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Originally Posted by
fresno1232001 
Thanks for that, FilmMixer. I for sure do not have a "perfect" room with no need for eq, time alignment or bass management. 21' long, 16' wide, 12' vaulted ceiling, all tile, glass slider at one end of the room and opening at the other end of the room into my kitchen on the left and out into a "tunnel" into my entry-way on the right, with a three foot wall with a mirror to the ceiling between those two as you look down to that end of the room. Challenging, not perfect.
Then you will need the DSD stream converted to PCM for EQ, room correction and bass management... there isn't any product made that can do that with a DSD stream.
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I'll bounce your comment that there is probably no frequency information above 24kHz in the AIX disks off of Mark Waldrep. I have no idea. What I do know is that the CD standard is 44.1 kHz sampling rate, 16 bit word length. The DVD-Audio standard is 96 kHz sampling rate and 24 bit word length, and 5.1 channels. I once found the DVD-A standard, the real stuff, on the net. It's a big long page of text. I THOUGHT at one time that Dolby True HD and/or DTS Master Audio hi rez was just the DVD-A standard with two extra channels in the rear. Silly me. Waldrep soon told me they are different standards and incompatable with DVD-A. As I say, Waldrep is getting ready to issue some of his past DVD-As but as 7.1 Dolby True HD disks.
For full disclosure my wife used to work for Mark at AIX, and I have a bit of a negative feeling towards him, his business practices and his company... that being said......
I don't know how Mark can claim that TureHD and DVD-A aren't similar in standars... while not the same, they are both based on lossless Meridian packing..
I don't think anyone can dispute that... incompatible yes, but very similar.
All three formats (DVD-A, TureHD and DTS-HD MA) encode PCM streams and decode them back into the same PCM that went into the encoder....
And they can all do 192kHz.....
I think you are confusing sampling rate with the frequency response.. it's a principal called the Nyquist frequency...
The idea is that an audio system can reproduce a highest frequency equal to half that of the sampling rate...
Hence, CD's can reproduce frequencies up to 22kHz (human hearing goes from 20Hz - 20,000Hz.)
Where raising the sampling rate comes into effect is in the capture and manipulation of audio data (this is a little controversial too..) But the effect is, basically, that when you up the sampling rate, even on a 1kHz sine wave, you decrease artifacts called sideband distortion.. while not audible, those anomalies can cause the image to collapse and can increase as audio gets processed during the production process.... I believe that Mark goes straight from source to master with very little steps in between...
So while there maybe frequencies above 20kHz (on CD's too) you cannot hear them, but they play a part in how transparent a recording is.
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I'll bounce your comment that there is probably no frequency information above 24kHz in the AIX disks off of Mark Waldrep. I have no idea. What I do know is that the CD standard is 44.1 kHz sampling rate, 16 bit word length. The DVD-Audio standard is 96 kHz sampling rate and 24 bit word length, and 5.1 channels. I once found the DVD-A standard, the real stuff, on the net. It's a big long page of text. I THOUGHT at one time that Dolby True HD and/or DTS Master Audio hi rez was just the DVD-A standard with two extra channels in the rear. Silly me. Waldrep soon told me they are different standards and incompatable with DVD-A. As I say, Waldrep is getting ready to issue some of his past DVD-As but as 7.1 Dolby True HD disks.
The knowledgeable person above who comments about this "issue" with the SC-07 , and whom I quote above, says perhaps the 07 reduces a 196 kHz signal to 44.1 and them doubles things back up to 88.2. Remember, I am an accountant, so what do I know. But last night while watching "Dial M for Murder" it occured to me that if you take a 192 kHz signal, sample it somehow and reduce it to 44.1 kHz, and then double that back up to 88.2 kHz, you must be losing a lot of the texture and detail in the original signal.
Just speculating here, but if you have the following values in the original signal which you are capturing by sampling 192,000 times per second:
15, 12, 9, 4, 3, 7, 17, 11, 7, 6, 14, 13 (i.e. 12 values)
and you now sample that signal 44,100 times per second, maybe you get these sorts of values:
15-----9-----3----17-----7----14
You then double that signal's frequency up to 88,200 kHz and get this:
15, 15, 9, 9, 3, 3, 17, 17, 7, 7, 14, 14.
You have 88.2 kHz all right, but a lot less detail. Just speculating here, folks. Please tell me I'm wrong.
Your thinking is right, but what is thrown out is data that is outside the range of human hearing... so no audible data will be lost if the sampling rate is at least 44.1kHz or higher.. and it's not the values that get lost, but the in between values that go away..
Lets say you have a sample rate of 20Hz.. over three seconds you record a sound and the data points are measured on a 5 Hz waveform.. I am leaving out all of the data points for brevity (there should be 60).
1.....2.....3.....4.....5.....4......3.....2.....1.....2.... .3......4.....5....4.....3....2....1....2.....3.....4
Same sound, half the sampling rate 10Hz... (should be 30 data points)
1....3....5....3...1....3...5.....3...1....3
The converter knows that the value is going up and it must be between 1 and 3.. so the voltage of the output waveform will go through the 2 without the need for a discrete data point.... if you up convert the 10Hz sample to 20Hz, it will create that 2 and not repeat the 1.

Also, the DSD doesn't get decoded to 192kHz, down to 44.1 and then up to 88.2.... I have never heard of that, and don't assume that the SC07 does that..
The best SACD player I've heard is the PS3... it converts all DSD to 88.2 PCM..
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What I am sure of is that DVD-As sound a whole lot better than CDs. So anything which suggests a dropping of 96 kHz to 44.1 kHz scares the willies out of me. But you clearly have a much better understanding of this than I do, you say the sampling rate is much more important in production and mixing than in reproduction, and that the 07 is the best sounding receiver you have heard in your theater in a year.
I stand by my opinions, but know that I need eq and time alignment... the 5308 and 4308 had direct modes for DSD but those receivers didn't sound as good without heavy eq...
I'm not saying $2000 isn't a lot of money... but the SC07 offers so much more in terms of audio quality than anything close to it's point, I think people are getting hung up on the fact that they might be losing a high end feature on a mid line receiver... there are other receivers around this price point that may have it (both the Denon's mentioned are more expensive, don't know about the Yamaha's..).... but if audio quality is your main concern, even with SACD, I can't recommend any other product at this price point.