PSound
09-29-09, 11:09 PM
This is interesting, simply because of the discussions on the loss of value of physical media and how it will impact the growth of Digital Distribution.
"Simply said, the studios have destroyed the price-value relationship in video, particularly when low priced rental alternatives have sprung up everywhere."
That's a quote from iIndustry veteran Bill Mechanic's wide ranging keynote speech at Independent Film & Television Alliance Production Conference in Santa Monica today. In it, the exec delivered a frank assessment of everything from creativity (or lack of it) at major studios, the copycat strategies of many independent producers, the glut of films produced over the past several years, and the role the studios themselves have played in "the confused video market."
Of course, Mechanic knows that of which he speaks. He currently is president/CEO of independent production company Pandemonium LLC and was chairman/CEO of Fox Filmed Entertainment. Many in the home entertainment industry still know him best as head of Disney's video division (and pay TV and international theatrical) for a decade in the 1980s and very early 1990s.
I wasn't lucky enough to hear the speech live, but here's a transcript re: home entertainment.
"I get asked a lot if the problems [of declining DVD sales] are systemic. My answer is not necessarily. That we would reach a point of maturation in DVD is natural and logical, but too much of the downturn is completely self-imposed.
Like much of the bad decision making that has helped take a lot of the profit out of the business, the air was let out of the tires by the studios themselves. No top management of a studio really cared what was going on over the past few years other than was their budget being met.
No one asked whether their units should be pushing Blu-Ray in the face of an economic melt-down or even whether or not Blu-Ray was going to be the next big ap to the general consumer. They simply accepted the idea that they could resell their libraries at higher prices.
So no one asked what impact dropping the price on their existing DVD’s would have. I mean if I can buy TITANIC for under $5 in some stores, why am I so eager then to rush out to pay $30 or so when it’s released on Blu Ray? Is the quality difference that great? How many formats are yet to come?
No one asked what buying great movies at cheap prices would do to new releases, which may not be as great. Give a consumer with less expendable dollars a choice between LEGALLY BLONDE for $5 or ALL ABOUT STEVE for $20 or $30, which do I want to buy?
Simply said, the studios have destroyed the price-value relationship in video, particularly when low priced rental alternatives have sprung up everywhere.
http://www.videobusiness.com/blog/1120000312/post/1440049344.html
"Simply said, the studios have destroyed the price-value relationship in video, particularly when low priced rental alternatives have sprung up everywhere."
That's a quote from iIndustry veteran Bill Mechanic's wide ranging keynote speech at Independent Film & Television Alliance Production Conference in Santa Monica today. In it, the exec delivered a frank assessment of everything from creativity (or lack of it) at major studios, the copycat strategies of many independent producers, the glut of films produced over the past several years, and the role the studios themselves have played in "the confused video market."
Of course, Mechanic knows that of which he speaks. He currently is president/CEO of independent production company Pandemonium LLC and was chairman/CEO of Fox Filmed Entertainment. Many in the home entertainment industry still know him best as head of Disney's video division (and pay TV and international theatrical) for a decade in the 1980s and very early 1990s.
I wasn't lucky enough to hear the speech live, but here's a transcript re: home entertainment.
"I get asked a lot if the problems [of declining DVD sales] are systemic. My answer is not necessarily. That we would reach a point of maturation in DVD is natural and logical, but too much of the downturn is completely self-imposed.
Like much of the bad decision making that has helped take a lot of the profit out of the business, the air was let out of the tires by the studios themselves. No top management of a studio really cared what was going on over the past few years other than was their budget being met.
No one asked whether their units should be pushing Blu-Ray in the face of an economic melt-down or even whether or not Blu-Ray was going to be the next big ap to the general consumer. They simply accepted the idea that they could resell their libraries at higher prices.
So no one asked what impact dropping the price on their existing DVD’s would have. I mean if I can buy TITANIC for under $5 in some stores, why am I so eager then to rush out to pay $30 or so when it’s released on Blu Ray? Is the quality difference that great? How many formats are yet to come?
No one asked what buying great movies at cheap prices would do to new releases, which may not be as great. Give a consumer with less expendable dollars a choice between LEGALLY BLONDE for $5 or ALL ABOUT STEVE for $20 or $30, which do I want to buy?
Simply said, the studios have destroyed the price-value relationship in video, particularly when low priced rental alternatives have sprung up everywhere.
http://www.videobusiness.com/blog/1120000312/post/1440049344.html