I am not a big fan of the Red One camera because it always makes images look thin, dingy (or waxy), and the colors are under-saturated, inaccurate, and never "pop" out of the screen like film or the better digital cameras. It is like printing an image on old, cheap, recycled paper.
The Social Network, Super, The Lincoln Lawyer, and Skyline were all shot on the Red camera, and I think they are the best examples of that technology. If the script and acting are good you can ignore the dirty, messy look of the Red.
That said, if they can ever come out with an affordable laser projector, then more power to them. It may be a long wait, however.