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#3 | Link |
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AVS Special Member
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Film is 4k-6k. The theatrical prints we see in theaters is about 1.5k. The reason they don't look as good as HD DVD is generally focus problems. It's difficult for them to see from that tiny window and they can't freeze the frame or the film will melt.
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#4 | Link | |
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Advanced Member
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And a toroidial screen doesn't help either. Am I the only one that is bothered by the center of the screen being slightly out of focus while the edges aren't? I can tell it is because of the curvature of the screen... |
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#6 | Link |
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AVS Special Member
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There are a handful of prints (usually 10-12) that some distributors have struck directly from the original negative (EK prints). These are normally exhibited in NY and LA and a handful of other high profile locales. They look dramatically better than the prints that are distributed to the "masses." The other prints are, incidentally, graded as well. The best "boutique" prints go to other high-profile locations. The lesser quality ones go to Podunk, etc.
Eric |
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#7 | Link | |
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AVS Special Member
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Why not focus during the "The following preview" text. Nice white text on green background? That's what I do at home. K |
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#9 | Link |
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Senior Member
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most theaters do not have enough money or say they do not have enough money to raise a budget so theaters can upgrade outdated material most of the theaters i have ever worked at used old christie projectors looked like they were from 1960 or something fierce. the only theater i have ever worked at that had a good budget and great screens was star theatres in southfield, michigan that place is one of the busiest theaters in the nation though
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#12 | Link | |
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Deaf Audiophile
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Standard Resolution Aspect Ratio Pixels Academy 4K 3656 × 2664 1.37:1 9,739,584 Digital cinema 4K 4096 × 1714 2.39:1 7,020,544 3996 × 2160 1.85:1 8,631,360 Academy 2K 1828 × 1332 1.37:1 2,434,896 Digital Cinema 2K 2048 × 858 2.39:1 1,757,184 1998 × 1080 1.85:1 2,157,840 http://www.mkpe.com/digital_cinema/faqs.php#available |
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#13 | Link | |
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HD user since 1984
AVS CLUB MEMBER
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IMHO!
__________________
Tony! My AV equipment / AC-3RF audio gear LDDb.com collection / D-Theater collection pic |
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#15 | Link | |
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ISF-THX'er at Large
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Greetings
How much detail you see on the screen tends to relate to how far back you are sitting. Someone sitting in row 5 will see more than someone in row 100 ... It is estimated that people sitting at a distance of 1.5 screen widths in the theater can decern roughly 1 million pixels worth of information. Oddly .. this is close to 1280x720 ... Regards
__________________
Michael @ The Laser Video Experience ISF/THX Video Instructor Lion A/V Consultants Network |
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#16 | Link | |
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AVS Special Member
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Anyway, most of the time my HT wins hands down. On the other hand, a great print makes a great picture. More great prints please. |
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#17 | Link |
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Senior Member
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Recently on a movie I care about PQ in the theater, I'll look for when they have their Digital Projection so I know what I'm getting, which definatly looks superior to normal viewings, Superman Returns on Digital Projection at my local theater was quite good, aswell as the previews before it.
__________________
The Look and Sound of Perfect |
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#18 | Link | |
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AVS Special Member
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One more reason why i want to se HD-DVD come down under sooner rather than later. |
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#19 | Link |
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AVS Special Member
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The highest resolution a standard 35mm film frame gets scanned at is 4096x3112 and thats the fullap film frame including soundtrack area. On release print it will have been hard masked and repositioned to something like 3656x1976 for 1.85 and 3656x1555 for 2.35 if it hasn't been anamophicized. (the repo and squeaze might be done digitally or it might be done optically it varies...optically was still more common last time I looked) .
Scope for reference will usually be 3656x3046 on projection (give or take a bit in the y axis) but this needs unsqueazing to display properly ( square pixel res being 7312x3046 if you want to put it in those terms). Scope is commonly 2.40 or wider (not 2.35) to allow for adequate splice space but 2.35 is so commonly misused to describe it that its fallen into general use. Its normal practice to do the DI at 2K 2048x1556 . Most widely released films will go through a digital intermediate stage these days. On projection you probably get somewhere around 1.5k due to instability in the film path. However the intensity range of film is much larger than video be it HD or SD.
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digital film janitor |
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#20 | Link |
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AVS Special Member
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The United Nation's ITU study a few years back, the basis for a SMPTE paper as well as consultant Matt Cowan's earlier pdf paper , concluded theater on-screen film resolution approximates 720p (equivalent of ~1280x720 lines). Cowan's paper shows (graph) the drops in resolution with various print stages (instrument measured), and observers recorded resolution bars on international theater screens. (Kodak objected in a SMPTE letter that filmed square-wave test patterns, not ITU's sine waves, would have provided somewhat higher resolution readings.) This recent post touches on both film and HD video resolution. -- John
Last edited by John Mason; 11-09-06 at 02:19 PM.. Reason: typo |
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#22 | Link | |
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AVS Special Member
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#24 | Link |
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Advanced Member
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I know we have a lot of THX certified theaters here in C-bus. At one time (about 5 years ago) we had the most screens per capita. I'm not sure if that is still true or not. The Lennox right next to OSU used to be in the the top 10 busiest theaters in the country. I know we had the most people watching Episode III compared to the rest of the country at midnight on release night. They used all 24 screens at once. Anyway, We do have some good quality screens here in C-bus and nice sound systems as well (some SDDS, some DD-EX/DTS-ES, some THX certified). I guess we're spoiled, except for no digital cinemas yet.
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Coach Jim Tressel: 1 National Title 5 Big Ten Titles 7-1 vs. M*ch*g*n 83-19 (.814) |
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#26 | Link |
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AVS Special Member
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Film is analog it has no resolution however as many people in this thread have indicated analog is more subjective and depends more on the equipment, operators and the quality of the print.
Theaters will move digital within the next 10 years. Digital distribution is vastly cheaper. The film industry spends over $100 million per year on the creation, distribution and maintaining the film stock all over the country. A 3 hour digital movie at 4K resolution plus uncompressed sound can fit on a 500GB hard drive. Digital equipment tends to be easier to calibrate and the media always remains faithful to the original digital master. Of course 4K theaters will eventually make videophiles want a 4K setup in their house. |
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#27 | Link | |
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AVS Special Member
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Quote:
Film as in camera negative or DI from the negative has more information than HD (consumer or professional) but the film you see in cinemas is usually another kind of film with several more transformation steps in between. So it's no so one sided as you claim. |
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#28 | Link |
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AVS Addicted Member
AVS CLUB MEMBER
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It is not reasonable to assume a 2K scan of even the original negative somehow has more than 2K resolution. And it goes downhill from there.
- Tom
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Yes, it just doesn't look right because it seems too real. But we want it and are willing to pay for it. Sell it to us. Tom Barry See my video filters at www.trbarry.com |
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#29 | Link | |
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Bill McClain
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-Bill |
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#30 | Link | |
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AVS Special Member
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Go to page 8 of consultant Matt Cowan's pdf white paper on this topic and you can see the results of testing in 4 theaters. (Horiz. res. is in picture heights, requiring multiplying by 1.78 or 1.85 for lines/PW.) The SMPTE published a paper a while after this one with similar conclusions since both are based on U.N. ITU data. -- John
EDIT: Sorry, missed the preceding post with the same link. Just a few added details then. Oh yes, Kodak wrote the SMPTE objecting to ITU's use of sinewave rather than squarewave test patterns, saying the latter would have shown somewhat higher resolution results. Last edited by John Mason; 01-01-07 at 07:07 AM.. |
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