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who does use cinema speakers and amplifiers in his her HTheater ?

post #1 of 12
Thread Starter 
hello
please give some details also.
that could include PC controled devices to set up the system such as found in the QSC DCA line.
Include screen size and format and projector/lens.
Pictures welcomed.

If you use consumers large horn based speakers such as from GKF you can list it too.

partial list of commercial cinema speakers:
JBL PRO
QSC
MARTIN AUDIO
KCS
KLIPSCH

partial list of pro amplifiers for cinema:
QSC
CROWN
CHEVIN RESEARCH

here's one example, CEDIA AWARD 2007.

 

CEDIA QSC HT.pdf 442.3916015625k . file
post #2 of 12
This is my pro gear:
QSC SRA 3622 amps (2)
QSC SRA 2422 amps (2)
QSC DSP4 DSPs (4)
QSC DSP-30 DSP (1)
Crown K2 Sub Amps (2)
Servodrive SPL Runt LCRs (3)
Servodrive B-DEAP32 subs (2)
Klipsch KS-525THX Surround speakers (4)

Halcro Surround Processor
Lumagen Video Processor
post #3 of 12
Thread Starter 
lovely !!
some photos ?
post #4 of 12
Here are some (but not sure if I have rack pictures in this thread - I just renovated my room).

http://www.avsforum.com/avs-vb/showt...ighlight=scope
post #5 of 12
The screen speakers look a bit low down towards the floor a few extra feet higher. The use in the home will be awesome sounding if you’ve got the room to place fronts in the room, otherwise you’d, wouldn’t have enough room to swing a cat around.



I’m baffled as to why Mr.6million dollar man, didn’t go with cinema pro.
LL
post #6 of 12
Thread Starter 
what a change in screen size !! congrats !!!
I myself have a 171'' wide scope screen
i have some moiré issue though. i dont lile woven fabric since it only looks good on large screens if the projector has at least 2000 lumens

rack:
QSC SRA 2422
GENELEC converter
SMS1
NAD POWER AMP
soon it will feed surrounds and a line of DCA biamp with power the LCR
with DCM1 or DBX crossovers
JBL PRO 4645C 3677 8340 then will add 3 4648

best friend of mine has:
YAMAHA PRO AMPS
CROWN K2
JBL PRO same except surrounds 8330
LEXICON
LL
post #7 of 12
Thread Starter 
JBL
it is pro , MARTIN AUDIO
lol at first sight it looked like QSC cinema speakers
ceiling seems low. 220-230cm ??

i'll soon install my 3677 on top of 3 4648
that will be 9 15'' gunners lol (down to 40hz then it goes to subs, which do LFE also)
post #8 of 12
Quote:
Originally Posted by Digital2004 View Post

JBL
it is pro , MARTIN AUDIO
lol at first sight it looked like QSC cinema speakers
ceiling seems low. 220-230cm ??

i'll soon install my 3677 on top of 3 4648
that will be 9 15'' gunners lol (down to 40hz then it goes to subs, which do LFE also)

Yeah I've heard and felt Martin Audio five-screen first-hand at the Empire Leicester Square back around September 2000 Gladiator and the Martin Audio was pants!

Thank god they have JBL back in that cinema with 56KW THX certification.
post #9 of 12
Thread Starter 
Quote:
Originally Posted by JBLsound4645 View Post

Yeah I’ve heard and felt Martin Audio five-screen first-hand at the Empire Leicester Square back around September 2000 “Gladiator” and the Martin Audio was pants!

Thank god they have JBL back in that cinema with 56KW THX certification.

ah good to know so it's crap ?

my 4648 JBL arrives next week for biamp the center channel.
then 2 more for L+R
oh jeez............
9 15'' and 2 18''
LL
post #10 of 12
Quote:
Originally Posted by Digital2004 View Post

ah good to know so it's crap ?

my 4648 JBL arrives next week for biamp the center channel.
then 2 more for L+R
oh jeez............
9 15'' and 2 18''

You wouldn't need to play it at the levels of cinema; those speakers have high sensitivity and would sound remarkable even at low levels a more, fuller sound would be noticed dialogue level will sound realistic also.
post #11 of 12
I use QSC SRA 3622 for the front two channels
2 15" 1000 watt subs Dayton Titanic
ATI for the surrounds
for detailed equipment list see signature link and for pics see Gallery in signature.
post #12 of 12
You fellows who are using big stacks (JBLsound4645 and Digital2004), what is your throw distance to your primary seating? The reason I ask is because the large stacks, being designed for long throws, are said to exhibit some strange issues in short throw situations. How does the stack resolve the issue of the relationship of distance between transducers and the throw distance? I would think that precise localization at home theater distances would be problematic. I also have heard that the big stack transducers comb filter each other and cause numerous problems at the crossover frequencies in short throw scenarios, but are not noticable in long throw situations. If the "home" theater is large enough, I would suspect that pro screen arrays designed for small cinemas would work fine. Just seems like the larger versions would bring problems. Tell us of more of your experiences with your systems.
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