Blu-ray™ Includes the Extended Director’s Cut, Theatrical Version with New Special Features and Premiums
Burbank, Calif. June 20, 2013 – When The Exorcist was first released in 1973, viewers were frightened out of their wits - and literally out of their seats. Now Warner Bros. Home Entertainment (WBHE) will celebrate the 40th anniversary of Academy Award® winning director William Friedkin’s suspense masterpiece that haunted and intrigued the world, with a new Blu-ray release featuring the Extended Director’s Cut and Theatrical Version with new special features and premiums ($49.99 SRP). Available October 8, just ahead of Halloween, this 40th Anniversary Edition will include two new featurettes: “Beyond Comprehension: William Peter Blatty's The Exorcist” and “Talk of the Devil,” as well as an excerpt from Friedkin’s book The Friedkin Connection: A Memoir.
A true cinema landmark, the theological thriller is one of the top ten box-office performers of all time.* The Exorcist took 10 Academy Award® nominations, including Best Picture, and won two Oscars®[ii], for Best Adapted Screenplay, as well as winning for Best Sound. Subsequently, the film went on to become a multi-million dollar franchise. Directed by Friedkin (Oscar®-winner for The French Connection - Directing 1971) and written by William Peter Blatty, the film is based on his best-selling novel, which sold nearly 13 million copies domestically and was the #1 book on the New York Times Best Seller List for 57 weeks, 17 of them at #1.
Regarding the Extended Director’s Cut, Friedkin says, “After my initial cut, I took out 12 more minutes before we released it in theatres. Years later, Bill Blatty asked if I’d review some of that rejected footage (which he always felt should have remained) with an eye towards putting it back in a new version. In so doing I believe we strengthened the spiritual aspect of the film.”
Celebrated for his directorial role in this seminal film, Friedkin is still very much in the limelight. His new book, The Friedkin Connection: A Memoir, recently published by HarperCollins, extensively discusses the background and casting of The Exorcist. The Academy of Science Fiction, Fantasy and Horror Films will honor Friedkin this month with their Lifetime Achievement Award for his continually influential work in genre entertainment at this year’s Saturn Awards. In August, Friedkin will receive the Golden Lion for Lifetime Achievement at the 70th Venice International Film Festival, where he will present the restored version of Warner Bros.’ Sorcerer. And Friedkin and author Blatty will attend a special 40th Anniversary screening of their film at the Smithsonian in Washington, D.C. on October 30. The film will also have an exclusive theatrical engagement October 31 through November 7th at the AMC Georgetown.
The Exorcist tells the now-famous story of a girl’s demonic possession, and a gripping fight between good and evil. Linda Blair, in a breakout role, plays Regan, a young girl who starts to exhibit strange, arcane behavior. Her mother (Ellen Burstyn, Oscarâ-winner for Best Actress Alice Doesn’t Live Here Anymore) calls upon a priest, Father Karras (Jason Miller) to investigate. But Karras, who has a spiritual crisis of his own, is suddenly confronted with the unimaginable evil of Regan’s possession. Father Lankester Merrin (Max Von Sydow), an archeologist-priest, is called to help, and a horrific battle for her soul begins.
· Beyond Comprehension: William Peter Blatty's The Exorcist (NEW) 40 years after his novel was published, The Exorcist author, screenwriter and producer returns to where it all began. First stop is a cabin/guest house in the hills of Encino, California, where Blatty wrote the novel. The author visits the place for the first time in 40 years and shares not only memories of writing the book, but also discusses how it inspired him. We then meet Blatty in two key and iconic locations; Georgetown University where the film was shot, and at the now-famous Exorcist steps. Throughout, Blatty reads from his novel, including an excerpt from a chilling newly published passage.
· Talk of the Devil (NEW) – While at Georgetown University, William Peter Blatty heard about a true case of possession from Father Eugene Gallagher. At the time the film came out, the priest talked at length about exorcism, the true story and about Blatty; this footage is now available for the first time in many years. It is as revealing as it is shocking.
· Two Commentaries by William Friedkin
· Commentary by William Peter Blatty
· Introduction by William Friedkin
· 1998 BBC Documentary "The Fear of God: 25 Years of the Exorcist”
· Raising Hell: Filming the Exorcist Set footage produced and photographed by Owen Roizman, camera and makeup tests, and interviews with director William Friedkin, actress Linda Blair, author/screenwriter/producer William Peter Blatty and Owen Roizman.
· The Exorcist Locations: Georgetown Then and Now -- Featuring a tour of the iconic locations where the film was shot.
· Faces of Evil: The Different Versions of The Exorcist — with director William Friedkin and author/screenwriter/producer William Peter Blatty discussing the different versions of the film and featuring outtakes from the film.
Having owned the movie on vhs during its 25th anniversary in 1998, and renting the 2000 cut on dvd, i can say i will buy this on amazon. My dad used to be scared of this movie and his late mom too. One scene (the spinning head scene and pea soup) made her vomit lol. 1973 was a big year for WB, as the studio had its 50th anniversary and one year of being owned by Warner Communications (whose logo is still used by WMG) after Kinney sold off the studio after purchasing it from Seven Arts (The W7 logo). Not only exorcist but enter the dragon and mean streets came out. At the time of its christmas release (which wb would use for Superman five years after that to great success), it became the most profitable R rated and horror movie of all time, which still stands if box office is adjusted for inflation. The sequel that followed in 1977 bombed at the box office, and others failed to attract the same fans as the original version.
Without exposing plot points or effects, I will say that in 1973 the air was electric as the crowd was being seated in the New York theater I attended. People were genuinely scared before the movie began. And for good reason that soon became evident. The groundbreaking effects hadn't been seen or heard before. This was a time when it was advantageous being without cell phones and the internet because you really were in for shocking developments that unexpectedly amped up as time wore on.