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Official Denon AVP-A1HD/AVP-A1HDCI and POA-A1HD/POA-A1HDCI owners thread. - Page 567

post #16981 of 25153
Quote:
Originally Posted by PLA View Post

I do not understand the benefit of reverse telecine. Upscaling 480p to 1080p does not give you a clearer picture. Creating a frame rate not present on the original recording through software manipulation cannot result in a clearer picture either. Yes the avp-a1 can do it but is there a true benefit to this manipulation?

Well, the idea is is that you are "undoing" the frame rate processing that was done when the DVD was mastered. Film is encoded at 24fps, but for broadcast on traditional televisions and for DVDs (which were developed specifically for television display), the frame rate had to be manipulated to 30fps to match those TVs' 60Hz refresh rate. That's all well and good, except that the process requires frame repetitions, resulting in the telecine judder we all know and love from watching DVDs and movies broadcast on TV all these years.

But now, our modern displays can refresh at some multiple of the original 24fps (usually 72Hz or 120Hz), rendering telecine obsolete for BDs since they retain the native frame rate. But DVDs are forever telecined and encoded at 480i/60, as are TV broadcasts of film-based content.

So, inverse telecine is meant to "undo" telecine's frame rate manipulation. In a perfect world, that's a great idea because you are restoring the content to its native format. That's kind of the Holy Grail for film aficionados...watching it the way it was originally meant to be watched, at 24fps.

But DVD mastering, it turns out, is a messy and imperfect process, and the imperfections can sometimes be magnified by the inverse telecine process. This can show up as jumps or obvious dropped frames, for example. And for some (but not all) of us, that's more annoying than telecine judder itself.


BTW, upscaling 408i to 1080p is a different processing task from inverse telecine (actually two, including de-interlacing). But I wanted to add that, especially with the sophisticated VP chips in our modern players & processors, it does indeed result in a much clearer picture. Most of our displays are now fixed-pixel technology, so it's very hard to even do an AB comparison anymore (they output everything at their native resolution, usually 1080, no matter what you feed them). But if you could do that comparison, you'd be reminded that there's a night-and-day difference between watching a DVD at 480i/p and watching the same DVD played in a good BD player at either 1080p/60 or 1080p/24.
post #16982 of 25153
Just to add to progprog great info.

The engineers who worked on both mpeg and analog compression did a fine job its the misuse by mostly hollywood who ruined it.

interlace is/was a perfect way to give us more 'picture' by sending 50% of the information at a time and expecting the crt tubes to trick our eyes to accept it. The result was a 50% compression. Problem is in a modern world it should not exist anymore.

The mpeg people did a fine job in allowing methods to use both interlaced (time shifted images) and non timeshifted (like 24p) inside the format for both 50 and 60hz. But hollywood mostly because they where lazy or wanted to save a few bits for more 'extras' on a dvd misused it.

The result was that we needed silly amount of cpu power to find back what they did and recover what should have been easy if they just followed the rules. The realta T2 chip we are now using inside the avp is a powerhouse of a chip doing a job that should have been easy.

They should imho not even have allowed 1080i and kill of the idea of interlace 100% and waited for enough bandwidth todo 720p and 1080p when the time was ready.

Daniel.
post #16983 of 25153
Any news on the 100th anniversary updates?

Does anyone know if the AVP will get any updates or be replaced as a part of the 100th anniversary campaign?
post #16984 of 25153
Quote:
Originally Posted by srx View Post

Any news on the 100th anniversary updates?

Does anyone know if the AVP will get any updates or be replaced as a part of the 100th anniversary campaign?

We will probably only get a hint on what they will do in sept 2010 and changes will be next year.

Sorry to bring bad news, but its not like we are waiting for them to fix things....

Daniel.
post #16985 of 25153
Quote:
Originally Posted by progprog View Post

Well, the idea is is that you are "undoing" the frame rate processing that was done when the DVD was mastered. Film is encoded at 24fps, but for broadcast on traditional televisions and for DVDs (which were developed specifically for television display), the frame rate had to be manipulated to 30fps to match those TVs' 60Hz refresh rate. That's all well and good, except that the process requires frame repetitions, resulting in the telecine judder we all know and love from watching DVDs and movies broadcast on TV all these years.

But now, our modern displays can refresh at some multiple of the original 24fps (usually 72Hz or 120Hz), rendering telecine obsolete for BDs since they retain the native frame rate. But DVDs are forever telecined and encoded at 480i/60, as are TV broadcasts of film-based content.

So, inverse telecine is meant to "undo" telecine's frame rate manipulation. In a perfect world, that's a great idea because you are restoring the content to its native format. That's kind of the Holy Grail for film aficionados...watching it the way it was originally meant to be watched, at 24fps.

But DVD mastering, it turns out, is a messy and imperfect process, and the imperfections can sometimes be magnified by the inverse telecine process. This can show up as jumps or obvious dropped frames, for example. And for some (but not all) of us, that's more annoying than telecine judder itself.


BTW, upscaling 408i to 1080p is a different processing task from inverse telecine (actually two, including de-interlacing). But I wanted to add that, especially with the sophisticated VP chips in our modern players & processors, it does indeed result in a much clearer picture. Most of our displays are now fixed-pixel technology, so it's very hard to even do an AB comparison anymore (they output everything at their native resolution, usually 1080, no matter what you feed them). But if you could do that comparison, you'd be reminded that there's a night-and-day difference between watching a DVD at 480i/p and watching the same DVD played in a good BD player at either 1080p/60 or 1080p/24.

Not sure I agree. Same as taking a high def audio recording, compressing it to an mp3 file and then claiming that your software can restore it to its original sound quality during playback
post #16986 of 25153
Quote:
Originally Posted by PLA View Post

Not sure I agree. Same as taking a high def audio recording, compressing it to an mp3 file and then claiming that your software can restore it to its original sound quality during playback

It's not an agree/disagree kind of thing.....it's a geometry kind of thing. I wasn't making an argument...I was explaining what the technology does (since you said you didn't understand it). Your analogy implies you're talking about upscaling, and nobody is claiming that it restores the video to its original resolution with all the film information intact, but it does most definitely improve the image quality of a 480i DVD.

As for inverse telecine, that would be more analogous, in the audio world, to .flac versus the original .wav recording. No information is actually lost in the conversion, and it is possible to reprocess .flac back to the original form. Same concept applies to doing frame rate conversions.
post #16987 of 25153
Hey Guys,

Once again it's been way TOO long between posts and catching up with you all. I am still absolutely in love with the AVP/POA combo. On another note (which will lead into my question) my wife is @32weeks and we cant wait giddy up...

Anyway i now have a real need to finish the theater room and all the extras. What i am wanting to do is utilize ZONE 2 of the AVP. Now due to our lovely manual that we all so LOVE (also couldn't find something on the AVP Owners site unless i am blind) i cant quite work out the best way to do this.

What i was hoping to do is utilize my older Yamaha RX-V1700B as the Zone 2 AMP/Receiver. I am thinking all i should need to do is run Component and Optical to one of the inputs DVD/DVR etc. on the Yamaha. Now this is the part i am unsure of. Let's say i want to watch a Bluray in the theater (ZN1) and another Bluray in ZN2. I am unsure how i select it all on the AMP so it sends the Video (Component) & Audio (Optical) to the Yamaha, while watching the other in ZN1.

Also for now till i get a Pronto or something of the like i have to change sources/chapters etc. from the Theater room. Lastly i do have pretty much 2 of everything in way of sources besides PayTV (Foxtel) 2*Toshiba XE-1, 2*JVC XV-BP1 (Reg A & B), 1*PS3, 1*Xbox 360, 1*Panasonic DMR-BW500, 1*Wii.

All i want to do is go down stairs (ZN1) select source for ZN2 then use the Yamaha for volume etc. The Yamaha does all except the HD Codecs (came in for the 1800B). Any help ideas would be great guys. BTW the cables will be about 6-7mtrs if that would be a problem.

Scott
post #16988 of 25153
Quote:
Originally Posted by PLA View Post

Not sure I agree. Same as taking a high def audio recording, compressing it to an mp3 file and then claiming that your software can restore it to its original sound quality during playback

u know, I just have this feeling you are too young to experience the days of 480i dvds. ... when proper "progressive scan" was state of the art.

for example:

Quote:
Originally Posted by PLA View Post

I do not understand the benefit of reverse telecine

Have you ever watched something in 480i, presented in 480i ?

very long time ago, the favorite section of this forum was video processing ....
post #16989 of 25153
Quote:
Originally Posted by progprog View Post

It's not an agree/disagree kind of thing.....it's a geometry kind of thing. I wasn't making an argument...I was explaining what the technology does (since you said you didn't understand it). Your analogy implies you're talking about upscaling, and nobody is claiming that it restores the video to its original resolution with all the film information intact, but it does most definitely improve the image quality of a 480i DVD.
.

Sorry for the tagteam

Also people should not think you have a option not to deinterlace/upscale a 480i signal these days.

1) there are no digital displays that can display interlace native (lcd, oled, plasma, dlp, lcos etc etc). So at some point 480i and 1080i has to be deinterlaced. What progprog is talking about is the method he prefers. Many of the movie freaks don't agree with him (including me).

2) you can't display 480p on any modern display since they all have a higher pixel count. Mostly 1920x1080 these days, so you also have to scale/upscale unless you want only 1/5 of your picture showing a image.

So in this discussion its not if you do it (deinterlace & scale) but where you do each of this actions, how and try to make sure that you don't do it 2x in your video chain. Progprog prefers todo it in this display others in the source or processor or external scaler. Like c722 i was a long time visitor of the video processing crowd/forum and use multiple places just out of habbit .

Daniel.
post #16990 of 25153
Quote:
Originally Posted by PLA View Post

Not sure I agree. Same as taking a high def audio recording, compressing it to an mp3 file and then claiming that your software can restore it to its original sound quality during playback

I am sure i will get in trouble over this , but compressing and restoring can be a tricky thing there is no rule for example that the result after restoring can't be better than the format you started from. People forget that also the input format is a form of compression (or sampling) from a higher source.

So say for audio you decide to sample 1000 times a second with 256 levels. All you doing is sampling 1000 times with a error margin of where the signal is.

This will give you 1000 values a second, there is no rule that using a 'smarter' method (compression) for example only recording the delta's you can't make better use of these 1000 values per second.

There is also no law that if you take these 1000 values of 256 and 'guess' based on logic and knowledge of audio/video what was most likely in the original (pre sampling) stream you won't be closer to the original.

Hope this makes sense its early .

So even if the format of mp3 is too limited as a container, you could compress a analog audio stream in it better than what is transported in a sacd or dvd-a. And use a restore as a bonus to get closer to the original. If your goal is not to get the same as what its on the sacd but your goal is higher as in to get closer to the original.

Daniel.
post #16991 of 25153
Quote:
Originally Posted by danielo View Post

Sorry for the tagteam

Also people should not think you have a option not to deinterlace/upscale a 480i signal these days.

1) there are no digital displays that can display interlace native (lcd, oled, plasma, dlp, lcos etc etc). So at some point 480i and 1080i has to be deinterlaced. What progprog is talking about is the method he prefers. Many of the movie freaks don't agree with him (including me).

2) you can't display 480p on any modern display since they all have a higher pixel count. Mostly 1920x1080 these days, so you also have to scale/upscale unless you want only 1/5 of your picture showing a image.

So in this discussion its not if you do it (deinterlace & scale) but where you do each of this actions, how and try to make sure that you don't do it 2x in your video chain. Progprog prefers todo it in this display others in the source or processor or external scaler. Like c722 i was a long time visitor of the video processing crowd/forum and use multiple places just out of habbit .

Daniel.

Lol...tag team is just forum conversation! No problem.

I'm not sure where you're saying we disagree, Daniel...method of deinterlacing? Upscaling? I'm confused.

I did point out in one of my earlier replies to PLA that you can't even compare native 480i to an upscaled version of it anymore, because all our modern displays have to upscale it to their native resolution, which is usually 1080p. (You'd have to drag an old CRT out of the closet to get a look at actual 480i and be reminded how crappy it looks compared to a quality upscaled version.....)

Not sure where you got the idea, but I don't upscale anything in my displays. I even have lower-resolution TV signals upscaled by my external tuners before going to the display. While PLA initally asked about inverse telecine, the discussion morphed into the benefits of upscaling DVDs. I never made any assertion about where that should be done (I personally prefer to have my players do it), just that the video processing in all of our modern components can and will make it look better than 480i.

PS: I proudly consider myself a movie freak....
post #16992 of 25153
Quote:
Originally Posted by progprog View Post

Lol...tag team is just forum conversation! No problem.

I'm not sure where you're saying we disagree, Daniel...method of deinterlacing? Upscaling? I'm confused.

I did point out in one of my earlier replies to PLA that you can't even compare native 480i to an upscaled version of it anymore, because all our modern displays have to upscale it to their native resolution, which is usually 1080p. (You'd have to drag an old CRT out of the closet to get a look at actual 480i and be reminded how crappy it looks compared to a quality upscaled version.....)

Not sure where you got the idea, but I don't upscale anything in my displays. I even have lower-resolution TV signals upscaled by my external tuners before going to the display. While PLA initally asked about inverse telecine, the discussion morphed into the benefits of upscaling DVDs. I never made any assertion about where that should be done (I personally prefer to have my players do it), just that the video processing in all of our modern components can and will make it look better than 480i.

PS: I proudly consider myself a movie freak....

I guess i have a habit of not reading your posts correctly the last few weeks, Didn't catch that you already pointed the 480i thing out. Even so many people feel that its a option to deinterlace and scale instead of a demand. On the in the display i figured you stated you let the kuro handle all of it.

Is it just me or did we loose Robert in this whole discussion and the moderators are giving us way too much space to get offtopic .

Daniel.
post #16993 of 25153
Quote:
Originally Posted by danielo View Post

I guess i have a habit of not reading your posts correctly the last few weeks, Didn't catch that you already pointed the 480i thing out. Even so many people feel that its a option to deinterlace and scale instead of a demand. On the in the display i figured you stated you let the kuro handle all of it.

Is it just me or did we loose Robert in this whole discussion and the moderators are giving us way too much space to get offtopic .

Daniel.

Hehe....yeah, I also noticed that Robert disappeared. Maybe he found a solution he was happy with. He certainly has equipment that should make his DVDs look great, so I hope so. The Kuros do a very respectable job with both upscaling and deinterlacing, but my other components do it better. And the Kuros are very annoying (to me) when they are adjusting to resolution changes....that alone makes it worth sending them a consistent 1080p signal.

Off-topic?? Us? Upscaling, deinterlacing.....that's all stuff the AVP does! It's all good.
post #16994 of 25153
Quote:
Originally Posted by c722 View Post

u know, I just have this feeling you are too young to experience the days of 480i dvds. ... when proper "progressive scan" was state of the art.

for example:



Have you ever watched something in 480i, presented in 480i ?

very long time ago, the favorite section of this forum was video processing ....

very kind of you. I am actually 57 and have been at this since before video was something to worry about. My first deck was a JVC SuperVHS. I know you can manipulate digital data more extensively than analogue, the point I was trying to make with Robert is that the signal is the signal and he should not get too upset just because a particular data manipulation function was not available to him
post #16995 of 25153
Quote:
Originally Posted by MrSTI View Post

Hey Guys,

...I am thinking all i should need to do is run Component and Optical to one of the inputs DVD/DVR etc. on the Yamaha.

That should work.

Quote:


Now this is the part i am unsure of. Let's say i want to watch a Bluray in the theater (ZN1) and another Bluray in ZN2. I am unsure how i select it all on the AMP so it sends the Video (Component) & Audio (Optical) to the Yamaha, while watching the other in ZN1...

Scott

Refer to page 87 in the manual to turn the zone on/off and set the input.
post #16996 of 25153
Quote:
Originally Posted by chuckt62 View Post

That should work.



Refer to page 87 in the manual to turn the zone on/off and set the input.

Thanks for that chuckt62. I had a better read of the manual and the selecting source section made a bit more sense for me. The only ? i have left then is to do with the volume adjust. On page 87 it says you can adjust volume on the Denon or have a variable set up. As i want to control the Volume from the Yamaha i was hoping that the AVP couldn't be changed or is it a case you set a volume on the AVP and be done with it.

Cheers
LL
post #16997 of 25153
Quote:
Originally Posted by MrSTI View Post

Thanks for that chuckt62. I had a better read of the manual and the selecting source section made a bit more sense for me. The only ? i have left then is to do with the volume adjust. On page 87 it says you can adjust volume on the Denon or have a variable set up. As i want to control the Volume from the Yamaha i was hoping that the AVP couldn't be changed or is it a case you set a volume on the AVP and be done with it.

You said you'd be using the digital output, right? If so, I'm pretty sure the volume setting doesn't matter and only applies to the analog outputs.
post #16998 of 25153
Quote:
Originally Posted by srx View Post

Any news on the 100th anniversary updates?

Does anyone know if the AVP will get any updates or be replaced as a part of the 100th anniversary campaign?

well they just started sending out emails with a clock/date, the new stuff will
be shown 1okt 2010.

http://www.denon100.com

Interesting they say in 2007 - The start of the A1 era, Thats kind of weird since they had the A1 line in europe for ages.

They also say special versions will be released of products.

Daniel.
post #16999 of 25153
Quote:
Originally Posted by danielo View Post

well they just started sending out emails with a clock/date, the new stuff will
be shown 1okt 2010.

http://www.denon100.com

Interesting they say in 2007 - The start of the A1 era, Thats kind of weird since they had the A1 line in europe for ages.

They also say special versions will be released of products.

Daniel.

Interesting. I admit, I haven't played close attention to all the 100th Anniversary talk, so I'm not up to speed on it. Is this expected to be a collection of new products or just limited (i.e., more expensive) editions of some of their existing gear?
post #17000 of 25153
Quote:
Originally Posted by progprog View Post

Interesting. I admit, I haven't played close attention to all the 100th Anniversary talk, so I'm not up to speed on it. Is this expected to be a collection of new products or just limited (i.e., more expensive) editions of some of their existing gear?

We can only guess but it would make sense to have a new/update to the A1 line as part of this no ?. I mean its not that they will be 100 years ever again and not having a top unit as part of this seems like a given.

Daniel.
post #17001 of 25153
Quote:
Originally Posted by danielo View Post

We can only guess but it would make sense to have a new/update to the A1 line as part of this no ?. I mean its not that they will be 100 years ever again and not having a top unit as part of this seems like a given.

Daniel.

Yes, that makes sense to me, too. But I've seen plenty of other manufacturers' "special editions" that really just amount to redesigned faceplates, a limited-run color, special logo, etc. I hope it's not just cosmetic changes to make this collection look more exclusive.
post #17002 of 25153
Quote:
Originally Posted by progprog View Post

Yes, that makes sense to me, too. But I've seen plenty of other manufacturers' "special editions" that really just amount to redesigned faceplates, a limited-run color, special logo, etc. I hope it's not just cosmetic changes to make this collection look more exclusive.

True but its also the moment in the product cycle anyway (with shipping in spring) for it to make sense to be the 5308 and A1 updates.

Daniel.
post #17003 of 25153
Quote:
Originally Posted by gsr View Post

You said you'd be using the digital output, right? If so, I'm pretty sure the volume setting doesn't matter and only applies to the analog outputs.

Hey there gsr, that is what i was thinking but i wasn't too sure. I suppose i was hoping that someone on the Forums here might have been using Zone 2 and could give any ideas on what they have done.

Quote:
Originally Posted by danielo View Post

well they just started sending out emails with a clock/date, the new stuff will
be shown 1okt 2010.

http://www.denon100.com

Interesting they say in 2007 - The start of the A1 era, Thats kind of weird since they had the A1 line in Europe for ages.

They also say special versions will be released of products.

Daniel.

17,000th post for the thread, quite a good accomplishment guys.
post #17004 of 25153
Quote:
Originally Posted by MrSTI View Post

Hey there gsr, that is what i was thinking but i wasn't too sure. I suppose i was hoping that someone on the Forums here might have been using Zone 2 and could give any ideas on what they have done.

If anything, just set the volume to 0 and leave it there, but I'm 99.99999% positive that the volume level will have no effect on the digital output. I'm using zone 2 to send audio to my office system, but I'm using the analog outputs.
post #17005 of 25153
Quote:
Originally Posted by gsr View Post

If anything, just set the volume to 0 and leave it there, but I'm 99.99999% positive that the volume level will have no effect on the digital output. I'm using zone 2 to send audio to my office system, but I'm using the analog outputs.

Thanks again gsr for that info. Will find out early next week how it goes, as i'm just waiting for the cables to be delivered.
post #17006 of 25153
Quote:
Originally Posted by MrSTI View Post

Hey there gsr, that is what i was thinking but i wasn't too sure. I suppose i was hoping that someone on the Forums here might have been using Zone 2 and could give any ideas on what they have done.



17,000th post for the thread, quite a good accomplishment guys.

I didn't even notice that and on that topic !, Its a sign i tell you its a sign !, denon will ship me a free update to the new models.


btw: It think digital out is volume controlled and i am 0.00001% sure (sorry gsr i have to start each day with a bad joke).

Daniel.
post #17007 of 25153
Quote:
Originally Posted by danielo View Post

btw: It think digital out is volume controlled and i am 0.00001% sure (sorry gsr i have to start each day with a bad joke).



I suspect we'll have a definitive answer in a few days once MrSTI's cables arrive, but I'd really be shocked if the volume control has any effect on the digital outs.
post #17008 of 25153
Quote:
Originally Posted by rnrgagne View Post

Well you & I disagree there. I think properly designed amps with enough power for the room and speakers are pretty low on the list of things that affect the sound most. Most amplifiers are designed to replicate the input signal accurately, and it's a pretty old technology, so they've pretty much figured out how to do that.

What I'm trying to say is the appreciable sonic difference you will hear between switching out an amp in the same system and room, is far less than most other component changes you can make (except maybe a digital transport if used only as a transport).

Assuming digital sources my order would be;
1a. passive & electronic room corrections
1b. speakers
2. pre-amp
3. source (see above)
4. amps
5. mood

Analog sources would likely take the #2 position and bump the rest down since they are behaving as a pre-amp to some degree.


I've been gone for a week, but can't resist jumping into this one...

So where would you place:

Speaker wire
Interconnects
Power cords
Power cord stands
Shaki stones
Incense
Drink of choice

?



eric
post #17009 of 25153
Quote:
Originally Posted by EricBergan View Post

I've been gone for a week, but can't resist jumping into this one...

So where would you place:

Speaker wire
Interconnects
Power cords
Power cord stands
Shaki stones
Incense
Drink of choice

?



eric

Speaker wire 221
Interconnects 222
Power cords 223
Power cord stands 224
Shaki stones 225
Incense 10
Drink of choice 1c

post #17010 of 25153
Quote:
Originally Posted by rnrgagne View Post

Speaker wire 221
Interconnects 222
Power cords 223
Power cord stands 224


Personally i prefer the use of interconnects, powercords and speakerwires. Without them you don't get the full sound experience if you ask me.

Daniel.
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