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#32 | Link |
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AVS Special Member
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Well, Sony would have to provide edited versions of Seinfeld HD to fit in current 30-minute timeslots. If they're editing for time, they might as well edit for 16:9 as well. I'd wager there's a better than not chance that Seinfeld HD, when it comes, will be cropped. Mainstream viewers expect 16:9 with their HD. A 4:3 aspect ratio is probably going to cause more confusion than praise.
Or maybe they'll go the Seinfeld 2.0 route, shift the picture, and provide trivia/content in the empty space? In any case, I seriously doubt Sony would pass through Seinfeld in 4:3 with empty pillars. Frankly, I'm surprised more companies haven't tried at least advertising in the dead space. Perhaps that could even be a compromise that gets TBS unedited, network versions of Seinfeld HD. After all, you can't fastforward through ads that appear during the actual program. |
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#35 | Link | |
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AVS Special Member
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Don't forget, Sony is only the DVD distributer. NBC/Universal and Castlerock own the original production. Of course, we all know how top notch those Universal guys are when it comes to releasing stuff properly.
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#36 | Link |
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AVS Special Member
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According to Wikipedia, Castle Rock (Warner Bros.) holds ownership rights, but Sony holds Castle Rock's distribution rights. There's nothing to suggest that distribution is limited to DVD, so I would assume it includes HD disc as well (in addition to syndication and, presumably, online, etc.).
After all, why would Sony have bothered with HD remastering if they didn't own the rights? At the time this all started, Warner was HD-DVD exclusive. http://en.wikipedia.org/wiki/Sony_Pictures_Television (See Note 4) There's also nothing to suggest that NBC/Universal has any existing rights to Seinfeld (though obviously they remain buddy-buddy in hopes that NBC can be the home of Seinfeld's next series, were he to create one). |
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#37 | Link | |
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Senior Member
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I also seriously doubt that it will happen for many reasons, the foremost being that there already were HD remasters produced for the DVD sets. The remasters for the DVD's could just have easily been 16:9, but they aren't. The importance here is not just that an HD version already exists for syndicators to use, but the that the decision to preserve the original aspect ratio is also an indication that the powers that be (which probably include Seinfeld himself) do not want to see the appearance altered. And, as much as the joe six packs of the world would wonder how the show could be HD if it's not widescreen, there are so many die hard fans who will make a big stink if Seinfeld is butchered. Finally, there is precedent for 4:3 HD programming. The Wizard of Oz comes to mind, an example where, I believe, TNT has not been shy about promoting the HD broadcast. |
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#39 | Link |
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AVS Special Member
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The only 4:3 series being broadcast in HD that I'm aware of is "Northern Exposure" on UHD. The 4:3 picture is centered with black bars.
Our local CW station (Tribune owned) is broadcasting 2.5 Men in HD via Pathfire, but the Pathfire to GVG server conversion is being done for all Tribune stations at their Indianapolis station and then retransmitted to the stations. WOF and Jeopardy are being downlinked in linear video by the CBS affiliate. |
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#40 | Link | |
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AVS Special Member
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#41 | Link |
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AVS Special Member
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The Hogan's Heros actually looked very good as they used a moving mask and did not distort the overall original picture. It wasn't quite 16:9, but it looked so good, they let it air that way, with just a touch of black on the edges. Not to mention that the shows were simply funny...in any language or format. Slapstick? Of course!
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#42 | Link | |
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Senior Member
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And my understanding of the Hogans Hero's remaster is that it is most akin to an open mat process. As for Knight Rider, I agree that is an analogous case (unless, I guess, you want to argue that the wide screen look is more fitting for an old action series than an old sitcom). But I think it's clear that we're talking about shows with very different legacies. Just the airings alone tell you that. Knight Rider is in some sort of sparing syndication on Universal HD. To the degree Kight Rider may have been butchered (and I'm not saying it was), there weren't too many viewers or producers who cared. In fact, I'm happy to see Knight rider cropped if only because its limited appeal makes it a good test case for the process. I watched some of those Knight Rider airings on UHD simply out of intrigue for the remastering. Seinfeld's syndication, on the other hand, is of an epic proportion. So while cropping may have happened to Knight Rider, it's hard to fathom that viewers and producers of perhaps the most revered and popular show in TV history would allow Seinfeld to meet that fate. |
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#43 | Link |
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AVS Special Member
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Did they crop Star Trek for the remaster?
Anyway, my point was they might crop the syndicated/edited versions because they're already slicing them up anyway, and the fanbase isn't going to cry foul so long as preserved DVD/HD disc versions are released. EDIT: According to Wikipedia, the remastered Star Trek is airing cropped in Japan but not here (although, it's not running in HD here anyway). |
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#44 | Link |
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AVS Special Member
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Regardless of any efforts to the contrary, 4:3 material will never be acceptably presented in 16:9 format. ............. Cutting and pasting and stretching and shrinking will never receive the unreserved approval of a single AV Forum poster.
Upconversion in terms of sizing does not work. Why agonize over it? |
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#45 | Link | |
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AVS Special Member
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Until Alan, David or Ken head up the boards of these companies, they'll do whatever they want - despite our objections.
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#46 | Link | |
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AVS Special Member
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Quote:
What probably does allow the cropping of "Hogan's Heroes" to work pretty well is the amount of protecting that was done to compensate for the massive amounts of overscan on TVs back in the sixties. How would this work? The "academy aperture" for full frame 35 mm is 0.864 x 0.630 "; the TV "safe action" area is only 0.713 x 0.535 ". If you take the height of the "safe action" area (0.535") and the width of the "academy aperture" (0.864"), you end up with an aspect ratio of 14.5:9. With the narrow black bars on the side, that's getting pretty close to the actual aspect ratio of "Hogan's Heroes" as transmitted on HDNet. I suspect that the same technique could work well on many older shows -- and it isn't really "tampering with the artistic intent" of the original composition all that much, since the producers were aware that anything outside of the "safe action" area was at risk of being cropped by overscan on many home receivers, anyway. While this does leave black bars on the side, those bars are pretty narrow, and perhaps less likely to generate complaints from viewers who want a full widescreen image. CBS/Paramount is creating both 4:3 and 16:9 HD masters for "Star Trek", per the CBS Domestic Television website. |
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#47 | Link | |
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#52 | Link |
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Advanced Member
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What a waste of a channel. Fox Sports Net HD has more HD programming than TBS and they're hardly on the air. I would have rather had something like Speed Channel HD, Weather Channel HD, or something else that actually has HD content than a channel that shows nothing in HD.
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#54 | Link |
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AVS Special Member
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No question, Turner used the baseball and their "clout" derived from their various other cable channels to get the TBS-HD channel assignment on the sats and cable systems for the long term. Obviously...they weren't really ready...just as when TNT-HD premiered with very little HD programming. It took them some time to get HD masters for Law & Order and to begin producing their own programs in HD.
As for TBS, they're not even showing "Raymond," "King of Queens," and "Yes Dear" in HD, when all of those episodes are available in HD. Stretch-O-Vision is NOT a pretty thing. |
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#57 | Link | |
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AVS Special Member
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They had all of them for the first round (divisional series) - along with 1 half of the 2nd round (championship). They'll be back with a weekly Sunday afternoon game in about 6 weeks.... As for the HD availability of anything else on this channel.. ugh... |
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