Official Rythmik Audio Subwoofer thread - Page 895 - AVS Forum | Home Theater Discussions And Reviews
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Old 10-28-2016, 02:48 PM
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Originally Posted by JT78681 View Post
@enricoclaudio

Some pictures of the FV25HP next to the FV15HP would be awesome so we could get a feel for the difference in size between the two.
Those pictures were taken by Brian last week in China factory. As soon we get the subwoofers here in the USA we will take pictures next to FV15HP and F25.
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Old 10-28-2016, 02:48 PM
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Originally Posted by enricoclaudio View Post
Here they are: FV25HP and FV18 final prototypes going into full production. I will post more info and specifications as soon I get green light from Brian Or maybe he will post that info...
👍

Can you at least give us the dimensions and weight?
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Old 10-28-2016, 03:13 PM
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Originally Posted by Marc Alexander View Post
👍

Can you at least give us the dimensions and weight?
Sorry, just coming back from China Town. I was having lunch with my three daughters and son in law celebrating my 50 years b-day

Like I said, as soon I get more info to share, I will post it here. I don't have the final dimensions/weight yet. Waiting to hear from Brian on that info. He is still under jet lag influence



Enrico Castagnetti @ Rythmik Audio
Media Room: Ascend Acoustics Sierra Towers w/ RAAL, Horizon w/ RAAL & Sierra 2s | Rythmik F12SE (x2) | Marantz SR7008 | Parasound Halo P5 | Emotiva XPA-3 & XPA-200 | Oppo 105D | Sony HW40ES |
Desktop: Dynaudio BM5 mkIII | Rythmik L22 | Apogee Quartet | 27" iMac|
Bedroom: B&W 685 S2 | Rythmik LVX12 | Marantz NR1606 | Emotiva XPA-200 Gen 2 | Samsung UN50JU6500 |
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Old 10-28-2016, 03:59 PM
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Some Photoshop and we have a very close size comparison!!

FV25HP, FV18, F25 and FV15HP:

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Enrico Castagnetti @ Rythmik Audio
Media Room: Ascend Acoustics Sierra Towers w/ RAAL, Horizon w/ RAAL & Sierra 2s | Rythmik F12SE (x2) | Marantz SR7008 | Parasound Halo P5 | Emotiva XPA-3 & XPA-200 | Oppo 105D | Sony HW40ES |
Desktop: Dynaudio BM5 mkIII | Rythmik L22 | Apogee Quartet | 27" iMac|
Bedroom: B&W 685 S2 | Rythmik LVX12 | Marantz NR1606 | Emotiva XPA-200 Gen 2 | Samsung UN50JU6500 |
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Old 10-28-2016, 04:14 PM
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Originally Posted by enricoclaudio View Post
Sorry, just coming back from China Town. I was having lunch with my three daughters and son in law celebrating my 50 years b-day

Like I said, as soon I get more info to share, I will post it here. I don't have the final dimensions/weight yet. Waiting to hear from Brian on that info. He is still under jet lag influence
Happy Birthday Enrico, hope you had a good one. 50 is such a big round number...

What type of finish(es) is going to be offered on the FV25HP and FV18?

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Old 10-28-2016, 04:17 PM
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Thanks Laulau

The FV18 in Black Oak (vinyl) and the FV25HP in black matte paint (no vinyl).



Enrico Castagnetti @ Rythmik Audio
Media Room: Ascend Acoustics Sierra Towers w/ RAAL, Horizon w/ RAAL & Sierra 2s | Rythmik F12SE (x2) | Marantz SR7008 | Parasound Halo P5 | Emotiva XPA-3 & XPA-200 | Oppo 105D | Sony HW40ES |
Desktop: Dynaudio BM5 mkIII | Rythmik L22 | Apogee Quartet | 27" iMac|
Bedroom: B&W 685 S2 | Rythmik LVX12 | Marantz NR1606 | Emotiva XPA-200 Gen 2 | Samsung UN50JU6500 |
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Old 10-28-2016, 04:20 PM
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Quote:
Originally Posted by enricoclaudio View Post
Some Photoshop and we have a very close size comparison!!



FV25HP, FV18, F25 and FV15HP:





Happy Birthday! Man the FV25HP makes the FV15HP look like a little guy!

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Plasma 50" TV: Samsung PN50C8000 — DLP Projector: Optoma GT1080
Projector Screen: Elite VMAX2 Electric — Receiver:Pioneer Elite VSX-44 — Fronts: B&W 684 S1
Center: B&W CM Center S2 — Surrounds: B&W 685 S1 — Subwoofer: Rythmik FV15HP
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Old 10-28-2016, 04:30 PM
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Like I mentioned, the caps in the HX2000XLR3 are 22,000uF/100V so we had to get those from CDE (Cornell Dubilier Electronics). CDE is the largest power capacitor company in North America and one of the most reliable in the world. These capacitors are totally made in the USA.

http://www.cde.com/why-cde/overview



Enrico Castagnetti @ Rythmik Audio
Media Room: Ascend Acoustics Sierra Towers w/ RAAL, Horizon w/ RAAL & Sierra 2s | Rythmik F12SE (x2) | Marantz SR7008 | Parasound Halo P5 | Emotiva XPA-3 & XPA-200 | Oppo 105D | Sony HW40ES |
Desktop: Dynaudio BM5 mkIII | Rythmik L22 | Apogee Quartet | 27" iMac|
Bedroom: B&W 685 S2 | Rythmik LVX12 | Marantz NR1606 | Emotiva XPA-200 Gen 2 | Samsung UN50JU6500 |
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Old 10-28-2016, 04:53 PM
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Originally Posted by tvuong View Post
^^ no, why should I? It's the fact.
Just joking...lol take it easy.

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Old 10-28-2016, 04:58 PM
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Originally Posted by JT78681 View Post
@basshead81

I wasn't coming to Rythmik's defense "if" that's the way that post was took. Just simply saying it has to be hard for anyone to notice distortion from any sub unless you are pushing it to it's limits. You know more than I do though I was just giving my opinion on the matter.
I did not think that at alll...

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Old 10-28-2016, 06:33 PM
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Quote:
Originally Posted by enricoclaudio View Post
Sorry, just coming back from China Town. I was having lunch with my three daughters and son in law celebrating my 50 years b-day

Like I said, as soon I get more info to share, I will post it here. I don't have the final dimensions/weight yet. Waiting to hear from Brian on that info. He is still under jet lag influence
Happy birthday! The FV15HP looks cute in that picture.
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Receiver - Denon
Speakers - Klipsch
Subs - Rythmik
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Old 10-28-2016, 06:50 PM
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Originally Posted by enricoclaudio View Post
Sorry, just coming back from China Town. I was having lunch with my three daughters and son in law celebrating my 50 years b-day
Happy Birthday!
How's the wine and pasta in China Town?
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Old 10-28-2016, 07:04 PM
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Originally Posted by Bond 007 View Post
Happy Birthday!
How's the wine and pasta in China Town?
Hahaha. No Italian today. I have to confess that authentic Chinese food is one of my favorites foods. And now that my son in law is Chinese I have access to better and real Chinese food. Of course, I'm also a very good Italian cook so for Sunday we will continue the celebration but this time with some home made Tortellini in brodo and home made tiramisu



Enrico Castagnetti @ Rythmik Audio
Media Room: Ascend Acoustics Sierra Towers w/ RAAL, Horizon w/ RAAL & Sierra 2s | Rythmik F12SE (x2) | Marantz SR7008 | Parasound Halo P5 | Emotiva XPA-3 & XPA-200 | Oppo 105D | Sony HW40ES |
Desktop: Dynaudio BM5 mkIII | Rythmik L22 | Apogee Quartet | 27" iMac|
Bedroom: B&W 685 S2 | Rythmik LVX12 | Marantz NR1606 | Emotiva XPA-200 Gen 2 | Samsung UN50JU6500 |
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Old 10-28-2016, 07:38 PM
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Happy birthday Enrico

I am Chinese, glad you like Chinese food. You must have kids early, you're only 50 and your kids are married. Look forward to baby sitting grand kids. It's really fun, you spoil them rotten and give them back to the parents.. I fed my grand son chocolate chip cookies when he was 5 months old and he liked it. When the mother found out later( he started grabbing the cookies from the mother), the father got yielded at!!!

Anyway, as you know, I bought the F12SE with silver cone, I can't wait to receive it.
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Old 10-28-2016, 07:48 PM
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Happy birthday Enrico

I am Chinese, glad you like Chinese food. You must have kids early, you're only 50 and your kids are married. Look forward to baby sitting grand kids. It's really fun, you spoil them rotten and give them back to the parents.. I fed my grand son chocolate chip cookies when he was 5 months old and he liked it. When the mother found out later( he started grabbing the cookies from the mother), the father got yielded at!!!

Anyway, as you know, I bought the F12SE with silver cone, I can't wait to receive it.
I got married when I was 24. I have three daughters. My oldest daughter is 23, middle one 19 and little one 17. My oldest got married last year No grandchild yet

We will ship your F12SE Silver Cone on Monday!!
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Enrico Castagnetti @ Rythmik Audio
Media Room: Ascend Acoustics Sierra Towers w/ RAAL, Horizon w/ RAAL & Sierra 2s | Rythmik F12SE (x2) | Marantz SR7008 | Parasound Halo P5 | Emotiva XPA-3 & XPA-200 | Oppo 105D | Sony HW40ES |
Desktop: Dynaudio BM5 mkIII | Rythmik L22 | Apogee Quartet | 27" iMac|
Bedroom: B&W 685 S2 | Rythmik LVX12 | Marantz NR1606 | Emotiva XPA-200 Gen 2 | Samsung UN50JU6500 |
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Old 10-28-2016, 08:20 PM
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I just wanted to stop back in here and say that the Rythmik Custom components I bought a few months back are AMAZING! I have a 18 (long) x 13 (wide) x 9 (tall) Home theather that is sticks and drywall (so not a basement). The CI components was the " DS1501 4ohm sealed 3cu ft with A370XLR2 servo amp" version. All the components fit within the cabinet of a 20 year old PhaseTech Octave 1.0 with only a few modifications.

Now that I have finished all the other upgrades: A Projector (a Epson 5040ub), AVR (Yamaha RX-A3060BL), Phillips UHD BluRay Player, ATMOS and new in-wall speakers (B&W) & Screen (Elite Screens 120" AcousticPro) I have finally started watching some of the amazing content that is available out there. Tonight it was Mad Max Fury Road and this particular movie put the Rythmik CI components on center stage and they did not dissappoint!

Previously I had to use TWO of the 300w Phase Tech's to have gotten the volume and tactile feel I now get out of this single sealed 15" Rthymik. It's just AMAZING!

Thanks again guys from another satisfied Rythmik owner!
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Epson 5040ub Projector, Elite Screens 120" Saker AUHD, Yamaha RX-A3060, B&W Speakers: Signature 7's, FMP4, CWM7.5s, CCM65s, Rythmik 15" CI Sub, 30' Monoprice Cabernet Ultra CL2, Tiara CI-Pro Series In-wall wiring, Phillips BDP7501 UHD BD Player, Niles 1230 WHA Amp, Xbox, WiiU, TiVo Premiere
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Old 10-29-2016, 06:13 AM
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Happy birthday enrico!!!!
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Magnepan 1.7's (LR), Magnepan CC5/DWM (Center Channel), Magnepan MC1's (Surrounds), Rythmik F12 (Sub), Emotiva XMC-1 (Processor), Emotiva XPA-2 Gen2 Drives the 1.7's, Emotiva XPA-5 Drives the Center and Surrounds, Oppo BDP-103, Sony PS4
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Old 10-29-2016, 05:12 PM
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Quote:
Originally Posted by basshead81 View Post
That being said I was just making a point that the Rythmik is far from the cleanest sub from a distortion standpoint when outdoor burst testing @ data-bass, but has always been held with high regards for how good it sounds. That tells me what is being measured outdoors needs to be looked at carefully because it does not translate into the same experience you will get in room.

ShadyJ and I argued over this all the time because he always tried to use those certain Databass measurements to nit pick a sub.
Quote:
Rythmik makes a great product that uses Servo as one of their technologies to make a solid product. It is not magical and you can still achieve great results with other methods. Just clarifying this because you always hear "It's Servo" and I truly believe 95% of those people do not even fully understand what that means.
So it is our job to make customer understand the benefit of servo. Servo can detect the movement of cone and apply the opposite polarity of voltage to the driver (being a close-loop feedback system) to counteract the external force and therefore reduces the amount of cone movement by a factor of 3x. Any unwanted cone movement generates sound. Imagine when the acoustic energy hits the enclosure and cone. The enclosure wall remains sturdy, but the cone is relatively free to move. The cone generates sound when it moves. The ability to reduce unwanted cone movement is one of the key benefits of servo. I was in the factory to demonstrate how to test our servo amps by displaying the amplifier output on the oscilloscope. A few bays over, another team is testing another design using music signal. My display showed so much noise that I had to ask them to stop in order to show a clear waveform. This is to show you how servo rejects noise that is not in the source and the ability is present anytime the amp is on. This noise can come from another channel, it can also come from the standing wave inside the enclosure itself. In terms of the force used by our servo to counteract cone movement, it is damping force, not inertia force, not spring force. The insertia force and spring force (exhibited from other type of servo designs) actually store energy and then release it back via cone movement. Our damping force method dissipates energy as it counteract cone movement. It acheives a much better clarity.

Last edited by Rythmik; 10-30-2016 at 01:05 AM.
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Old 10-29-2016, 06:33 PM
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Please add the F12 and F15HP

Quote:
Originally Posted by enricoclaudio View Post
Those pictures were taken by Brian last week in China factory. As soon we get the subwoofers here in the USA we will take pictures next to FV15HP and F25.
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Old 10-30-2016, 09:40 AM
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Originally Posted by Rythmik View Post
Quote:
Originally Posted by basshead81 View Post
That being said I was just making a point that the Rythmik is far from the cleanest sub from a distortion standpoint when outdoor burst testing @ data-bass, but has always been held with high regards for how good it sounds. That tells me what is being measured outdoors needs to be looked at carefully because it does not translate into the same experience you will get in room.

ShadyJ and I argued over this all the time because he always tried to use those certain Databass measurements to nit pick a sub.
Quote:
Rythmik makes a great product that uses Servo as one of their technologies to make a solid product. It is not magical and you can still achieve great results with other methods. Just clarifying this because you always hear "It's Servo" and I truly believe 95% of those people do not even fully understand what that means.
So it is our job to make customer understand the benefit of servo. Servo can detect the movement of cone and apply the opposite polarity of voltage to the driver (being a close-loop feedback system) to counteract the external force and therefore reduces the amount of cone movement by a factor of 3x. Any unwanted cone movement generates sound. Imagine when the acoustic energy hits the enclosure and cone. The enclosure wall remains sturdy, but the cone is relatively free to move. The cone generates sound when it moves. The ability to reduce unwanted cone movement is one of the key benefits of servo. I was in the factory to demonstrate how to test our servo amps by displaying the amplifier output on the oscilloscope. A few bays over, another team is testing another design using music signal. My display showed so much noise that I had to ask them to stop in order to show a clear waveform. This is to show you how servo rejects noise that is not in the source and the ability is present anytime the amp is on. This noise can come from another channel, it can also come from the standing wave inside the enclosure itself. In terms of the force used by our servo to counteract cone movement, it is damping force, not inertia force, not spring force. The insertia force and spring force (exhibited from other type of servo designs) actually store energy and then release it back via cone movement. Our damping force method dissipates energy as it counteract cone movement. It acheives a much better clarity.
So, in a nutshell, this is why Rythmik subs sound as good as they do?

Does high damping further reduce unwanted cone movement over low damping? Is that why they sound so different?
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Old 10-30-2016, 12:39 PM
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I just bought the F12SE, I still have the old Velodyne VA-1210. I wonder would it work to do dual sub one on the left and one on the right. Would the Velodyne hurt the base sound as it's a few generations older......it's a dinosaur. I don't even know what features are in the Velodyne other than having a 10" speaker, a class D amp, adjustable lowpass filter, a 180deg phase switch and a volume control.

I expect the F12SE will sound miles better, I don't want the Velodyne to contaminate the sound.
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Old 10-30-2016, 01:26 PM
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Originally Posted by PlasmaPZ80U View Post
So, in a nutshell, this is why Rythmik subs sound as good as they do?

Does high damping further reduce unwanted cone movement over low damping? Is that why they sound so different?

If we are into this type of detail, we can further differentiate the "low damping" sound that is intrinsic to a non-servo system vs "high damping" sound that is intrinsic to servo but eletrically "equalized" to "low damping" (ie, more ringing). The subtle difference is the former has low damping sound because its damping force is low. That means when external force hit the cone, the cone will response with a "low damping" high ringing type of transient reponse. The latter however is different. The external force in servo will respond with a "high damping" low ring transient response. The low damping/high ringing only applies to the signal source. That is why there is a difference between acoustically implemented "low damping" and electronically implemented "low damping" and they sound differently even though in impluse response, they measure almost the same. The disturbance from the external force will show up in measurement microphone response like random noise and it is difficult to separate that from true background noise. One thing is remember is noise and distortion is separated by a vague line. Noise strongly correlated to source signal IS distortion. Distortion after fully randomized so there is no correlation to source signal will become noise. But that is another topic.
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Old 10-30-2016, 04:11 PM
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Originally Posted by basshead81 View Post
You can if its over 10%...however we need to consider those tests are done with sine waves and burst tones. They are much more taxing then even the most demanding electronic bass music. A 50hz compression sweep will turn 100% dut and melt a voice coil fast...the only point of that test is to see if the OEM did their home work correctly and employed the correct protection circuits. The most demanding material never exceeds 25% dut. Now when we place the sub's in room, distortion wi go down due to boundary reinforcement upping the efficiency which allows more output with less excursion = lower distortion.

That being said I was just making a point that the Rythmik is far from the cleanest sub from a distortion standpoint when outdoor burst testing @ data-bass, but has always been held with high regards for how good it sounds. That tells me what is being measured outdoors needs to be looked at carefully because it does not translate into the same experience you will get in room.

ShadyJ and I argued over this all the time because he always tried to use those certain Databass measurements to nit pick a sub.

Moral of the story, do not go to data-bass and try to read a few graphs and think you know everything about how the sub will perform. Its not that easy and half of that information needs to be taken as a grain of salt unless you truly understand the data JR is putting out there.

Rythmik makes a great product that uses Servo as one of their technologies to make a solid product. It is not magical and you can still achieve great results with other methods. Just clarifying this because you always hear "It's Servo" and I truly believe 95% of those people do not even fully understand what that means.

Back to original programming....

Any word on the new FV18 and 25?
Quote:
Originally Posted by Rythmik View Post
So it is our job to make customer understand the benefit of servo. Servo can detect the movement of cone and apply the opposite polarity of voltage to the driver (being a close-loop feedback system) to counteract the external force and therefore reduces the amount of cone movement by a factor of 3x. Any unwanted cone movement generates sound. Imagine when the acoustic energy hits the enclosure and cone. The enclosure wall remains sturdy, but the cone is relatively free to move. The cone generates sound when it moves. The ability to reduce unwanted cone movement is one of the key benefits of servo. I was in the factory to demonstrate how to test our servo amps by displaying the amplifier output on the oscilloscope. A few bays over, another team is testing another design using music signal. My display showed so much noise that I had to ask them to stop in order to show a clear waveform. This is to show you how servo rejects noise that is not in the source and the ability is present anytime the amp is on. This noise can come from another channel, it can also come from the standing wave inside the enclosure itself. In terms of the force used by our servo to counteract cone movement, it is damping force, not inertia force, not spring force. The insertia force and spring force (exhibited from other type of servo designs) actually store energy and then release it back via cone movement. Our damping force method dissipates energy as it counteract cone movement. It acheives a much better clarity.
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Originally Posted by Rythmik View Post
If we are into this type of detail, we can further differentiate the "low damping" sound that is intrinsic to a non-servo system vs "high damping" sound that is intrinsic to servo but eletrically "equalized" to "low damping" (ie, more ringing). The subtle difference is the former has low damping sound because its damping force is low. That means when external force hit the cone, the cone will response with a "low damping" high ringing type of transient reponse. The latter however is different. The external force in servo will respond with a "high damping" low ring transient response. The low damping/high ringing only applies to the signal source. That is why there is a difference between acoustically implemented "low damping" and electronically implemented "low damping" and they sound differently even though in impluse response, they measure almost the same. The disturbance from the external force will show up in measurement microphone response like random noise and it is difficult to separate that from true background noise. One thing is remember is noise and distortion is separated by a vague line. Noise strongly correlated to source signal IS distortion. Distortion after fully randomized so there is no correlation to source signal will become noise. But that is another topic.

This is very interesting. I read from other threads that "servo" is just marketing yet I do believe my FVX15 sounds tighter than the MFW-15 I had before. How do you quantify that? As far as output goes, I agree other subs can have similar output as Rythmik subs using different methods, but does 110db @ 20hz or 110db @ 50hz, sound the same on all subs? I am sure distortion plays a part of the sound equation, but I also think that servo sounds better. It is harder for me to tell to tell that difference in a movie such as Mad Max Fury Road, but it seems easier to hear with music (Steely Dan, Flim & BB's, Metallica, Kraftwerk, etc...). I am no expert by any means, have not heard every sub out there, and am a huge skeptic when it comes to marketing BS, but I do think the reviews/feedback from people who buy these subs usually are pretty consistent (tight, punchy, articulate). Some people even say output is less than other subs because they are used to loud bass not clean bass. I have a music listening friend who went from a Klipsch sub to an L12 and is amazed at how much better it sounds. So if I am sold on marketing, so be it! Time to go watch a movie!

Btw, I can't wait to hear feedback on the FV25 & FV18!

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Last edited by benhacker22; 10-30-2016 at 04:22 PM.
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Old 10-30-2016, 04:52 PM
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Quote:
Originally Posted by enricoclaudio View Post
Here they are: FV25HP and FV18 final prototypes going into full production. I will post more info and specifications as soon I get green light from Brian Or maybe he will post that info...




I'm sorry but after looking at these two beauties do you all need some alone time, or is it just me? I have the FV15HP but would love to expand my sub ownership to include two of these beauties. Ahhhhhh........someday.

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Old 10-30-2016, 05:35 PM
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Originally Posted by Rythmik View Post
So it is our job to make customer understand the benefit of servo. Servo can detect the movement of cone and apply the opposite polarity of voltage to the driver (being a close-loop feedback system) to counteract the external force and therefore reduces the amount of cone movement by a factor of 3x. Any unwanted cone movement generates sound. Imagine when the acoustic energy hits the enclosure and cone. The enclosure wall remains sturdy, but the cone is relatively free to move. The cone generates sound when it moves. The ability to reduce unwanted cone movement is one of the key benefits of servo. I was in the factory to demonstrate how to test our servo amps by displaying the amplifier output on the oscilloscope. A few bays over, another team is testing another design using music signal. My display showed so much noise that I had to ask them to stop in order to show a clear waveform. This is to show you how servo rejects noise that is not in the source and the ability is present anytime the amp is on. This noise can come from another channel, it can also come from the standing wave inside the enclosure itself. In terms of the force used by our servo to counteract cone movement, it is damping force, not inertia force, not spring force. The insertia force and spring force (exhibited from other type of servo designs) actually store energy and then release it back via cone movement. Our damping force method dissipates energy as it counteract cone movement. It acheives a much better clarity.
Makes sense and I can see the point but is that really audible in a real world listening session with source material? Similar to how the FV15HP shows higher distortion during data-bass testing compared to some other sub's, but does not seem to be a issue in room.

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Old 10-30-2016, 07:57 PM
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I'm thinking that in a multi-sub environment, servo helps to mitigate acoustic coupling among subs in the same room. Same goes for acoustic coupling between the room and the sub itself.

However, in the big scheme of things (room modes, acoustic interactions, stuff rattling), servo improvements gets drowned out by them as well as sensory overload in HT.

I just believe the benefits of servo gets overshadowed by other deficiencies in the room. However, in a properly setup room with no other sources of noise and distortion, servo does improve bass decay caused by room modes and acoustic interactions.
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Old 10-30-2016, 08:15 PM
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I can buy that.

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Old 10-31-2016, 12:17 PM
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My experience with my LV12R has been excellent in the sq department from day one... however, I never auditioned any other ~$600 subs, so I can't say exactly how it compares to the competition from RBH, SVS, HSU, Outlaw, etc.
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Old 10-31-2016, 01:34 PM
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Who is going to be the first to order quad FV18HP's?
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Old 10-31-2016, 01:47 PM
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Quote:
Originally Posted by bear123 View Post
Who is going to be the first to order quad FV18HP's?
I have a customer just waiting to place order for quad FV25HPs



Enrico Castagnetti @ Rythmik Audio
Media Room: Ascend Acoustics Sierra Towers w/ RAAL, Horizon w/ RAAL & Sierra 2s | Rythmik F12SE (x2) | Marantz SR7008 | Parasound Halo P5 | Emotiva XPA-3 & XPA-200 | Oppo 105D | Sony HW40ES |
Desktop: Dynaudio BM5 mkIII | Rythmik L22 | Apogee Quartet | 27" iMac|
Bedroom: B&W 685 S2 | Rythmik LVX12 | Marantz NR1606 | Emotiva XPA-200 Gen 2 | Samsung UN50JU6500 |
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f12g subwoofer , lv12r , Rythmik , Rythmik Audio , Rythmik Audio F12 Direct Servo Subwoofer , Rythmik Audio F15 Subwoofer , servo sub
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