2 years ago i valued the old cinemascope classics in UHD but today i gladly deleted Lawrence Of Arabia, for a chick bachelorette party flick.
Dolby of Course is the reason why ATMOS and HDR.
But Sony, they started to mix as per brian vesa in 7.1.2 atmos, and guys the best example of that is GOOSEBUMPS the invisible boy and mantis segments. I protested so much ( and obviously smarter minds also) when he divulged that but now they have come to their senses, the first example of 7.1.4 recording that shocked me and Adam too is the SMURFS (1), the climax scene is the very reason atmos tops cannot be 8" if you want to play them In A Worm Bubble the required 6-7 decibels of goosing with bass boost that satisfyingly blossoms so organically glorious on non compression driver low fatigue high spl systems..
T-he tops need to be 10 or 12 . WATCH MY WORDS. Doing 8 pairs per channel should be possible due to the overhead zones of confusion. ROUGH NIGHT is a half funny comedy that watched at 5am via tv speakers has just great hdr, but the combo (and when the hell are you going to replace the crappy oppo with a strato so that the discussions around here about pq and sq are apples to apples intelligent?). Right Adam. Also not having to seat through a movie, 2 hours of K scenes is a far more stratospheric Epicurean experience fit for DEMIGODS, stop abusing your friends by making them sit through a movie. THE IDIOCY.
The HDR and Atmos immersive arts are only going to get exponentially better, make yourself a 2018 resolution to ditch the UHD Disc player, are we preternatural mesophiles or mindless couch potatoes?
You know that when i invented high end video with faroudja dnp, sony,Toruses and barco 9" crt, as shown on my dnp living room above the HDR Visual aesthetic was alive and well, and then i showed at Stereophile 94 the faroudja and Barco 9" where taken from me and completely corrupted by Joel, Sam and Joe (the bereftness i felt at seeing my creation watered down to the least common denominator), i felt like a pariah for 20 years then miraculously at the UHD Alliance first CES 2015 meeting voila a complete embracing of the visual aesthetic just as I conceived it back in the virgin Islands in 1979. And probably the only true projector solution to do this proper is the duo and the reald in unison, unity gain screens are nothing but milk wash vision and we have to do something about it soon.
We do HDR right or we call it edr milkwashvision!! I am serious enough stupidity gentlemen. Again tough love.
Rough Night Download on HDR atmos is and example of my vision at age 19 of what the trifecta of content, image and sound needs to be moving forward..
Here are some caps, why is the 2.0 image presented as low as possible, adam found a little werid the top letterbox, that is because he was not reclined.
On any ceiling below 12 feet you want to shift the image down to the bottom. Not because of the video but the tops separation enhancement says the white paper that the worm is proving the correct psychovisual and psychoacoustic bible perception to follow, You are welcomed that I share with you the way it needs to be done at home moving forward.
If you divide the bottom width of the below image in thirds just at the 2/3's point was my VIP Topless Beach Front Rear Projection showroom 1994-1999, where we closed, nigel mansell, dan marino, pat riley and mauricio gugelmin. But the fact that Runco whored out my kit (corrupted and blue and washout looking) at least I had the coruage of my convictions, regrettably the showroom location cost me my divorce.
Typical bottom of the innovation dissipation curve risk taking mentality, that all it took was mauricio rear ending michael moore and I was out of business, and then my ex wife took to drinking and the scandal of the century happened, but we never stop savouring our failures for the totality of insights they bring.
If it wasn't for epic failures the SELFISH BASTARD OPTION would have not for you to embrace, early adopters with an eye for good things.
GOLDEN BEACH Between the waterfront condo and the first white guard tower 1/3 of the way was Joe Greenspan (the inventor of of the microwave bag) 1990 respectably sized home cinema. We had to build the chairs back then. Meyers (yuck).
If you want to remotely require to be able to recreate that 70" sony Z( high nit hdr tv through a projection system get redi of the current screen and pop in a duo. It's the only way for the next 3 year unless you do a cinema barco squeezed to the hilt, but the tv in the background will look more like an LG than a sony z9.
I proudly and happily do declare today that deleting lawrence of arabia for rough night is just a block of ICE of this avalanched that is making my teen years vision a glorious reality that i want to share with the true enthusiast early adopter PRE CHASM.
And stop watching new cinemascope films without zooming to 2.0, it's madness the producer of star wars agreed, the dp jungle book, Cameron, every film maker that wants to engulf you in the experience will embrace more and more, and if you have a 1.77 screen and zoom scope to 2.0 for god's sakes man, try it zoom up and hear the loss of vertical stereo, zoom down to the bottom of the image and hear the increased vertical stereo separation. Again tough love.
The old school of cinema design that tried to bring a cinema replete with chairs is over, relegated for some penis envious napoleonic complex type. The selfish bastard that can have a large room, designs selfishly with ample space around the immersion bubble island. Like La Salle. Hey if you have a big family then blood is thicker than water, but it will dilute the bubble, and because faces and wardrobe rob you of room contrast you lose pic Q too. And you nebulous contrast robbing unity gain screens, i will have a word with you next to call you out of the market.
Ok that was the message of this sabath.
May the immersion gods engulf you this weekend.