[quote=FilmMixer;15040243]
Agreed. And, perhaps that is right, and as it should be (demand and expense). As most people that have BD (let alone HD or SD) do not have a 7.1 setup.
Perhaps "very little sonic difference" is the operational phrase. If you mean to state that there is no additional sound emanating from an -es or -ex track...fine. But then my lying ears are fooling me in Gladiator (and dozens of other well mastered -es or -ex films) that just WOW the heck out of me in certain scenes. I must say, there is not only an appreciable difference, but a substantial difference, when the horses start behind you in Gladiator (as they should
), then meet you, and then pass you as in a properly set up 7.1 system and with a well mastered -es or -ex audio track. It adds a whole new dimension to the theater experince. And isn't that what we're all doing here? 
Whilst I agree that the -es/-ex market has become a niche, that is not to say there is not an appreciable difference (unless one's rear aural hemisphere is defunct). That is akin to stating that "very little sonic difference" between stereo and sacd...and on the surface, you may be correct. Until one forays into the rather complex world of aural hemispheres...and our unique listening preferences. I for one would appreciate more quality -es and -ex offerings (as well as sacd offerings). But I have digressed enough.
Quote:
7.1 isn't going to become the norm.
7.1 isn't going to become the norm.
Agreed. And, perhaps that is right, and as it should be (demand and expense). As most people that have BD (let alone HD or SD) do not have a 7.1 setup.
Quote:
I've said it many times in the past, but there is very little sonic difference in extracting 4 channels on a horizontal plane vs. 4 discrete channels....
I've said it many times in the past, but there is very little sonic difference in extracting 4 channels on a horizontal plane vs. 4 discrete channels....
Perhaps "very little sonic difference" is the operational phrase. If you mean to state that there is no additional sound emanating from an -es or -ex track...fine. But then my lying ears are fooling me in Gladiator (and dozens of other well mastered -es or -ex films) that just WOW the heck out of me in certain scenes. I must say, there is not only an appreciable difference, but a substantial difference, when the horses start behind you in Gladiator (as they should
), then meet you, and then pass you as in a properly set up 7.1 system and with a well mastered -es or -ex audio track. It adds a whole new dimension to the theater experince. And isn't that what we're all doing here? 
Whilst I agree that the -es/-ex market has become a niche, that is not to say there is not an appreciable difference (unless one's rear aural hemisphere is defunct). That is akin to stating that "very little sonic difference" between stereo and sacd...and on the surface, you may be correct. Until one forays into the rather complex world of aural hemispheres...and our unique listening preferences. I for one would appreciate more quality -es and -ex offerings (as well as sacd offerings). But I have digressed enough.



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