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"Once upon a dream . . . . " Sleeping Beauty comparison *PIX*
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Special Edition DVD 2003
Platinum Edition DVD 2008
Blu-ray File size: 17.00 GB
Bitrate: 24.06 mbps

Platinum Edition DVD 2008
Blu-ray File size: 17.00 GB
Bitrate: 24.06 mbps
Code:
Total Video
Title Codec Length Movie Size Disc Size Bitrate Bitrate Main Audio Track Secondary Audio Track
----- ------ ------- -------------- -------------- ------- ------- ------------------ ---------------------
Sleeping Beauty AVC 1:15:10 18,360,612,864 37,705,310,447 32.57 24.06 DTS-HD Master 5.1 4459Kbps (48kHz/24-bit) DD AC3 4.0 640Kbps
DISC INFO:
Disc Size: 37,705,310,447 bytes
Protection: AACS
BD-Java: Yes
PLAYLIST REPORT:
Name: 00049.mpls
Size: 18,360,612,864 bytes
Length: 1:15:10 (h:m:s)
Total Bitrate: 32.57 Mbps
Description:
FILES:
Name Size Length Time In Time Out
---- ---- ------ ------- --------
00048.M2TS 18,360,612,864 1:15:10.088 0:00:00.000 1:15:10.088
VIDEO:
Codec Bitrate Description
----- ------- -----------
MPEG-4 AVC Video 24059 kbps 1080p / 23.976fps / 16:9 / High Profile 4.1
MPEG-4 AVC Video 1094 kbps 480p / 23.976fps / 16:9 / High Profile 3.2
AUDIO:
Codec Language Bitrate Description
----- -------- ------- -----------
DTS-HD Master Audio English 4459 kbps 5.1 / 48kHz / 24-bit / 4459kbps (DTS Core: 5.1 / 48kHz / 24-bit / 1536kbps)
Dolby Digital Audio English 640 kbps 4.0 / 48kHz / 640kbps
Dolby Digital Audio English 192 kbps 2.0 / 48kHz / 192kbps
SUBTITLES:
Codec Language Bitrate Description
----- -------- ------- -----------
Presentation Graphics English 32 kbps
Presentation Graphics English 6 kbps
Presentation Graphics English 225 kbps
Presentation Graphics English 2 kbps
Presentation Graphics English 83 kbps
CHAPTERS:
Number Time Length Avg Video Rate Max 1-Sec Rate Max 1-Sec Time Max 5-Sec Rate Max 5-Sec Time Max 10Sec Rate Max 10Sec Time Avg Frame Size Max Frame Size Max Frame Time
------ ---- ------ -------------- -------------- -------------- -------------- -------------- -------------- -------------- -------------- -------------- --------------
1 0:00:00.000 0:01:47.316 19,094 kbps 35,027 kbps 00:01:35.679 22,873 kbps 00:00:14.848 22,423 kbps 00:00:14.848 99,548 bytes 760,627 bytes 00:00:18.060
2 0:01:47.316 0:01:10.528 27,885 kbps 35,284 kbps 00:01:48.483 29,749 kbps 00:01:53.780 29,355 kbps 00:02:42.954 145,380 bytes 645,664 bytes 00:01:49.359
3 0:02:57.844 0:01:57.618 27,341 kbps 34,101 kbps 00:04:12.002 29,753 kbps 00:03:21.618 29,520 kbps 00:03:41.805 142,543 bytes 663,326 bytes 00:04:21.970
4 0:04:55.462 0:00:55.597 24,703 kbps 30,550 kbps 00:05:29.788 29,531 kbps 00:05:12.604 29,378 kbps 00:05:06.056 128,792 bytes 660,623 bytes 00:04:59.508
5 0:05:51.059 0:01:46.732 22,073 kbps 31,646 kbps 00:07:21.274 29,269 kbps 00:07:29.032 26,229 kbps 00:07:27.822 115,081 bytes 491,833 bytes 00:07:33.995
6 0:07:37.791 0:02:17.137 22,300 kbps 32,643 kbps 00:09:13.303 29,785 kbps 00:09:23.897 29,224 kbps 00:09:19.392 116,261 bytes 733,217 bytes 00:09:13.595
7 0:09:54.928 0:01:49.150 24,271 kbps 32,635 kbps 00:09:59.265 29,718 kbps 00:11:07.417 29,293 kbps 00:10:31.714 126,540 bytes 510,051 bytes 00:11:12.422
8 0:11:44.078 0:03:59.239 25,220 kbps 37,895 kbps 00:15:24.924 30,430 kbps 00:15:20.962 29,908 kbps 00:15:15.915 131,487 bytes 727,613 bytes 00:15:27.552
9 0:15:43.317 0:02:03.999 24,854 kbps 34,956 kbps 00:15:48.823 30,042 kbps 00:15:56.455 29,093 kbps 00:16:59.727 129,575 bytes 668,073 bytes 00:17:18.579
10 0:17:47.316 0:04:53.210 23,285 kbps 33,040 kbps 00:18:03.582 29,930 kbps 00:19:23.871 29,415 kbps 00:17:57.952 121,395 bytes 669,925 bytes 00:18:11.507
11 0:22:40.526 0:01:34.928 24,522 kbps 33,638 kbps 00:23:25.279 29,777 kbps 00:23:02.423 29,549 kbps 00:23:02.715 127,848 bytes 733,591 bytes 00:22:47.825
12 0:24:15.454 0:01:19.329 24,666 kbps 35,732 kbps 00:25:14.012 30,225 kbps 00:25:10.092 29,407 kbps 00:25:08.841 128,598 bytes 689,862 bytes 00:25:22.646
13 0:25:34.783 0:04:07.497 23,712 kbps 35,971 kbps 00:28:27.748 30,425 kbps 00:27:43.954 29,480 kbps 00:25:51.884 123,626 bytes 759,895 bytes 00:28:29.458
14 0:29:42.280 0:03:22.077 23,199 kbps 35,860 kbps 00:32:22.399 30,541 kbps 00:32:18.395 29,521 kbps 00:32:14.057 120,951 bytes 786,371 bytes 00:32:58.560
15 0:33:04.357 0:02:57.594 24,446 kbps 35,310 kbps 00:34:04.960 30,159 kbps 00:35:17.407 29,464 kbps 00:34:45.250 127,452 bytes 552,907 bytes 00:34:06.544
16 0:36:01.951 0:04:19.927 23,309 kbps 33,506 kbps 00:36:55.755 30,160 kbps 00:40:09.532 29,352 kbps 00:36:47.747 121,524 bytes 804,833 bytes 00:36:57.757
17 0:40:21.878 0:04:00.281 24,518 kbps 34,365 kbps 00:42:07.358 30,084 kbps 00:43:26.187 29,359 kbps 00:43:01.829 127,826 bytes 685,622 bytes 00:40:30.511
18 0:44:22.159 0:02:17.847 24,724 kbps 34,045 kbps 00:46:02.510 29,680 kbps 00:44:40.344 29,384 kbps 00:44:35.298 128,900 bytes 803,175 bytes 00:46:03.469
19 0:46:40.006 0:01:46.564 24,884 kbps 34,942 kbps 00:47:52.578 29,650 kbps 00:46:44.927 29,163 kbps 00:46:52.935 129,732 bytes 689,093 bytes 00:48:07.384
20 0:48:26.570 0:03:42.556 24,780 kbps 33,430 kbps 00:51:44.184 30,191 kbps 00:51:40.222 29,352 kbps 00:51:35.217 129,191 bytes 668,984 bytes 00:48:50.010
21 0:52:09.126 0:01:34.136 22,521 kbps 31,447 kbps 00:52:26.935 29,736 kbps 00:52:36.945 29,203 kbps 00:52:31.940 117,416 bytes 611,966 bytes 00:52:43.410
22 0:53:43.262 0:02:50.462 25,955 kbps 32,853 kbps 00:55:21.151 29,869 kbps 00:54:10.330 29,487 kbps 00:54:18.755 135,319 bytes 571,661 bytes 00:54:16.003
23 0:56:33.724 0:02:17.470 23,609 kbps 40,161 kbps 00:58:48.608 29,754 kbps 00:57:20.312 29,020 kbps 00:56:34.182 123,088 bytes 603,409 bytes 00:56:46.069
24 0:58:51.194 0:03:19.783 24,735 kbps 33,045 kbps 01:00:51.398 30,054 kbps 01:00:47.352 29,423 kbps 01:00:57.696 128,957 bytes 740,012 bytes 01:01:16.673
25 1:02:10.977 0:03:14.069 21,607 kbps 32,811 kbps 01:04:37.082 29,265 kbps 01:04:33.078 27,089 kbps 01:04:50.720 112,649 bytes 725,916 bytes 01:04:44.089
26 1:05:25.046 0:02:19.765 25,691 kbps 35,618 kbps 01:06:23.021 29,688 kbps 01:06:57.639 28,732 kbps 01:06:55.970 133,941 bytes 697,089 bytes 01:06:46.920
27 1:07:44.811 0:01:05.065 25,896 kbps 33,263 kbps 01:08:27.353 29,595 kbps 01:08:23.433 29,061 kbps 01:08:22.432 135,011 bytes 550,541 bytes 01:08:48.249
28 1:08:49.876 0:01:55.615 26,282 kbps 34,896 kbps 01:08:53.296 30,141 kbps 01:09:50.103 29,618 kbps 01:09:45.098 137,023 bytes 629,399 bytes 01:10:37.942
29 1:10:45.491 0:01:39.058 21,494 kbps 31,224 kbps 01:11:57.188 29,626 kbps 01:11:53.226 27,609 kbps 01:10:45.825 112,059 bytes 626,550 bytes 01:11:08.222
30 1:12:24.549 0:02:45.540 23,079 kbps 32,707 kbps 01:14:41.852 29,735 kbps 01:12:44.527 29,350 kbps 01:12:39.730 120,322 bytes 629,846 bytes 01:12:29.762
STREAM DIAGNOSTICS:
File PID Type Seconds Bytes Packets Bitrate
---- --- ---- ------- ----- ------- -------
00048.M2TS 4113 (0x1011) 0x1B 4510.09 13,563,388,671 73,777,739 24,059
00048.M2TS 4352 (0x1100) 0x86 4510.09 2,513,905,700 14,365,360 4,459
00048.M2TS 4608 (0x1200) 0x90 4510.09 17,858,803 103,750 32
00048.M2TS 6912 (0x1B00) 0x1B 4510.09 616,868,340 3,410,897 1,094
00048.M2TS 4353 (0x1101) 0x81 4510.09 360,808,960 2,114,115 640
00048.M2TS 4609 (0x1201) 0x90 4510.09 3,610,475 21,812 6
00048.M2TS 4610 (0x1202) 0x90 4510.09 126,701,708 706,654 225
00048.M2TS 4354 (0x1102) 0x81 4510.09 108,242,688 704,705 192
00048.M2TS 4611 (0x1203) 0x90 4510.09 1,371,218 8,079 2
00048.M2TS 4612 (0x1204) 0x90 4510.09 46,543,930 263,941 83

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An end of an era . . . .
To me the most beautiful piece of animation ever made. Without the help of any of the technical advances available today the level of craftmanship is unmatched. The background paintings are so exquisitely "rendered" that at one time there was a "mini" mutiny from the animators against Eyvind Earle who was the supervisor of backgrounds and characters. They are having a hard time "blending" the animations.
Widely considered to be the last movie from the studio's "Golden Age", the last to be made with hand-inked cels. With the direction W. Disney want to take on this movie, it took six years and $6 million. Shot in 70mm Super Technirama 70 process with "6 channel stereophic surround", a first for an animated feature. The studio almost went bankrupt because of the spiraling cost. I think one of the directors got fired for that.
Sleeping Beauty was scanned at 4K resolution then downrezzed to 2K for Blu-ray. Lowry Digital did the restoration including DNR. The resulting image is pristine, sharp and detailed picture. The colors may not have the "gradiations" like we see on modern hand drawn animations, nevertheless it doesn't detract at all with the overall PQ. There are some scenes that looks like it is out of focus but thats just me nitpicking
When you hear the score do you associate it with this movie or the ballet?
The AQ especially the musical score is so good compared to the old DVD is not even funny. From the VHS copy I watched a loooooong time ago, the digital stereo sound from my laserdisc, the improvement is night and day.
Disney's first "Platinum Edition" for Blu-ray is a winner. And if you go ahead and explore all the extras you will realize they don't hold back. For most people with kids the interactivity can be used to baby sit
With all that stuff they crammed in there the little ones can spend hours playing with it. More hours if you are connected to the internetS 
To me the most beautiful piece of animation ever made. Without the help of any of the technical advances available today the level of craftmanship is unmatched. The background paintings are so exquisitely "rendered" that at one time there was a "mini" mutiny from the animators against Eyvind Earle who was the supervisor of backgrounds and characters. They are having a hard time "blending" the animations.
Widely considered to be the last movie from the studio's "Golden Age", the last to be made with hand-inked cels. With the direction W. Disney want to take on this movie, it took six years and $6 million. Shot in 70mm Super Technirama 70 process with "6 channel stereophic surround", a first for an animated feature. The studio almost went bankrupt because of the spiraling cost. I think one of the directors got fired for that.
Sleeping Beauty was scanned at 4K resolution then downrezzed to 2K for Blu-ray. Lowry Digital did the restoration including DNR. The resulting image is pristine, sharp and detailed picture. The colors may not have the "gradiations" like we see on modern hand drawn animations, nevertheless it doesn't detract at all with the overall PQ. There are some scenes that looks like it is out of focus but thats just me nitpicking

When you hear the score do you associate it with this movie or the ballet?
The AQ especially the musical score is so good compared to the old DVD is not even funny. From the VHS copy I watched a loooooong time ago, the digital stereo sound from my laserdisc, the improvement is night and day.Disney's first "Platinum Edition" for Blu-ray is a winner. And if you go ahead and explore all the extras you will realize they don't hold back. For most people with kids the interactivity can be used to baby sit
With all that stuff they crammed in there the little ones can spend hours playing with it. More hours if you are connected to the internetS 
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Take a good look at the backgrounds. With the available technology we have right now, our calibrated viewing set and HD format this is the first time we are seeing the real movie in its entirety. Nothing is cropped or blurred (due to the limitation of the DVD format).
If I'm going to rank these restored catalogs its going to be like this:
1. How The West Was Won
2. Sleeping Beauty
3. Grand Prix
4. The Searchers
If I'm going to rank these restored catalogs its going to be like this:
1. How The West Was Won
2. Sleeping Beauty
3. Grand Prix
4. The Searchers
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post #12 of 171
10/8/08 at 5:41am
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10/8/08 at 5:49am
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10/8/08 at 8:42am
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Looking forward to your impressions and pics, Xylon! Anyway, here are my thoughts...
This disc looks absolutely amazing. So detailed, so clear. I found myself looking at the backgrounds a lot because they were so beautifully rendered.
What this disc doesn't seem to look like is film. Its been polished and buffed to an inch of its life, and is a super-clean and colorful image. But there's nothing that says its film to me - it looks almost like digital animation.
I know this film was shot on 70mm which might account for the absence of grain. One of the endless previews before you can get to the menu (you have to click through them or fast forward rather than being able to hit the menu key - BOO) showed images from upcoming Disney films, like Pinocchio, which did have a look of grain.
So - what's on this Blu-ray disc looks phenomenal. But how much does it look like what theatergoers saw back in the fifties?
This disc looks absolutely amazing. So detailed, so clear. I found myself looking at the backgrounds a lot because they were so beautifully rendered.
What this disc doesn't seem to look like is film. Its been polished and buffed to an inch of its life, and is a super-clean and colorful image. But there's nothing that says its film to me - it looks almost like digital animation.
I know this film was shot on 70mm which might account for the absence of grain. One of the endless previews before you can get to the menu (you have to click through them or fast forward rather than being able to hit the menu key - BOO) showed images from upcoming Disney films, like Pinocchio, which did have a look of grain.
So - what's on this Blu-ray disc looks phenomenal. But how much does it look like what theatergoers saw back in the fifties?
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10/8/08 at 8:53am
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10/8/08 at 9:04am
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Quote:
Originally Posted by Bleddyn H Williams 
Looking forward to your impressions and pics, Xylon! Anyway, here are my thoughts...
This disc looks absolutely amazing. So detailed, so clear. I found myself looking at the backgrounds a lot because they were so beautifully rendered.
What this disc doesn't seem to look like is film. Its been polished and buffed to an inch of its life, and is a super-clean and colorful image. But there's nothing that says its film to me - it looks almost like digital animation.
I know this film was shot on 70mm which might account for the absence of grain. One of the endless previews before you can get to the menu (you have to click through them or fast forward rather than being able to hit the menu key - BOO) showed images from upcoming Disney films, like Pinocchio, which did have a look of grain.
So - what's on this Blu-ray disc looks phenomenal. But how much does it look like what theatergoers saw back in the fifties?

Looking forward to your impressions and pics, Xylon! Anyway, here are my thoughts...
This disc looks absolutely amazing. So detailed, so clear. I found myself looking at the backgrounds a lot because they were so beautifully rendered.
What this disc doesn't seem to look like is film. Its been polished and buffed to an inch of its life, and is a super-clean and colorful image. But there's nothing that says its film to me - it looks almost like digital animation.
I know this film was shot on 70mm which might account for the absence of grain. One of the endless previews before you can get to the menu (you have to click through them or fast forward rather than being able to hit the menu key - BOO) showed images from upcoming Disney films, like Pinocchio, which did have a look of grain.
So - what's on this Blu-ray disc looks phenomenal. But how much does it look like what theatergoers saw back in the fifties?
There has been much debate about the proper restoration of cell animation. I beleive it was a Disney stance that the film was not the true medium, and the cell art, sans film artifacts, was closer to the artists true intent. I do not know if that is still their stance, but I don't see the two sides of that argument ever coming close to an agreement.
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10/8/08 at 9:15am
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10/8/08 at 2:07pm
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Quote:
Originally Posted by Bleddyn H Williams 
I know this film was shot on 70mm which might account for the absence of grain. One of the endless previews before you can get to the menu (you have to click through them or fast forward rather than being able to hit the menu key - BOO) showed images from upcoming Disney films, like Pinocchio, which did have a look of grain.
So - what's on this Blu-ray disc looks phenomenal. But how much does it look like what theatergoers saw back in the fifties?

I know this film was shot on 70mm which might account for the absence of grain. One of the endless previews before you can get to the menu (you have to click through them or fast forward rather than being able to hit the menu key - BOO) showed images from upcoming Disney films, like Pinocchio, which did have a look of grain.
So - what's on this Blu-ray disc looks phenomenal. But how much does it look like what theatergoers saw back in the fifties?
It was photographed in the 35 mm 8-perf Technirama process and optically enlarged to 70 mm 5-perf prints for exhibition at cinema's.
Super Technirama didn't specifically shoot directly to 65mm film.
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10/8/08 at 2:22pm
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Quote:
Originally Posted by Bleddyn H Williams 
Looking forward to your impressions and pics, Xylon! Anyway, here are my thoughts...
This disc looks absolutely amazing. So detailed, so clear. I found myself looking at the backgrounds a lot because they were so beautifully rendered.
What this disc doesn't seem to look like is film. Its been polished and buffed to an inch of its life, and is a super-clean and colorful image. But there's nothing that says its film to me - it looks almost like digital animation.
I know this film was shot on 70mm which might account for the absence of grain. One of the endless previews before you can get to the menu (you have to click through them or fast forward rather than being able to hit the menu key - BOO) showed images from upcoming Disney films, like Pinocchio, which did have a look of grain.
So - what's on this Blu-ray disc looks phenomenal. But how much does it look like what theatergoers saw back in the fifties?

Looking forward to your impressions and pics, Xylon! Anyway, here are my thoughts...
This disc looks absolutely amazing. So detailed, so clear. I found myself looking at the backgrounds a lot because they were so beautifully rendered.
What this disc doesn't seem to look like is film. Its been polished and buffed to an inch of its life, and is a super-clean and colorful image. But there's nothing that says its film to me - it looks almost like digital animation.
I know this film was shot on 70mm which might account for the absence of grain. One of the endless previews before you can get to the menu (you have to click through them or fast forward rather than being able to hit the menu key - BOO) showed images from upcoming Disney films, like Pinocchio, which did have a look of grain.
So - what's on this Blu-ray disc looks phenomenal. But how much does it look like what theatergoers saw back in the fifties?
Is Pinocchio's OAR 4:3 or 1.78? Anyone?
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10/8/08 at 2:44pm
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10/8/08 at 3:00pm
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10/8/08 at 3:20pm
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10/8/08 at 6:19pm
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Quote:
It's because it's not moving. IMHO DVD always look better in Screenshot than moving because you can't see the arfacting moving. Same with some blu-rays..
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10/8/08 at 7:44pm
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Quote:
The backgrounds are really key to this film. And the Platinum DVD, while very nice, just doesn't come close to this HD presentation.
Standouts (so far, I'm watching now)...
- The shrunk fairies decided what to do, look at the cup and spoon.
- The "fleeing-the-castle" scene, the pock marks in the stonework. Not only shows the detail of HD, but the attention paid by the artists.
- The whole Forrest sequence when Aurora wanders out... look at the trees, and pay attention.
- The first entry into Maleficent's castle, where they face the drawbridge.
The original caps in this thread are actually the softest scenes. The animation itself is where the disc really shines.
It's like owning a work of Fine Art. We are so blessed to have a medium like Blu-ray, especially when it's used to its fullest and shows off such magnificent artwork. I love Eyvind Earle's style!
-Pie
post #25 of 171
10/8/08 at 8:11pm
- Hughmc
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post #26 of 171
10/8/08 at 8:22pm
- gr689
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I too and a little concerned with how Pinocchio looked in the previews; but then again the original bluray previews for Sleeping Beauty had a little skeptical at first but now I see how truly amazing this film is. It is like each frame is a small masterpiece unto itself. Truly Incredible and a must have for any Bluray Library.
I'm wondering if Pinocchio is just that way, grainy, I'm betting Snow White may come out the same way. But they haven't finished restoring yet so we'll see. Also why did they show Pinocchio in 4:3 and not widescreen, is it because they haven't shown us any restored film yet?
I'm wondering if Pinocchio is just that way, grainy, I'm betting Snow White may come out the same way. But they haven't finished restoring yet so we'll see. Also why did they show Pinocchio in 4:3 and not widescreen, is it because they haven't shown us any restored film yet?
post #27 of 171
10/8/08 at 8:24pm
- gr689
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post #28 of 171
10/8/08 at 9:15pm
- Kram Sacul
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post #29 of 171
10/9/08 at 1:00am
- FoxyMulder
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Quote:
No it's not intended to be shown widescreen.
Same goes for Disneys Snow White...Fantasia....Bambi and Dumbo among others.
I'm for OAR all the way....I made the mistake years ago of buying The Evil Dead in a butchered 16/9 aspect ratio ( should be 4/3 ) and even though it was director approved it just sucked and had too much information missing top and bottom of the frame.
Wow i'm mentioning Evil Dead in a Disney thread....Walt would not be pleased.
I am actually picking this one up...Big Disney fan before they went all CGI.....Glad to see the Pixar owners decided to allow hand drawn animation at the studio again when their head ( apple head ? ) became CEO at the company.
post #30 of 171
10/9/08 at 1:04am
- Dave Mack
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Quote:
more info
http://www.geocities.com/enchantedfo...r/9989/sb.html
9. Film Process: Super Technirama 70 - uses two 35mm film prints to create a 70mm film. Its aspect ratio is 2.35:1. Sleeping Beauty was the first Disney animated feature in 70mm film.
http://www.widescreenmuseum.com/widescreen/wingtr3.htm
"The camera uses an entirely new type of anamorphic (squeeze) lens and utilizes a double-frame negative which passes horizontally through the camera. The resulting image on the screen, after being printed on 70-millimeter film, has no "separation lines" and is equally brilliant and undistorted when viewed from any seat in the theatre, no matter how far to the side or how far up front the seat
may be."
http://www.in70mm.com/newsletter/200...rama/index.htm
Super Technirama 70
By 1958, 70mm was becoming well established, helped by the availability of multi-purpose 70mm/35mm dual gauge projectors. 65mm/70mm processing and printing facilities were now being installed in Technicolor's London and Rome laboratories. The dye-transfer system was never adopted to make 70mm prints, with all Technicolor's 70mm prints being made directly on to Eastman Color positive print film. The first Technirama 70mm print was made for Walt Disney. Always closely associated with Technicolor, they had made their cartoon feature "Sleeping Beauty" (1959) in Technirama and wanted to give it the added status of a 70mm release. It was photographed in the Technirama format using a cartoon camera which photographed each of the cells three times through red, green and blue filters in sequence along a single black and white negative. The squeeze was incorporated by a lens supplied by Panavision and this was to form the basis of the printer lens needed to make the 70mm print. Similar lenses were also obtained from Cooke Taylor-Hobson.
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