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You're putting words in my mouth. I didn't say they look great. But somehow saying they don't look "atrocious" = "looks great". I'm tired of the hyperbole on those films.
You're putting words in my mouth. I didn't say they look great. But somehow saying they don't look "atrocious" = "looks great". I'm tired of the hyperbole on those films.
You said I-V had never looked better. While technically true, you might have sounded more credible had you said "they have never looked better, but they still don't look good". Saying one without the other gives the wrong impression. First rule of writing: if you don't want to be misinterpreted, then be clear. I point you to my review of this title if you think I don't practice what I preach. I mentioned many times throughout the course of the review that the discs looked better than these titles ever have, but also with major caveats each time I said it. Not including such things leads people to believe that you think the transfers look good. Sorry for the confusion in any case.
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I also never said they didn't have DNR either.
I also never said they didn't have DNR either.
Not in so many words, no, but you did imply that the waxy, oil-painted look of VI was due in large part to someone judging the transfer on a single screen cap. Having seen the disc in motion, it clearly is not.
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As a long time (since the 1960's) TREK fan and someone with industry connections and an awareness of the conditions of the negatives I'm surprised they look as good as they do on BD without extensive restoration.
As a long time (since the 1960's) TREK fan and someone with industry connections and an awareness of the conditions of the negatives I'm surprised they look as good as they do on BD without extensive restoration.
Ah, but we apparently agree that they do not, in fact, look good...just better than previously released. As someone with undoubtedly as many "industry connections" as yourself, I can tell you from the standpoint of someone with a critical eye for such things that the problem with these transfers has absolutely nothing whatsoever to do with the condition of the film negatives! It has to do with digital manipulation after the fact. If something would look better with less DNR (which you admit is there yourself), then WHY add it? I don't find the statements about these transfers hyperbolic at all. You're not the only long-time fan on these forums. I've bought these six films on every format, from VHS to Laserdisc to DVD to Blu-ray, and to release them in such a fashion is an insult to those who have ponied up good money for them time and time again.
But if you're happy with them, then I digress. But wait, you never said you were happy with them, I don't want to put words in your mouth...to rephrase... If you're unhappy with them but still feel the inexplicable need to defend them here anyway, then I digress. Fair enough?

























) It's only when Xylon points out the occasional anomaly that he's ridiculed by some.