:)
plenty of pop
normal lamp
1.4 gain 170" wide scope screen
ISCO II
boosted HD1
6.7m lens-screen
720p upscaled on YUV inputs (soft 062)

what a movie ! bring the Ray Bans ! :D
couldn't wait for the BLU RAY postponed so took the region 3 dvd (dts) special edition.

:)
plenty of pop
normal lamp
1.4 gain 170" wide scope screen
ISCO II
boosted HD1
6.7m lens-screen
720p upscaled on YUV inputs (soft 062)

what a movie ! bring the Ray Bans ! :D
couldn't wait for the BLU RAY postponed so took the region 3 dvd (dts) special edition.

As a fellow RS1 owner please explain "boosted HD1"

Looks dammmmmm good:)

As a fellow RS1 owner please explain "boosted HD1"

:)

Supra power cable
Belkin PF40 power supply protection and video filter (i and other guys in the business we have seen the difference of this filter in terms of voltage cleanness and video noise)
offset at 25 on all rgb (normal menu, no secret hidden menu)
contrast +20
adjusted colorimetry
062 soft (which affects mainly the analog inputs)
this is needed for maximum "3DLP-like" punch :D (which is the strength of 3DLP: colorimetry + ansi contrast + brigthness) when you want to illuminate a big screen at some distance. (there is a visible difference between placing the JVC at short and long throw, though much less than with the EPSON and PANA)
all this with lamp in normal mode.
and screen gain.
JVC lens carefully centered in the ISCO lens.

next step: curved screen (with our without gain, i'll be making tests).

hi Alan !