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#91 | Link |
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Display Tech Fanboy
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Let's not freak out about this. I would simply prefer that they utilize their time and resources on titles which either need an initial encode or titles which were obviously flawed the first time around. I personally see no need spend time on new encode that may result in changes not even noticeable to the naked eye. There is no need to sensationalize the argument. There is no need to accuse me of having a "shovelware mentality" either. I simply prefer the prioritize the encodes based on need...a new encode for 300 is nowhere near the top of that list IMO.
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#92 | Link |
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Member
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The film grain was so bad on this movie that I was constantly distracted by it and I was unable to enjoy the movie. I like the movie and I know the grain was intentionally put there by the director but I wont buy the movie unless they release a version without it.
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#93 | Link | |
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Display Tech Fanboy
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#94 | Link | |
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Janitor
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#95 | Link | |
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HD nut
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As for the argument, again, they're packaging this new version and charging a premium for it. As a consumer I think my money should go towards a new encode (not a new master or anything fancy, no need to bring out the DNR or edge enhancement filters; just run it through the encoder again). I don't think my money should go straight in to some studio execs trust fund for his kids. :P Now, if they were giving this away, I'd see your point about not wanting them to waste time, but it's not free, so I don't see your point. =)
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Fight mediocrity: Insist on BD50 discs for all movies longer than 100 minutes, optimized video encodes that fully utilize the available space, lossless audio track, and new masters for catalog titles! |
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#96 | Link | |
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It's full of stars!
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Last edited by tutelary; 05-10-09 at 09:39 PM.. |
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#97 | Link | |
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AVS Special Member
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This is a release that not only is a catalog title, and its not only a catalog title its also a catalog title that has been released on BD. I dont think the salesnumber of this one will motivate the studios for a new encode. They are releasing this one so BD buyers can get the PiP track. Not to reencode something that doesnt warrant a reencode. Other releases do need reencodes. Sure you may want a reencode, but I doubt the people that somehow feels a reenode is important to be anywere near the numbers that actually would make a reencode profitable, compared to just releasing this with the PiP. Even Michael Bay thought the 300 release rocked. ![]()
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I want my grain region free. |
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#98 | Link |
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Game & DVD Fanatic
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So I wonder when the original version will go OOP, I'm guessing they will just sell this version in the future, doesn't really make sense having both on the market. Also I don't think there's anything wrong with them updating a movie and changing the packaging as time goes on. I already own it and I don't think it's worth buying again, but for people that don't have it why not have a better version of it? I think they should try to keep the prices even though, obviously the old disc will be discounted when this newer version comes out (which is also good becasue people who don't care about the extras will still be able to get the movie for cheap), but they shouldn't try to price it above the MSRP of the original movie.
Anyway Hankey what is your reponse about the I Am Legend re-encode that looks no different than the original release but runs at a higher bit rate? |
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#99 | Link |
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AVS Special Member
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I'm not exactly familiar with that situation, but I do know there were some strange things going on in that encode, as well. (If I recall correctly, there was an issue of how the codec was responding to low light/dark scenes in combination with little to no grain in the image.)
If there was to be a new "ultimate" edition of that, I would expect a new, improved encode (improved in whatever aspects you care to be concerned about), as opposed to simply repackaging whatever was in prior circulation. Otherwise, I question to the whole point of making these "ultimate" sku's, if the previous product was evidently A-Ok.
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I need your sweet love, Rosetta Stone girl! |
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#100 | Link | |
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Never Ever Warn-her
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Blu-ray : 213 |
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#101 | Link | |
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El Duderino
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"When I get sad I just stop being sad and be awesome instead. True story." --Barney Stinson, How I Met Your Mother Best. Surge Protector. Ever. |
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#109 | Link | |
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AVS Special Member
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#111 | Link | |
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Member
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This movie was done so 'Right' it just blew my mind. Presenting it as a 'regular' movie without the grain and stylization to me would have given the content much less impact. Asking to remove the grain from 300 would be akin to removing 'Bullet Time' from the Matrix movies or wanting to see a color version Schindler's List. Do a google images search of 'Frank Miller' and '300 graphic novel' and you will see what his style of artwork is and then you can better appreciate why 300 looks the way it did. Here are a couple of images from the Graphic Novel Take note of Frank Miller's use of black crush and 'grittiness' of the images: ![]() ![]() The next time you are in a book store go find the 'Graphic Novels' section and browse through a copy of 300, Sin City and The Dark Knight if they have them. Last edited by absurd_username; 07-21-09 at 01:26 PM.. |
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#112 | Link | |
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AVS Special Member
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Matching by screencap comp? Matching during playback? Because I would be very impressed if someone can se the difference between 17 and 25 mbit in a blindtest, if everything is equal. Just look at Disneys encode of the Prestige, and Warners encode of the same movie. It seems like everyone believes that just because an encode is at a certain bitrate it impossible to retain the same quality with a lower bitrate. Everyone that has encoded something, knows that when you reduce bitrate, its not automaticly quality that suffers, but the encoding time. Bitrate in cases like this are not just a result from a quality standard, but a bitbudget that the compressionist are given. If you look at individual movies, you can see that a movies bitrate is often more effected if its on a BD25 or a BD50, then on how long and complicated the actual movie is to encode.
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I want my grain region free. |
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#113 | Link |
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HD nut
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Hopefully we'll have some definitive word here soon as to whether or not a new encode was done for this release. If so, I'll likely grab it, otherwise it's an obvious pass.
__________________
Fight mediocrity: Insist on BD50 discs for all movies longer than 100 minutes, optimized video encodes that fully utilize the available space, lossless audio track, and new masters for catalog titles! |
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#114 | Link | |
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Advanced Member
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DVD Beaver already reviewed the disc and it's the same encode (video bitrate of 16.80 Mbps matches exactly with the old one.) |
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#116 | Link | |
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Advanced Member
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You see me reaching for my f****** wallet?!? |
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#120 | Link | |
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Thanks again. |
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