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Old 05-17-2012, 03:25 PM - Thread Starter
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Do most commercial BD movies today use 24-bit or 16-bit audio?

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Old 05-17-2012, 07:55 PM
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both.

The proper setting for sharpness is always0.
Also my Oppo BDP-103D is region free.
That makes me awesome.
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Old 05-17-2012, 09:20 PM
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Originally Posted by Fanboyz View Post

both.

So it's fifty-fifty?


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Old 05-17-2012, 09:23 PM
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No it's probably lie 80-90 percent 16 bit and then some 24 bit. There is also 20 bit.
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Old 05-17-2012, 09:31 PM
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Most titles are 16-bit 48khz. Recent titles and restorations are typically 24-bit 48khz. Some titles are 24-bit 96khz.
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Old 05-17-2012, 09:38 PM
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Originally Posted by LexInVA View Post

Most titles are 16-bit 48khz. Recent titles and restorations are typically 24-bit 48khz. Some titles are 24-bit 96khz.

Are you sure about that? I've got 168 movies on BD, and 119 of them have 48kHz / 24-bit audio. I'll admit it's not a random sample, but still I doubt that my collection is that unrepresentative of the market as a whole...
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Old 05-17-2012, 11:46 PM
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Originally Posted by Savageone79 View Post

No it's probably lie 80-90 percent 16 bit and then some 24 bit. There is also 20 bit.

There are 1473 24bit audio titles on Blu-ray according to Blu-rayStats.com and 657 with 16bit audio.

Also according to the stats page... only two titles are in 20bit audio.
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Old 05-18-2012, 04:46 AM
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Quote:
Originally Posted by svenge View Post

Are you sure about that? I've got 168 movies on BD, and 119 of them have 48kHz / 24-bit audio. I'll admit it's not a random sample, but still I doubt that my collection is that unrepresentative of the market as a whole...

True but many of them are made from 16bit original Masters. So there is no dynamic range increase but it can lower quantization errors.

Also of interest is yesterdays (5/17) announcement by Dolby of their Advanced 96Khz Up-sampling for TrueHD.
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Old 05-18-2012, 09:41 AM
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Originally Posted by William View Post

True but many of them are made from 16bit original Masters. So there is no dynamic range increase but it can lower quantization errors.

Also of interest is yesterdays (5/17) announcement by Dolby of their Advanced 96Khz Up-sampling for TrueHD.

Yeah, to bad most studios use DTS on Blu-ray.

Dolby kinda lost that race years ago.

Maybe this will help them or increase the chances they are included as an option.

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Old 05-18-2012, 12:39 PM - Thread Starter
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Perhaps I should be more specific: Can lossless audio tracks like DTS-HD MA and Dolby TrueHD and Uncompressed PCM be 16-bit or are they always 24-bit?

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Old 05-18-2012, 12:54 PM
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Quote:
Originally Posted by PlasmaPZ80U View Post

Perhaps I should be more specific: Can lossless audio tracks like DTS-HD MA and Dolby TrueHD and Uncompressed PCM be 16-bit or are they always 24-bit?

What you get is what you get. All three audio formats are usually either 16 or 24-bit on Blu-Ray depending on the settings of the encoder and LPCM/DTS can be 20-bit in addition to 16 or 24.
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Old 05-18-2012, 12:58 PM - Thread Starter
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is there any way to determine what bit depth a given BD has? my PS3 shows sampling rate but not bit depth

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Old 05-18-2012, 01:15 PM
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Quote:
Originally Posted by PlasmaPZ80U View Post

is there any way to determine what bit depth a given BD has? my PS3 shows sampling rate but not bit depth

Set-top players often have the ability to show you what the specs are.
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Old 05-18-2012, 02:08 PM
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Quote:
Originally Posted by PlasmaPZ80U View Post

Perhaps I should be more specific: Can lossless audio tracks like DTS-HD MA and Dolby TrueHD and Uncompressed PCM be 16-bit or are they always 24-bit?

They can be either 16bit or 24bit. The "lossless" part is the just how the entire thing is packaged.
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Old 05-18-2012, 03:40 PM - Thread Starter
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Quote:
Originally Posted by benes View Post

Look above you

you mean Blu-rayStats.com?

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Old 05-18-2012, 03:49 PM - Thread Starter
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Quote:
Originally Posted by benes View Post

I mean the thread I linked to.

ok, though the website appears to be more user friendly

I wish my PS3 just showed this spec

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Old 05-18-2012, 11:37 PM
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You can tell the bit depth if the soundtrack is LPCM by the fixed bitrate amount. If it's about 6.9 Megabits/sec then it's 24 bit/48 kHz. 4.6 if it's 16 bit/48 kHz.

Otherwise, you need analysis software.

Listen up, studios! Just say "NO" to DNR and EE!!
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