Knuck
02-13-07, 01:12 AM
I recently saw the Pearl and Ruby at Magnolia in Seattle. They displayed the Pearl on a 108" Screen Innovation Visage and the Ruby on a 92" Firehawk (not SST, apparently they are waiting for it to come in). After many glowing reviews with respect to the Pearl I was quite dissapointed. I found the picture to be soft and the color reproduction just OK.
The Ruby was the much better projector (and at twice the price, it should be). The color reproduction was significantly better (obviously due to the brigter more expensive xenon bulb) and the picture had much more "pop" too it.
What surprised me most, especially with respect to the Pearl, was how dark the picture was. The Ruby had sufficient light output but in my opinion it would not fare well with some ambient light. The Pearl required complete ambient light control and even with that detail in dark scenes dissapeared. In well lit scenes detail was ok, although the image was somewhat soft. I would assume Magnolia would calibrate the projector at least at a basic level. What I observed was a signiicant loss of detail in dark scenes no matter what user adjustments I or the sales associate tried. If brightness was increased, detail improved somewaht but colors became washed out.
As have many, I have anxiously awaited the release of the JVC RS1. I wonder if it will also be dark. I am really concerned because Tom Stites from JVC, among others, have written that the JVC's picture is quite similar to the Pearl's.
What I am wondering is if this is a shortcoming in D-ILA/SXRD technology. Most DLP projectors I have owned or observed seem to have a much higher light output, even if rated at less Lumens than the Pearl or the Ruby. Does anyone have any comments on this?
On a side note, I am shocked at what reviewers, ie AV Science, have said about the Pearl and question claims that the Pearl achieves 10,000:1 contrast ratios or better.
This experience confirms that in my opinion, no matter how good a product is reviewed, it must be auditined before purchase or be favoured with a very good return policy.
The Ruby was the much better projector (and at twice the price, it should be). The color reproduction was significantly better (obviously due to the brigter more expensive xenon bulb) and the picture had much more "pop" too it.
What surprised me most, especially with respect to the Pearl, was how dark the picture was. The Ruby had sufficient light output but in my opinion it would not fare well with some ambient light. The Pearl required complete ambient light control and even with that detail in dark scenes dissapeared. In well lit scenes detail was ok, although the image was somewhat soft. I would assume Magnolia would calibrate the projector at least at a basic level. What I observed was a signiicant loss of detail in dark scenes no matter what user adjustments I or the sales associate tried. If brightness was increased, detail improved somewaht but colors became washed out.
As have many, I have anxiously awaited the release of the JVC RS1. I wonder if it will also be dark. I am really concerned because Tom Stites from JVC, among others, have written that the JVC's picture is quite similar to the Pearl's.
What I am wondering is if this is a shortcoming in D-ILA/SXRD technology. Most DLP projectors I have owned or observed seem to have a much higher light output, even if rated at less Lumens than the Pearl or the Ruby. Does anyone have any comments on this?
On a side note, I am shocked at what reviewers, ie AV Science, have said about the Pearl and question claims that the Pearl achieves 10,000:1 contrast ratios or better.
This experience confirms that in my opinion, no matter how good a product is reviewed, it must be auditined before purchase or be favoured with a very good return policy.