Will we see MCACC on Onkyo soon? - AVS | Home Theater Discussions And Reviews
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post #1 of 50 Old 03-20-2015, 05:07 PM - Thread Starter
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Will we see MCACC on Onkyo soon?

Now that Onkyo has bought Pioneer and has it as a subsidiary company, will we see the horrible "not really a room correction system" Onkyo uses now replaced by the far superior MCACC? While I have always preferred Audyssey, MCACC at least DOES something useful.


What do you all think? Obviously not in this year's models but what about next year's?

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post #2 of 50 Old 03-20-2015, 06:50 PM
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No, they are going to keep perfecting AccuEQ.

That's what I think.
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post #3 of 50 Old 03-20-2015, 07:52 PM
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Quote:
Originally Posted by htpcforever View Post
Now that Onkyo has bought Pioneer and has it as a subsidiary company, will we see the horrible "not really a room correction system" Onkyo uses now replaced by the far superior MCACC? While I have always preferred Audyssey, MCACC at least DOES something useful.


What do you all think? Obviously not in this year's models but what about next year's?

I guess I am missing something here


Onkyo/Integra sales are up this year with that "not really a room correction system"...while Pioneer has been struggling financially for years in the home audio division


based on the facts..
.if you are a "for profit" company what do you think makes more sense for them to do?


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post #4 of 50 Old 03-20-2015, 08:00 PM
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Onkyo and Integra have picked up significant market share by delivering Dolby Atmos @ lower pricing than the competition. Though some users have stated Audyssey is more pertinent than Atmos, judging by the major sale increases of the Onkyo and Integra AVRs having Atmos and HDCP 2.2 are stronger selling features. Also be advised that the next generation of the Onkyo and Integra AVRs will include some refinements for their AccuEQ...

Just my $0.02...
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post #5 of 50 Old 03-20-2015, 08:16 PM
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Quote:
Originally Posted by M Code View Post
Onkyo and Integra have picked up significant market share by delivering Dolby Atmos @ lower pricing than the competition. Though some users have stated Audyssey is more pertinent than Atmos, judging by the major sale increases of the Onkyo and Integra AVRs having Atmos and HDCP 2.2 are stronger selling features.
Also be advised that the next generation of the Onkyo and Integra AVRs will include some refinements for their AccuEQ...

Just my $0.02...
Exactly, and it sounds very promising too, from what I've read so far.
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post #6 of 50 Old 03-20-2015, 10:14 PM
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How about Onkyo with Class D amps?
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post #7 of 50 Old 03-21-2015, 08:06 AM
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Quote:
Originally Posted by turnne1 View Post
I guess I am missing something here


Onkyo/Integra sales are up this year with that "not really a room correction system"...while Pioneer has been struggling financially for years in the home audio division


based on the facts..
.if you are a "for profit" company what do you think makes more sense for them to do?
The question is, who owns them? Are they 1) a privately-held company with engaged stewards, 2) a public company accountable to shareholders, or 3) a privately-held company run by a private equity company?

If 1, then they'll likely think of this huge sound quality degradation as a temporary thing they had to do to be cheapest for now, and later try to go back to making a better product.

If 2, then they'll probably milk inferior stuff as long as it sells until they run their brand into the ground.

If 3, then they'll definitely milk inferior stuff as long as it sells, and then take their profits and either leave the company so highly leveraged it goes under (while the PE firm makes plenty) or leave some lemming holding the bag.

That's just the way early 21st century capitalism works.

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post #8 of 50 Old 03-21-2015, 09:12 AM - Thread Starter
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Quote:
Originally Posted by M Code View Post
Onkyo and Integra have picked up significant market share by delivering Dolby Atmos @ lower pricing than the competition. Though some users have stated Audyssey is more pertinent than Atmos, judging by the major sale increases of the Onkyo and Integra AVRs having Atmos and HDCP 2.2 are stronger selling features. Also be advised that the next generation of the Onkyo and Integra AVRs will include some refinements for their AccuEQ...

Just my $0.02...
I thought MCCAC was owned by Pioneer, which means that since Onkyo now owns Pioneer they also own MCCAC. Since MCCAC is superior to AccuEQ, I am curious if anyone else thinks Onkyo will throw away their inferior free room correction system for the superior, and also free, MCCAC.


And if not, why not?

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post #9 of 50 Old 03-21-2015, 09:14 AM - Thread Starter
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Originally Posted by Skylinestar View Post
How about Onkyo with Class D amps?
I doubt they will start using Class D amps. They could always use them - the technology is free (as in, no rights have to be purchased to use them). They just chose not to use them.

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post #10 of 50 Old 03-21-2015, 11:33 AM
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Quote:
Originally Posted by htpcforever View Post
I thought MCCAC was owned by Pioneer, which means that since Onkyo now owns Pioneer they also own MCCAC. Since MCCAC is superior to AccuEQ, I am curious if anyone else thinks Onkyo will throw away their inferior free room correction system for the superior, and also free, MCCAC.


And if not, why not?

Lets kleer the air about who owns who...
Gibson owns 51% of Onkyo USA (Onkyo's exclusive distributor for North America and distributor for Central and South America) and becomes the 2nd largest shareholder in Onkyo Corporation. Gibson Chairman and CEO Henry Juszkiewicz is on the Onkyo board of directors. Onkyo will invest in Gibson, and Onkyo CEO and President Munenori Otsuki will be on the company's Board of Directors. Additionally both Gibson and Onkyo have formed a Hong Kong-based joint venture focusing on design and development of consumer audio products. Note that Gibson Pro Audio division, which already owns KRK, Cerwin-Vega, Stanton, Teac and Tascam.

Next...
Pioneer Corp (Japan) sold its home AV business to Onkyo Corp. The basic funding came from Baring Equity Asia based in Hong Kong, Baring will have a 51% ownership in the Baring/Pioneer/Onkyo joint venture and Pioneer Corp. retaining 15%. Since there is alot of venture $ available in Hong Kong, this is similar to what Nakamichi, Sansui, Akai have gone through.

Regarding the Pioneer/Elite brands, one needs to understand that Pioneer Corp. has been losing big $ over the last 5 years with the majority of their AV products outsourced built by Inkel Corp (Korea) built in China. While Onkyo has their own design and factory producton teams in Malaysia, the Pioneer AV products will likely be integrated into the Onkyo Malaysia structure. Quite similar to what D&M Holdings is doing merging the Marantz and Denon AV products. In the end, the producing Onkyo Malaysia factory gets higher production quantities and improved scale of economies for purchasing parts.

Going forward...
Both Onkyo and Pioneer AV products will utilize common hardware and software. Regarding the Room EQ schemes, AccuEQ vs. MCACC this discussion has already been addressed in the various AVS threads. Onkyo/Integra has already proven that this feature is mostly marketing fluff as their AVRs have become the top sellers without Audyssey. Also with revised direction of Audyssey along with the significant $ investment by Intel, Audyssey is shifting their emphasis to other more lucrative product categories such as tablets, smart-phones. The bottom line for AVRs is that now Onkyo/Integra by adding the Pioneer/Elite brands passes Yamaha becoming #1 in the AVR global product category market-share.

Just my $0.02...
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post #11 of 50 Old 03-21-2015, 02:35 PM
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Originally Posted by M Code View Post
...Regarding the Room EQ schemes, AccuEQ vs. MCACC this discussion has already been addressed in the various AVS threads. Onkyo/Integra has already proven that this feature is mostly marketing fluff as their AVRs have become the top sellers without Audyssey...
Average AVR consumer in the budget market has no clue what room EQ is or does and equally vacant expression when queried about sound processing mode. Pro consumer is a different animal. Need to identify the target demographic before answering this question.

Issue is that Pioneer targets higher end and Onkyo targets lower end. The $$$ is obviously in the lower end. Hopefully the conglomerate will at least incorporate reliable HDMI of Pioneer or we can write off both Pioneer and Onkyo in one go for high end and just sell the whole mess to Bose.

Since Onkyo HDMI also seems to have networking and DSP on it, if they really do scrap it then the sound processor function may be similarly affected. Easier to just incorporate the whole shebang in one go than repartition the design of one to fit the physical constraints of the other.

Likewise for the entire Onkyo backplane. Congested, hot, no room for more processing in the thermal budget IME. Something has to give.

Anyone have any insight into the physical partitioning of the functional blocks in these two AVR lines? Despite the obvious temptation to just run with the cheapest solution, there are practical limitations in how to merge two independently developed technologies.

It is not like they can be mixed and matched like lego building blocks, and it is not like a new hybrid design can just pop out of the design meeting like a newborn baby. It takes time to refine the overall package. Tight dimensions, tight cost constraints, tight thermal budget, etc. all balanced off against each other present challenges that no one who has not actually done such system integration at the chassis level can grasp.

Since the Onkyo backplane seems to me to be a total mess I would lean toward just junking the whole Onkyo line eventually, keeping it around in name only and incorporating at least a diminished feature set of Pioneer while putting a differently styled faceplate and control panel on an otherwise identical chassis set: flagship, pro, midlevel, budget, el cheapo, etc. -- each with its own power level and general sophistication of features but all based on the flagship model.

If the economies of scale are at play in the different manufacturing plants maybe that improvement is enough to shift the Pioneer line into profitability. If they keep putting out cheap capacitors in hot backplanes though, well... not giving them any benefit of the doubt until I see it. Then the whole question of which EQ is in the things really makes no difference to anyone since the only people buying the things will be those who do not even know what it is or does.

Whether that happens or not probably depends on the ability to see beyond the next quarterly teleconference. How does Gibson do on attention span? Any Ritalin on the board?
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post #12 of 50 Old 03-21-2015, 02:51 PM
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Originally Posted by CherylJosie View Post
Average AVR consumer in the budget market has no clue what room EQ is or does and equally vacant expression when queried about sound processing mode. Pro consumer is a different animal.
While I agree, I would add that the average AVR customer has even less interest in Atmos than they do in room correction software. Walk in to most folks with "surround sound's" living rooms and you'll find a 5.1 setup. It's not a stretch to sell them something which will make those 5 speakers sound better, but try to sell them a unit that's main features would require them to purchase and integrate several more speakers?...good luck.


Because of this, IMO the big flop in marketing right now is Atmos, and there are even some units (if I recall) which forego advanced correction in favor of dedicating that processing power towards Atmos. Are they crazy?!


Time will tell.


AVR's are getting way too feature ridden, and therefore costly, for the average user to enjoy optimally. At the high end, the advanced users have to still pay for lower end features they may not use, just to have the decoding/processing available to run the rest of their rig. It's an industry without direction outside of trying to pack as many new psuedo features into your shiny black box for the primary purpose of emblazoning said features across billboards in an attempt to sell more units.

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post #13 of 50 Old 03-21-2015, 03:28 PM
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Quite a post Cheryl. I am not familiar enough with Onkyo's business aspect; only what I mainly learned from M Code, who is the Onkyo business affairs expert here.

What I do know are the various Onkyo/Integra products I own/owned over the last seven years or so. ...And the several issues many many owners had to go through during that time and still today.

It is very unfortunate because the reliability of their AV receivers and SSPs from the last several years have endured a huge blow.

We can talk about this feature or that feature, new and old, but if the reliability of the product is in jeopardy everything else don't mean much @ all.
It is in their court yard now in regards to what they are going to do going forwards with their longtime customer supporters and the newer ones.
Us, all we can do is to relate our experiences; so that future customers are aware.

We cannot predict the future only have a view of it based on the past.

I never tried AccuEQ myself, and neither MCACC from Pioneer. I only know some from what owners of both different systems said on audio forums.
...And of course from Onkyo's and Pioneer's own websites.

Reliability is priority number one, before anything else. ...Just like us humans who need to be solidly healthy (physically and mentally) before we can truly enjoy our wealth (financial & social). Without heeling our "cicatrices" first, the joy ahead ain't the same. ...Understandably so.

My best wishes to Onkyo/Integra in their future building prospect. ...And money is not the ultimate goal to all ends, the customer's satisfaction is; then the money automatically follows, just like Oppo.

Pioneer still remains, Onkyo/Integra is still surviving financially wise (as M Code well explained it), and today takes care of itself without worrying about the past and future but remembering it (the past), and from that we build (plan) for a better future.

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post #14 of 50 Old 03-21-2015, 05:27 PM
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Originally Posted by M Code View Post
Onkyo/Integra has already proven that this feature is mostly marketing fluff as their AVRs have become the top sellers without Audyssey.
You have that exactly backwards.

They have proven, perhaps, that room correction is not a strong selling point compared to new shiny logos for the mass market. So it's not marketing fluff at all.

Whether or not a feature "marketing fluff" has nothing to do with sales, but with performance. If it improves performance, a feature is not fluff. If it does not improve performance, it is.

Audyssey certainly has its flaws. On balance, I'm not a fan. Arguably Trinnov is the best current system (because it does RC and spatial remapping), and just below it are ARC, Dirac Live, DSpeaker Anti-Mode Dual Core, MRC (Meridian's system), and RoomPerfect, Audyssey is three steps behind at best.

But it's better than nothing, whether "nothing" is called "nothing" or it's called (in a fit of marketing fluff) "AccuEQ."

At any rate, there are few reviews of Atmos stuff out yet. I wonder if, once subjective reviews and objective numbers come out, sales figures might change a bit when people realize that the D+M stuff is more expensive because it's actually better. Instead of cheaping out on RC they added a DSP to do the new stuff and keep the same adequate-but-not-great room correction. Perhaps not, but perhaps.

I guess it boils down to whether one loves music, or just wants to push lots of mediocre parts.

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post #15 of 50 Old 03-21-2015, 06:32 PM
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...Audyssey is three steps behind at best.

But it's better than nothing...
2EQ is not much better than nothing. Only EQs subwoofer if the sub has its own passive highpass rather than using the sub output and the correction is barely noticeable in any case.

If Atmos took the place of 2EQ I would call that an upgrade. The higher performing lines however... not so much.
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post #16 of 50 Old 03-22-2015, 12:57 AM
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You have that exactly backwards.

They have proven, perhaps, that room correction is not a strong selling point compared to new shiny logos for the mass market. So it's not marketing fluff at all.

Whether or not a feature "marketing fluff" has nothing to do with sales, but with performance. If it improves performance, a feature is not fluff. If it does not improve performance, it is.

Audyssey certainly has its flaws. On balance, I'm not a fan. Arguably Trinnov is the best current system (because it does RC and spatial remapping), and just below it are ARC, Dirac Live, DSpeaker Anti-Mode Dual Core, MRC (Meridian's system), and RoomPerfect, Audyssey is three steps behind at best.

But it's better than nothing, whether "nothing" is called "nothing" or it's called (in a fit of marketing fluff) "AccuEQ."

At any rate, there are few reviews of Atmos stuff out yet. I wonder if, once subjective reviews and objective numbers come out, sales figures might change a bit when people realize that the D+M stuff is more expensive because it's actually better. Instead of cheaping out on RC they added a DSP to do the new stuff and keep the same adequate-but-not-great room correction. Perhaps not, but perhaps.

I guess it boils down to whether one loves music, or just wants to push lots of mediocre parts.
U need to go back and revue AVR marketing 101...
What sells an AVR...
1. Price
2. Power
3. Features

When U talk about Room EQ schemes, firstly their most important task is setting the proper levels, X-overs and delays. Regarding the EQ portion, here the frequency response is adjusted to some target theoretical transfer function... The user may or may not like it, thats why many prefer to turn it off.

About the point that Denon or Marantz being better because it is more expensive....
I will leave that topic for the others to comment about...

Just my $0.02...
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post #17 of 50 Old 03-22-2015, 06:50 AM
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U need to go back and revue AVR marketing 101...
Why? It's not my field. I merely pointed out that you used words incorrectly, perhaps because of some pecuniary interest in defending second-rate components. Something is "marketing fluff" when it's something touted that doesn't do anything worthwhile (e.g. Onyko AccuEQ). Something that enhances performance is by definition not "fluff."

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When U talk about Room EQ schemes, firstly their most important task is setting the proper levels, X-overs and delays.
That's a marketing hack's answer.

The music lover's answer is: the most important thing a room correction system does is smooth out the frequency response in the modal region.

Any competent music lover can quickly set her/his own levels, x-overs, and delays. Indeed, one of the best systems for people who love music (Anthem ARC) doesn't even pretend to do delays! So a system that just does those three things is..."marketing fluff" is as good a description as any.

Note that two of the systems I praised as top-tier (Anti-Mode, MRC) only do modal region correction. Many of the others can be and usually should be limited to modal region correction only.

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About the point that Denon or Marantz being better because it is more expensive.... :roll eyes:
Please read better.

Here's what I wrote: "more expensive because it's actually better. Instead of cheaping out on RC they added a DSP to do the new stuff and keep the same adequate-but-not-great room correction."

Here's what spewed out of your Reading Uncomprehension Filter:

"better because it is more expensive"

I trust you understand that x -> y does not imply y -> x.

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So if accu eq is so bad, and room eq is more important than Atmos, how come a cheap $500 Onkyo 636 with Atmos beat every other room eq system in our blind AVR comparison? Many of the contestants were flagship models.

Dirac, Audyssey multieq xt 32, ARC, MCACC, Trinnov, and the control audition of no eq?

All bested in blind vote by the cheapest Onkyo with Atmos and accueq.
Same speakers, same site source material, same room, same day.

Reference:
http://www.avsforum.com/forum/90-receivers-amps-processors/1717346-archaea-s-auto-room-eq-avr-comparison-g2g-november-8-2014-kansas-city.html

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post #19 of 50 Old 03-22-2015, 09:20 AM
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All bested in blind vote by the cheapest Onkyo with Atmos and accueq.
Same speakers, same site source material, same room, same day.
What exactly are you testing there, room correction vs. DSU?

That's an odd comparison.

And then there's this, from you: It seems the consistent opinion on the music section = poor.

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post #20 of 50 Old 03-22-2015, 10:00 AM
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Originally Posted by DS-21 View Post
The question is, who owns them? Are they 1) a privately-held company with engaged stewards, 2) a public company accountable to shareholders, or 3) a privately-held company run by a private equity company?

If 1, then they'll likely think of this huge sound quality degradation as a temporary thing they had to do to be cheapest for now, and later try to go back to making a better product.

If 2, then they'll probably milk inferior stuff as long as it sells until they run their brand into the ground.

If 3, then they'll definitely milk inferior stuff as long as it sells, and then take their profits and either leave the company so highly leveraged it goes under (while the PE firm makes plenty) or leave some lemming holding the bag.

That's just the way early 21st century capitalism works.



I will go with number 2


don't know of many( if any) of your example in number 1...except for the ultra high end more esoteric brands


what makes you think that number 2 makes them run it into the ground...unless that is the only way they can turn a profit and provide shareholder equity?


or...what makes you think number 3 dictates that they wont run it "into the ground" per se...just to get the book value up to sell it..?


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post #21 of 50 Old 03-22-2015, 10:04 AM
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Quote:
Originally Posted by htpcforever View Post
I thought MCCAC was owned by Pioneer, which means that since Onkyo now owns Pioneer they also own MCCAC. Since MCCAC is superior to AccuEQ, I am curious if anyone else thinks Onkyo will throw away their inferior free room correction system for the superior, and also free, MCCAC.


And if not, why not?

you are missing the business point


In Onkyo/Integra sales are up and Pioneer has been struggling in their home audio market for years


what does the market want?


Pages can be written about who has superior room correction...but if at the end of the day if its not creating demand/sales its all a moot point...


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post #22 of 50 Old 03-22-2015, 10:07 AM
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Originally Posted by Archaea View Post
So if accu eq is so bad, and room eq is more important than Atmos, how come a cheap $500 Onkyo 636 with Atmos beat every other room eq system in our blind AVR comparison? Many of the contestants were flagship models.

Dirac, Audyssey multieq xt 32, ARC, MCACC, Trinnov, and the control audition of no eq?

All bested in blind vote by the cheapest Onkyo with Atmos and accueq.
Same speakers, same site source material, same room, same day.

Reference:
Archaea's Auto room EQ/AVR comparison G2G - November 8, 2014 - Kansas City

interesting what a $500 AVR can do.....


There are MANY that would argue about the "sonic" signature that is so "clear"


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post #23 of 50 Old 03-22-2015, 10:45 AM - Thread Starter
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Originally Posted by M Code View Post
Going forward...
Both Onkyo and Pioneer AV products will utilize common hardware and software. Regarding the Room EQ schemes, AccuEQ vs. MCACC this discussion has already been addressed in the various AVS threads. Onkyo/Integra has already proven that this feature is mostly marketing fluff as their AVRs have become the top sellers without Audyssey. Also with revised direction of Audyssey along with the significant $ investment by Intel, Audyssey is shifting their emphasis to other more lucrative product categories such as tablets, smart-phones. The bottom line for AVRs is that now Onkyo/Integra by adding the Pioneer/Elite brands passes Yamaha becoming #1 in the AVR global product category market-share.

Just my $0.02...
Thanks for all the info, but you did not actually address my question. Do you think Onkyo will start using the superior (and now free for them) MCACC, or do you think they will continue to use the inferior (and still free for them) AccuEQ? Both are now free for Onkyo to use, so licensing cost is not an issue.

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post #24 of 50 Old 03-22-2015, 10:49 AM
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Originally Posted by DS-21 View Post
What exactly are you testing there, room correction vs. DSU?

That's an odd comparison.

And then there's this, from you: It seems the consistent opinion on the music section = poor.
I attribute the weak appreciation of the music section to placebo/bias based on my speaker's price, and for the stereo section a lack of enough toe in - which I have since corrected --- These observations and my opinion on the matter is based on my many experiences in this hobby...

As to what we were testing?

We tested 7 different receivers auto EQ setup. To see if there was a clear winner among a group of blind listening auditions. That was the goal. One of the units - the Onkyo 636 had Atmos, so I installed a couple of inexpensive Sony in walll/ceiling speakers to give it a far go. It was the only unit with Atmos. With ceiling speakers the Onkyo 636 was only a 5.2.1 setup. Meaning it only supported 5.1 + ceiling, while the other AVRs supported 7.2. So the Onkyo 636 was disadvantaged in that
1) it was only a 5.1 for all the clips except the single Atmos clip.
2) it used accuEQ which only eq'ed the bass and surrounds
3) it was by far the cheapest unit tested
4) it used the cheapest, lowest rated amp section
5) it had a single subwoofer out

There was a single atmos clip in the mix, all the rest of the source material were various pieces of 2 channel, 5.1, and 7.1 channel material. Everyone was able to immediately identify the 636 as the Atmos receiver and most people there thought the Atmos was more important than the difference between 5.1 and 7.1 systems.

And apparently the better EQ systems didn't really amount to much real world advantage in the end.

At it's base intent -- it was just a blind AutoEQ comparison. There were a lot of takeaways.
1) Reference is NOT equal between AVRs and auto setup utillities
2) Atmos is excellent and quite distingusihable
3) Accu EQ which does NOT EQ the mains, was more preferred in blind testing with multiple seats than much more expensive - well touted options.
4) Seperate audiophile amps do NOT make a system. (Sherbourn 7-350 with XLR connected pre-pros vs cheap Onkyo 636 onboard AVR
5) --- probably many more conclusions ----but really quite a bit of interesting data in that meet. I'm QUITE confident if the comparison had been sighted, the cheapest unit wouldn't have been the favorite. QUITE CONFIDENT INDEED.

I recommend the read for those who haven't. It shows the state of disparity our hobby is in.

"Without subs it's just background music - with subs it's the main event!"
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post #25 of 50 Old 03-22-2015, 10:50 AM
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For the record, at the meet, MCACC was the least preferred EQ option of everything.

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post #26 of 50 Old 03-22-2015, 10:52 AM - Thread Starter
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Originally Posted by DS-21 View Post
The music lover's answer is: the most important thing a room correction system does is smooth out the frequency response in the modal region.
I see this type of statement a lot and maybe I am just not understanding it correctly. In my view, a music lover's answer should be: the most important thing a room correction system does is make the music sound more pleasant to my ears.


If the correction makes it sound less pleasant, it should not bed used regardless of how smooth the response is.
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post #27 of 50 Old 03-22-2015, 11:04 AM
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Originally Posted by DS-21 View Post
Why? It's not my field. I merely pointed out that you used words incorrectly, perhaps because of some pecuniary interest in defending second-rate components. Something is "marketing fluff" when it's something touted that doesn't do anything worthwhile (e.g. Onyko AccuEQ). Something that enhances performance is by definition not "fluff."
Before i can reply to this assertion, could U pls clarify ur definition of second-rate components..


Quote:
That's a marketing hack's answer.

The music lover's answer is: the most important thing a room correction system does is smooth out the frequency response in the modal region.

Any competent music lover can quickly set her/his own levels, x-overs, and delays. Indeed, one of the best systems for people who love music (Anthem ARC) doesn't even pretend to do delays! So a system that just does those three things is..."marketing fluff" is as good a description as any.

Note that two of the systems I praised as top-tier (Anti-Mode, MRC) only do modal region correction. Many of the others can be and usually should be limited to modal region correction only.
Again U are using ambiguous terms...
Pls clarify ur definition of smooth out the frequency response in the modal region.
Since every brand of Room EQ scheme utilizes a different proprietary transfer function, which one is correct?
Also since the target curves are different for music and cinema sources, we need further clarification..


Quote:
Please read better.
Here's what I wrote: "more expensive because it's actually better. Instead of cheaping out on RC they added a DSP to do the new stuff and keep the same adequate-but-not-great room correction."
Here's what spewed out of your Reading Uncomprehension Filter:

"better because it is more expensive"
Within an AVR's bill of materials, each brand decides where to invest their $ some choose to put into less beneficial features such as Room EQ schemes, while others put it into latest more advanced features that provide the user the capability to play latest avaialble software such as Dolby Atmos and HDCP 2.2. Here again the user has a choice...
A. Buy an AVR that will be obsolete in 1-2 years..
B. Buy an AVR that has a Room EQ scheme, that to his ears sounds better but not capable of playing the latest source software..


Quote:
I trust you understand that x -> y does not imply y -> x.
U lost me here...
I don't understand how an algebra equation relates to a better sounding AVR..

Bottom line..
The buyer has a choice of which brand of AVR to purchase.
Each brand has different specs and features, price steps, warranties so one can choose what best addresses his requirements.

Just my $0.02..
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post #28 of 50 Old 03-22-2015, 11:05 AM - Thread Starter
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Originally Posted by Archaea View Post
@htpcforever
For the record, at the meet, MCACC was the least preferred EQ option of everything.
I tried to find a list of best to worst tested, but failed. Can you post that snippet here or link me to it? I read the dozen or so posts of your results, but never did find such a list in it.


Thanks!

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post #29 of 50 Old 03-22-2015, 11:24 AM
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Originally Posted by Archaea View Post
As to what we were testing?

We tested 7 different receivers auto EQ setup.
That appears to be false. You tested whatever number of auto-EQ setup routines, and Atmos/DSU. Apples vs airplanes buzzing overhead.

Furthermore, it appears your tests basically prove something I've been saying for a long time: for movies, audio quality doesn't matter much. Just get clear dialogue, lots of BOOM (smoothness doesn't matter much, because there's no such thing as "fidelity" to a synthesized explosion compared to, say, a tympani roll), and the special effects placed around you. So for someone interested primarily in movie playback without a large appreciation for music, then yes perhaps the cheapest box with the most wizz-bang stuff is the smart buy.

It doesn't appear your test had enough resolution to say anything about relative music performance, for whatever reason. I couldn't quickly find your musical program material, except for one reference to a Daft Punk cut.

Quote:
Originally Posted by Archaea View Post
***At it's base intent -- it was just a blind AutoEQ comparison.
Given that Atmos is not an AutoEQ room correction, you would be wise to stop mischaracterizing your test. It seems to basically have been a test of whether things flying overhead on movies subjectively improves the music playback experience more than superior audio quality does.

That's an interesting test. But it's not a test of AutoEQ room correction systems.

Quote:
Originally Posted by Archaea View Post
3) Accu EQ which does NOT EQ the mains, was more preferred in blind testing with multiple seats than much more expensive - well touted options.
That doesn't surprise me much. Note that I strongly favor room correction systems that stop shortly above the modal region.

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Last edited by DS-21; 03-22-2015 at 11:34 AM.
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post #30 of 50 Old 03-22-2015, 11:32 AM
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Originally Posted by M Code View Post
Again U are using ambiguous terms...
Pls clarify ur definition of smooth out the frequency response in the modal region.
My terms are sufficiently clear for everyone with a basic knowledge of small room acoustics to follow. What don't you understand, exactly?

Smooth out?

Frequency response?

Modal region?


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Originally Posted by M Code View Post
U lost me here...
I don't understand how an algebra equation relates to a better sounding AVR..
Wow.

First, x -> y is not an "algebra equation." It is a logic statement.

Second, do you really lack the reading comprehension skills to understand that "more expensive because better" (i.e. x -> y, what I wrote) has no logical relationship to "better because more expensive" (i.e. y -> x, your misread of what I wrote).

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