It is an L shape. The living room is opened on the right side to the dining area, with more openings to kitchen and stairs. Ceiling height is about 9 feet. The "hot movie zone
" is within the 16' x 13' area only.
The TV is on the 16' wall.
The round circles denote my Klipsch Synergy speakers in 5.1 + Front Wide DSX setup.
Any good recommendations/tips on acoustic treatment for my living room?
Quote:
Originally Posted by arnyk /forum/post/21979006
Interesting question. From a technical standpoint, the answer would seem to be yes. The anechoic room would seem to eliminate additions to the signal from acoustic sources.
The last time I heard a speaker playing in an anechoic room it sounded weird, but that was so long ago that I now have unanswered questions.
anechoic rooms have nothing to do with this; the discussion was with respect to anechoic speaker-listener responses (which does NOT imply an anechoic room, as many here seem to fail to grasp).
Quote:
Originally Posted by localhost127 /forum/post/21979093
anechoic rooms have nothing to do with this; the discussion was with respect to anechoic speaker-listener responses (which does NOT imply an anechoic room, as many here seem to fail to grasp).
In another post you defined this terminology as follows:
Quote:
Originally Posted by localhost127 /forum/post/0
ignorance preserved. an anechoic speaker-listener response means exactly what it says: the speaker to listener response is anechoic and there is no indirect signals (generated from the speaker) that impede the listening position. the direct signal from the speaker is all that is heard at the listening position with no contributions from the room. eg, absolute accuracy of the direct signal (no room masking with respect to intelligibility, localization, imaging, or frequency response anomolies due to superposition of direct + indirect signals). the direct signal is all that is processed.
You now claim "anechoic rooms have nothing to do" with a situation where "the speaker to listener response is anechoic".
This seems to be incorrect, or are you claiming that there are no cases where listening in an anechoic room would create a situation where "the speaker to listener response is anechoic".
reading comprehension --- i said "anechoic rooms have nothing to do with this" (eg, the discussion at hand). how you mis-read that and attempt to apply false logic as for my comments to mean "nothing to do with a situation" is beyond me.
please refrain from putting words in my mouth and utilize the quote feature directly -
Local, for clarification, do you consider ETC response for the bottom of above ETC graphs an "anechoic speaker-listener response"? That is, first order/early reflections are fully attenuated or diffused, yet later arriving reflections (past 20ms or so) persist in a diffuse & decaying soundfield.
Quote:
the discussion a few pages back was with respect to anechoic speaker-listener responses. many assumed (incorrectly) the only way to do this was if the room was anechoic. but this is not correct as i pointed out.
Where did I say that "the only way to do this was if the room was anechoic"/
I didn't.
Quote:
you seem to be falling into the same trap (lack of perspective) as the other users here, as above you said: "The anechoic room would seem to eliminate additions to the signal from acoustic sources." --- we are NOT discussing anechoic rooms!
Quote:
Originally Posted by fotto /forum/post/21979477
Local, for clarification, do you consider ETC response for the bottom of above ETC graphs an "anechoic speaker-listener response"? That is, first order/early reflections are fully attenuated or diffused, yet later arriving reflections (past 20ms or so) persist in a diffuse & decaying soundfield.
ISD in RFZ is effectively anechoic, meaning low-gain reflections are below human detection threshold and thus NOT keyed on by ear-brain for localization, imaging, etc. within haas interval. this is also why Amebehoic is effectively anechoic and not simply an anechoic response. the low-gain densely diffused returns are not "unheard", but they are merely low in gain such that they are NOT keyed on for localization and imaging.
later-arriving diffused returns in RFZ do not impose destructively with respect to accuracy of localization and imaging; quite the contrary, as the haas trigger actually forces the ear-brain to 'lock-on' to the direct signal - exactly why the termination's gain is so significant with respect to the psycho-acoustic trigger (not to be less than -12dB of direct signal for RFZ)
"Sometimes these (modular bass absorbers) are called "bass traps." The problem with the name is that some of them don't "trap" much of anything excpet cash from unwiiting purchasers."
While he is generally in favor of acoustic products to tame low frequency issues, it remains that these products are hard to deploy in an effective amount/manner in one's living room as OP has. Placement of subs and sufficient number of them together with EQ is the right starting point.
Quote:
Originally Posted by amirm /forum/post/21980984
From Dr. Toole:
"Sometimes these (modular bass absorbers) are called "bass traps." The problem with the name is that some of them don't "trap" much of anything excpet cash from unwiiting purchasers."
While he is generally in favor of acoustic products to tame low frequency issues, it remains that these products are hard to deploy in an effective amount/manner in one's living room as OP has. Placement of subs and sufficient number of them together with EQ is the right starting point.
It is all about costs and benefits. A subwoofer can easily be the most expensive single speaker in a system. In Harmon's paper about bass optimization they reference various processors and amps - I had a hard time finding out the prices for these items in the US, but in the UK I found a dealer who was willing to part with an amp or a processor for 10,000 pounds, minimum, each.
You can buy a lot of fiberglass or cotton batts for the price of a good subwoofer, and obtain other benefits than just smoothing down the bass.
I don't want to minimize the costs of building an effective trap. A trap that has useful effects down to 32 Hz might be a foot deep, cover most of a wall, and be about half full of absorbing material.
Quote:
Originally Posted by amirm /forum/post/21980984
From Dr. Toole:
"Sometimes these (modular bass absorbers) are called "bass traps." The problem with the name is that some of them don't "trap" much of anything excpet cash from unwiiting purchasers."
While he is generally in favor of acoustic products to tame low frequency issues, it remains that these products are hard to deploy in an effective amount/manner in one's living room as OP has. Placement of subs and sufficient number of them together with EQ is the right starting point.
pressure-based traps are the STANDARD in any professionally designed room requiring LF absorption - and as they are most effective in areas of high pressure, there is no need to have them protrude into the room.
Price: $1,503.95 for a single module 1 meter by 1.5 meters by 10 cm or 4" thick. The spec sheet shows absorption approaching 1.0 no lower than 100 Hz, and down to about 0.5 at 63 Hz and about 0.15 at 35 or so Hz.
pressure-based traps are the STANDARD in any professionally designed room requiring LF absorption - and as they are most effective in areas of high pressure, there is no need to have them protrude into the room.
But they are not "STANDARD" in people's living rooms
. A DSP can be totally invisible in there. A second sub under a table, in-wall, or in a corner likewise can be almost hidden. Not so with these panel. The modex panels are 3 feet by 4 feet and weigh 70 pounds each. You are not hang a small picture frame there
.
The point here is not that you should not use acoustic products but that it is important to first lower the impact of the problem in the room by using the techniques I mentioned. Once there, then you may need much less acoustic products and can focus on what is remaining. That is if you think you need more correction. For a living room, you may be OK with some unevenness in response in the context of preserving the look of your room and not having to get "permission" for significant other to fix your audio problems
They *can* be tuned - but actually succeeding is a near herculean challenge. Even measuring/verifying that your trap is tuned correctly for anything except for a tube helmholtz resonator is in itself nearly impossible.
I have some high hopes for the steel plate resonators that are being experimented with on gearslutz (and that use similar design as the RPG Modex plate)
Quote:
Originally Posted by kromkamp /forum/post/21983391
They *can* be tuned - but actually succeeding is a near herculean challenge. Even measuring/verifying your trap is tuned correctly for anything except for a tube helmholtz resonator is in itself nearly impossible.
I have some high hopes for the steel plate resonators that are being experimented with on gearslutz (and that use similar design as the RPG Modex plate)
For example, plain old absorber/cavity rigid back porous absorbers (IOW a piece of fiberglass spaced so many inches from a wall) can be more dependent on the absorbant material's flow resistivity being a certain number, than we seem to be able to have any confidence in that number for a particular brand and type of material. Look at the conflicting numbers for 70x materials, for example. In one case we have numbers ranging from 14,000 to 24,000 rayls/m from seemingly reliable sources.
Quote:
Originally Posted by amirm /forum/post/21980984
From Dr. Toole:
"Sometimes these (modular bass absorbers) are called "bass traps." The problem with the name is that some of them don't "trap" much of anything excpet cash from unwiiting purchasers."
Are you trying to lump me and my company together with people that sell ineffective acoustic treatment?
--Ethan
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