The New Master List of BASS in Movies with Frequency Charts - Page 907 - AVS Forum | Home Theater Discussions And Reviews
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post #27181 of 27558 Old 02-02-2017, 12:50 PM
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Quote:
Originally Posted by Tom C View Post
I'm pretty sure that it's only the Dolby formats that triggers it. I set it to off and my 4200 remembers it, but periodically I recheck, especially after running Audyssey. I still remember the first time I watched Iron Man with my 3800 and wondered what the big deal was with the audio. Then I found later the DRC kicked in. Big difference when I turned it off and re watched Iron Man.
Interesting topic! I dont recall my Integra having any Dynamic EQ settings. The only setting (option) that i've noticed and is only present if audyssey sets the mains to (full) range is (Double Bass) is that (dynamic EQ?). As soon as i manually set mains to 80Hz that feature disappears, and that setting stays no matter what playback setting i'm using. Is this feature standard on all AVR's? Mine is older so maybe doesn't have it, but based on how much it can effect sound quality i guess i better triple check.
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post #27182 of 27558 Old 02-02-2017, 01:01 PM
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Originally Posted by indebtbassfreak View Post
Interesting topic! I dont recall my Integra having any Dynamic EQ settings. The only setting (option) that i've noticed and is only present if audyssey sets the mains to (full) range is (Double Bass) is that (dynamic EQ?). As soon as i manually set mains to 80Hz that feature disappears, and that setting stays no matter what playback setting i'm using. Is this feature standard on all AVR's? Mine is older so maybe doesn't have it, but based on how much it can effect sound quality i guess i better triple check.

Hi,

Double bass plays the same regular channel bass content through both your front speakers (set to Large) and your subs. Meanwhile, your subs still play the LFE channel as they normally would. In most systems, double bass results in more distorted bass.

DEQ is a separate piece of software, which boosts the bass (and upper treble) slightly in all of the channels, at below Reference volumes. We notice the bass boost more, which is about 2db per 5db below Reference. But, we can produce pretty much the same effect simply by adding a sub boost (seasoning to taste). Some people who have DEQ like it a lot, and some don't.

Regards,
Mike
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post #27183 of 27558 Old 02-02-2017, 01:12 PM
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Originally Posted by mthomas47 View Post
Hi,

Double bass plays the same regular channel bass content through both your front speakers (set to Large) and your subs. Meanwhile, your subs still play the LFE channel as they normally would. In most systems, double bass results in more distorted bass.

DEQ is a separate piece of software, which boosts the bass (and upper treble) slightly in all of the channels, at below Reference volumes. We notice the bass boost more, which is about 2db per 5db below Reference. But, we can produce pretty much the same effect simply by adding a sub boost (seasoning to taste). Some people who have DEQ like it a lot, and some don't.

Regards,
Mike
Ok thanks Mike. I guess my only concern is if my AVR was auto setting some compressed material to where i may not be getting the best sound quality. But i think i'm probably over thinking things. That seemed to be a concern from others.

On a side note, I read a post of you describing your mains having like three 12' drivers and multiple mid/tweeter drivers too? Was i reading that correctly? You must have your mains set at (full) range? If so what did you do to direct more LFE to your subs?
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post #27184 of 27558 Old 02-02-2017, 03:59 PM
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Quote:
Originally Posted by indebtbassfreak View Post
Interesting topic! I dont recall my Integra having any Dynamic EQ settings. The only setting (option) that i've noticed and is only present if audyssey sets the mains to (full) range is (Double Bass) is that (dynamic EQ?). As soon as i manually set mains to 80Hz that feature disappears, and that setting stays no matter what playback setting i'm using. Is this feature standard on all AVR's? Mine is older so maybe doesn't have it, but based on how much it can effect sound quality i guess i better triple check.
What the recent posts have been discussing is Dynamic Compression, not Dynamic EQ. As Mike pointed out, these are two very different things.

Look for any sort of setting that mentions compression or "Night Mode", usually in the surround mode parameters.
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post #27185 of 27558 Old 02-02-2017, 04:16 PM
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Quote:
Originally Posted by Alan P View Post
What the recent posts have been discussing is Dynamic Compression, not Dynamic EQ. As Mike pointed out, these are two very different things.

Look for any sort of setting that mentions compression or "Night Mode", usually in the surround mode parameters.
Oh Ok thanks Alan,,,, yes i do have a (night) mode when using Dolby TrueHD only. The only other Re-EQ fuction is to soften material that may be harsh on the ears.
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post #27186 of 27558 Old 02-02-2017, 04:37 PM
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Could you include the UHD 4K Blu Ray movies on your list please
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post #27187 of 27558 Old 02-02-2017, 06:33 PM
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Originally Posted by wse View Post
Could you include the UHD 4K Blu Ray movies on your list please
Where have you been?

We discuss all new movies as they are released regardless of format

If you are referring to the OP, lfe man has been awol since 2014,
...so don't hold your breath on a list update LOL!

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post #27188 of 27558 Old 02-03-2017, 01:51 AM
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Decided to give Don't Breathe a listen on my setup after having read several of you talking about it and... good grief man, I might buy that one just for "free" massages.

That first gunshot sequence was enough to make me start checking my walls for damage. Pretty decent, yet twisted, little flick as well. In fact on that note, I've probably talked myself into buying it whenever I catch it on a good sale. Thanks to so many good movies (story/plot wise) being heavily rolled off these days, I've got a couple of friends that have wondered "why my sub is so big." Don't Breathe will make for excellent demo material to explain why.
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Arrival |2016| Graph

*This movie deserves a blind no trailer watch! and the ratings are thought the roof.
if you know the director you know this movie isn't a weak delivery in anyway.


Arrival delivers a must-see experience for fans of thinking person's sci-fi

-
Rotten Tomatoes








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The Ultimate List of BASS in Movies w/ Frequency Charts
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post #27190 of 27558 Old 02-03-2017, 07:31 AM
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^^ I fell asleep watching it a couple night ago.
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post #27191 of 27558 Old 02-03-2017, 10:33 AM
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The Monster |2016| Graph




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post #27192 of 27558 Old 02-03-2017, 02:40 PM
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^^^

I watched The Monster a couple weeks ago and it did have some good bass moments....nothing really sticks out in my mind as spectacular though. I did however really like the movie, had a lot of great character development so you really began to care about the mother and daughter stuck in the car. Also, no CG, it was practical effects only for the monster....in some scenes it didn't work so well, but overall I thought it was done pretty well.
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post #27193 of 27558 Old 02-03-2017, 02:51 PM
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Quote:
Originally Posted by indebtbassfreak View Post
Ok thanks Mike. I guess my only concern is if my AVR was auto setting some compressed material to where i may not be getting the best sound quality. But i think i'm probably over thinking things. That seemed to be a concern from others.

On a side note, I read a post of you describing your mains having like three 12' drivers and multiple mid/tweeter drivers too? Was i reading that correctly? You must have your mains set at (full) range? If so what did you do to direct more LFE to your subs?
Hi,

I'm sorry, but I must have missed your response earlier. I see that Alan has already addressed the first part. One pair of my speakers has four 12" woofers per speaker, and another pair has two 12" woofers per speaker. I definitely run my speakers full-range, without subs, for music. But, for movies, my speakers still can't compete with really good subs, and I want to enjoy all the ULF I can. So, for movies, I bass manage all of my speakers, and for these four largest ones, I use a 60Hz crossover. That seems to give me the best blend, and the best mid-bass, with my ported subs.

Regards,
Mike
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post #27194 of 27558 Old 02-03-2017, 02:57 PM
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Quote:
Originally Posted by mthomas47 View Post
Hi,

I'm sorry, but I must have missed your response earlier. I see that Alan has already addressed the first part. One pair of my speakers has four 12" woofers per speaker, and another pair has two 12" woofers per speaker. I definitely run my speakers full-range, without subs, for music. But, for movies, my speakers still can't compete with really good subs, and I want to enjoy all the ULF I can. So, for movies, I bass manage all of my speakers, and for these four largest ones, I use a 60Hz crossover. That seems to give me the best blend, and the best mid-bass, with my ported subs.

Regards,
Mike
Good god Mike are your mains custom made? Your listening experience must be beyond words and most budgets lol. I guess i shouldn't derail this thread but just (WOW).
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post #27195 of 27558 Old 02-03-2017, 03:06 PM
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Originally Posted by indebtbassfreak View Post
Good god Mike are your mains custom made? Your listening experience must be beyond words and most budgets lol. I guess i shouldn't derail this thread but just (WOW).
Thank you very much! I honestly think that my music listening experience is about as good as it could be, although I give up a little bit in HT, due to my specific speaker positioning for music. The speakers are, in fact, somewhat customized. I have four pairs of vintage Bozak speakers, three pairs of which are currently in my audio system. They all have modern capacitors, and a couple of other embellishments. The two largest speakers are a pair of Concert Grands, and a pair of Symphonies. I love them for their fidelity and natural sound quality.

Regards,
Mike
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post #27196 of 27558 Old 02-03-2017, 11:01 PM
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Originally Posted by Alan P View Post
Watched this this weekend and posted about it in the What We Watched thread:

He Never Died
OK, if you've never seen this, try to go in blind. I did, and I think I enjoyed it more because of it. I will tell you that this is one very different take on a well covered genre. Henry Rollins absolutely nails it and some of his lines had me laughing so hard I had to pause the movie so I didn't miss anything. As an added bonus, the bass was out of this world! A bit over the top at times, but lots of deep, low drones and hits throughout.
Thanks for mentioning this movie! I watched it last night and loved it, I can tell it will be one I revisit many times in the future.
And agreed, the bass was great. The surround channels were also well done IMHO,had me looking over my shoulder a few times
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post #27197 of 27558 Old 02-03-2017, 11:09 PM
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Just watched The Arrival...

Interstellar is a Sci-fi movie and the Arrival is a drama with a touch of sci-fi.

Bass wise, it definitely lacks in quantity, and probably in quality as well, compared to Interstellar.

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post #27198 of 27558 Old 02-04-2017, 04:10 AM
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Originally Posted by jamiebosco View Post
Thanks for mentioning this movie! I watched it last night and loved it, I can tell it will be one I revisit many times in the future.
And agreed, the bass was great. The surround channels were also well done IMHO,had me looking over my shoulder a few times
I was perusing Netflix last night and came across this. I probably wouldn't have given it a second thought had I not read about it here. We thoroughly enjoyed it in all its absurdity (you'll understand after watching). Solid bass and audio for a Netflix indie film. Thanks for the nod!

Edit: He Never Died was the movie being discussed.

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Quote:
Originally Posted by chucky7 View Post
Just watched The Arrival...

Interstellar is a Sci-fi movie and the Arrival is a drama with a touch of sci-fi.

Bass wise, it definitely lacks in quantity, and probably in quality as well, compared to Interstellar.
I heard Arrival is more about communication, and it's a common theme woven throughout. I won't go in expecting much in the bass department then, will wait a couple months for the BD release.

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This next weekend John Wick 2 and The Lego Batman Movie open! I have high hopes for both audio content and quality in both films. I hope JW2 has even more bass scenes with authority in homage to the powerful club scene bass. My boy is out of town this week, so that gives me an excuse to watch JW2 instead of TLBM (I'd totally watch it without kids anyway)...though I'm installing a pair of Crowsons next weekend so not sure I'll want to leave the house. 😃

I wish my local Malco theaters had better audio. The nearest IMAX is 1.5 hours away, and while not a huge step up in bass, the over all audio presentation is much better.

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Quote:
Originally Posted by Sekosche View Post
I was perusing Netflix last night and came across this. I probably wouldn't have given it a second thought had I not read about it here. We thoroughly enjoyed it in all its absurdity (you'll understand after watching). Solid bass and audio for a Netflix indie film. Thanks for the nod!

Edit: He Never Died was the movie being discussed.
Yes Alan P! Thanks for the info on this. The audio and the Bass are great on this one! Wild flick, but not too surprising with Henry in it.
I also did the Netflix thing as well Sekosche last night.

On another note....
Finally watched The Accountant, as was impressed! Great audio and bass again. This was really fun and it seemed with most of the gun shots wham right into the couch! Good flick.
Thanks All.
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post #27202 of 27558 Old 02-04-2017, 08:36 PM
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Quote:
Originally Posted by chucky7 View Post
Just watched The Arrival...

Interstellar is a Sci-fi movie and the Arrival is a drama with a touch of sci-fi.

Bass wise, it definitely lacks in quantity, and probably in quality as well, compared to Interstellar.


Wasn't impressed by Arrival at all. Very boring


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post #27203 of 27558 Old 02-04-2017, 09:30 PM
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Watched Split tonight. Solid for an M. Night film but the bass was a tease. The movie opened with some fun bass, but was nearly devoid of bass again until the end. I hoped for a suspense/horror movie he would ratchet up the bass a little more.

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post #27204 of 27558 Old 02-05-2017, 05:28 AM
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Quote:
Originally Posted by Sekosche View Post
I heard Arrival is more about communication, and it's a common theme woven throughout. I won't go in expecting much in the bass department then, will wait a couple months for the BD release.
It will be released on Feb 14, 2017.

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post #27205 of 27558 Old 02-05-2017, 06:44 AM
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It will be released on Feb 14, 2017.
Ah good to know, it wasn't listed in the upcoming DVD releases on Flixter, so thought it was a ways out...that app isn't perfect.

I've got Trolls coming this Tuesday; the stream I watched with the boy was low quality (fairly sure it had some decent bass), but the movie was surprisingly funny and creative for a family film with lots of musically gifted trolls.

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post #27206 of 27558 Old 02-05-2017, 09:33 AM
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Late to the party but just watched Suicide Squad last night.

Better movie than I was expecting.

IMO it had a really good soundtrack, had to turn the bass down 2db at my normal listening level. It had a lot of bass.

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post #27207 of 27558 Old 02-05-2017, 09:49 AM
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Thumbs up for Xmen Apocalypse! Watched it last night and enjoyed the bass and sound mix. Tonight I'm throwing on Deepwater Horizon.
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post #27208 of 27558 Old 02-05-2017, 04:37 PM
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Well Deepwater Horizon didn't disappoint either! Within a few minutes you realise this one isn't going to mess about.
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post #27209 of 27558 Old 02-06-2017, 07:41 AM
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Arrival was flat out weird....not sure how it received a 8 star rating.
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post #27210 of 27558 Old 02-06-2017, 08:14 AM
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Hopefully the bass is good in S2 also this is such perfect show.
this will without a doubt get a Blu-ray release like the other top shows on Netflix.


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