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post #97981 of 98001 Old Yesterday, 01:43 AM
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TV/Business Notes
CBS and Dish agree to extend deadline; blackout averted
By Meg James, Los Angeles Times' 'Company Town' Blog - Nov. 20, 2014

CBS Corp. and Dish Network have agreed to extend the deadline for a new contract -- at least for now averting a blackout of CBS-owned television stations for millions of satellite TV subscribers around the country.

The move suggests the two sides are making progress at the bargaining table.

"CBS has agreed to a short-term extension while negotiations continue," CBS said in a brief statement Thursday evening.

For now, viewers won’t miss original episodes of "The Big Bang Theory," “Blue Bloods” and “Late Show With David Letterman.” If the dispute gets resolved, Dish Network subscribers in Denver would be able to watch the Broncos battle the Miami Dolphins this weekend.

And, in Philadelphia, sports fans should be able to watch the Eagles play the Tennessee Titans.

Dish's roughly 500,000 homes in the Los Angeles region would have been affected. CBS' stations KCBS-TV Channel 2 and KCAL-TV Channel 9 are part of the agreement being negotiated.

CBS has been using its muscle -- its popular prime-time and sports programming -- to try to renew the carriage deal with more favorable terms. The broadcasting company has been looking for a substantial hike in the fees it charges for the retransmission of CBS station signals.

The contract covers CBS-owned stations in 14 markets, including Los Angeles, Sacramento, San Francisco, Dallas, Minneapolis, Detroit and New York.

The contract was set to expire Thursday night.

Since late last week, CBS has been warning of a potential blackout of its TV stations on Dish's systems. The New York-based broadcaster has been airing commercial messages that encourage viewers to call an 800 number, which routes them into Dish's call centers.

Bobby Campbell, a technical recruiter who lives in Mound, Minn., has subscribed to Dish service for 18 years. He and his wife also are loyal viewers of the CBS station in Minneapolis, WCCO-TV Channel 4.

“We definitely would consider switching to another service so we could get CBS,” Campbell said in an interview. “That’s the news we watch everyday, and they broadcast the Vikings. The Vikings aren’t that great -- but they are all that we have.”

Consumers in recent years have been growing frustrated by the increasing tensions between programmers like CBS and pay-TV companies, such as Dish, DirecTV and Time Warner Cable.

When the two sides battle it out, viewers say they are the ones who get caught in the crossfire.

CBS and Dish are said to be wrangling over several deal points, including digital rights and Dish's Auto Hop feature that allows customers to easily avoid commercials.

Dish customers already are without CNN, Turner Classic Movies and Cartoon Network. Dish dropped those channels last month after a carriage agreement with Time Warner's Turner Broadcasting unit expired.

Dish has several other carriage contract battles brewing, including another contract with Turner Broadcasting that covers TNT and TBS. A deal with NBCUniversal over several regional sports networks is expiring in early December.

With 14 million customers, Dish is the third-largest pay-TV provider in the nation. It has long been one of the most aggressive in its battles with programmers to try to hold the line on carriage costs.

Distribution companies, including Dish, increasingly are on the defensive as they try to manage programming expenses in an effort to prevent more defections of customers to lower-cost services.

Meanwhile, programmers such as CBS have been emboldened to use the popularity of their offerings as leverage at the negotiation table -- and to rally viewers to choose sides during contract disputes.

The stakes are high. Dish's third fiscal quarter was marked by more customer cancellations than analysts had been forecasting. Dish lost 12,000 pay-TV customers during the July through September period. However, Dish would save money by keeping programming off the air.

CBS survived a month-long blackout on Time Warner Cable systems in 2013. That summer outage ended badly for Time Warner Cable, which lost 300,000 subscribers during that quarter.

Time Warner Cable ended the dispute by caving in to CBS' demands on deal terms.

http://www.latimes.com/entertainment...120-story.html
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post #97982 of 98001 Old Yesterday, 01:46 AM
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TV Review
Amazon's ‘Gortimer Gibbon’s Life On Normal Street’
By Brian Lowry, Variety.com - Nov. 20, 2014

Despite an explosion of programming aimed at kids, there are relatively few live-action shows intended to appeal to the prepubescent set that won’t send parents fleeing from the room. So Amazon has scored another mini-coup with “Gortimer Gibbon’s Life on Normal Street,” a series ostensibly aimed at 6-to-11 year olds characterized by its child’s-eye-view and a whimsical perspective on those wonder years, which recalls movies such as “Stand by Me.” Services like Amazon and Netflix have pragmatically prioritized children as little platform-agnostic consumers, but in terms of kids’ TV, this sort of genuinely clever alternative is anything but normal.

Created by first-time writer/preschool teacher David Anaxagoras through Amazon’s open-door pilot submissions, and overseen by Luke Matheny, this live-action program certainly doesn’t reinvent the wheel. It’s essentially just about an ordinary kid with a peculiar name (played by Sloane Morgan Siegel) who narrates his weekly adventures. Granted, those interludes are imbued with a vaguely mystical quality – or is that just the way its protagonist and his two pals, Mel (Ashley Boettcher) and Ranger (Drew Justice), see the world?

The best episode previewed is the first (all will be made available simultaneously), which features Fionnula Flanagan as an old blind woman with a secret who lives up the street. Throughout the episodes, the dialogue is smart and doesn’t talk down to kids, such as Gortimer’s rumination on an especially unlucky contemporary in the second half-hour: “What is luck? Is it random fortune, or fate?” he ponders.

Much of what’s likable about the series stems less from the particulars than from its general tone, and in that regard, Sasha Gordon’s lilting score strikes just the right notes. The producers have also done an exemplary job in casting the child actors, while Robyn Lively is the only adult with any real recurring presence as Gortimer’s mom, just slightly more significant than the parents in Charlie Brown.

Unlike so many children’s programs, which feel compelled to turn the adults into buffoons or infuse the kids with superpowers, “Gortimer” basically tweaks reality just enough to find magic in ordinary things. In that respect, it shares a well-established literary and cinematic tradition of romanticizing and exaggerating memories of childhood.

Again, streaming services have glommed on to kids for self-serving reasons, inasmuch as they’re the demographic least likely to differentiate between traditional channels and newer alternatives.

Yet whatever’s motivating their push into children’s originals, “Gortimer Gibbon’s Life on Normal Street” is happily a cut above. And if Amazon can sustain that level of quality, hey, welcome to the neighborhood.

'Gortimer Gibbon's Life On Normal Street'
Amazon, Nov. 21


http://variety.com/2014/tv/reviews/r...et-1201358725/
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post #97983 of 98001 Old Yesterday, 01:54 AM
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TV Notes
Fox Announces Premiere Dates for ‘The Following,’ ‘Backstrom,’ ‘Last Man on Earth’
By Tim Kenneally, TheWrap.com - Nov. 20, 2014

Fox released its schedule of midseason premiere dates on Thursday, including dates for the series premiere of the Rainn Wilson series “Backstrom” and the Season 3 premiere of the Kevin Bacon serial killer drama “The Following.”

The batch of premiere dates also includes the series finale for the final season of “Glee,” which will kick off with a special two-hour event on Jan. 9, 2015.

Also among the new offerings to receive a premiere date is the Will Forte end-of-the-world comedy, “The Last Man on Earth,” which will premiere with back-to-back episodes on Sunday, March 1 starting at 9 p.m. before moving into its regular 9:30 p.m. timeslot the following week.
Read the full schedule below.

Sunday, Jan. 4:

8:00-8:30 PM THE SIMPSONS (All-New Episode)
8:30-9:00 PM BROOKLYN NINE-NINE (All-New Episode)
9:00-9:30 PM FAMILY GUY (All-New Episode)
9:30-10:00 PM BOB'S BURGERS (All-New Episode)

Mondays, beginning Jan. 5:

8:00-9:00 PM GOTHAM (All-New Episode)
9:00-10:00 PM SLEEPY HOLLOW (All-New Episode)

Tuesdays, beginning Jan. 6:

8:00-9:00 PM MASTERCHEF JUNIOR (Season Premiere)
9:00-9:30 PM NEW GIRL (All-New Episode)
9:30-10:00 PM THE MINDY PROJECT (All-New Episode)

Wednesdays, beginning Jan. 7:

8:00-9:00 PM AMERICAN IDOL XIV (Season Premiere, Part One)
9:00-10:00 PM EMPIRE (Series Premiere, with Limited Interruption)

Thursday, Jan. 8:

8:00-10:00 PM AMERICAN IDOL XIV (Season Premiere, Part Two)

Sundays, beginning, Jan. 11:

7:00-7:30 PM THE SIMPSONS (Encore Episode)
7:30-8:00 PM MULANEY (All-New Episode)
8:00-8:30 PM THE SIMPSONS (All-New Episode)
8:30-9:00 PM BROOKLYN NINE-NINE (All-New Episode)
9:00-9:30 PM FAMILY GUY (All-New Episode)
9:30-10:00 PM BOB'S BURGERS (All-New Episode)

Friday, Jan. 9:

8:00-10:00 PM GLEE (Two-Hour Season Premiere)

Thursday, Jan. 15:

8:00-10:00 PM AMERICAN IDOL XIV (All-New Episode)

Fridays, beginning Jan. 16:

8:00-9:00 PM WORLD'S FUNNIEST FAILS (wt) (Series Premiere)
9:00-10:00 PM GLEE (Time Period Premiere)

Thursdays, beginning Jan. 22:

8:00-9:00 PM AMERICAN IDOL XIV (Time Period Premiere)
9:00-10:00 PM BACKSTROM (Series Premiere)

Sunday, March 1:

7:00-7:30 PM THE SIMPSONS (Encore Episode)
7:30-8:00 PM BOB'S BURGERS (Time Period Premiere)
8:00-8:30 PM THE SIMPSONS (All-New Episode)
8:30-9:00 PM BROOKLYN NINE-NINE (All-New Episode)
9:00-10:00 PM THE LAST MAN ON EARTH (One-Hour Premiere Event)

Monday, March 2:

8:00-10:00 PM THE FOLLOWING (Two-Hour Season Premiere Event)

Tuesdays, beginning March 3:

8:00-9:00 PM HELL'S KITCHEN (Season Premiere)
9:00-9:30 PM NEW GIRL (All-New Episode)
9:30-10:00 PM THE MINDY PROJECT (All-New Episode)

Sundays, beginning March 8:

7:00-7:30 PM THE SIMPSONS (Encore Episode)
7:30-8:00 PM BOB'S BURGERS (All-New Episode)
8:00-8:30 PM THE SIMPSONS (All-New Episode)
8:30-9:00 PM BROOKLYN NINE-NINE (All-New Episode)
9:00-9:30 PM FAMILY GUY (All-New Episode)
9:30-10:00 PM THE LAST MAN ON EARTH (Time Period Premiere)

Mondays, beginning March 9:

8:00-9:00 PM GOTHAM (All-New Episode)
9:00-10:00 PM THE FOLLOWING (Time Period Premiere)

Friday, March 20:

8:00-10:00 PM GLEE (Two-Hour Series Finale)

Thursday, March 26:

8:00-9:00 PM BONES (Spring Premiere)
9:00-10:00 PM BACKSTROM (All-New Episode)

Tuesdays, beginning March 31:

8:00-9:00 PM HELL'S KITCHEN (All-New Episode)
9:00-9:30 PM NEW GIRL (All-New Episode)
9:30-10:00 PM WEIRD LONERS (Series Premiere)


http://www.thewrap.com/fox-announces...-man-on-earth/
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post #97984 of 98001 Old Yesterday, 02:00 AM
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TV Notes
On The Air Tonight
FRIDAY Network Primetime/Late Night Options
(All shows are in HD unless noted; start times are ET. Network late night shows are preceded by late local news)

ABC:
8PM - Last Man Standing
8:30PM - Cristela
9PM - Shark Tank
10PM - 20/20
* * * *
11:35PM - Jimmy Kimmel Live! (Jim Carrey; Bellamy Young; Oran "Juice" Jones performs)
(R - Nov. 13)
12:37AM - Nightline

CBS:
8PM - The Amazing Race
9PM - Hawaii Five-0
10PM - Blue Bloods
* * * *
11:35PM - Late Show with David Letterman (James Corden; author Norman Lear; TV on the Radio performs)
12:37AM - Late Late Show with Craig Ferguson (Cillian Murphy; Jennifer Carpenter; Metallica performs)

NBC:
8PM - Dateline NBC
9PM - Grimm
10PM - Constantine
* * * *
11:34PM - The Tonight Show Starring Jimmy Fallon (Julianne Moore; Michael Cera; Kid Rock performs)
12:36AM - Late Night with Seth Myers (Taylor Schilling; screenwriter Aaron Sorkin; comic Mike Lawrence)
(R - Nov. 13)
1:37AM - Last Call with Carson Daly (Cristin Milioti; Bleached performs; director Tommy Wirkola)
(R - Oct. 8)

FOX:
8PM - MasterChef: Junior Edition
(R - Nov. 18)
9PM - Gotham
(R - Nov. 10)

PBS:
(check your local listing for starting time/programming)
8PM - Washington Week With Gwen Ifill
8:30PM - Charlie Rose This Week
9PM - Great Performances: Cats (120 min.)

UNIVISION:
8PM - Mi Corazón Es Tuyo
9PM - Hasta El Fin del Mundo
10PM - La Malquerida

THE CW:
8PM - Whose Line Is It Anyway?
8:30PM - Whose Line Is It Anyway?
(R - Nov. 7)
9PM - America's Next Top Model

TELEMUNDO:
8PM - Reina de Corazones
9PM - Los Miserables
10PM - Señora Acero

HBO:
10PM - Real Time with Bill Maher (LIVE; John Cleese; Seth Rogen; author Chrystia Freeland; journalist Chris Matthews; journalist Roland Martin)
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post #97985 of 98001 Old Yesterday, 02:02 AM
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TV Notes
New Leader at CBS News as Another Returns to ‘60 Minutes’
By Bill Carter, The New York Times - Nov. 21, 2014

CBS News announced a shake-up in leadership on Thursday, elevating David Rhodes to the top position in the division, while moving the chairman, Jeff Fager, back to running the network’s flagship news program, “60 Minutes,” full time.

CBS cast the moves as an orderly transition that was set in motion four years ago when Leslie Moonves, the CBS chief executive, asked Mr. Fager to take over supervision of the news division while remaining as executive producer of “60 Minutes.”

In a memo to staff members, Mr. Moonves described the decision as largely Mr. Fager’s.

“Jeff has convinced me that the time has arrived for the next step in the plan we implemented almost four years ago,” Mr. Moonves wrote, which he said was for Mr. Rhodes to assume leadership as soon as he “got to know the organization.”

In his own memo, Mr. Fager said of Mr. Rhodes, “I hired him almost four years ago with this moment in mind, and he has exceeded all expectations.”

Mr. Rhodes’s title will not change: He will remain president of CBS News. Mr. Fager will give up his title of chairman.

Mr. Fager’s dual role was unusual; the president of the network news division had always been a full-time position. “60 Minutes,” however, has had only two executive producers in its history — Don Hewitt, who founded the program, and Mr. Fager, who succeeded him in 2004.

Under Mr. Fager, “60 Minutes” has continued to be, by far, the most successful prime-time news program in television. And under his leadership CBS has made improvements both in its evening news and morning news ratings.

But the division has endured some turbulence as well during Mr. Fager’s tenure, with “60 Minutes,” coincidentally, at the center of its most troubling incident.

In October 2013, the “60 Minutes” correspondent Lara Logan presented a report about the attacks on the United States Embassy in Benghazi that was subsequently discredited for basing its reporting on a deceptive source. The program was compelled to issue a correction and an apology to viewers. Ms. Logan was suspended for seven months.

Mr. Fager took ultimate responsibility for the errors in the report, saying in a memo to the staff: “As executive producer, I am responsible for what gets on the air. I pride myself in catching almost everything, but this deception got through and it shouldn’t have.”

At the time some CBS News staff members questioned how effectively Mr. Fager could lead the division and run “60 Minutes.”

On Thursday, Mr. Moonves wrote in his memo of Mr. Fager’s work and decision to commit himself solely to the producer’s job, “It is remarkable that he has been capable of excelling at both roles for so long, and I fully understand this action on his part.”

http://www.nytimes.com/2014/11/21/bu...ref=media&_r=0
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Critic's/Nielsen Notes
We’re Still a Long Way Away From Knowing How Many People Watch Netflix and Amazon Shows
By Josef Adalian, Vulture.com (New York Magazine) - Nov. 20, 2014

TV ratings wonks were temporarily thrown into a tizzy Tuesday night over a report that numbers giant Nielsen was going to start measuring viewership for streaming services Netflix and Amazon Prime. Both companies have declined to reveal substantial viewership stats, arguing that such measurements are irrelevant (or, at least, less relevant) under their subscription-based business model. But the story in The Wall Street Journal had data junkies rejoicing: We’ll finally know exactly how many people are watching Orange Is the New Black, or whether anyone has actually seen a full episode of Hemlock Grove! Except maybe not. It turns out that Nielsen’s new streaming ratings are probably not going to be the comprehensive yardstick yearned for by quantification addicts.

Nielsen hasn’t issued a press release or statement about its plans, but according to the Journal, starting next month, the company will use its existing in-home metering devices to analyze audio patterns of Netflix and Amazon Prime shows, and then use that information to come up with a metric for how many people are streaming said shows. This tech doesn’t require the subscription-video companies to give their permission, the paper noted. It’s also not comprehensive, since Nielsen’s audio gimmick doesn’t yet work on mobile devices such as iPads or cell phones. This is no small detail: One industry insider familiar with the streaming space says a substantial percentage of Netflix and Amazon viewership takes place via mobile, more so than for traditional broadcast and cable networks. Whatever numbers Nielsen comes up will be incomplete until the company figures out a way to count mobile streams. (The Journal says Nielsen is “working” on that.)

An even bigger question, however, is which Netflix and Amazon programming Nielsen plans to measure. The Journal story only addresses one type of content: TV shows the services license from outside studios (such as Scandal on Netflix or Under the Dome on Amazon). Right now, when a program supplier such as Warner Bros. TV or ABC Studios strikes a deal to put its content on a streaming service, it does so without knowing exactly what sort of benefit that service gets from its show. It could be that 20 percent of all Netflix viewing comes from folks catching up on Breaking Bad, for all the studios know. Or it could be the reason ratings for New Girl are down so much in recent years is because folks now watch the show a year later on Netflix. Nielsen senior vice-present Brian Fuhrer told the Journal that his company’s new data stream means “our clients will be able to look at their programs and understand: Is putting content on Netflix impacting the viewership” on other platforms?

What the Journal story doesn’t mention at all is whether Nielsen has any plans to tally viewership for original content produced exclusively for Netflix and Amazon — shows such as Orange, Transparent, and House of Cards. In theory, it would seem the same Nielsen tech that measures the audio on Scandal could also pick up whatever House of Cards sounds like. One industry insider, however, wonders whether Nielsen would bother spending the time and money to measure Netflix and Amazon originals unless a specific client were willing to foot the bill for it. The Journal notes that, at least initially, “companies will be able to view program ratings only for their own content,” though ultimately the ratings would able to subscribe to a broader measurement. Netflix and Amazon, however, are never going to pay Nielsen to measure their shows, since both companies have much more accurate internal figures. There’s one possible wrinkle, however: Some Netflix shows, including House of Cards, are produced by outside companies and licensed exclusively to Netflix. It’s conceivable one of those companies — Media Rights Capital, in the case of Cards— could decide it wants hard viewership figures for its shows, either to strike a better deal or to use as leverage in selling the show in markets where Netflix doesn’t have rights. But this is all speculation, and even if MRC or another company were to pay Nielsen to measure its shows, there’s no guarantee the rest of us would see that information. The bottom line: We’re still probably a long way away from seeing streaming shows listed alongside network shows on Nielsen’s weekly ratings charts.

http://www.vulture.com/2014/11/niels...explainer.html
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post #97987 of 98001 Old Yesterday, 02:08 AM
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TV Review
'Cats': A musical memory fine-tuned for TV
PBS has tweaked a 1997 staging of Andrew Lloyd Weber's classic musical. Don't try to watch it on your iPad.
By David Hinckley, New York Daily News - Nov. 20, 2014

There wasn't much reason not to see "Cats" on Broadway, since it ran there for approximately as long as the Middle Ages.

But if you somehow missed it, or more likely just want to relive the moment, PBS has polished up this 1997 London staging with a new orchestra and some tweaks to the video.

The fine Elaine Page stars as Grizabella, the queen mother cat who gets the spotlight musical moment when she sings "Memory."

It practically defines the term "grandiose" in framing a musical theater performance.

The strength of "Cats," one of Andrew Lloyd Webber's several theater institutions, lies in its staging, choreography and costumes.

It's not that they're the best ever, just that they blend into the non-stop spectacle that kept "Cats" a must-see among Broadway visitors long after the regular Broadway crowd had seen it.

The music, now as then, feels overblown, though it's arguable that's part of its appeal.

As for seeing it on television, this is a case where there's a direct correlation between the size of your TV screen and the splendor of what's happening on stage.

Don't try to watch this on your phone, kids. Don't even bother.

Truth is, not even the highest definition cameras can capture the experience of watching a live performance. There's so much going on with the real live three-dimensional stage, even among performers standing still, that a camera focused on the featured performers eliminates.

And for all that, fans of "Cats" will find this free televised production a treat. There's a reason half the world watched it on Broadway.

‘Cats’
Network/Air Date: PBS, Friday at 9 p.m.
Rating: ★★★ (out of five)


http://www.nydailynews.com/entertain...icle-1.2018145
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post #97988 of 98001 Old Yesterday, 06:28 AM
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Originally Posted by dad1153 View Post
TV Notes
TV lights up holiday season with new programming
By Rob Owen, Pittsburgh Post-Gazette's 'Tuned In' Blog - Nov. 21, 2014

HBO ordered a remake of the 1970s sci-fi drama “Westworld” to series. The show, executive produced by J.J. Abrams (“Star Trek: Into Darkness”) and writer/director Jonathan Nolan (“Person of Interest”), stars Anthony Hopkins, Ed Harris, Evan Rachel Wood, James Marsden, Jeffrey Wright and Thandie Newton.
http://www.post-gazette.com/ae/tv-ra...s/201411210005
Wait... what??
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post #97989 of 98001 Old Yesterday, 07:30 AM
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Bye Bye Aereo . . .

http://gizmodo.com/aereo-has-filed-f...tcy-1661537708

Don't ever make the MISTAKE of buying a Samsung TV..
They consider THIS
normal on a two month old set..
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post #97990 of 98001 Old Yesterday, 09:00 AM
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ABC’s Thursday lineup of Shonda Rhimes-produced shows, which all air their fall finales tonight.

The lineup has lifted the network to its best start on Thursdays in five years, and a key part of that is “Grey’s Anatomy,” which airs tonight at 8 p.m.

When “Grey’s,” Rhimes’ first program, debuted in 2005, it was a bit of an afterthought.

A midseason replacement that slipped onto the schedule months after ABC’s “Desperate Housewives” and “Lost” had already become smash hits, “Grey’s” did well at first but grew into a sensation the next season, when it aired behind the Super Bowl and suddenly became broadcast’s top scripted series in 18-49s.

The next fall, ABC moved the show to Thursdays, where the network had struggled for years, and immediately gained traction.

But even with “Grey’s” as the 9 p.m. anchor for nearly a decade, ABC has struggled to fill out the rest of its Thursday lineup. It tried to fill the gaping holes with a parade of new shows, only one of which, “Scandal,” worked out.

Finally this season ABC found the right formula: Putting three Rhimes shows right in a row. “Grey’s” moved to 8 p.m. and has ably filled the slot, averaging a 2.6 adults 18-49 Nielsen rating, more than double what the network averaged last year in that hour.

With “Scandal” at 9 p.m. and new hit “How to Get Away with Murder” at 10, ABC has won every Thursday of the November sweeps so far, and figures to do it again tonight. The trio of shows will be back with original episodes in January.

http://www.medialifemagazine.com/fin...-looking-good/[/quote]



Quite an unprecedented run. They might as well call it 'Thank God It's Shonda's Night.'

Last edited by Chere; Yesterday at 09:21 AM.
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post #97991 of 98001 Old Yesterday, 11:05 AM
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Re: Obama's speech. San Diego affiliates carried it live. Not an issue with network programming since it aired at 5:00 PM Pacific time.

Probably same all over Pacific time zone.
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post #97992 of 98001 Old Yesterday, 11:25 AM
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Originally Posted by humdinger70 View Post
Re: Obama's speech. San Diego affiliates carried it live. Not an issue with network programming since it aired at 5:00 PM Pacific time.

Probably same all over Pacific time zone.
We'll do it live!


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post #97993 of 98001 Old Yesterday, 12:45 PM
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Critic's Notes
ABC anchor David Muir: From Pizza Chef to Muppets Interview, It's All in the Night's News
By Ed Bark, TVWorthWatching.com - Nov. 20, 2014

John Muir was a naturalist, most in his element when alone in the elements.

ABC’s David Muir is a TV natural, in his element alone at a news desk but more so when out and about doing things that networks anchors just didn’t used to do.

On the Monday, Nov. 17 edition of World News Tonight, he earnestly put together his own pizza for a “Made In America” segment on the virtues of California olive oil. “Mine is just not going to be quite as pretty as yours,” he told a New York City restaurateur before happily removing his personal pie from the oven and taste-testing it. Mmm, pretty good.

The Monday, Nov. 10 World News found him interviewing Muppet characters for his story on Sesame Street’s 45th anniversary. Muir, who just turned 41, grew up watching the show as a kid. “Did you know he was actually orange in the first season?” he asked viewers, referencing Oscar the Grouch.

ABC chief meteorologist Ginger Zee, who lately has logged ample time on World News during the cold weather snap, also found time to jump out of a plane on Friday, Nov. 7 during a Good Morning America segment. For some reason, Muir found this to be newsworthy. So on that night’s World News, he narrated some of the footage of Zee “taking us with her for every single second of her skydive live.”

At the close of that same newscast, Muir hung out backstage with Bruce Springsteen, Jon Stewart, Louis C.K. and John Oliver, all of who performed at a Wounded Warriors benefit. Muir beckoned Lee Woodruff, wife of ABC News correspondent Bob Woodruff, to join him with Oliver. “You’re a poser,” she told the host of HBO’s satirical Last Week Tonight. “This is a real newsman.”

“No one’s denying that,” Oliver said twice while Muir seemed to enjoy the moment.

In the past week, Muir also has huddled up close with a 93-year-old World War II veteran (left) and Sarah Jessica Parker, somewhat dubiously named World News’ “Person of the Week” for her efforts on behalf of the New York City ballet.

“No one ever stops construction for me,” he said when she turned heads as they walked through Manhattan.

Muir, young enough to be the kid brother of either Brian Williams or Scott Pelley, also logs ample time on ABC’s Good Morning America, where he’s usually somewhere near Zee. He’s not averse to a little dancing on the side during the show’s live concert segments. Problem is, GMA has gotten so slaphappy that even Zee’s predecessor, Sam Champion, has carped about its content. And he’s a guy who was the slaphappiest of them all.

But this just in: It’s working. The carefully managed softening of ABC’s World News, GMA and Nightline, under the guidance of former news president Ben Sherwood (soon to be president of the ABC-Disney Television Group), has paid ratings dividends across the board. GMA has risen to No. 1 in its pitched battle with former kingpin Today while Nightline’s often goop-infested presentation is beating both Seth Meyers and Craig Ferguson in total viewers and 25-to-54-year-olds (the main advertiser target audience for news programming).

World News, which Muir has anchored since taking over for Diane Sawyer on Sept. 1 of this year, still trails NBC’s Nightly News with Brian Williams by a relatively small margin in total viewers. But it has inched ahead among 25-to-54-year-olds, beating Nightly News in seven of the last eight weeks, including the latest one (Nov. 10-14).

NBC is striving to keep Williams at or near the top with a new slogan -- “He’s been there. He’ll be there.”

Celebrating his 10th anniversary as anchor of Nightly News, Williams spent considerable time in the hard reporting wilderness -- both domestically and abroad -- before succeeding Tom Brokaw. Touting his experience is another way of saying that Muir is a pretty boy poser without portfolio.

But despite his boyish matinee idol good looks, Muir has some solid reporting credentials in the bank. In fact he’s been all over the globe, just as Williams was during his run-up to Nightly News anchordom.

It’s still doubtful that Williams would agree to a chat with the Muppets or a stint as an ad hoc pizza chef on Nightly News. But he’s not exactly pure in terms of the fading debate over how network news anchors should conduct themselves. Williams has hosted Saturday Night Live and long has had a killer sense of humor as a late night talk show guest. In fact, he could teach Muir quite a bit about how to deliver a punch line.

For now, Muir still has the boundless energy of a very cuddly and cute puppy. He’ll do what needs to be done in rapidly changing times. All of this comes with the complete endorsement and encouragement of his bosses, who no doubt loved him in that cook’s apron and might be lobbying him to next do a stint as a bartender. Never fear. They’ll find a “news” angle.

http://www.tvworthwatching.com/BlogPostDetails.aspx?postId=8519
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THURSDAY's fast affiliate overnight prime-time ratings -and what they mean- have been posted on Analyst Marc Berman's Media Insights' Blog: http://www.tvmediainsights.com/forum...sday-112014-4/.
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Nielsen Overnights (18-49)
ABC wins fourth Thursday of sweeps
First time in 23 years the network has swept four sweeps Thursdays
By Toni Fitzgerald, Media Life Magazine - Nov. 21, 2013

For the first time in 23 years, ABC has won all four Thursday nights of the November sweeps period.

The network wrapped up its fourth straight Thursday victory last night with the fall finales of its Shonda Rhimes lineup, on a night where ratings were thrown off a bit by President Barack Obama’s 17-minute primetime address on immigration.

ABC averaged a 2.9 adults 18-49 rating and 9 share, well ahead of No. 2 CBS with a 2.1/6.

In many parts of the country, Obama’s speech preempted primetime from 8 to 8:17 p.m., which means overnight ratings are not accurate. They will adjust when final numbers are released later today.

But based on the overnights, ABC’s “Scandal” and “How to Get Away with Murder” tied as the night’s No. 2 show, both with a 3.1. “Murder” was up 7 percent from last week, while “Scandal” was off a tenth.

“Grey’s Anatomy” was even to last week with a 2.4 at 8 p.m.

CBS’s “The Big Bang Theory” was, as usual, the night’s top show with a 4.0. Lead-out “Mom” hit a series high once again with a 2.7.

At 9 p.m., “Two and a Half Men” grew 10 percent from last week. However, CBS did have local affiliate preemptions for the NFL, which may have artificially inflated ratings.

NBC’s “Parenthood” drew a season-high 1.5 at 10 p.m., and all four of the network’s shows were up week to week.

Fox’s “Bones” (1.3) and “Gracepoint” (0.8) were both even to last week.

And the CW’s “The Vampire Diaries” was up a tenth, to a 0.8.

ABC led the night among 18-49s with a 2.9 average overnight rating and a 9 share. CBS was second at 2.1/6, Univision third at 2.0/6, NBC fourth at 1.3/4, Fox fifth at 1.0/3 and CW and Telemundo tied for sixth at 0.6/2.

As a reminder, all ratings are based on live-plus-same-day DVR playback, which includes shows replayed before 3 a.m. the night before. Seven-day DVR data won’t be available for several weeks. Forty-nine percent of Nielsen households have DVRs.

CBS began the night in the lead with a 3.4 at 8 p.m. for “Bang” (4.0) and “Mom” (2.7), followed by ABC with a 2.4 for “Grey’s.” Univision was third with a 2.2 for its first hour of the Latin Grammys. NBC and Fox tied for fourth at 1.3, NBC for “The Biggest Loser” and Fox for “Bones.” CW was sixth with a 0.8 for “The Vampire Diaries” and Telemundo seventh with a 0.7 for “Reina de Corazones.”

At 9 p.m. ABC moved to first with a 3.1 for “Scandal,” while Univision jumped to second with a 2.1 for the Latin Grammys. CBS was third with a 1.8 for “Men” (2.3) and “The McCarthys” (1.4, even to last week), NBC fourth with a 1.0 for “Bad Judge” (1.2) and “A to Z” (0.9), Fox fifth with a 0.8 for “Gracepoint,” Telemundo sixth with a 0.5 for “Los Misreables” and CW seventh with a 0.4 for “Reign.”

ABC was first again at 10 p.m. with a 3.1 for “Murder,” with Univision second with a 1.7 for the Latin Grammys. NBC was third with a 1.5 for “Parenthood,” CBS fourth with a 1.0 for “Elementary” and Telemundo fifth with a 0.7 for “Señora Acero.”

Among households, ABC was first for the night with a 6.3 average overnight rating and a 10 share. CBS was second at 5.5/9, NBC third at 2.8/5, Fox fourth at 2.7/4, Univision fifth at 2.2/4, CW sixth at 1.0/2 and Telemundo seventh at 0.8/1.

http://www.medialifemagazine.com/abc-wins-fourth-thursday-sweeps/

* * * *

TV Notes
Best tube bets this weekend
The top draws on broadcast and cable and in sports
By Louisa Ada Seltzer, Media Life Magazine - Nov. 21, 2013

FRIDAY

Best bet on broadcast
:
CW, “Whose Line Is It Anyway” 8 p.m. Season finale. Comedian Heather Anne Campbell guests on the improv comedy’s season-ender.

Best bet on cable:
HBO, “Real Time with Bill Maher” 10 p.m. Season finale. Seth Rogen, John Cleese, Chris Matthews and Roland Martin all guest.

Top sporting event: ESPN, “NBA Basketball,” 8 p.m.
The surprisingly mediocre Cavs take on the surprisingly good Wizards in Washington.

SATURDAY

Best bet on broadcast
:
ABC, “College Football,” 8 p.m. Rivalry game between USC and UCLA should draw the most viewers of the night on broadcast.

Best bet on cable:
AMC, “Hell on Wheels,” 9 p.m. Season finale. Cullen returns to get his family as the railroad heads out of Cheyenne.

Top sporting event:
ESPN, “College Football,” 12 p.m. Interesting Big Ten matchup between No. 25 Minnesota and No. 23 Nebraska.

SUNDAY

Best bet on broadcast
:
ABC, “American Music Awards,” 8 p.m. Pitbull hosts the 42nd annual event, live from the Nokia Theatre in Los Angeles.

Best bet on cable:
Disney Channel, “Austin & Ally” 8 p.m. Season finale. Austin’s record label tells him he has to keep his relationship with Ally a secret.

Top sporting event: NBC, “Sunday Night Football,” 8:20 p.m.
An NFC East battle between the Cowboys and Giants.

http://www.medialifemagazine.com/best-tube-bets-this-weekend-402/
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Technology Notes
Netflix continues to dominate Net traffic activity
By Mike Snider, USA Today - Nov. 20, 2014

.....................

Home broadband users are using 30% to 40% more data than last year, with typical consumers using 20 Gigabytes monthly. .............
......................

Typical mobile usage grew to 118 Megabytes monthly, up from 102MB. ......................

http://www.usatoday.com/story/tech/p...vice/19324419/
Wow! i would have never guessed those numbers were so low. At home on my FiOS Internet, I used over 1TB of data in one day a few weeks ago, when I re-downloaded all the content to my two XBOnes. I typically use several Terabytes each month.

And then on my cell phone I use several Gigabytes of data each month. Mainly from streaming music.

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Wow! i would have never guessed those numbers were so low. At home on my FiOS Internet, I used over 1TB of data in one day a few weeks ago, when I re-downloaded all the content to my two XBOnes. I typically use several Terabytes each month.

And then on my cell phone I use several Gigabytes of data each month. Mainly from streaming music.
Many cable company have data caps. My cox account has a 300GB a month cap. I have used 32GB with 9 days to go in the month.

TiVo Elite, TiVo 4, Seven TiVo Minis, TiVo Stream, Roku 3, Two Amazon Fire Sticks, Google Chromecast, Cox Cable, Sonos
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"We'll do it live!"


LOL!

"I knew you'd say that"...*BLAM!*
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TV Notes
Tina Fey & Robert Carlock’s ‘Unbreakable Kimmy Schmidt’ Moves From NBC To Netflix With 2-Season Pickup
By Nellie Andreeva, Deadline.com - Nov. 21, 2014

Netflix has stepped in to pick up cancelled series before — The Killing, Arrested Development and most recently Longmire. Now the streaming service is taking over a series that has not yet premiered, midseason NBC comedy Unbreakable Kimmy Schmidt, from Tina Fey and Robert Carlock.

Netflix has doubled the 13-episode order the series starring Ellie Kemper had at NBC. The 13-episode first season will debut on Netflix in March, around the same time it should’ve premiered on NBC. Universal TV remains as the studio in its first foray at Netflix.

“The very construct of Unbreakable Kimmy Schmidt — its offbeat premise, hilarious and rich characters and serialized storytelling — make it a perfect Netflix comedy series,” said Cindy Holland, VP Original Content at Netflix. “Tina and Robert’s unique comic voice and sensibility come through in this series.”

NBC Chairman Bob Greenblatt, who also oversees Universal TV, addressed the rationale behind the decision to move the series.”When the opportunity arose for Tina Fey and Robert Carlock to premiere their new show on Netflix with a two-season commitment, we decided this was the best possible scenario to launch this captivating new series,” he said. “While it was originally developed for NBC, we have a very drama-heavy midseason schedule, so we’re thrilled about this Netflix opportunity. It’s an instant win-win for everyone, including Tina, Robert, and Universal Television.”

Comedy continues to be a challenge for NBC, which recently cancelled new half-hour series Bad Judge and A to Z. It shrunk its signature Must See TV two-hour Thursday comedy block to an hour this fall, from 9-10 PM, and that hour is slated to be taken over by drama The Blacklist in February. (The network already had scaled back on comedy for midseason, scrapping picked-up series Mission Control, which leaves it with two upcoming half-hour shows, One Big Happy and Mr. Robinson.) NBC doesn’t have any strong comedies to launch half-hour series out of, making it it harder for new shows, especially if they are not noisy and broad but offbeat and quirky like Kimmy Schmidt.

As Fox’s New Girl proved, such comedies are most valuable to streaming services; New Girl’s off-network syndication sales paled in comparison to its Netflix deal. Such shows also might be too narrow for broadcast TV, as is the case with two Universal TV-produced comedies, Fox’s The Mindy Project and Brooklyn Nine-Nine, but are well suited for digital distribution. Arrested Development proved it with its strong showing for Netflix after getting cancelled by Fox over low ratings.

Kimmy Schmidt got on the air at NBC in large part because of the caliber of auspices behind it. (It has a straight-to-series order.) That also was a reason for the show’s move to Netflix — the network didn’t have a good time slot for the series but Fey and Carlock were important to the network, and the show was important to Uni TV. Meanwhile, Netflix had been looking to get in business with Fey and Carlock, and the streaming service stepped up with an offer for a two-season order.

Kimmy Schmidt‘s jump to Netflix might be a sign of things to come, with that brand of comedy possibly permanently leaving the broadcast airwaves as it caters to viewers who have migrated away from linear viewing to digital platforms. If Fey’s acclaimed 30 Rock came out today, who knows if it would’ve lasted as long on a broadcast network as it did.

Greenblatt underscored the company’s commitment to the series. “We’re already talking to (Fey and Carlock) about new development for NBC, but meanwhile, everyone here from Universal Television will do everything possible to see that Unbreakable Kimmy Schmidt becomes a long-running hit on Netflix.”

Fey and Carlock, in turn, stressed their ongoing commitment to the NBC family (both under overall deals at Uni TV). “Happily, we will still collaborate with our longtime partners at Universal Television to fulfill Netflix’s two-season order,” they said. “We grew up at NBC and will continue to develop broadcast projects with them as well. We found the inspiration for this series in Ellie Kemper’s shining all-American face, and we know that she and Kimmy Schmidt have found their best possible home at Netflix.”

After living in a cult for 15 years, Kimmy decides to reclaim her life and start over in New York City. Armed with just a backpack, light-up sneakers and a couple of way-past-due library books, she’s ready to take on a world she didn’t even think existed anymore. Wide-eyed but resilient, nothing is going to stand in her way. She quickly finds a new job (working for 30 Rock‘s Jane Krakowski), a new roommate (Tituss Burgess) and a new beginning. The cast also includes Lauren Adams, Sara Chase, Sol Miranda and Carol Kane.

The series was created by 30 Rock creator/co-showrunner Fey and co-showrunner Carlock , who serve as executive producers with 30 Rock‘s Jeff Richmond, Jack Burditt and David Miner. Unbreakable Kimmy Schmidt is a production of Universal Television, Little Stranger Inc., 3 Arts Entertainment and Bevel Gears for Netflix.

After starting off with dramas including House Of Cards and Hemlock Grove, Netflix has been making a push in comedy recently, with a two-season order to Judd Apatow’s Love and series pickups of Marta Kauffman’s Grace And Frankie and Bill Burr’s animated comedy F Is For Family.

http://deadline.com/2014/11/unbreaka...bc-1201292254/
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TV Notes
‘Queen Latifah Show’ Canceled by Sony TV
By Tony Maglio, TheWrap.com - Nov. 21, 2014

“The Queen Latifah Show” has been canceled, show producer Sony Pictures Television told TheWrap.

“We want to thank Dana, the producers and the entire staff of ‘The Queen Latifah Show’ for creating a program that we are all very proud of,” Sony said in a statement. “Thank you also to our terrific station partners and advertisers who supported the show.”

The show will continue with originals through the end of March.

In its most recent week available, “The Queen Latifah Show” pulled in a 1.1 household rating. Season-to-date it has been averaging a 1.0, while pulling in 1.376 million total viewers per episode.

“The Queen Latifah Show” debuted last year to a 1.7 household rating.

The Queen — AKA Dana — wrote the following note to herself on her Facebook page:

Dear Dana,

Just a little note to say Thank You…

Thank you for your strong work ethic and great effort in getting The Queen Latifah Show off the ground and running.

Your dedication and sacrifice was crucial to the entire team, and in the face of intense challenges, you displayed “True Grit”!

Your Family, Partners, Staff and Crew showed up with you every step of the way. Be very proud of that! Not everyone can say the same.

You can also say you have been a blessing to and been blessed by amazing guests and incredible audiences for this show.

We truly changed people's lives for the better.

So… STAY POSITIVE, STAY STRONG, and most importantly, STAY OPEN… There is so much more God has in store!

Lovingly, You!

P.S. This letter is for me, my staff, my crew, and everyone who was by my side for this incredible journey. The most important thing in life is that you wake up every single day and take chances. No matter what the outcome…believe in yourself and continue to fly.

Tim Kenneally contributed to this report.


http://www.thewrap.com/the-queen-latifah-show-canceled/
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TV Review
A Prince for the Holidays
Hallmark’s ‘A Royal Christmas’ isn’t very inventive but it tells a sweet old love story in a sweet way.
By Nancy DeWolf Smith, Wall Street Journal - Nov. 20, 2013

Among Hallmark’s 12 new holiday movies this year, “A Royal Christmas” may not be the brightest bulb on the tree, if only because the story is so underpowered by original ideas. Accept that from the outset, however, and there is some fun to be had. For one thing, it is free of any hint of brutality, existential torment or salaciousness. It’s a world where snow falls by Dec. 25, orphans get adopted and love conquers all.

The story opens in contemporary Philadelphia, where dwells the humble but doughty aspiring clothes designer Emily ( Lacey Chabert ), daughter of the humble tailor Bud ( Mitchell Mullen ). Emily is preparing to celebrate the holidays with her handsome English-accented boyfriend Leo ( Stephen Hagan ), when he announces that he’s been summoned home to the country of his birth.

It’s a European kingdom called Cordinia (perhaps a neighbor to Sarsica?), and Leo is heir to the throne there, known to his people as Prince Leopold. Filmed in Bucharest, Romania, the production has a Danny Kaye-Nutcracker Suite look.

Not to give too much away, Emily accompanies Leopold to his castle in Cordinia, where she does things like slurp from a finger bowl. But that‘s not the only reason she gets a chilly reception from the prince’s snobbish mother, Queen Isadora ( Jane Seymour ). The queen wants her son to marry the Duchess Natasha (Ms. Seymour’s daughter, Katherine Flynn ). Other nobles are dukes and barons with titles like Exeter, Surrey and Devon, and there is even a Grand Duke of Canterbury although, alas, no Earl of Heathrow.

While Isadora and Natasha plot to split up the prince and the American he wants to marry, the American charms everybody else. Emily is most at home in the castle’s kitchen, in fact, treating the servants with unaccustomed égalité et fraternité, and teaching them how to make hoagies.

If this ever gets tiresome, look for amusement at the budget-saving moves. See the tiny string ensemble of five or six musicians at the ball—somehow delivering the huge sound of a full orchestra. While the prince and the woman he loves waltz to the likes of “Tales From the Vienna Woods,” watch the violin bows racing as if the tune were “Turkey in the Straw.”

A Royal Christmas
Saturday 8 p.m. Hallmark


http://online.wsj.com/articles/tv-re...&mg=reno64-wsj
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Nielsen Notes
Obama speech barely keeps up with 'Big Bang Theory'
By Gregory Korte, USA Today - Nov. 21, 2014

WASHINGTON — At least 14.6 million people watched President Obama's prime-time Thursday immigration speech live, a figure that put it neck-and-neck with CBS's The Big Bang Theory in the same time slot.

But Obama's audience was a also fraction of the 41.6 million viewers President George W. Bush commanded for a similar White House address to the nation in 2006.

The big difference? The three major broadcast networks carried Bush's speech live. Obama was largely relegated to basic cable. But the White House also notes they had an advantage Bush did not: Social media.

Nielsen Media has not put out a combined audience number for Obama's speech. But adding together numbers released by the major networks puts Obama on par with The Big Bang Theory's 14.6 million viewers.

Univision, a Spanish-language network, won the night, commanding 4.8 million viewers. But many of them may have tuned in for the scheduled Latin Grammy Awards, which were delayed 15 minutes by Obama's speech. Telemundo delivered another 2 million, providing what that network said was its best-performing news night of the year.

English-language Fox News Channel, citing Nielsen figures, reported nearly 4.3 million viewers, followed by MSNBC with 1.8 million, and CNN with 1.7 million.

Obama's ratings do not include those who may have watched on PBS or C-SPAN, or on any number of local affiliates who preempted network programming.

It also does not include online viewership. The White House says nearly 300,000 people watched the speech on its website (though not all live). Four Facebook videos — including a preview, a behind-the-scenes movie and two clips from the speech — got a combined 7.5 million views.

http://www.usatoday.com/story/theova...ings/19363643/
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TV Notes
'Better Call Saul' will get two-night premiere event on AMC
By Patrick Kevin Day, Los Angeles Times - Nov. 20, 2014

"Breaking Bad" fans have been anxiously awaiting the premiere of "Better Call Saul" since Walter White cooked his last batch of meth in 2013. On Thursday, AMC announced the spinoff series starring Bob Odenkirk's morally questionable attorney will premiere its first two episodes over two nights.

The show's first episode will debut on Feb. 8 and its second episode will follow on Feb. 9. The series will then air regularly on Monday nights.

Set six years before the events of "Breaking Bad," the new series, created by "Breaking Bad's" Vince Gilligan and Peter Gould, will follow the transformation of Jimmy McGill (Odenkirk) a small-time, not-very-successful lawyer, into "Saul Goodman," the ace attorney of the crime world.

The character arc of McGill/Goodman seems to mirror that of hapless high school chemistry teacher Walter White into crime boss Heisenberg in "Breaking Bad." However, the tone of "Better Call Saul" appears to be a bit lighter than the earlier series.

Jonathan Banks, known to "Breaking Bad" fans as the crime world fixer Mike, will reprise his role in the new series. New cast members include Michael McKean, Rhea Seehorn, Patrick Fabian and Michael Mando.

The series was given a 10 episode first season, but has already been renewed for a 13 episode second season.

http://www.latimes.com/entertainment...120-story.html
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TV Notes
On The Air Tonight
SATURDAY Network Primetime/Late Night Options
(All shows are in HD unless noted; start times are ET. Late night shows are preceded by late local news)

ABC:
8PM - College Football: USC at UCLA (LIVE)

CBS:
8PM - NCIS
(R - Mar. 25)
9PM - NCIS: Los Angeles
(R - May 6)
10PM - 48 hours

NBC:
8PM - Dateline NBC
(R - Jun. 7, 2013)
9PM - State of Affairs
(R - Nov. 17)
10PM - Saturday Night Live (Paul Simon hosts; George Harrison performs)
(R)
* * * *
11:29PM - Saturday Night Live (Cameron Diaz hosts; Mark Ronson and Bruno Mars perform, 93 min.)

FOX:
8PM - College Football: Oklahoma State at Baylor (LIVE)
* * * *
11PM - Animation Domination High-Def (60 min.)
(R)

PBS:
(check your local listing for starting time/programming)
8PM - ACL Presents: Americana Music Festival 2014

UNIVISION:
8PM - Sábado Gigante (Three Hours)

TELEMUNDO:
7PM - Yo Soy El Artista (120 min.)
(R - Nov. 16)
9PM - Fútbol Mexicano Primera División: CF Pachuca vs. CD Tiburones Rojos de Veracruz (LIVE)
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