Which Album (CD or Vinyl) Are you listening to now - Page 1042 - AVS Forum | Home Theater Discussions And Reviews
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post #31231 of 40863 Old 12-27-2015, 12:20 PM
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post #31232 of 40863 Old 12-27-2015, 12:20 PM
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yes - close to the edge
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i'm so laid back,i'm laid out
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post #31233 of 40863 Old 12-27-2015, 01:10 PM
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badger - one live badger * just another great roger dean cover. this and the yes relayer album are my fav.
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i'm so laid back,i'm laid out
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post #31234 of 40863 Old 12-27-2015, 01:54 PM
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genesis - foxtrot
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i'm so laid back,i'm laid out
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post #31235 of 40863 Old 12-27-2015, 03:06 PM
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jethro tull - songs from the wood
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i'm so laid back,i'm laid out
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post #31236 of 40863 Old 12-27-2015, 03:29 PM
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Badger - One Live Badger




24/96

beside the R Dean cover, the Yes connection via Tony Kaye is abundantly evident; the album was co-produced by Jon Anderson

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post #31237 of 40863 Old 12-27-2015, 04:09 PM
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Frank Zappa - Hot rats



24/96

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post #31238 of 40863 Old 12-27-2015, 04:17 PM
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camel - rain dances
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post #31239 of 40863 Old 12-27-2015, 04:19 PM
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Currently listening to "Arctic Circle" from the album Alberta by Jason Hancock.

Not commercially available. The composer has a YouTube channel where he posts his compositions.

If you want mp3 downloads (the only format he uses), you need to track him down on Twitter, where he goes by the name FimusTauri

Spoiler!
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post #31240 of 40863 Old 12-27-2015, 04:19 PM
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post #31241 of 40863 Old 12-27-2015, 04:22 PM
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Electric Ladyland is the third and final studio album by English-American rock band the Jimi Hendrix Experience, released in October 1968 by Reprise Records. The double album was the only record from the band produced by Jimi Hendrix. By mid-November, it had charted at number one in the United States.

Electric Ladyland included a cover of the Bob Dylan song, "All Along the Watchtower," which became the Experience's highest-selling single.

Electric Ladyland has since been viewed as Hendrix's best work and one of the greatest rock albums of all time, 54th on Rolling Stone '​s list of the 500 greatest albums of all time.
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post #31242 of 40863 Old 12-27-2015, 04:50 PM
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Originally Posted by smasher50 View Post
just another great roger dean cover. this and the yes relayer album are my fav.
These are both from my '75 "coffe table" book - Roger Dean 'Views'





Yeah I'm fond of his art as well..........

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post #31243 of 40863 Old 12-27-2015, 04:55 PM
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Fables of the Reconstruction, also known as Reconstruction of the Fables, is the third studio album by the American alternative rock band R.E.M., released on I.R.S. Records in 1985. The Joe Boyd-produced album was the only one recorded by the group outside of the United States (in London, England).

Recorded during a period of internal strife—largely due to the R.E.M. members' homesickness and an unpleasant London winter—the band's unenthusiastic view of the album has been public for years, and is often reflected among fans and the press. Drummer Bill Berry was quoted in the early 1990s as saying that Fables of the Reconstruction "sucked"; frontman Michael Stipe once shared the opinion but lately has said he considers it home to some of their more notable songs, telling producer Joe Boyd that he had grown to love the album.

Peter Buck, in the liner notes of the 25th Anniversary Deluxe edition, said, "Over the years, a certain misapprehension about Fables of the Reconstruction has built up. For some reason, people have the impression that the members of R.E.M. don't like the record. Nothing could be further from the truth. [...] It's a personal favorite, and I'm really proud of how strange it is. Nobody but R.E.M. could have made that record."
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post #31244 of 40863 Old 12-27-2015, 05:08 PM
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Let It Bleed is the eighth British and tenth American album by the English rock band the Rolling Stones, released in December 1969.

Let It Bleed was the Stones' last album to be released in an official mono version, which is rare and highly sought-after today.

Side one
1. "Gimme Shelter" 4:31
2. "Love in Vain" 4:19
3. "Country Honk" 3:09
4. "Live with Me" 3:33
5. "Let It Bleed" 5:26

Side two
1. "Midnight Rambler" 6:52
2. "You Got the Silver" 2:51
3. "Monkey Man" 4:12
4. "You Can't Always Get What You Want" 7:28

In 2003, Rolling Stone ranked it at number 32 on the magazine's list of the "500 Greatest Albums of All Time".
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post #31245 of 40863 Old 12-27-2015, 05:08 PM
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Billy Cobham - Total Eclipse.



24/96

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post #31246 of 40863 Old 12-27-2015, 06:02 PM
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The Dead Weather-Dodge and Burn
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post #31247 of 40863 Old 12-27-2015, 07:03 PM
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The Mahavishnu Orchestra - The Inner Mounting Flame



24/96

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The Black Keys - thickfreakness, vinyl

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post #31249 of 40863 Old 12-27-2015, 09:20 PM
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The Billy Cobham - George Duke Band |"Live" On Tour In Europe

Vinyl
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post #31250 of 40863 Old 12-28-2015, 03:11 AM
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IQ | the wake

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post #31251 of 40863 Old 12-28-2015, 04:48 AM
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Pet Sounds is the eleventh studio album by the American rock band the Beach Boys. Released on May 16, 1966, it initially met a lukewarm critical and commercial reception in the United States, but received immediate success abroad, where British publications declared it "the most progressive pop album ever". In later years, Pet Sounds garnered enormous worldwide acclaim by critics and musicians alike, and is regarded as one of the most influential albums in the history of popular music.

The album was produced and arranged by Brian Wilson, who also wrote and composed almost all of its music, with an unprecedented budget exceeding $70,000 (today over $510,000). Sessions were conducted several months after he had quit touring with the Beach Boys in order to focus his attention on writing and recording. Collaborating with lyricist Tony Asher, Wilson's symphonic arrangements wove elaborate layers of vocal harmonies, coupled with sound effects and unconventional instruments such as bicycle bells, buzzing organs, harpsichords, flutes, Electro-Theremin, dog whistles, trains, Hawaiian-sounding string instruments, Coca-Cola cans and barking dogs, along with the more usual keyboards and guitars. Together, they comprised Wilson's "pet sounds", incorporating elements of jazz, exotica, classical, and the avant-garde. It was led by the singles "Wouldn't It Be Nice" (backed with "God Only Knows") and "Sloop John B", while Wilson made his solo debut with "Caroline, No", issued a few months earlier. Due to its highly personal, artistic nature, Pet Sounds is sometimes considered a Brian Wilson solo album in all but name.

In 1993, it was named the greatest album of all time by NME magazine and The Times, and in 1995 by Mojo magazine. In 2003, Rolling Stone ranked it second on its list of the 500 greatest albums of all time. In 2004, Pet Sounds was preserved in the National Recording Registry by the Library of Congress for being "culturally, historically, or aesthetically significant."
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post #31252 of 40863 Old 12-28-2015, 06:15 AM
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A Love Supreme is a studio album recorded by John Coltrane's quartet in December 1964. It is generally considered to be Coltrane's greatest work.

The album is a four-part suite, broken up into tracks: "Acknowledgement" (which contains the mantra that gave the suite its name), "Resolution", "Pursuance", and "Psalm." It is intended to be a spiritual album, broadly representative of a personal struggle for purity, and expresses the artist's deep gratitude as he admits to his talent and instrument as being owned not by him but by a spiritual higher power.

In 2003, the album was ranked number 47 on Rolling Stone magazine's list of the 500 greatest albums of all time.
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Music from Big Pink is the debut studio album by the Band. Released in 1968, it employs a distinctive blend of country, rock, folk, classical, R&B, and soul. The music was composed partly in "Big Pink", a house shared by Rick Danko, Richard Manuel and Garth Hudson in West Saugerties, New York. The album itself was recorded in studios in New York and Los Angeles in 1968, and followed the band's backing of Bob Dylan on his 1966 tour (as the Hawks) and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan.
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John Coltrane - Blue train

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Thelonious Monk Quartet with John Coltrane at Carnegie Hall

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Layla and Other Assorted Love Songs is the only studio album by the Anglo-American blues rock band Derek and the Dominos. Released in November 1970, the double album is best known for its title track, "Layla", and is often regarded as Eric Clapton's greatest musical achievement. Guest performer Duane Allman on lead and slide guitar on 11 of the 14 songs.

In 2000, the album was inducted into the Grammy Hall of Fame. In 2003, television network VH1 named Layla and Other Assorted Love Songs the 89th-greatest album of all time, and Rolling Stone ranked it number 117 on its list of "The 500 Greatest Albums of All Time".
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The Doobie Brothers - Toulouse Street (SACD)


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The Swing is Australian rock band INXS's fourth studio album, released in April 1984. The lead single "Original Sin" was recorded in New York City with Nile Rodgers and featured Daryl Hall on backing vocals.
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Lifes Rich Pageant is the fourth studio album by the American alternative rock band R.E.M., released in 1986, recorded at John Mellencamp's Belmont Mall Studios in Belmont, Indiana.

The source for the title of the album is based on an English idiom. Its use is very old, but R.E.M.'s use is, according to guitarist Peter Buck, from the 1964 film A Shot in the Dark, minus the apostrophe:
Inspector Clouseau opens car door and falls into a fountain.
Maria: "You should get out of these clothes immediately. You'll catch your death of pneumonia, you will."
Clouseau: "Yes, I probably will. But it's all part of life's rich pageant, you know?"
The missing apostrophe in the title is deliberate. Nearly all contractions used by R.E.M. lack apostrophes, though "life's" in this case is a possessive. Peter Buck once stated, "We all hate apostrophes. Michael insisted and I agreed that there's never been a good rock album that's had an apostrophe in the title."

The cover of the album is a photograph of drummer Bill Berry.

The ecologically conscious "Fall on Me" (a personal favorite of frontman Michael Stipe) and a cover of the Clique's "Superman", sung by bassist Mike Mills, were the only singles released from the album.

It ranked at number 162 in the list of Virgin's All-Time Album Top 1000 List.
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