Official Rythmik Audio Subwoofer thread - Page 997 - AVS Forum | Home Theater Discussions And Reviews
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post #29881 of 30035 Old 06-06-2017, 01:50 PM
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Originally Posted by gwsat View Post
I went to see Wonder Woman this afternoon. I thought it's 7.1 soundtrack was excellent, particularly its LFE, although it would have been fun to have seen it an an Atmos equipped theater.

When I got home I decided to watch my copy of Enchanted. It has a lossless audiotrack, DTS-HD MA, but it's only 5.1. I am happy to report that my home theater setup, especially the dual FV18s, gave me great audio, with spacial effects that were at least as good as those I heard when I saw Wonder Woman and LFE that was even better. Part of that is attributable to the wonderful sound design of Enchanted but I was still pleased and impressed by the fine job my setup could do.
it drives me crazy when i spend $20+ on an imax (liemax in this area--google the term if you're not sure what it is) or rpx ticket here to watch a blockbuster movie and you're met with a large picture (size is usually good, quality is usually okay), and absolutely lackluster audio. the volume is never loud enough, and generally speaking there is no real low end to be felt like you can at home. never-mind you're without the ability to pause the movie, grab a snack, rewind & re-watch an important bit you may have not understood, the list is quite verbose. movie theaters need to actually offer something again, and i feel like there isn't anything left at this point (to that point, i don't care at all about 3d and am quite happy it's on the decline). i know some theaters near me have started to offer more comfortable seating & the ability to order & eat real food, but who wants to listen to people eat while you're trying to enjoy the movie you just paid to see (never mind being surrounded by a constant low glow of cell phone screens)?

it's easier to just try and avoid movie trailers and pre-release hype all-together so as the movies are released on blu ray you never really felt like you were "waiting" for them to come out and you can enjoy them properly at home instead.
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post #29882 of 30035 Old 06-06-2017, 03:20 PM
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Originally Posted by Timothy1180 View Post
Don have you ever used a rca to xlr cable? I'd assume it's not any different then rca. I think it will do something different to gain in rythmik amp though.

Yes, many times, but never AFAIK on my Rythmik XLR amps since I bought XLR cables specifically for them, they are on a different power circuit, and I don't have that long an RCA cable around. I did use adapters on my (pro) crossover when I had it in-system but was not doing a comparison of levels and did not have XLR Rythmiks at that time so no help, sorry. Brian or Enrico could answer.

Since converting to single-ended throws away half the signal I would expect using an RCA-XLR adapter would cut the effective gain in half. Doesn't really change the gain of the amp, but halves the signal going into it, a 6 dB (in voltage) loss. You also lose common-mode noise rejection, and the ability to break a ground loop, both of which may or may not matter in your installation.

HTH - Don

"After silence, that which best expresses the inexpressible, is music" - Aldous Huxley
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post #29883 of 30035 Old 06-06-2017, 03:23 PM
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since many outputs are only at 2v the gains need to be turned up imo...now if you have 5v or 8v outs, maybe lower gains...or maybe im wrong, someone explain or link?

Power: Marantz sr7008, NAD C 275Bee x 2, Video: Oppo 103, Samsung 75un6300
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post #29884 of 30035 Old 06-06-2017, 03:31 PM
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Don't think I've ever seen a gain/sensitivity spec for the amplifiers. However, most AVRs put out 1~2 Vrms and I don't think I've heard of anyone having problems driving the amp. With RCAs you do have the option of using a Y cable to provide an effective 2x gain. Most folk seem to be running around midscale on the control so I am not sure why you think gain should be turned up? More gain leads to more noise (and a few other issues) as well; it's one of those things you want enough of but not too much.

Note the loss converting from RCA to XLR is expected and a special case. There are also ways around that, both passive (e.g. transformer) and active (e.g. powered DI box).

IME/IMO - Don

"After silence, that which best expresses the inexpressible, is music" - Aldous Huxley
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post #29885 of 30035 Old 06-07-2017, 04:40 AM
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Anyone know a better e-mail address for Rythmik? I had a question for them and emailed them last week and never got a reply. Maybe there is someone on here from the company I can PM instead?

BTW its very tough for me to call them during the day due to work issues.
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post #29886 of 30035 Old 06-07-2017, 05:09 AM
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Anyone know a better e-mail address for Rythmik? I had a question for them and emailed them last week and never got a reply. Maybe there is someone on here from the company I can PM instead?



BTW its very tough for me to call them during the day due to work issues.


Try texting at the numbers listed on the website.


Sent from my iPad using Tapatalk
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post #29887 of 30035 Old 06-07-2017, 05:51 AM
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Originally Posted by assassin View Post
Anyone know a better e-mail address for Rythmik? I had a question for them and emailed them last week and never got a reply. Maybe there is someone on here from the company I can PM instead?

BTW its very tough for me to call them during the day due to work issues.
@enricoclaudio @Rythmik

Display - LG OLED
Receiver - Denon
Speakers - Klipsch
Subs - Rythmik
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post #29888 of 30035 Old 06-07-2017, 07:06 AM
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Try texting at the numbers listed on the website.


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They have reached out to me here at AVS. Thank you gents.
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post #29889 of 30035 Old 06-08-2017, 06:24 AM
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Please assist with my question. Didn't know if I should post it in this thread or make a separate thread.

Rythmik: 1 or 2 F12 --vs-- 1 or 2 F15HP?

Thanks!
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post #29890 of 30035 Old 06-08-2017, 06:33 AM
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Originally Posted by assassin View Post
Please assist with my question. Didn't know if I should post it in this thread or make a separate thread.

Rythmik: 1 or 2 F12 --vs-- 1 or 2 F15HP?

Thanks!
You are posting in the right place. Can you tell us about your room? Size? Sealed? Will the subs be primarily for music or movies or a combination of both?

Display - LG OLED
Receiver - Denon
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post #29891 of 30035 Old 06-08-2017, 06:35 AM
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Originally Posted by JT78681 View Post
You are posting in the right place. Can you tell us about your room? Size? Sealed? Will the subs be primarily for music or movies or a combination of both?
Yessir. I sure can.

System:
Speakers: Ascend Acoustics Sierra-2 Front (and Polk Audio Signature S35 for movies/TV only)
Pre-Amp: Marantz AV7005
Amplifier: Emotiva XPA-2
Source 1: HTPC with FLAC and SACD rips running J.River
Source 2: Sonos Connect playing MP3, FLAC, Tidal, Google Music, etc

The system is used 90% for music and 10% for DirecTV and Movies.

The room is roughly 30 feet x 20 feet x 9 feet (5400 cubic feet). Basement "man cave". Rear wall is open to the basement. Carpeted floors and standard drywall.

Dilemma:

Option A: Single Rythmik 12" F12
Option B: Dual Rythmik 12" F12
Option C: Single Rythmik 15" F15HP
Option D: Dual Rythmik 15" F15HP


I'm not opposed to the dual 12" or 15" assuming that is what I need for a room of this size. But I also don't want to needlessly spend money if it isn't necessary.

Please advise. Thank you!
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post #29892 of 30035 Old 06-08-2017, 06:47 AM
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Originally Posted by assassin View Post
Yessir. I sure can.

System:
Speakers: Ascend Acoustics Sierra-2 Front (and Polk Audio Signature S35 for movies/TV only)
Pre-Amp: Marantz AV7005
Amplifier: Emotiva XPA-2
Source 1: HTPC with FLAC and SACD rips running J.River
Source 2: Sonos Connect playing MP3, FLAC, Tidal, Google Music, etc

The system is used 90% for music and 10% for DirecTV and Movies.

The room is roughly 30 feet x 20 feet x 9 feet (5400 cubic feet). Basement "man cave". Rear wall is open to the basement. Carpeted floors and standard drywall.

Dilemma:

Option A: Single Rythmik 12" F12
Option B: Dual Rythmik 12" F12
Option C: Single Rythmik 15" F15HP
Option D: Dual Rythmik 15" F15HP


I'm not opposed to the dual 12" or 15" assuming that is what I need for a room of this size. But I also don't want to needlessly spend money if it isn't necessary.

Please advise. Thank you!
I would recommend dual L22s or dual F15HPs if budget allows it.
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Media Room: Ascend Acoustics Sierra Towers w/ RAAL, Horizon w/ RAAL & Sierra 2s | Rythmik F12SE (x2) | Emotiva XMC-1 | Emotiva XPA-3 & XPA-200 | Oppo 105D | Bluesound Node 2 | Sony HW40ES |
Desktop: Dynaudio BM5 mkIII | Rythmik L22 | Apogee Quartet | 27" iMac|
Bedroom: B&W 685 S2 | Rythmik LVX12 | Marantz NR1606 | Emotiva XPA-200 Gen 2 | Samsung UN50JU6500 |
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post #29893 of 30035 Old 06-08-2017, 07:32 AM
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Originally Posted by serith View Post
it drives me crazy when i spend $20+ on an imax (liemax in this area--google the term if you're not sure what it is) or rpx ticket here to watch a blockbuster movie and you're met with a large picture (size is usually good, quality is usually okay), and absolutely lackluster audio. the volume is never loud enough, and generally speaking there is no real low end to be felt like you can at home. never-mind you're without the ability to pause the movie, grab a snack, rewind & re-watch an important bit you may have not understood, the list is quite verbose. movie theaters need to actually offer something again, and i feel like there isn't anything left at this point (to that point, i don't care at all about 3d and am quite happy it's on the decline). i know some theaters near me have started to offer more comfortable seating & the ability to order & eat real food, but who wants to listen to people eat while you're trying to enjoy the movie you just paid to see (never mind being surrounded by a constant low glow of cell phone screens)?

it's easier to just try and avoid movie trailers and pre-release hype all-together so as the movies are released on blu ray you never really felt like you were "waiting" for them to come out and you can enjoy them properly at home instead.
This is exactly why we build home theaters in our homes so we don't have to go see the movies and deal with the drawbacks. The only TRUE benefit of local theater is to see the movie sooner if you can't wait for it to be released on bluray. But since I have theater that sounds much better than theaters I just wait til its released on bluray.

Theater: Sony 45es, 120 inch 16:9 screen, Panny BDT500, Rotel RMB-1075, Rotel RSP-1068, Klipsch RP-280F, RP-450C, RP-160M, SVS PB13 x 2, Monster Power Conditioner, GIK acoustic panels

TV Room: Panasonic 60" plasma, Integra DTR-30.3, Axiom Audio M60, VP150, QS8, EP500
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post #29894 of 30035 Old 06-08-2017, 08:02 AM
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This is exactly why we build home theaters in our homes so we don't have to go see the movies and deal with the drawbacks. The only TRUE benefit of local theater is to see the movie sooner if you can't wait for it to be released on bluray. But since I have theater that sounds much better than theaters I just wait til its released on bluray.
I mostly agree with this. However, with Dolby Cinemas coming into play with Dolby Vision and Atmos etc. Unless you have seriously thrown down some dough for the latest and greatest in both video and audio, there are still some cases to go to the cinema. Guardians of the Galaxy Vol. 2 in my local AMC Dolby Cinema was simply gorgeous in Dolby Vision HDR, 3d, and Atmos. One of my best movie-going experiences to date and certainly, as a whole, better than I would have at home. Maybe I would have it beat in the audio department( ), but with my (cheaper) Optoma GT1080 non 4k, non HDR projector, the theater has me beat x100 in the visuals department.
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post #29895 of 30035 Old 06-08-2017, 08:44 AM
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Originally Posted by enricoclaudio View Post
I would recommend dual L22s or dual F15HPs if budget allows it.
Hi Enrico,

I'm curious, since he said, "The room is roughly 30 feet x 20 feet x 9 feet (5400 cubic feet). Basement "man cave". Rear wall is open to the basement. Carpeted floors and standard drywall.", do you think the F15HPs would be enough? I'm specifically thinking about where he says, "Rear wall is open to the basement.". So the open space could be significantly larger than the 5400 cubic foot space that he uses for his man cave. What if it is 8000 or 10000 cubic feet? In that case wouldn't a bigger ported offering be a better fit?
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post #29896 of 30035 Old 06-08-2017, 08:47 AM
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Originally Posted by Schrodinger23 View Post
Hi Enrico,

I'm curious, since he said, "The room is roughly 30 feet x 20 feet x 9 feet (5400 cubic feet). Basement "man cave". Rear wall is open to the basement. Carpeted floors and standard drywall.", do you think the F15HPs would be enough? I'm specifically thinking about where he says, "Rear wall is open to the basement.". So the open space could be significantly larger than the 5400 cubic foot space that he uses for his man cave. What if it is 8000 or 10000 cubic feet? In that case wouldn't a bigger ported offering be a better fit?
The stairway is directly behind the listening area so there is a wall (or partial wall) there. It is mostly a solid surface. To the right is a smaller opening and to the left is an opening that connects to the bar area. On the other side of the stairs/wall is another large room connected by the openings to the left and the right of the stairs/wall.

Hope that helps.
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post #29897 of 30035 Old 06-08-2017, 08:51 AM
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Originally Posted by Schrodinger23 View Post
Hi Enrico,

I'm curious, since he said, "The room is roughly 30 feet x 20 feet x 9 feet (5400 cubic feet). Basement "man cave". Rear wall is open to the basement. Carpeted floors and standard drywall.", do you think the F15HPs would be enough? I'm specifically thinking about where he says, "Rear wall is open to the basement.". So the open space could be significantly larger than the 5400 cubic foot space that he uses for his man cave. What if it is 8000 or 10000 cubic feet? In that case wouldn't a bigger ported offering be a better fit?
His preferences are 90% music so he doesn't need crazy SPL like most of people here in AVS Forum use to recommend. I have a customer with a pair of L22s in a 10000 cu ft room and he is one of the happiest customers we have so far. He even post some pictures here on AVS Forum a while ago.
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Enrico Castagnetti @ Rythmik Audio
Media Room: Ascend Acoustics Sierra Towers w/ RAAL, Horizon w/ RAAL & Sierra 2s | Rythmik F12SE (x2) | Emotiva XMC-1 | Emotiva XPA-3 & XPA-200 | Oppo 105D | Bluesound Node 2 | Sony HW40ES |
Desktop: Dynaudio BM5 mkIII | Rythmik L22 | Apogee Quartet | 27" iMac|
Bedroom: B&W 685 S2 | Rythmik LVX12 | Marantz NR1606 | Emotiva XPA-200 Gen 2 | Samsung UN50JU6500 |
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post #29898 of 30035 Old 06-08-2017, 09:51 AM
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Originally Posted by enricoclaudio View Post
His preferences are 90% music so he doesn't need crazy SPL like most of people here in AVS Forum use to recommend. I have a customer with a pair of L22s in a 10000 cu ft room and he is one of the happiest customers we have so far. He even post some pictures here on AVS Forum a while ago.
I see. That makes sense.
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post #29899 of 30035 Old 06-08-2017, 11:26 AM
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In addition to Enrico's point about the music listening material and the crazy volumes, I think there are several other factors to consider beyond just room volume. It seems to me that at most room volume is only one of four (or five, depending on how you subdivide things) factors which govern subwoofer size/SPL requirements.

I believe that room volume matters primarily in terms of room gain. Smaller rooms will benefit from more overall room gain, and will do so at somewhat higher frequencies than larger rooms, although all HT's under about 20,000^3 will benefit from some boundary gain and room gain.

The second factor, which is often overlooked in my opinion, is listening distance. If a room is so large that the nearest sub is 25' away, the sub requirements will be very different than for a more normal arrangement of 12' to 15'. But, even in a large room, most people will be able to position their subs at more normal listening distances, and may even have a nearfield sub.

The third factor is listening level, and this one could really be subdivided into two factors, since sub boost may be a separate factor in itself. For instance, some people listen at -20 MV with a 5db sub boost (or no sub boost) and others may listen with a 10db sub boost, or higher. Knowing listening levels and preferred sub boost is just as important as room size, in my opinion.

The fourth factor, which may apply less to music listening than to movies is whether the floor is concrete or a suspended wood floor. On concrete, much more low frequency and mid-bass SPL must be generated in order to create good tactile sensations. On a wood floor much more tactile bass can be generated directly through the wood floor. So much in fact that some people use decoupling agents such as feet or acoustic pads under subs. For certain types of electronic music this might also be an important factor.

There are still other factors which could be considered in determining subwoofer requirements (which could lead to differentiations between ported and sealed, for instance) but I believe that, depending on the individual, any of the other three factors listed could be as important as room size. I hope that no one minds me listing these. I was thinking about these factors earlier, and the role that each of them plays in determining our subwoofer size/power preferences.

Regards,
Mike
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post #29900 of 30035 Old 06-08-2017, 12:41 PM
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Originally Posted by mthomas47 View Post
In addition to Enrico's point about the music listening material and the crazy volumes, I think there are several other factors to consider beyond just room volume. It seems to me that at most room volume is only one of four (or five, depending on how you subdivide things) factors which govern subwoofer size/SPL requirements.

I believe that room volume matters primarily in terms of room gain. Smaller rooms will benefit from more overall room gain, and will do so at somewhat higher frequencies than larger rooms, although all HT's under about 20,000^3 will benefit from some boundary gain and room gain.

The second factor, which is often overlooked in my opinion, is listening distance. If a room is so large that the nearest sub is 25' away, the sub requirements will be very different than for a more normal arrangement of 12' to 15'. But, even in a large room, most people will be able to position their subs at more normal listening distances, and may even have a nearfield sub.

The third factor is listening level, and this one could really be subdivided into two factors, since sub boost may be a separate factor in itself. For instance, some people listen at -20 MV with a 5db sub boost (or no sub boost) and others may listen with a 10db sub boost, or higher. Knowing listening levels and preferred sub boost is just as important as room size, in my opinion.

The fourth factor, which may apply less to music listening than to movies is whether the floor is concrete or a suspended wood floor. On concrete, much more low frequency and mid-bass SPL must be generated in order to create good tactile sensations. On a wood floor much more tactile bass can be generated directly through the wood floor. So much in fact that some people use decoupling agents such as feet or acoustic pads under subs. For certain types of electronic music this might also be an important factor.

There are still other factors which could be considered in determining subwoofer requirements (which could lead to differentiations between ported and sealed, for instance) but I believe that, depending on the individual, any of the other three factors listed could be as important as room size. I hope that no one minds me listing these. I was thinking about these factors earlier, and the role that each of them plays in determining our subwoofer size/power preferences.

Regards,
Mike
These are very good valid points, Mike. I would add as the fifth factor the age of the main listener. In my personal experience dealing with customers of all ages, I can assure you that most customers above 50 years old are not after crazy volume levels. A very nice customer came to my mind. His room is about 4000 cu ft and he is running a single L12 and again, he is very happy with the results. His testimony is posted in our FB page.

https://www.facebook.com/rythmikaudi...type=3&theater
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Enrico Castagnetti @ Rythmik Audio
Media Room: Ascend Acoustics Sierra Towers w/ RAAL, Horizon w/ RAAL & Sierra 2s | Rythmik F12SE (x2) | Emotiva XMC-1 | Emotiva XPA-3 & XPA-200 | Oppo 105D | Bluesound Node 2 | Sony HW40ES |
Desktop: Dynaudio BM5 mkIII | Rythmik L22 | Apogee Quartet | 27" iMac|
Bedroom: B&W 685 S2 | Rythmik LVX12 | Marantz NR1606 | Emotiva XPA-200 Gen 2 | Samsung UN50JU6500 |
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post #29901 of 30035 Old 06-08-2017, 01:53 PM
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Hey, I resemble that remark!

Don't want it crazy loud, can't hear over about 12 kHz, but want what I can hear to be awesome.

Thus, four F12's in my little room.

p.s. Those room dimensions are going to lead to some big nulls. I would opt for two of whatever sub is chosen to smooth the in-room response.
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"After silence, that which best expresses the inexpressible, is music" - Aldous Huxley
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post #29902 of 30035 Old 06-08-2017, 02:56 PM
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Originally Posted by enricoclaudio View Post
These are very good valid points, Mike. I would add as the fifth factor the age of the main listener. In my personal experience dealing with customers of all ages, I can assure you that most customers above 50 years old are not after crazy volume levels. A very nice customer came to my mind. His room is about 4000 cu ft and he is running a single L12 and again, he is very happy with the results. His testimony is posted in our FB page.

https://www.facebook.com/rythmikaudi...type=3&theater
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Originally Posted by DonH50 View Post
Hey, I resemble that remark!

Don't want it crazy loud, can't hear over about 12 kHz, but want what I can hear to be awesome.

Thus, four F12's in my little room.
Thanks, Enrico! I suspect that you are right about age being a factor in SPL. Among other things, as we get older we may not really like as much SPL, or we may be more conscious of wanting to protect our hearing than when we were younger. But, Don is a good example of someone who may not want crazy SPL levels, but who may still want to be able to generate substantial bass at times. I am another example. I never listen above about -11 MV, and most of the time I am probably in the -12 to -14 range for movies. But, I am embarrassed to admit how much sub boost I may employ.

It's a little harder to generalize about bass. I know a lot of people on the forum in their 50's and 60's who value significant bass. Gwsat, who has Rythmik subs, is another good example, as are some people who hang out on the JTR and PSA threads, or on the ULF score thread, or the DIY sub build threads. I think there is a somewhat self-selecting quality to where both young and older "bassheads" are more likely to congregate.

Regards,
Mike
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post #29903 of 30035 Old 06-08-2017, 04:28 PM
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Originally Posted by mthomas47 View Post
Thanks, Enrico! I suspect that you are right about age being a factor in SPL. Among other things, as we get older we may not really like as much SPL, or we may be more conscious of wanting to protect our hearing than when we were younger. But, Don is a good example of someone who may not want crazy SPL levels, but who may still want to be able to generate substantial bass at times. I am another example. I never listen above about -11 MV, and most of the time I am probably in the -12 to -14 range for movies. But, I am embarrassed to admit how much sub boost I may employ.

It's a little harder to generalize about bass. I know a lot of people on the forum in their 50's and 60's who value significant bass. Gwsat, who has Rythmik subs, is another good example, as are some people who hang out on the JTR and PSA threads, or on the ULF score thread, or the DIY sub build threads. I think there is a somewhat self-selecting quality to where both young and older "bassheads" are more likely to congregate.

Regards,
Mike
Mike -- You having mentioned me with folks in their 50s and 60s in the same post, is the finest compliment I've had in a while. As I've noted in other posts, I try to limit the peak SPL level at which I listen to audio to not much more that 100db. At that level, dialog usually is comfortably in the plus or minus 70dB range, the LFE is solid and tactile, but my ears don't bleed.
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post #29904 of 30035 Old 06-08-2017, 05:47 PM
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Yessir. I sure can.

System:
Speakers: Ascend Acoustics Sierra-2 Front (and Polk Audio Signature S35 for movies/TV only)
Pre-Amp: Marantz AV7005
Amplifier: Emotiva XPA-2
Source 1: HTPC with FLAC and SACD rips running J.River
Source 2: Sonos Connect playing MP3, FLAC, Tidal, Google Music, etc

The system is used 90% for music and 10% for DirecTV and Movies.

The room is roughly 30 feet x 20 feet x 9 feet (5400 cubic feet). Basement "man cave". Rear wall is open to the basement. Carpeted floors and standard drywall.

Dilemma:

Option A: Single Rythmik 12" F12
Option B: Dual Rythmik 12" F12
Option C: Single Rythmik 15" F15HP
Option D: Dual Rythmik 15" F15HP


I'm not opposed to the dual 12" or 15" assuming that is what I need for a room of this size. But I also don't want to needlessly spend money if it isn't necessary.

Please advise. Thank you!
If you can stretch the budget I recommend dual F25s as that is a large space and you don't want to "undersub" so to speak.

If not, I personally would go with Enrico's recommendation of L22s.👍
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post #29905 of 30035 Old 06-08-2017, 06:01 PM
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ready to pull trigger...have a 15hp and 30x50x15 space....what would work best with my 15hp for sound quality?

Power: Marantz sr7008, NAD C 275Bee x 2, Video: Oppo 103, Samsung 75un6300
Speakers: Focal aria 948, Focal cc900, Klipsch synergy KSF 10.5 Subs: Velodyne HGS 12, VA 1512, Rythmik FV15HP
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^^ FV25 upfront and your FV15 near field
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post #29907 of 30035 Old 06-08-2017, 08:36 PM
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ready to pull trigger...have a 15hp and 30x50x15 space....what would work best with my 15hp for sound quality?
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^^ FV25 upfront and your FV15 near field
This time, I agree that the bigger the better because your room is HUGE. In a room like that I would go with either a FV25 or a a pair of FV18s plus the FV15HP near field.
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Enrico Castagnetti @ Rythmik Audio
Media Room: Ascend Acoustics Sierra Towers w/ RAAL, Horizon w/ RAAL & Sierra 2s | Rythmik F12SE (x2) | Emotiva XMC-1 | Emotiva XPA-3 & XPA-200 | Oppo 105D | Bluesound Node 2 | Sony HW40ES |
Desktop: Dynaudio BM5 mkIII | Rythmik L22 | Apogee Quartet | 27" iMac|
Bedroom: B&W 685 S2 | Rythmik LVX12 | Marantz NR1606 | Emotiva XPA-200 Gen 2 | Samsung UN50JU6500 |
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ok will order fv25

give me link enrico for an order...slash deal i cant find 1

ps...sent pm enrico so I can paypal
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Power: Marantz sr7008, NAD C 275Bee x 2, Video: Oppo 103, Samsung 75un6300
Speakers: Focal aria 948, Focal cc900, Klipsch synergy KSF 10.5 Subs: Velodyne HGS 12, VA 1512, Rythmik FV15HP

Last edited by torii; 06-08-2017 at 09:01 PM.
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post #29909 of 30035 Old 06-08-2017, 09:06 PM
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ok will order fv25

give me link enrico for an order...slash deal i cant find 1

ps...sent pm enrico so I can paypal
Please, send me an email to tech@rythmikaudio.com so I can forward it to Brian and he will send you the order link.

Thanks!!



Enrico Castagnetti @ Rythmik Audio
Media Room: Ascend Acoustics Sierra Towers w/ RAAL, Horizon w/ RAAL & Sierra 2s | Rythmik F12SE (x2) | Emotiva XMC-1 | Emotiva XPA-3 & XPA-200 | Oppo 105D | Bluesound Node 2 | Sony HW40ES |
Desktop: Dynaudio BM5 mkIII | Rythmik L22 | Apogee Quartet | 27" iMac|
Bedroom: B&W 685 S2 | Rythmik LVX12 | Marantz NR1606 | Emotiva XPA-200 Gen 2 | Samsung UN50JU6500 |
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post #29910 of 30035 Old 06-12-2017, 06:43 AM
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For those who take measurements with a boom mic stand, I know it is advisable to keep the stand only touching the floor.

Does that also apply to the cable from the mic to the PC or AVR/AVP? Such as the usb cable with the UMIK-1?

Also, does anyone know of a good mic clip I can buy on Amazon? The one that came with my samson mk-10 boom mic stand is kinda loose for the UMIK-1.
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