Quote:Originally Posted by Josh Z Furthermore, it's always the exact same shade of teal, from scene to scene to scene. It looks digital, with no natural gradations or variations. That's just not the way that movies ever looked prior...
Quote:Originally Posted by 42041 When was this mythical time when every movie was a visually unique snowflake, slave to no visual trends or conventions?
Certainly not any era of film I'm familiar with...
... nor anything that anyone...
Quote:Originally Posted by khronikos This film needed a new color timing.
... like I need another hole in my head.
I want the movie, as it was made, not a revision.
1. Quality, quality, quality- nothing beats Blu-ray in the home (yet).
2. I can watch it whenever I want and I'm never dependent upon internet connectivity or traffic or some company's policy whim, licensing issue or server...
Quote:Originally Posted by CatBus The way I'd describe it is that 48fps is just "a different kind of fake". Like 3D, it's another aesthetic that a filmmaker can choose to use to give their film a different look.
Indeed.
Quote:Originally Posted by Jdurg Just found out from the IRS that my refund was approved and will be deposited in my bank account on the 12th. Same day as Skyfall's release. Quite good timing, I must say.
If you're counting on a...
Quote:Originally Posted by oink Unless I am mistaken, what Josh is saying is the OCN should be the REFERENCE for those charged with cutting new prints and, ultimately, what comes to comes to theaters and home video.
It certainly can...
Quote:Originally Posted by Josh Z The OCN is good film, and is the standard that we define "film-like" by.
At the risk of mining a near-pedantic vein, I must register my dissent on this point if you're claiming to speak for all of...
