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The Official Pioneer 9G Elite KURO Owner's Discussion Thread - Page 188

post #5611 of 28695
Quote:
Originally Posted by ptipa View Post

Thanks for confirming what I've been saying all along.

I'd like to add that in many cases the decision not to use the ISFccc Interface (8G's) were made before ControlCAL.

Time is no longer an issue as it was with the other tools.

Now, many Pros do not have the luxury of a Pioneer Elite in their home or office. Some will need time to get up to speed.
post #5612 of 28695
Quote:
Originally Posted by PARASITE View Post

Are you getting brighter whites at 42ftl. Honestly does the image look too hot at that high of light output?

No.

Quote:


My 1150 was at 37ftl which I thought looked great even in the daytime. If you increase the light output to higher then say 37ftl without clipping or overdriving the panel, would you get an increase in black level?

No. Peak brightness has absolutely nothing to do with minimum luminance levels. If you set the peak brightness to 15fL, do you think you're going to get black blacks?

Quote:


Would this higher dynamic range have an impact on shadow detail?

Of course not.

Quote:


Lastly if isfccc is still using the same cms, how are you able to get closer color points?

Every A/V mode on the Elites have their own unique picture profile encoded in the the firmware. Performance and Standard are almost identical, however, they do have differences. Just because each mode has access to CMS controls, that does not mean they are identical. Con you place Pure mode settings in Standard mode and get identical readings? I'll answer it for you....no.

Quote:


Is the more accurate color just because of a better grayscale?

It's more accurate because Pioneer tuned it better than the other modes.

Quote:


I agreed to let Jeff use my tv as a guinea pig to try all this out on. I wouldnt mind brighter image in the daytime, just so I could open a few windows, but at night there is no way I want to stare at a 42flt unless it wouldnt hurt my eyes or effect the image quality.
Ah feels good to have something to talk about again on these boards!

I have yet to see any panel give eye strain with 42fL of peak brightness in bright ambient lighting conditions. However, I would never use 42fL in low lighting conditions....that's why one has access to the ISF-Night and ISF-Auto modes
post #5613 of 28695
Quote:
Originally Posted by turbe View Post

I believe Jeff will give you the option, ISFccc or Pure... which way do you think you are going to go (or perhaps both)?

Jeff is going to be doing a few before he gets to me. If he can verify the improvements of isfccc, especially the ability to go higher then 30ftl, then its a no brainer I will go with isfccc, one for day and one for night. Just out of curiosity are most lcd displays you see at the store around 50ftl, or higher? Trying to get a feel for bright that is.
post #5614 of 28695
Quote:
Originally Posted by PARASITE View Post

Jeff is going to be doing a few before he gets to me. If he can verify the improvements of isfccc, especially the ability to go higher then 30ftl, then its a no brainer I will go with isfccc, one for day and one for night. Just out of curiosity are most lcd displays you see at the store around 50ftl, or higher? Trying to get a feel for bright that is.

LCDs in stores routinely go beyond 80fL.
post #5615 of 28695
Quote:
Originally Posted by D-Nice View Post

If you have not seen and compared Pure mode vs and ISF mode on a 9G Elite, you are doing nothing more than speculating on what you assume. I now have information from my Pioneer contact and had a forum member experiment with one aspect of the differences between Pure and the ISF modes yesterday. There is a difference and there is data to prove that difference from multiple sources.

And please, don't attempt to compare the 8G ISFccc profile to the 9Gs profile. They are completely different.....specifically on the 8Gs, the ISFccc modes are carbon copies of Pure mode and use the same firmware encoded offsets.

You don't have to convince me of anything. It's the calibrators who have told some of us of their findings. If you have valuable data to contradict their advice, present it to them. You may very well be right and as I stated in an earlier post, I'd be interested in seeing data on a side by side comparison.
post #5616 of 28695
Quote:
Originally Posted by ptipa View Post

You don't have to convince me of anything. It's the calibrators who have told some of us of their findings. If you have valuable data to contradict their advice, present it to them. You may very well be right and as I stated in an earlier post, I'd be interested in seeing data on a side by side comparison.

Calibrators??? What calibrator has provided data stating that there is no improvement over Pure mode vs the ISFccc modes with the 9G Elites? Please name one....just one.

I've already posted data, owner's that have the modes activated on their panel have provided their first hand experience, ikeb has posted information, scooper750 just posted data...what more do you need????

You want my Pioneer contact's info? Nah, I think I'll hold on to that info for now as it is a "end all, be all" trump card
post #5617 of 28695
Quote:
Originally Posted by ptipa View Post

You don't have to convince me of anything. It's the calibrators who have told some of us of their findings. If you have valuable data to contradict their advice, present it to them. You may very well be right and as I stated in an earlier post, I'd be interested in seeing data on a side by side comparison.

Did you look at this list?

http://www.avsforum.com/avs-vb/showthread.php?t=1058269

Again, #1 reason why many decided against using the ISFccc Interface (before ControlCAL) was the additional time involved.

This list only shows the Pro's that are also able to properly calibrate the 9G NE's, the ones doing ISFccc is much larger. Eventually, I will take the time to create that list.
post #5618 of 28695
Quote:
Originally Posted by D-Nice View Post

LCDs in stores routinely go beyond 80fL.

Would running a 151 at 42ftl increase the possibility of image retention?
post #5619 of 28695
Quote:
Originally Posted by PARASITE View Post

Would running a 151 at 42ftl increase the possibility of image retention?

No.
post #5620 of 28695
Quote:
Originally Posted by NYC Guy View Post

Is the Energy saving mode on the 111FD the same as the Power saving mode you have listed as "off" in your breakin settings? If not, where is it located?

It's the same thing. People use the terms interchangeably.

Quote:


If I am playing a Blu-ray movie is it ok to use Zoom for the screen size if it is a 2.40:1 aspect ratio during the 150 hour breakin period?

Also when playing Blu-ray movies that are being transmitted in 24 FPS is it ok to use the 111FD's Pure Cinema mode that triples the signal during the first 150 hours?

Yes. Anything that fills the screen completely is what you're after.

Quote:


Is there a significant difference in the picture after the 150 hours between Elite Kuros when you use the breakin disc as opposed to those that don't use it and are doing normal viewing like I am ?

Not likely. Many here have used the break-in disc, many have used normal viewing. All seem to be happy with the results.

Quote:


When my speakers are delivered by Robert in about 10 days (special order) and everything is connected to the VSX-01 THX receiver, will the HD DVR cable box signal pass through the VSX-01 THX receiver if the power is turned off to the 111FD? There will be programming where I just want to listen to the 111FD's speakers and not the big Polk's I have on order and still get a picture though my HDMI cables going in and out of the receiver without having to turn the receiver on? If not, what do you suggest for the necessary wiring connections to achieve this?

Many recievers will not pass through an HDMI signal when they are off, and even in the ones that do (as a function of the HDMI control system), it tends to be quirky and more trouble than it's worth. Here's the common solution, which I use as well. Run the HDMI from your STB directly to the Kuro, and run optical out from the STB to your receiver. This way, you can get TV audio through the full surround setup when you want it that way, but also just through the TV when that's what you want. (When using audio through the receiver, you'll need to mute the TV.)
post #5621 of 28695
Quote:
Originally Posted by NYC Guy View Post

First of all I want to sincerely thank you for your many posts that I have read. They were very helpful and sincerely appreciated by a newbie in plasmas like me.

I did all of your settings and have a few questions.

Is the Energy saving mode on the 111FD the same as the Power saving mode you have listed as "off" in your breakin settings? If not, where is it located?

If I am playing a Blu-ray movie is it ok to use Zoom for the screen size if it is a 2.40:1 aspect ratio during the 150 hour breakin period?

Also when playing Blu-ray movies that are being transmitted in 24 FPS is it ok to use the 111FD's Pure Cinema mode that triples the signal during the first 150 hours?

Is there a significant difference in the picture after the 150 hours between Elite Kuros when you use the breakin disc as opposed to those that don't use it and are doing normal viewing like I am ?

When my speakers are delivered by Robert in about 10 days (special order) and everything is connected to the VSX-01 THX receiver, will the HD DVR cable box signal pass through the VSX-01 THX receiver if the power is turned off to the 111FD? There will be programming where I just want to listen to the 111FD's speakers and not the big Polk's I have on order and still get a picture though my HDMI cables going in and out of the receiver without having to turn the receiver on? If not, what do you suggest for the necessary wiring connections to achieve this?

Thank you for your kind words. Sorry, I didn't see your post. Please look at progprog's response for your answers
post #5622 of 28695
Myself & D-Nice have already showed the 151FD will exceed 30 ftl in ISFccc mode. But feel free to get confirmation.

Quote:
Originally Posted by PARASITE View Post

Jeff is going to be doing a few before he gets to me. If he can verify the improvements of isfccc, especially the ability to go higher then 30ftl, then its a no brainer I will go with isfccc, one for day and one for night. Just out of curiosity are most lcd displays you see at the store around 50ftl, or higher? Trying to get a feel for bright that is.
post #5623 of 28695
Quote:
Originally Posted by progprog View Post


Many recievers will not pass through an HDMI signal when they are off, and even in the ones that do (as a function of the HDMI control system), it tends to be quirky and more trouble than it's worth. Here's the common solution, which I use as well. Run the HDMI from your STB directly to the Kuro, and run optical out from the STB to your receiver. This way, you can get TV audio through the full surround setup when you want it that way, but also just through the TV when that's what you want. (When using audio through the receiver, you'll need to mute the TV.)

I really won't know if it passes through the signal until the speakers are delivered. In addition to your solution is their any advantage and improvement to either the video or audio if I run two different connections from the DVR?

#1 - either HDMI or component cables for the video from the DVR to the Kuro and also optical from the DVR to the receiver for when the receiver is not turned on.

#2 HDMI from the DVR to the receiver and then HDMI from the receiver to the 111FD for when the receiver is turned on.

Will something like this work and also serve a purpose or will one override the other?
post #5624 of 28695
Quote:
Originally Posted by NYC Guy View Post

I really won't know if it passes through the signal until the speakers are delivered. In addition to your solution is their any advantage and improvement to either the video or audio if I run two different connections from the DVR?

#1 - either HDMI or component cables for the video from the DVR to the Kuro and also optical from the DVR to the receiver for when the receiver is not turned on.

#2 HDMI from the DVR to the receiver and then HDMI from the receiver to the 111FD for when the receiver is turned on.

Will something like this work and also serve a purpose or will one override the other?


The first scenario is what I described in my previous response. It does involve running two different connections from your DVR. The optical out to the receiver is the second connection, but it's for when the receiver IS turned on- it wouldn't be doing anything when the receiver is off. Maybe I'm not understanding exactly what you're asking here....

The component vs HDMI from STB to Kuro question could be significant, though. Many users have found that when a source signal changes resolution, for example when your STB changes channels or goes to commercial, there can be an annoying lag when using HDMI. Sometimes this is accommpanied by video flashes and audio clicks that drive many people nuts. Using component usually resolves much if not all of this switching delay. The other solution, which is the one I use myself, is to have the STB do all the upconverting. I have my TiVo output everything at 1080i.
post #5625 of 28695
Quote:
Originally Posted by gregdpw View Post

hey where do i attach the zip ties for the color sensor on the back of the 151?

The instruction does exactly point to the hole in the diagram in reference to the other holes, but look for the hole that is slightly above + larger than the rest.
post #5626 of 28695
Without the speakers what is the length and hight of the pro 151fd?
post #5627 of 28695
Quote:
Originally Posted by platinumpapi View Post

Without the speakers what is the length and hight of the pro 151fd?

http://www.pioneerelectronics.com/St...Dimensions.pdf
post #5628 of 28695
lol, im not too good with those demensions, so basically 57 wide, and how about the hight?
post #5629 of 28695
Quote:
Originally Posted by platinumpapi View Post

lol, im not too good with those demensions, so basically 57 wide, and how about the hight?



Okay. It's 57-11/16" wide by 34-1/2" high. Without the stand. With stand, it's 37-1/2" high.
post #5630 of 28695
thats what i thought i just dont understand the numbers in between, because i just wanted 2 measure my wall with measuring tape to get an idea of how it would look
post #5631 of 28695
These kinds of things are also listed in the basic specs for the Kuros. C'mon people- we know you have internet access!
post #5632 of 28695
After going back and forth between the 151 and 141 (also the Panasonics), reading and re-reading countless posts, agonizing over "would I get a buzzer" and such, I finally broke down and ordered a 151!

Hopefully I'll have good things to post when it gets here. Then I'll have to read and re-read countless posts on how to get the best out of it!

Thanks to all here who have helped with this process.
post #5633 of 28695
Quote:
Originally Posted by Saturn94 View Post

After going back and forth between the 151 and 141 (also the Panasonics), reading and re-reading countless posts, agonizing over "would I get a buzzer" and such, I finally broke down and ordered a 151!

Hopefully I'll have good things to post when it gets here. Then I'll have to read and re-read countless posts on how to get the best out of it!

Thanks to all here who have helped with this process.

Congrats! Hope the wait isn't too long....
post #5634 of 28695
Quote:
Originally Posted by scooper750 View Post

Myself & D-Nice have already showed the 151FD will exceed 30 ftl in ISFccc mode. But feel free to get confirmation.

I just got off the phone with Kevin Miller... he did his first 9G Elite using the ISFccc Interface (and ControlCAL ) today.

Model was the PRO-151FD

for ISF Night: 35 fL
for ISF Day: 51 fL with no clipping or other issues

I am allowed to quote him (he will eventually post on his Blog):
He now sees this added dynamic range as one of the benefits for the 9G's ISFccc Interface.

He did find that the Pioneer BDF-05FD BR Player was clipping White (out of the box), he had to turn down Contrast one click (source problem).


Add one of the "Big Guns" who see the benefit of the 9G ISFccc Interface over Pure.

http://www.imagingscience.com/personnel.htm


Who's next?
post #5635 of 28695
Quote:
Originally Posted by progprog View Post

The first scenario is what I described in my previous response. It does involve running two different connections from your DVR. The optical out to the receiver is the second connection, but it's for when the receiver IS turned on- it wouldn't be doing anything when the receiver is off. Maybe I'm not understanding exactly what you're asking here....

The component vs HDMI from STB to Kuro question could be significant, though. Many users have found that when a source signal changes resolution, for example when your STB changes channels or goes to commercial, there can be an annoying lag when using HDMI. Sometimes this is accommpanied by video flashes and audio clicks that drive many people nuts. Using component usually resolves much if not all of this switching delay. The other solution, which is the one I use myself, is to have the STB do all the upconverting. I have my TiVo output everything at 1080i.

I think where I was headed in my first scenario (I'm not sure myself ) is whether I am losing anything doing optical vs. HDMI for the audio connection from the DVR to the receiver? Ideally the signal will pass through the receiver and it will be a moot point.

When the installer from Value Electronics was here yesterday he switched the output on the DVR from 720p to 1080i.
post #5636 of 28695
Turbe,

All this talk is essentially about dynamic range of brightness. right? You guys are talking about getting a very wide range on the Kuros without distorting colors, etc.?

For those of us that need to use PowerSave Mode 2 to mitigate our panel buzz, does this whole conversation become moot? My set is basically unwatchable to me with PowerSave off, so would it even be worth it for me to get this type of calibration?
post #5637 of 28695
when you mount the 151 and you run the cables in the wall. do you use the holes in the middle of mount or should you just cut a hole a few inches below the mount for the cables? cuz with the peerless st670 if i go through the holes in the middle of the wall plate i will have to then run the cables downward in order to plus them into the tv. would it be a better idea to just run the cables stright up?
post #5638 of 28695
Quote:
Originally Posted by NYC Guy View Post

I think where I was headed in my first scenario (I'm not sure myself ) is whether I am losing anything doing optical vs. HDMI for the audio connection from the DVR to the receiver? Ideally the signal will pass through the receiver and it will be a moot point.

When the installer from Value Electronics was here yesterday he switched the output on the DVR from 720p to 1080i.

No, you don't lose anything, because none of your TV content has the lossless audio codecs that require HDMI. Optical can handle the maximum five dolby digital channels your cable/satellite signal carries. (HDMI does matter for things like Blu-Ray players, where you're dealing with the more-demanding codecs.)
post #5639 of 28695
Quote:
Originally Posted by progprog View Post

Turbe,

All this talk is essentially about dynamic range of brightness. right? You guys are talking about getting a very wide range on the Kuros without distorting colors, etc.?

For those of us that need to use PowerSave Mode 2 to mitigate our panel buzz, does this whole conversation become moot? My set is basically unwatchable to me with PowerSave off, so would it even be worth it for me to get this type of calibration?

Power Save 2 clips the peak brightness by about 10-13fL. So if you were to get your panel calibrated in Pure mode, your peak brightness would be limited to around 25-29fL. However, if you were to get your ISFccc modes activated and calibrated, you would then be able to have a peak brightness of 35-40fL.

This is just a theory and I cannot guarantee that you would not get additional "buzz" with the higher peak brightness. I'll test this theory soon.
post #5640 of 28695
Quote:
Originally Posted by gregdpw View Post

when you mount the 151 and you run the cables in the wall. do you use the holes in the middle of mount or should you just cut a hole a few inches below the mount for the cables? cuz with the peerless st670 if i go through the holes in the middle of the wall plate i will have to then run the cables downward in order to plus them into the tv. would it be a better idea to just run the cables stright up?

Can't speak directly to your question, since I don't mount my Kuro. But generally speaking, the HDMI cable needs to come straight out. You don't want to torque that connection at all because they are fairly fragile connectors to begin with; you don't want to bend and loosen them.
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