Originally Posted by wuther
How do know it is a different transfer then the non-box set version?
Did not mean to imply that the box set was a special update, if yours is a 2012 release it is the same.
(copied from a review)
"We wanted to return this film to as pristine a condition as possible to honour its anniversary release," says Grover Crisp, EVP of Asset Management, Film Restoration and Digital Mastering for SPE. The original camera negative was scanned at 8K and the film went through a painstaking process of repairing problems inherent to the 50-year old film elements. Using the latest digital imaging technology, the colour grading and re-mastering was completed in 4K at Colorworks, Sony Pictures Entertainments' digital intermediate facility. "The original negative was seriously damaged in a number of ways, some problems dating from the original release and some accumulated over the years." says Crisp. "But, until now, we did not have the tools available to address these issues. We think fans of the film will be as amazed as we are at the detail and resolution in the imagery captured by cinematographer Freddie Young to compliment David Lean's immaculate direction." How true!!
Lawrence of Arabia arrives at blu ray with MPEG-4 AVC 1080p 2.19:1 encode. Now through the high scrutiny lens of blu ray comes an image of the greatness in the look back at Lawrence of Arabia that today requires only the gift of sight to see in all of its filmic glory. Sony's meticulous 4K restoration is not just a treat, it's a revelation and perhaps the definitive blu ray catalogue release, if not the format's finest presentation. It is a beautiful picture, to say the least, every frame lovingly cared for and displayed on blu-ray with the sort of attention to detail and, indeed, flawlessness that a film of this magnitude commands. Sony's picture dazzles from the opening shots of Lawrence speeding down very well-defined pavement and past sharp and accurate foliage. Detail remains exacting throughout the film; whether fine grains of sand, sweeping desert vistas, intricate clothing lines, or complex facial textures, there's never a frame in which the picture doesn't dazzle with its perfect film-like elements. The image is absolutely clean, showing no signs of wear and succumbing to no unwanted artifacts or digital tinkering. Colours are equally resplendent. Gold trim, bright reds, lush natural greens, and all variety of colours simply dazzle in every scene. Black levels are perfect, as is shadow detail. It is the sort of timeless image that transfixes and immerses, one that is so precise that viewers will become absolutely lost in the beauty of the film. One should watch it twice in succession, once for the transfer and once for the movie.