'The Americans' on FX HD - Page 43 - AVS Forum | Home Theater Discussions And Reviews
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post #1261 of 1424 Old 03-27-2015, 05:44 PM
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Thanks for the laugh guys.

These are just my opinions.
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post #1262 of 1424 Old 03-27-2015, 06:53 PM
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Originally Posted by oldcband View Post
gwsat
If I'm wrong about this show but I'm not I'll bet this is its last season. I'll eat crow if its renewed for a fourth season. But if there was a betting window that we could bet on show's being renewed I'd lay a wager that this is it for The Americans. Sometimes I just have to see it through when you start from the start of season one and waited for something that would get my interest but never happened. I'm bored.
It's going at least 5 seasons. Andy Greenwald referred to that in his article yesterday.

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The people on The Americans aren’t good or bad. They’re just people, which means the morality needle is always spinning. This has led to a series rife with conflict but profoundly wary of resolution. Nearly every great American drama has given its audiences at least the occasional whiff of victory to keep them sweet: Tony Soprano would smile from time to time; McNulty and Bunk would blow out their sorrows on Jameson and beer. It’s a nod to the secret chemistry of all domestic TV: Give them a taste of the good stuff and soon they’ll be hungering for a full meal. The Americans, like a lugubrious Russian thinker, abjures this capitalist system of constant reward. There is no buoyancy to its storytelling, there is little long-term hope. (This is likely why the ratings remain so poor. But never fear: In January, FX boss John Landgraf promised “at least” five seasons, and recent conversations with the network have made it clear to me that he wasn’t lying, numbers be damned.) Call it a downer if you must. To me, it’s oddly liberating. Yes, it’s a show primarily about lying. But to watch The Americans is to be forced to sink deeper and deeper into uncomfortable truths. To borrow a phrase from Betty, the doomed widow in the machine repair shop, it’s impossible to watch this show with even a grain of sugar in your eyes.
http://americansundercover.com/2015/...ast-5-seasons/

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post #1263 of 1424 Old 03-27-2015, 07:01 PM
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Thanks for the laugh guys.

Much like with Homeland maybe you should choose a new way of watching TV if you haven't liked then why watch? You can always catch things here and there that don't contain spoilers to see if anything has changed. This show has been pretty much the same style since season 1. It's not for everyone, but it is one of the best shows on TV that "no one" is watching. The slow burn and focus on characters is what I like about this show on top of its serialized fashion. Maybe you should just stop now free yourself of the pain and come back and watch the series finale.


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post #1264 of 1424 Old 03-27-2015, 07:38 PM
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The question is what else FX has in the pipeline.

They're going to have to replace Justified so if they have two shows they think will get ratings and good reviews to draw higher demographic viewers, it could be trouble for this show.
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post #1265 of 1424 Old 03-27-2015, 08:07 PM
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The question is what else FX has in the pipeline.



They're going to have to replace Justified so if they have two shows they think will get ratings and good reviews to draw higher demographic viewers, it could be trouble for this show.

Shows are seasonal, so they would want two shows for this time of year. If they have one more final season to wrap everything up and end with out rushing it would go a long way in being the "unnetwork". These days people don't watch shows sometimes because of the fear of cancellation. If a network is willing to get behind shows that are good, but maybe not liked by large audiences and give them a chance it may draw more viewers. I'm still sour at AMc for canceling Rubicon which I thought was a great show that ended poorly due to being rushed.


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post #1266 of 1424 Old 03-27-2015, 08:28 PM
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And she and Philip haven't lost their souls yet, as Philip's angry conversation with Gabriel showed.
Speaking of which, I can't recall how Gabriel fits into the larger picture. He was their handler prior to the events of season 1, right? Philip mentioned Gabriel's betrayal, but do we know what happened? I recall some bad events led to his replacement by Margo, but maybe we're just talking about how Gabriel has been working behind Philip's back to corrupt Paige.

Also, am I missing something regarding the mail robot? Why would they want a bug there? Do they expect FBI agents to be having top-secret conversations in the hallways? Perhaps they're just desperate to get some kind of replacement bug in place, even if it's not going to be nearly as useful as the one in the pen, but it seems like a bigger risk than necessary for the potential payoff it could yield.

As for the ratings and renewal prospects, I agree that it's wise to play the long game when it comes to renewing a critically acclaimed but underwatched show. As archi said, there are 500 channels on cable, but establishing your channel with a reputation as the one with excellent programming is the best thing you can do to ensure the eyeballs keep returning in the future.
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post #1267 of 1424 Old 03-27-2015, 10:59 PM
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Originally Posted by Aleron Ives View Post
Speaking of which, I can't recall how Gabriel fits into the larger picture. He was their handler prior to the events of season 1, right? Philip mentioned Gabriel's betrayal, but do we know what happened? I recall some bad events led to his replacement by Margo, but maybe we're just talking about how Gabriel has been working behind Philip's back to corrupt Paige.
That's what I remember. We never got much background on him in the first season. Just from the way he acts I can think we can say that he has a suspicious background and ulterior motives as their handler. Even Philip is realizing that Gabriel is manipulating them.

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Also, am I missing something regarding the mail robot? Why would they want a bug there? Do they expect FBI agents to be having top-secret conversations in the hallways? Perhaps they're just desperate to get some kind of replacement bug in place, even if it's not going to be nearly as useful as the one in the pen, but it seems like a bigger risk than necessary for the potential payoff it could yield.
It does seem a fairly limited bug but they've made desperate attempts for quick info in the past. I guess it depends where the robot goes. Classified files from various places end up in the bot so maybe it roams around in meeting rooms too. Hearing just the file names of operations would be of some use I suppose.


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post #1268 of 1424 Old 03-27-2015, 11:10 PM
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Originally Posted by wco81 View Post
The question is what else FX has in the pipeline.
FX has a lot in development right now. Kurt Sutter's The Bastard Executioner is getting good buzz and is shooting now, Ridley Scott is making Taboo, Denis Leary on Sex & Drugs & Rock & Roll and a lot of half-hour comedies. They are not short of new projects when Justified goes and The Bridge has already gone, but even then all the new shows are untested so will have little effect on any show this season.


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post #1269 of 1424 Old 03-28-2015, 05:32 AM
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Putting a new bug in the mail robot while the FBI is still investigating the pen bug is a risky proposition. If I'm the FBI, that's a "high value target" that I'd be keeping a close eye on (especially since it just went out for repairs). Another thing to consider: if they do find the new bug in the robot, who's going to rise to the top of the suspect list? Gaad, of course. He's the one who damaged the robot and sent it out for repairs, and it was his pen that was previously bugged. Things could go from bad (getting beaten up by Elizabeth) to worse (being accused of treason) for ol' John-Boy.
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post #1270 of 1424 Old 03-28-2015, 05:41 AM
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If your a fan or not on the The Americans remember we live in corporate America and it's all about the money. The Bridge and The Americans ratings were about the same and I didn't hear the word renewed yet so I'll be waiting. And when we all think the same way nobody is thinking at all.

These are just my opinions.
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post #1271 of 1424 Old 03-28-2015, 07:49 AM
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Poor Martha. Can't see a scenario at this point where this ends well for her. Terrific job by that actress (Alison Wright) conveying all those complex emotions. What will happen to Philip's soul if he has to plug that leak (no pun intended)?
The wife and I are kind of scratching heads about her - Martha knows that Clark is not who he says he is, but does she suspect that he's a spy? I would guess so, and then is the logical conclusion that she's in as deep as he is so there's nothing to lose by sticking with him?

I think that the motivation is that he's all she's got and doesn't want to go back to the (possibly) lonely life she had before.

Also, we're puzzled as to why Elizabeth forced the issue with the old lady at the repair shop, there wasn't any need to go up there. It seemed like the writers wanted to force another episode of self-doubt for her at the expense of what would've been more reasonable (standing watch for Philip and only taking action if the old lady saw them).
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post #1272 of 1424 Old 03-28-2015, 07:53 AM
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Originally Posted by oldcband View Post
gwsat
If I'm wrong about this show but I'm not I'll bet this is its last season. I'll eat crow if its renewed for a fourth season. But if there was a betting window that we could bet on show's being renewed I'd lay a wager that this is it for The Americans. Sometimes I just have to see it through when you start from the start of season one and waited for something that would get my interest but never happened. I'm bored.
Renewal of the show (and ratings) have nothing to do with the quality of it, something that's apparently lost on you. It's not like it would be the first time a good show got canned because a lot of folks don't appreciate it and/or don't like the subject matter.
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post #1273 of 1424 Old 03-28-2015, 07:56 AM
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Originally Posted by Aleron Ives View Post
Also, am I missing something regarding the mail robot? Why would they want a bug there? Do they expect FBI agents to be having top-secret conversations in the hallways? Perhaps they're just desperate to get some kind of replacement bug in place, even if it's not going to be nearly as useful as the one in the pen, but it seems like a bigger risk than necessary for the potential payoff it could yield.
This bothered me too, just didn't see the rationale behind planting the bug here (and having to maintain it by swapping tapes, something that was alluded to).
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post #1274 of 1424 Old 03-28-2015, 07:57 AM
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If your a fan or not on the The Americans remember we live in corporate America and it's all about the money. The Bridge and The Americans ratings were about the same and I didn't hear the word renewed yet so I'll be waiting. And when we all think the same way nobody is thinking at all.
But the problem here is that you're not adding anything you're just bored with the show. There's no point in sticking around, find something else to watch and constructively post about.
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post #1275 of 1424 Old 03-28-2015, 10:00 AM
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The wife and I are kind of scratching heads about her - Martha knows that Clark is not who he says he is, but does she suspect that he's a spy? I would guess so, and then is the logical conclusion that she's in as deep as he is so there's nothing to lose by sticking with him?

I think that the motivation is that he's all she's got and doesn't want to go back to the (possibly) lonely life she had before.

Also, we're puzzled as to why Elizabeth forced the issue with the old lady at the repair shop, there wasn't any need to go up there. It seemed like the writers wanted to force another episode of self-doubt for her at the expense of what would've been more reasonable (standing watch for Philip and only taking action if the old lady saw them).
Regardless of Martha's motivations (though I think loneliness is the most likely), I'm happy the writers have taken her plot line in a new and potentially interesting direction. It was the one area of the show that I felt was the weakest (be it the plausibility of the logistics of their part-time marriage, or the lack of a pay off for the viewers--have we ever been made aware of the intel the Russians were collecting from the pen-bug? It would have been stellar based on Gaad's position.)

I agree that the writers seemingly forced the issue wth the old lady. If confrontation was needed for the script they could have easily staged a scene where the lady happened to look down to the shop floor at Phillip, at which point Elizabth could have quickly escorted the lady into the office. Would have fit better.
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post #1276 of 1424 Old 03-28-2015, 10:09 AM
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If your a fan or not on the The Americans remember we live in corporate America and it's all about the money. The Bridge and The Americans ratings were about the same and I didn't hear the word renewed yet so I'll be waiting. And when we all think the same way nobody is thinking at all.
The cancellation of The Bridge didn't bother me at all. Although I watched it and thought the performances were good, it never captured my imagination the way The Americans does. Every time I watch an episode, I feel cold chills. That's a good thing, it seems to me.

By the way, I assume you are still watching The Americans, so you are certainly entitled to express negative opinions about it. The folks who bother me are those who are not watching a show and nevertheless post negative opinions about it. That sort of thing is rank trollery.
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post #1277 of 1424 Old 03-28-2015, 10:58 AM
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^^^
A man of reason. I've never missed an episode. I started getting turned off last year and now I'm critical of the show. What gets me is when people here tell me I should love it because the critics do. So this means I should love certain news networks because their the number one in news. I don't follow the herd.

These are just my opinions.
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post #1278 of 1424 Old 03-28-2015, 11:40 AM
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^^^
A man of reason. I've never missed an episode. I started getting turned off last year and now I'm critical of the show. What gets me is when people here tell me I should love it because the critics do. So this means I should love certain news networks because their the number one in news. I don't follow the herd.
Not at all. This man of reason suggests you should love it because it's very good and there is little better on the small screen in terms of plotting, acting, pacing, and attention to detail. That's a reasonable conclusion based on watching a lot of TV. Probably too much.

Your primary criticism is that it's boring. Considering practically every episode has at least one scene where I have to have my fingernails surgically removed from my palms, I find that particular criticism kind of... disingenuous. Most others here agree. And none of us are professional critics. (Well, maybe one of us.)

But honestly, if it bores you, don't waste your time. Instead, read a re-cap and re-capture an hour of your week that you can devote to something you don't find boring. You'll be happier. We'll be happier. Win-win!
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post #1279 of 1424 Old 03-28-2015, 12:02 PM
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Also, we're puzzled as to why Elizabeth forced the issue with the old lady at the repair shop, there wasn't any need to go up there.
I thought the same thing. She didn't know anybody had broken in, so it would have made more sense for Elizabeth to stand guard to make sure the lady didn't leave the office. They probably set it up that way to juxtapose it with the witness possibly seeing Elizabeth's pupil during the last operation. It doesn't matter if you're young or old; if you might compromise the mission, the Jennings will protect themselves at any cost.

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What gets me is when people here tell me I should love it because the critics do. [...] I don't follow the herd.
We (or at least I) am not upset because you disagree with most of the people here. We're upset because you don't add anything to the discussion when you just say, "It's boring." OK... why? Having an opinion is fine, but you need to support it, or it really isn't worth offering it in the first place. Many of us have made specific criticisms of the show when things happen that don't make sense, such as offing the lady in the office when she didn't even know anything was wrong until Elizabeth barged in. You're welcome to level your own criticisms, too, but your posts don't advance the discussion when you don't give us anything to discuss.
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post #1280 of 1424 Old 03-28-2015, 12:27 PM
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I agree that the writers seemingly forced the issue wth the old lady. If confrontation was needed for the script they could have easily staged a scene where the lady happened to look down to the shop floor at Phillip, at which point Elizabth could have quickly escorted the lady into the office. Would have fit better.
I think the scenario unfolded the way it did because Phil & Liz didn't know who was up there or who might have seen them. They didn't know it was just the old lady until Liz saw her, and they didn't know what that person might have already seen before P&L noticed the light come on. Once she was seen, there was no lie that Elizabeth could have come up with that would have made any sense. And the old lady had already seen her and could have ID'd her in any event. Her fate was sealed from that moment.
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post #1281 of 1424 Old 03-28-2015, 12:39 PM
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This is suppose to be a killing that weighs on Elizabeth's conscience. She shed tears as they were leaving the shop because she connected in some way with the victim, especially how WWII affected their lives.

It may or may not undermine her loyalty to the cause, especially when E. said she does what she does to make the world a better place, despite having children, but Betty shot down that rationalization saying that's what evil people tell themselves.

Will she still turn over her children to this cause?
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post #1282 of 1424 Old 03-28-2015, 12:56 PM
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That was a thoroughly gripping episode. It will be interesting to see where the tensions with Gabriel is headed now that Elizabeth's steadfastness seems to finally be waning to at least a small degree.

Another question is whether there is no turning back with Paige after the initial indoctrination.
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post #1283 of 1424 Old 03-28-2015, 01:08 PM
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Ok I'll give you some thoughts. The whole Stan Nina and Oleg dynamics is totally absurd. Do you really believe that an agent like Stan would get involved with a Russian back in the 80's? I did like Stan going to the est meetings reminded me of a friend back in the 80's who used to call his wife an est hole. Then Paige getting involved in that church crap are you serious why put that in. Liz beating up Gadd and another agent? I could go back last few years and go over loose ends that weren't covered but I got so critical of this show that I can't give it shot anymore. Sorry but for you who like to tell others what to do well go jump in a lake.

These are just my opinions.
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post #1284 of 1424 Old 03-28-2015, 01:25 PM
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Ok I'll give you some thoughts. The whole Stan Nina and Oleg dynamics is totally absurd. Do you really believe that an agent like Stan would get involved with a Russian back in the 80's?
It's a fictional show, prove he wouldn't based on character motivation. He's trying to out a spy and at the same time use a common link to recruit a KGB officer for the purpose that fills both of their agendas.

Saying that wouldn't happen is like saying "That Aldrich Ames guy, totally loyal. He would never do anything to compromise National Security."


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post #1285 of 1424 Old 03-28-2015, 01:31 PM
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If your a fan or not on the The Americans remember we live in corporate America and it's all about the money. The Bridge and The Americans ratings were about the same and I didn't hear the word renewed yet so I'll be waiting. And when we all think the same way nobody is thinking at all.
The Brige was canceled because the ratings trend was in decline and it was not working creatively or critically. Landgraf explained exactly why the show was not picked up and he has a proven track record of programming.

It's obvious you have nothing to contribute because you are not even watching the show with any interest. I'm not even sure why you care about waiting for the ratings unless it's to gloat if the show gets canceled.

So, by all means keep posting. I'll be one person who doesn't bother to see it and not miss anything of note.


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post #1286 of 1424 Old 03-29-2015, 07:12 AM
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Landgraf is one of the best execs in the business. He cares more about potential than ratings and knows when a show is working or not. When it is working he will support it to the very end and give it as much leeway as possible.

One of his best quotes is ""We're not really a channel that's trying to be the highest-rated channel in television. We're trying as hard as we possibly can to be the best channel in television."

The failure to recognize a quality show is the problem of the audience and some members here. It's obvious to critics, executives, actors, writers etc. that The Americans is one of the best dramas on television.
And often such shows will do well on rerun or syndication. Paying their way.
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post #1287 of 1424 Old 03-29-2015, 07:58 AM
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And often such shows will do well on rerun or syndication. Paying their way.
Not to mention overseas sales. Don't know how 'The Americans' does in terms of foreign syndication, but I imagine, being such a quality show, it would do well.
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post #1288 of 1424 Old 03-29-2015, 04:46 PM
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The show is in no immediate threat of cancellation. The Americans generates a lot of buzz for FX and the network has usually been very loyal to its better shows. The show is probably too intense to ever be a big ratings hit, period dramas have never had big audiences. An Emmy win or two would really help its chances of sticking around a few years.

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FX Orders Fourth Season of "The Americans"
Four episodes remain in the current season, which will conclude with the season finale on April 22.

[via press release from FX]
FX ORDERS FOURTH SEASON OF "THE AMERICANS"

Award-Winning Drama Starring Keri Russell, Matthew Rhys and Noah Emmerich Receives 13-Episode Order for Season Four

Four All-New Episodes Remain This Season, Airing Wednesdays at 10 PM ET/PT, With Season Three Finale Scheduled for April 22nd

LOS ANGELES, March 31, 2015 - FX has ordered a fourth season of the critically-acclaimed and award-winning drama The Americans, it was announced today by Nick Grad and Eric Schrier, Presidents of Original Programming for FX Networks and FX Productions. The Americans, currently the #1-ranked television series on Metacritic with a 92, will return for a 13-episode fourth season in 2016. Four episodes remain in the current season, which will conclude with the season finale on April 22nd.

The Americans was honored by the American Film Institute (AFI) as one of the TV Programs of the Year in 2014 for its first season and again in 2015 for its second season. The series has also received three Primetime Emmy Award(R) nominations over the course of its first two seasons.

Grad said, "Remarkably, this season of The Americans has achieved even greater acclaim than that of its first two seasons. The series has cemented it status with critics as television's best current drama and arguably the best show on TV, and we couldn't agree more. That universal critical praise is a tribute to the talents of Joe, Joel, Keri, Matthew, Noah and the entire cast and crew. We look forward to the final four episodes of season three, and beyond, in Philip and Elizabeth Jennings' riveting journey."

"It's been a once in a lifetime opportunity to make a show like this with the immensely talented and immeasurably supportive team at FX and Fox 21 Television Studios," said Joe Weisberg and Joel Fields. "We are blessed with an extraordinary cast and crew and grateful that we'll all be able to continue telling this story that we love so much."

In the next all-new episode, "Stingers" (Airs April 1, 10:00 pm e/p) - Philip and Elizabeth deploy a plan for the C.I.A.'s Mujahideen visitors. Tensions at the Jennings' home escalate. Written by Joel Fields & Joe Weisberg; directed by Larysa Kondracki.

The Americans is a period drama about the complex marriage of two KGB spies posing as Americans in suburban Washington D.C. shortly after Ronald Reagan is elected President. The arranged marriage of Philip (Matthew Rhys) and Elizabeth Jennings (Keri Russell) grows more passionate and genuine by the day, but is constantly tested by the escalation of the Cold War and the intimate, dangerous and darkly funny relationships they must maintain with a network of spies and informants under their control. Their neighbor, FBI Agent Stan Beeman (Noah Emmerich), has become a renewed threat since he has rededicated himself to the mission of uncovering the identities of the Russian spies living among Americans. Tensions are also running high within the Jennings' home as Philip and Elizabeth find themselves increasingly at odds over their daughter's future now that the KGB has made it clear that they want Paige to join the family business. Joe Weisberg is creator and Executive Producer, alongside Joel Fields, Graham Yost and Daniel Sackheim. Amblin/DreamWorks Television heads Justin Falvey and Darryl Frank are also Executive Producers. The Americans is produced by Fox 21 Television Studios and FX Productions.

The Americans continues to be hailed as one of the best dramas on television, including this small sampling of recent press reviews:

· "The best show on TV, full stop, and a large reason for that is the unsettling subtlety of the lead performances. Matthew Rhys and Keri Russell are exceptional in their roles as restive KGB sleeper agents in Reagan's America." - Andy Greenwald, Grantland (February 19, 2015)

· "A thrilling, moving, clever show about human intimacy - possibly the best current drama out there." - Emily Nussbaum, The New Yorker (March 18, 2015)

· "The best show on television, by a fair amount - and this is a great era for the medium, with terrific series bursting out all over... . [The Americans is] one of the most deeply emotional shows on television, but it hides those beats within the chilly heart of the spy thriller, where characters must always be on guard, and plots twist and turn with every new revelation." - Todd VanDerWerff, Vox.com (January 28, 2015)

· "The best show on television... strong as ever, with perfect Cold War chill... .My trust in the writers and producers is unshakable at this point." - Hank Stuever, The Washington Post (January 27, 2015)

· "The Americans has to be the greatest drama on TV right now... .Matthew Rhys and Keri Russell are superb... .The whole season is taking audacious dramatic risks... .The entire cast keeps excelling." - Rob Sheffield, Rolling Stone (March 19, 2015)

Through the first five episodes, Season 3 of The Americans is within range of Season 2 in Total Viewers (-4%, 4.21 million vs. 4.28 million) and Adults 18-49 (-6%, 1.84 million vs. 1.97 million) based on Live+7 viewing inclusive of linear and non-linear platforms (VOD and streaming). Further, DVR usage for Season 3 is more significant than past seasons, with a +147% lift in Live+Same Day to Live+7 viewing (414,000>1.02 million), as opposed to a 124% lift in Season 2 and a 93%
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post #1290 of 1424 Old 03-31-2015, 01:54 PM
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