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#481 | Link |
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Advanced Member
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Quote:
Quote:
I liked that comment too.....it's not that it's hard, just take your time and go through each step a couple of times if neccesary. My more careful attempt on Friday seems to have optimised my lens setup, using the Cineslide information.....apart from me adding a bit of downward lens shift in my HD350 and then adjusting the Isco to compensate: This cured some 'ghosting/halo' effect I had on a bright 80 IRE window test pattern, though this could be unique to the Isco II/HD350 combo, it's worth looking for. |
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#482 | Link | |
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AVS Special Member
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I've just dug out a picture of my ISCO II when it was attached to my Optoma H78. It looks very similar to the ISCO I image you have there, except it doesn't have the mount. The thread on the rear is for screwing it into a mount - GetGrey has a myriad of those if you ask him nicely.
![]() This is the second ISCO 'I' I've seen now and neither had a mount in the sale. I'm not sure what the difference between a I and II is but they look optically very similar judging by the pics, although the I appears to have less in the way of internals. If you can get it at a good price it might be worth playing with unless someone can dig out some definitive info. Just found this: http://www.htguide.com/forum/showthread.php4?t=29070 Quote:
Gary
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My Old Home Theater Last edited by Gary Lightfoot; 11-15-09 at 06:49 AM.. |
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#485 | Link | |
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VIDEO DROME
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This is not for me...i have a lens. I'm just looking out for guys that want to go the lens route that might be very interested if these were doable. I paid 500 for my first lens, so I would guess around that range would be cost effective, however, one mans cost effective is anothers high end.
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#486 | Link |
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Eternal Sonata
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i wonder how that 500 lens performs
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Theater construction. |
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