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#241 | Link |
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Following on from what I mentioned in a previous post about the difference in colour I noticed between the US MPEG-2 version and the Australian version, I decided to investigate a little bit further, so I went looking for my UK DVD of The Descent, the version where I watched the film for the first time, to see what the colours were like on that version. Once I finally found it under piles of dvds stashed away, what I saw was pretty interesting.
The part where I've really noticed a big difference in colour is just after they arrive at the hole, when they're preparing the ropes and harnesses to go down. The US MPEG-2 version has a strong blue tint while the Australian release's colours are more natural looking and also seem a little brighter. When Juno goes down the hole and looks up, in the US version the light streaming through the hole looks white and the reflection on her face is tinted blue, while in the Australian version, the light streaming down is more golden and the reflected light on her face reflects that. When I put the UK DVD in and jumped to the same bit in the film, the colours were very similar to the Australian version, with the light looking golden rather than white and no sign of the blue tint of the US release. It's bizarre that they released different colour schemes for this film. Makes me wonder which one the director considers the definative version? ![]() |
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#242 | Link | |
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Screenshot scientist
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There are a couple of comparisons of the different colours in my review of the US BD. |
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#243 | Link | |
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#245 | Link | |
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, though the Australian version is not quite so dark and red, its a little brighter and a little more orange. However it looks totally different to the US Blu-ray.Last edited by kingkong650; 01-20-09 at 02:07 PM.. |
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#246 | Link | |
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AVS Moderator
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Quote:
larry
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#247 | Link |
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Screenshot scientist
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The contrast is certainly higher on the UK disc, but I'm not convinced that contrast alone could explain the extreme difference in Example 2. The contrast isn't just higher, the colour values have been changed completely to a highly stylised red versus the more naturalistic look on the US BD.
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#248 | Link | |
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EDIT: One thing I forgot to mention before. The added brightness of the US MPEG-2 release in some parts seems to have added grain to the darkness which is quite course (for example when they enter the first cavern and light the red flare). In the AUS release the darkness is just black, without any of that course grain. To answer your question Blacklac, the cave scenes have a LOT of difference. I'm only now beginning to realise how much. Which 'look' people will prefer is a different matter entirely. Last edited by kingkong650; 01-21-09 at 04:47 AM.. |
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#249 | Link | |
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AVS Moderator
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larry
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#250 | Link | |
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Yeah, Whiggles is right, its more than just extra contrast. Annoyingly I don't have a blu-ray drive on my pc so I can't take screenshots straight off the AUS version to show you guys but I have been able to do hopefully the next best thing. I've taken Whiggles's AVC shots that he posted earlier in the thread and got the respective shots of the UK DVD which is very similar to the AUS version, only in far less detail. Here they are. I hope they demonstrate better the different 'looks'. The original is the US AVC blu-ray version. Put the mouse over the pic and it will show the UK DVD version.
First comparison Second comparison Third comparison I've put them as attachments as well if those pages decide to act up and don't load up. Last edited by kingkong650; 01-22-09 at 03:28 PM.. |
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#251 | Link | |
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AVS Moderator
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Quote:
larry
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#252 | Link | |
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2Cute
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It just looks wrong to me and i wonder if shadow detail is getting clipped. Look at the lens flare from the camera on the second clip and the darker edition looks wrong.
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#253 | Link |
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The colours are almost the same between the AUS release and the UK DVD. The AUS release however is a touch brighter and retains all the shadow detail as far as I can see (unlike the UK DVD that seems to have lost most if not all of it). I find the PQ of the AUS release very impressive, with grain throughout. Easily superior to the US MPEG-2 release IMO.
Last edited by kingkong650; 01-21-09 at 10:05 AM.. |
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#254 | Link |
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send.more.paramedics
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I agree with Foxy, the second one is just too dark and seems to lose some shadow detail. I would like to se some direct screen caps from the US AVC and AUS releases. I also don't recall such a yellow/green tint in those scenes as shown with the UK caps but I guess a lot of this thin line stuff could also greatly depend on display and calibration too.
This was actually one of the titles I took into Magnolia to demo a Kuro Elite and I can tell you for sure that there should be no loss of shadow detail from the source, especially based on how glorious it looked on that thing. |
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#256 | Link |
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AVS Special Member
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Grr. CDWOW is out of stock on Descent
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#257 | Link |
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AVS Moderator
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I just saw the AUS BD is Region B. Too bad, for me.
larry
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#262 | Link | |
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Quote:
larry
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#263 | Link |
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AVS Moderator
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I haven't watched the my R2 disc in a while since getting the BD. I can see why they would up the brightness somewhat so people can see more, but in a cave with the lighting they have you would not see that much in some circumstances. Even with the darker settings, you don't miss anything pertinent to the movie/plot, etc. I gonna have to dig out both discs this weekend.
larry
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#265 | Link |
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Member
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Here's another comparison between one of Whiggles's US AVC shots and the UK DVD which is very similar in look to the AUS BD:
Third Comparison |
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#266 | Link | |
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send.more.paramedics
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#267 | Link | |
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Hopefully one of you guys with a blu-ray drive will get a hold of an AUS BD and post some comparison shots from the AUS BD itself so everybody can better compare. |
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#268 | Link |
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AVS Special Member
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looks to me like the darker version is the correct look for the setting. i understand the mentality of wanting to get more detail in the picture because "more = better" but in this case i tend to disagree.
the poster above made a very good comment when asking if the scene had that amount of light then why do they need headlamps? the brighter screencaps on many of the avc shots look overexposed even though there was plenty (and i do mean plenty) more detail. in the end if you like what you see, at least you have the option to choose. this movie is freakin great!!!! |
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#269 | Link | ||
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AVS Special Member
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