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#1 | Link |
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Senior Member
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Higer gain on subwoofer for movies
I am curious as to why I have to turn the gain up on my subwoofers when watching a movie to get the performance desired out of them. For music I have them set at about 50% gain and for movies it seems as though I have to turn them up to at least 3/4. I even have the volume higher for movies and experience this. Everything is level matched including the different sources. Also the subwoofers are in phase with the rest of the system. Why is there such a gap in performance between music and movies and what are my solutions?
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#2 | Link | |
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I love bass
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Quote:
sorry for all the questions.![]()
__________________
Will |
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#5 | Link | |
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Super Duper Member
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How did you calibrate it? To be calibrated properly for movies you need to use a calibration DVD so that you are calibrating the entire pathway from the player through the receiver.
__________________
"All men are frauds. The only difference between them is that some admit it. I myself deny it." |
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#6 | Link | |
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Senior Member
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I used AVIA Guide to Home Theater. I am going to try it again with another player to see if I get the same results. |
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#7 | Link | |
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Senior Member
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Does the AVIA Guide to Home Theater actually use steps to measure frequency response? All of the issues you are talking about could be more easily remedied if you did measure the response of your room. Acoustic panels will not help dramatically with nulls but rather with delays and echos. If you don't measure your room, we're all just throwing darts in the dark. this could be a simple placement issue.
Radioshack stocks inexpensive SPL meters that will cover your needs. Quote:
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#8 | Link | |
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Senior Member
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Quote:
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#12 | Link |
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Super Duper Member
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jlafrenz,
How do you listen to music? In other words, do you use the same DVD player that you use for movies? And the same digital connection? If so, do you leave the receiver at the same exact setting for decoding both movies and music or do you alter the setting and use something like 'direct' mode for music? The reason I ask is because y ou need to make certain that the same bass managment settings are being applied in both circumstances. 'Direct' modes often apply bass management separately from your standard auto setting that you use for movies and often differently as well. If you use 2 different settings for movies and music, they may very well have 2 different sets of speaker level adjustments that the receiver remembers each time you use a particular setting.
__________________
"All men are frauds. The only difference between them is that some admit it. I myself deny it." |
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#13 | Link | |
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Senior Member
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Dual AV123 MFW-15's.
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#14 | Link | |
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AVS Special Member
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When running two subs, placement can be a MAJOR issue due to cancellation problems. When balancing your system with an spl meter you may want to try taking measurements with the first sub on and second one off then vice versa, checking changes in output levels from the listening position. You may have to experiment by moving one sub or both till you get the best results. Ian
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BOOMER McLOUD XTREME CAR AUDIO |
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#15 | Link | |
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Senior Member
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#17 | Link | |
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Certifiable BassHead
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#21 | Link |
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audio curmudgeon
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Although humor abounds, you've all seemingly missed the point.
DVD's, more specifically "movies" are usually mixed and then mastered to "rules" that are fairly standard. Music CD's, on the other hand, are made by the wild and reckless genre that encompasses musicians and producers, all of whom foolishly think they are trying to win some sort of loudness (or at least 'compression') contest. At every step of the way, most of these people attempt to be louder than the next guy, and after the recording and mixing steps are done, the final mix is "normalized" , which does not make anything normal just as equalization specifically does NOT make thing equal...! And then during the mastering step, further procedures are often taken to make the overal mix still "louder". All of these people seem to forget, or perhaps never understood in the first place, that loudness is not a function of filling up digital bits to get the signal to ffff, it's a function of how loud the volume control is turned up at the playback stage. Without getting into exact numbers, basically you have with movies a situation where you have a dialog level -- which you are supposed to set in your room at 85 dB -- and then you have 20dB headroom on top of that for M&E (music & effects) making an SPL of 105dB when all 5 channels plus the LFE channel (if it is used) are fully operating. If you were to set the system up that way, you might find that without changing any local volume control setting (i.e. your master volume) that when you put on some music CD's the SPL might be 'hovering' at 100 dB, 105 dB, even more. And when going back and forth between classical, jazz, rock CD's (and maybe vinyl) there is such a wide range between the mixes that you MUST actually set the sub level to taste for most of those sources and performances. Of course, you MAY find that one subwoofer setting optimized for movies also pleases you for music -- or not. Most of this has very little to do with the room or your actual subs; it only has to do with the RATIO of the loudness of your sub(s) relative to the loudness of the rest of your speakers, whether they be stereo or n.1. Barry |
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