 6 The Collector Freestyle Releasing Wide