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Definitive Technology Mythos Series Thread - Page 65

post #1921 of 5241
Quote:
Originally Posted by mvp2005fan View Post

A few questions please: What crossover are you using? Are you running them as "large" or "small"? Are the STS's sitting too close to a wall or a corner? Is adding a separate sub an option?

Thanks for your reply. Currently I am running STS with LFE, the crossover is set by Audyssey to 40Hz. I also tried them with THX crossover of 80Hz and as full band without internal subs. The result is the same. The scene is flat and there is no good separation between different instruments. Piano doesn't sound like a piano sitting in the same room. Behind a closed door? Maybe...

I can't find "large" or "small" settings in Onkyo 807. Am I missing something?

The thing is that I have connected my old Techincs speakers as surrounds to the same receiver and if I run "all channel stereo" I defintely get much more information from surrounds than from STS fronts.

Regards,
Anton
post #1922 of 5241
Thread Starter 
Quote:
Originally Posted by Mamadu View Post

Thanks for your reply. Currently I am running STS with LFE, the crossover is set by Audyssey to 40Hz. I also tried them with THX crossover of 80Hz and as full band without internal subs. The result is the same. The scene is flat and there is no good separation between different instruments. Piano doesn't sound like a piano sitting in the same room. Behind a closed door? Maybe...

I can't find "large" or "small" settings in Onkyo 807. Am I missing something?

The thing is that I have connected my old Techincs speakers as surrounds to the same receiver and if I run "all channel stereo" I defintely get much more information from surrounds than from STS fronts.

Regards,
Anton

Hi, Anton:

To see if there is a speaker issue, I would first defeat Audyssey so its equalization isn't part of the equation. I would also temporarily disconnect your surrounds, center, and any other speakers, and get yourself some test material with a good full range 2-ch stereo signal.

Since you are using LFE set the STS's to "Large" (full range) and make sure "Yes" is selected for the sub setting in the receiver. (I'm assuming you are using the low level inputs here).

Second, if you go to heavy on the subwoofer level knob on the STS, it can muddy things up--so you might back down on that and increase it in small increments gradually as you test things. Since your other "subless" speakers sound better, I'll bet this is part of the issue.

Finally, I've read one review where if you put the STS too close to the wall, you can also lose some clarity. You may have to find a position that strikes a middle ground between bass reinforcement and clarity. If the STS are in corners or right up against a wall, that would certainly have a big influence on the way they sound. (It is one of the potential compromises of this design that the ideal place for subs is not necessarily the best place for the mains).

In any event, the above should allow you to evaluate whether the STS's are functioning properly and what they will sound like in your room.

If you like the sound, then you can add back the other speakers and balance all of the speaker levels, etc.

I hope that helps somewhat. Please let us know what happens.
post #1923 of 5241
Quote:
Originally Posted by Mamadu View Post

Thanks for your reply. Currently I am running STS with LFE, the crossover is set by Audyssey to 40Hz. I also tried them with THX crossover of 80Hz and as full band without internal subs. The result is the same. The scene is flat and there is no good separation between different instruments. Piano doesn't sound like a piano sitting in the same room. Behind a closed door? Maybe...

I can't find "large" or "small" settings in Onkyo 807. Am I missing something?

The thing is that I have connected my old Techincs speakers as surrounds to the same receiver and if I run "all channel stereo" I defintely get much more information from surrounds than from STS fronts.

Regards,
Anton

A long shot perhaps, but is it possible that one of the speakers is running out of phase?
post #1924 of 5241
Thread Starter 
Quote:
Originally Posted by knightsabre7 View Post

A long shot perhaps, but is it possible that one of the speakers is running out of phase?

Knightsabre7, that's a really good point I had overlooked--when all else fails, check the connections

On a similar note--does the STS have a phase control for the sub section on the back? That might also have something to do with the subpar sound he is getting.
post #1925 of 5241
Quote:
Originally Posted by mvp2005fan View Post

Knightsabre7, that's a really good point I had overlooked--when all else fails, check the connections

On a similar note--does the STS have a phase control for the sub section on the back? That might also have something to do with the subpar sound he is getting.

No, there isn't a phase control, only volume. There's always the slim possibility that the mids or sub were wired backwards internally though.

If all else fails I'd say to contact DefTech directly. They have good customer service and should know the speakers better than any of us.
post #1926 of 5241
Thread Starter 
Quote:
Originally Posted by knightsabre7 View Post

No, there isn't a phase control, only volume. There's always the slim possibility that the mids or sub were wired backwards internally though.

If all else fails I'd say to contact DefTech directly. They have good customer service and should know the speakers better than any of us.

1+ on that.

Actually, I was thinking you meant perhaps Anton might have wired the STS's backwards (has happened to nearly all of us, I think).

Since the phase of the subs can't be adjusted, I would think the position of the listener also contributes even more to what sound you hear.

Interestingly, the more I researched this, the more reports I have found that if the setup of these speakers is not done right, they can sound a little flat (for example, see Stereophile review on the first post in this thread).

That said--these are great speakers, and he should be able to get an excellent result in his system--just will require a little tweaking if the speakers are not defective.
post #1927 of 5241
Quote:
Originally Posted by mvp2005fan View Post

Actually, I was thinking you meant perhaps Anton might have wired the STS's backwards (has happened to nearly all of us, I think).

Yeah, I did mean that in the first post.
post #1928 of 5241
For those of you that have compared the Mythos Eight and the Mythos Ten. Is there a major difference/improvement in sound quality from the Ten over the Eight?

I have Mythos Ones all around, on a 7.1 system, an Eight for center, and Klipsch KSW12 for sub.

Just can't help but wonder if I am missing something by not have a Ten for center.
post #1929 of 5241
Quote:
Originally Posted by awanders View Post

For those of you that have compared the Mythos Eight and the Mythos Ten. Is there a major difference/improvement in sound quality from the Ten over the Eight?

I have Mythos Ones all around, on a 7.1 system, an Eight for center, and Klipsch KSW12 for sub.

Just can't help but wonder if I am missing something by not have a Ten for center.

The Eight is a perfect match for your Ones. It has identical drivers.

The Ten was designed to match the ST's, sharing the same midrange and tweeter. I wouldn't switch from an Eight to a Ten if my main speakers were Ones. The Eights and Ones were made for each other.
post #1930 of 5241
Quote:
Originally Posted by mvp2005fan View Post

Hi, Anton:

To see if there is a speaker issue, I would first defeat Audyssey so its equalization isn't part of the equation. I would also temporarily disconnect your surrounds, center, and any other speakers, and get yourself some test material with a good full range 2-ch stereo signal.

Since you are using LFE set the STS's to "Large" (full range) and make sure "Yes" is selected for the sub setting in the receiver. (I'm assuming you are using the low level inputs here).

Second, if you go to heavy on the subwoofer level knob on the STS, it can muddy things up--so you might back down on that and increase it in small increments gradually as you test things. Since your other "subless" speakers sound better, I'll bet this is part of the issue.

Finally, I've read one review where if you put the STS too close to the wall, you can also lose some clarity. You may have to find a position that strikes a middle ground between bass reinforcement and clarity. If the STS are in corners or right up against a wall, that would certainly have a big influence on the way they sound. (It is one of the potential compromises of this design that the ideal place for subs is not necessarily the best place for the mains).

In any event, the above should allow you to evaluate whether the STS's are functioning properly and what they will sound like in your room.

If you like the sound, then you can add back the other speakers and balance all of the speaker levels, etc.

I hope that helps somewhat. Please let us know what happens.

Thank you guys for all your help.

The magic combination is Full Band + Dynamic Level set to Light. Now it performs as it should (though my wife still says there is a room for improvements since she used to enjoy a somewhat deeper and wider scene in the Division Bells by Pink Floyd, but this is another issue )

The funny thing is that these settings are not suggested by the Audyssey and I don't relly believe in artificial improvements like Dynamic Level.

Anyway, I feel much better now
post #1931 of 5241
Quote:
Originally Posted by knightsabre7 View Post

No, there isn't a phase control, only volume. There's always the slim possibility that the mids or sub were wired backwards internally though.

If all else fails I'd say to contact DefTech directly. They have good customer service and should know the speakers better than any of us.

Crossed wiring is actually pretty common in DT speakers.

Audyssey would let him know if they are out of phase though.
post #1932 of 5241
Thread Starter 
Quote:
Originally Posted by Fanaticalism View Post

Crossed wiring is actually pretty common in DT speakers.

Audyssey would let him know if they are out of phase though.

Boy--that doesn't say good things about DT quality control...

I've heard that Audyssey frequently reports out of phase errors that are actually OK. Is that true in your experience?
post #1933 of 5241
Thread Starter 
Quote:
Originally Posted by awanders View Post

For those of you that have compared the Mythos Eight and the Mythos Ten. Is there a major difference/improvement in sound quality from the Ten over the Eight?

I have Mythos Ones all around, on a 7.1 system, an Eight for center, and Klipsch KSW12 for sub.

Just can't help but wonder if I am missing something by not have a Ten for center.

I don't think you're missing much in practical terms--just watched Gladiator on Blu-Ray with everything running at crazy levels (rest of the family wasn't home ) and the 8 center sounded great with the 1's--didn't poop out or sound unatural once with any of the male voices. As long as your sub will fill in the low end adequately, you'll be fine IMHO.
post #1934 of 5241
Quote:
Originally Posted by RC1991 View Post

Have you considered any of the Epik subs? I have a sealed Vanquish with my One's and Eight and it sounds great - blends seamlessly. I listen to a lot of music in addition to HT - if you need a bit more punch because you do more movie listening you could check out the ported Sentinel - a lot of people in the Epik thread have been very pleased with the Sentinel. Both are currently on sale as well though it's taking a few weeks for them to fill all of the orders because of the sale.

BTW - nice looking system you have - is your TV on the stand itself? I think it is but from the front it loks like it could be mounted on the wall. How did you get it elevated above the CC? I wanted to move my CC to the top shelf but I can't get quite enough elevation from the TV and it's stand (Samsung) so that the CC wouldn't quite distract from the screen.

RC, sorry I hadn't responded earlier - had been out of the country for work the past few weeks.

I looked and Epik subs and they look great; it's definitely in the few I'm going to chose between.

Thanks for the compliment about my system Yes, the TV is mounted on a stand. Doesn't come through well in the pics. My CC is just sitting on the entertainment center; It takes away from the screen a little but I got use to it. As others have posted, yeah, get some wood to place your TV higher to get the elevation you want/need.
post #1935 of 5241
Quote:
Originally Posted by fquails View Post

Great price on the SCII. I paid full price for mine. I feel like a total sucker now.

I currently use both the SCII and PC12-NSD. The SCII is great for music because of its sealed design and small 8" driver. I have it handling 40hz-80hz (receiver's crossover @80hz plus an external subsonic filter @40hz). What makes it very good for music, though, makes it quite insufficient for movies. Its specs indicate a frequency response down to 14Hz, but my in room response shows a lower limit of around 25hz. DefTech's own measurements show an actual frequency response of 25hz-125khz +/- 3db. In my experience, the SCII can get very strained when playing loud heavy movie LFEs It actually bottomed out (rattling, flapping sound) when I was watching "The Dark Knight", which is why I got the external subsonic filter.

When watching movies, I activate the PC12-NSD, which I have set to handle 40Hz and under using the sub's built-in crossover. My in room frequency response goes down to around 16hz. Most people can't hear frequencies below 20Hz (including myself)--these are frequencies you can FEEL. The PC12-NSD excels at lower bass frequencies, literally shaking the house effortlesssly.

I have been re-watching movies the past week. The PC12-NSD has got me watching more movies now, as each movie seemed totally new to me!. Saw War of the Worlds last night, and I heard and felt stuff that I never realized was there! Same thing with "Master and Commander", especially with the canon shots. The deep, deep bass frequencies had my couch and walls shaking, and the corner loaded PC12-NSD did it effortlessly.

I did try the PC12-NSD for music (80hz and under), but wasn't entirely pleased. It was too sloppy for my taste. The 12" driver coupled with a ported design, resulted in bass that was not tight/accurate enough for music. But if your primary purpose is movies and gaming, the PC12-NSD is the better choice over the SCII.

Note that the above opinions are subjective, and are based on my own listening preferences, personal taste, and the acoustics in my listening environment. People like different sounds, and room acoustics play a major part in how your audio gear will perform. Who knows, the SCII might go waaay deeper in your room than it did in mine.

Oh yeah, and I picked the cylinder for the smaller footprint. I was just looking at your pics. Aesthetically, I think the PB12-NSD (box design) would blend better would your setup.

Quote:
Originally Posted by mvp2005fan View Post

Agree with fquails on this one--sorry (You did get a great price though!)

I just think sonically, you'll be happier with something that reaches down lower than the SC II. (Comparing FR's is always hazardous to be sure , but I was a little surprised how much they varied between the PB12-NSD and the PC12-NSC on the SVS website. Based on these, however, the cylinder might fit with your Mythos fronts a little better in that it plays the higher frequencies a little better--at least in theory.)

Fquails and MVP, thank you so much for your taking the time to respond. I really appreciate your help and insight.

I've been out of town so haven't had time to mess around with the SCII too much. But I think I will follow your guys' advice and opt for the SVS. The SCII is great and I love the small footprint but I think I want something bigger - maybe more of a, 'Wow' factor.

You both mentioned the PB and PC12-nsd, and now I'm pondering between these two. Though I think the PB might flow better with my layout, the PC might be more, 'unique'. I know everyone says they sound the same but based on your personal opinions, do you prefer one over the other?

***So, anyone looking to buy a new SCII? I got a great deal on it at BB two weeks ago and I'm selling it for exactly what I paid for it.

If not, I'll just take it back and get a refund - just figured I could pass the deal onto someone else looking for a SCII and not wanting to pay full retail.

I live in downtown San Francisco if anyone's interested.

Thanks again for all of your help, Gentlemen.
post #1936 of 5241
Hi guys,

excuse me if this is a wrong place to post questions like this one below. My issue is that we don't have Mythos nine center available from local sellers in Russia but I want to get one to join my Mythos STS and Gem XL team.

Do you know any reseller (in US or elsewhere), which accepts Visa and can ship to Russia (St.Petersburg)? Please respond via PM !

Cheers,
Anton
post #1937 of 5241
As a middle aged newbie to the audio scene I have been reading these forums and others for a few months. We moved into a new house recently and I decide it was time to purchase some quality audio products for HT doubling for our HiFi also.

Yesterday I went to the local sound shop and auditioned the STS and ST series Def Techs. This shop has been in business many years and have one heck of a reputation for knowing their products. I was amazed when comparing the Def Techs to Paradigm Studio 100 or B&W 805s how un-robust or narrow they sounded. Don't get me wrong they reproduced sound with great accuracy (my ear) and were very crisp.

What shocked me even more was even the B&W CM5 produced a wide sound with great body. When the center channel (Mythos 10) was introduced to the ST's the sound was definitely fuller but not spectacular. I came away thinking some settings had to set wrong for me to like a small book shelf speaker over such a large tower made by a reputable company.

I have toyed with the Idea of purchasing Focal 826v but in the end I think I just got hooked on B&W!
post #1938 of 5241
Quote:
Originally Posted by Mamadu View Post

Thanks for your reply. Currently I am running STS with LFE, the crossover is set by Audyssey to 40Hz. I also tried them with THX crossover of 80Hz and as full band without internal subs. The result is the same. The scene is flat and there is no good separation between different instruments. Piano doesn't sound like a piano sitting in the same room. Behind a closed door? Maybe...

I can't find "large" or "small" settings in Onkyo 807. Am I missing something?

The thing is that I have connected my old Techincs speakers as surrounds to the same receiver and if I run "all channel stereo" I defintely get much more information from surrounds than from STS fronts.

Regards,
Anton


Oh, is the 7 series showing what Audyssey sets up? My 875 is like a black box, no way to change Audyssey settings.
post #1939 of 5241
Thanks for the recommendation
Just to up my needs, looking for a sleek looking (WAF) AMP and CD player with an addition of ipod capability or (mp3 music)
would peachtree audio nova drive the mythos ST

Right now folks have recommended cayin AMP and Cambridge Audio AMP and cd player combo.
So many options.....

On the other hand can someone describe their experience with Cayin AMP
post #1940 of 5241
Quote:
Originally Posted by mrjktcvs View Post

Oh, is the 7 series showing what Audyssey sets up? My 875 is like a black box, no way to change Audyssey settings.

The only thing I can not see and change is Audyssey Equalizer settings. All the rest, i.e. speakers configuration, distancies, level calibration, crossovers, dynamic and reference levels I can see and change after Audyssey calibration.
post #1941 of 5241
Quote:
Originally Posted by Jafarko View Post

As a middle aged newbie to the audio scene I have been reading these forums and others for a few months. We moved into a new house recently and I decide it was time to purchase some quality audio products for HT doubling for our HiFi also.

Yesterday I went to the local sound shop and auditioned the STS and ST series Def Techs. This shop has been in business many years and have one heck of a reputation for knowing their products. I was amazed when comparing the Def Techs to Paradigm Studio 100 or B&W 805s how un-robust or narrow they sounded. Don't get me wrong they reproduced sound with great accuracy (my ear) and were very crisp.

What shocked me even more was even the B&W CM5 produced a wide sound with great body. When the center channel (Mythos 10) was introduced to the ST's the sound was definitely fuller but not spectacular. I came away thinking some settings had to set wrong for me to like a small book shelf speaker over such a large tower made by a reputable company.

I have toyed with the Idea of purchasing Focal 826v but in the end I think I just got hooked on B&W!

Try to read a couple of my posts on the previous page. I was quite disappointed with STS as well until I've found a magic combination of settings in my Onkyo 807 receiver.

The next step is to compare my STS to Sonus Faber Liuto and see the difference
post #1942 of 5241
Quote:
Originally Posted by Jafarko View Post

As a middle aged newbie to the audio scene I have been reading these forums and others for a few months. We moved into a new house recently and I decide it was time to purchase some quality audio products for HT doubling for our HiFi also.

Yesterday I went to the local sound shop and auditioned the STS and ST series Def Techs. This shop has been in business many years and have one heck of a reputation for knowing their products. I was amazed when comparing the Def Techs to Paradigm Studio 100 or B&W 805s how un-robust or narrow they sounded. Don't get me wrong they reproduced sound with great accuracy (my ear) and were very crisp.

What shocked me even more was even the B&W CM5 produced a wide sound with great body. When the center channel (Mythos 10) was introduced to the ST's the sound was definitely fuller but not spectacular. I came away thinking some settings had to set wrong for me to like a small book shelf speaker over such a large tower made by a reputable company.

I have toyed with the Idea of purchasing Focal 826v but in the end I think I just got hooked on B&W!

Everyone has there opinion on how a speaker sounds. Depending on what you are going to use the given speaker package for will determine which ones you go with in the end.

I like all the brands you listed and have very strong opinions on them. B&W speakers are fantastic no matter which ones you choose. They are great double duty speakers. I keep listening to the CM7 and CM9's thinking they could very well be my next package. I really like them.
The Studio line from Paradigm I prefer the on wall Esprits. I think they are the most balanced speaker in that series. Having 7 of them for a total surround system for both music and movies matched with a pair of in wall Paradigm subs or a pair of Sub 12's would make for one hell of a killer system. I'm a pretty big fan of everything Paradigm except there floor standing models , go figure.
The Mythos ST's are picky and as most speakers benefit from proper setup and good quality electronics powering them. I'm wondering if you heard them in a poor room with poor setup / placement etc. I purchased them coming from Dynaudio Audience series which are considered one of the very best sounding speakers at there price class. But again everyone has there own preferences and B&W is not a bad choice for most things audio.

I wish you luck with your purchase and stop in to talk about your moves.
post #1943 of 5241
I just upgraded to a mythos ten from a C/L/R 2300. Wow. Very impressed. Made a significant difference not only in clarity, but how more natural sounding things became. I really appreciate this in movies. Very much looking forward to listening to it more this weekend.

My transformation from the summer is nearly complete. Just need an additional sub. I had been using the BP series for nearly everything, and 2 Prosubs. I used the Procenter 2000 until I recently switched to the C/L/R 2300. I now have the M10, STs in the front, GemXL for sides, and SM350 for rears along with a SC1. What a difference. I finally have the "theater" sound and impact I've been looking for ever since I moved to a house.

I'll post pics as previously requested from earlier in the thread soon and will welcome feedback. I'm not an expert, but I can help anyone looking to change from the BP series.
post #1944 of 5241
Quote:
Originally Posted by Mamadu View Post

Thank you guys for all your help.

The magic combination is Full Band + Dynamic Level set to Light. Now it performs as it should (though my wife still says there is a room for improvements since she used to enjoy a somewhat deeper and wider scene in the Division Bells by Pink Floyd, but this is another issue )

The funny thing is that these settings are not suggested by the Audyssey and I don't relly believe in artificial improvements like Dynamic Level.

Anyway, I feel much better now

Be sure to give them some time to break in as well. DefTech recommends something like 60 hours for break in.
post #1945 of 5241
Quote:
Originally Posted by Jafarko View Post

As a middle aged newbie to the audio scene I have been reading these forums and others for a few months. We moved into a new house recently and I decide it was time to purchase some quality audio products for HT doubling for our HiFi also.

Yesterday I went to the local sound shop and auditioned the STS and ST series Def Techs. This shop has been in business many years and have one heck of a reputation for knowing their products. I was amazed when comparing the Def Techs to Paradigm Studio 100 or B&W 805s how un-robust or narrow they sounded. Don't get me wrong they reproduced sound with great accuracy (my ear) and were very crisp.

What shocked me even more was even the B&W CM5 produced a wide sound with great body. When the center channel (Mythos 10) was introduced to the ST's the sound was definitely fuller but not spectacular. I came away thinking some settings had to set wrong for me to like a small book shelf speaker over such a large tower made by a reputable company.

I have toyed with the Idea of purchasing Focal 826v but in the end I think I just got hooked on B&W!

Speakers are a very personal choice. Each has its own characteristic sound, and each appeals to some people more than others. Each of the brands you mention has its own admirers. All are excellent, though, and have great reputations.

FWIW, when auditioning I was impressed with the CM7's "wide sound" on one hand and with the STS's outstanding imaging on the other. I found the Studio 100's to be well balanced with a combination of virtues although possibly not dominant in any one. They might be my first choice in this group for orchestral or choral classical music, while I'd pick the STS's for chamber and jazz. (I rarely listen to rock, so my speaker choices for music might be different than most people here.)

However, for movies, after extensive in home listening, I have found both the Studio 100's and the STS's to be superb with a variety of genre's (I've heard them both with lot of Action, Sci-Fi, and Horror BD's, as well as Drama and Comedy). I'm sure the CM7's would be too, but I haven't had a long term exposure to them as I have the others. (I'd probably choose the CM9's in that line though.)
post #1946 of 5241
Finally got a chance to sweep the Mythos system I have to test where they are in room response. The spec's are out of hand and I found they are incorrect.

The Mythos ST speakers working together as twin subs can reach a low of 21.37hz at -3db. The fall happens are 23hz from 85db to 84db. I watched the SPL fall even more at 22hz to 83db. At a 20hz the speakers basically are now past the -3db which measured in my room at my listening position at -5db which on SPL was 80db and holding. They did flubber a bit there as it seemed the woofers where losing composure. Funny how 1.37hz makes so much difference.

This test was done with my reference sweep disc's. You can also do this test with the older Avia disc but it's harder to catch exaclty where the drop off are as I tried. It moves a little to fast. Once you look down at the spl or at the screen to see what hz you are on it moves to the next one but it gives you a very good Idea what your speakers can do. I sweep the center and rears (Mythos 10) but I have them set to small 80hz and they covered that range just fine. They held a constant 85 db for most of the sweep with a few peaks and dips. I have them running without any room correction engaged.

This is something that is fun to do and you can see where manufactures rate there speakers and see how close they actually are. I don't think the Mythos ST can come close to reproducing a spec'd 14 hz. I mean where did they get that number? I don't know many actual big box subs that can dig that low and keep SPL respectable. If they rated them at 20hz I can respect that as they can reproduce that low, they lose steam but they can do it.

Honestly I don't consider the ST a great subwoofer. It's a good woofer with good impact and musical bass for the most part but when I build my dedicated room I will be using a stand alone sub or 3. I wanted no floor sub as I have a familyroom and didn't want another sub on the floor. A few movies I felt I needed more and some I found the ST's to do just fine.

I'd love to test the STS . One day it's slow at work I'm gonna run the STS and see where they fall off. We have the Avia Disc and a few Sweep disc's so I can test them well. With the slighty small driver and cabinet I', gonna go out on a limb and say they will not reach 21.37 hz with the same output the ST has. We shall see.
post #1947 of 5241
Quote:
Originally Posted by Mantis10 View Post

The Mythos ST speakers working together as twin subs can reach a low of 21.37hz at -3db. The fall happens are 23hz from 85db to 84db. I watched the SPL fall even more at 22hz to 83db. At a 20hz the speakers basically are now past the -3db which measured in my room at my listening position at -5db which on SPL was 80db and holding...

...I'd love to test the STS... With the slighty small driver and cabinet I', gonna go out on a limb and say they will not reach 21.37 hz with the same output the ST has. We shall see.

Safe bet.

Interesting information. Thanks for publishing it. I consider that outstanding performance from a full range speaker. Very, very few can go below 30Hz, no matter what their specs say. Not many can actually reach much below 40Hz +/-3dB.

It does demonstrate the influence of the room, as you bettered DefTech's reported -3dB point of 24Hz for the ST in their tests. I got 28Hz at -3dB from my STS's in my room, but my measurements were not as precise as yours, so it'll be interesting to see what you come up with.

As for the lower limits DefTech uses in their ads, where it comes from only God and Sandy Gross knows, but I think it is the lowest frequency where you can hear any sound at all with your ear pressed against the speaker.
post #1948 of 5241
Quote:
Originally Posted by MD Boy View Post

You both mentioned the PB and PC12-nsd, and now I'm pondering between these two. Though I think the PB might flow better with my layout, the PC might be more, 'unique'. I know everyone says they sound the same but based on your personal opinions, do you prefer one over the other?

I would suggest the PB12-nsd (box) for a couple of reasons:

1. You have the space for it, and I think it'll look much better with your setup. All you have to do is put it where you had your old sub as shown in your pics.

2. The charts at svsound.com appear to indicate that the box (PB12) has a flatter frequency response from slightly under 20hz all the way up to around 80hz (where you will probably set the crossover for your Mythos Ones). If you plan to have just one subwoofer, I would suggest you go with the PB12 for a flatter response from the low to mid bass frequencies. I've also read that its flatter mid-bass response makes it sound much crisper and better for music.

I have the cylinder (PC12), and in my room, the sub's sound is noticeably more pronounced/heavy at the lower frequencies, and has a dropoff in output at around 60Hz to 80Hz, so the sound is somewhat 'bloated'. This appears to be consistent with the PC12-NSD's chart shown at svsound.com where mid-bass output is shown to be about 3-5dB less than the low end bass. However, this is a non-issue for me because I use the PC12-NSD only for frequencies 40Hz and under. I have another sub for 40Hz-80Hz. That, and the fact that the only space I have for a second sub requires a small footprint, and the cylinder is the perfect fit.

If I had the space, and can have only one sub, I would likely have purchased the PB12-NSD instead of the cylinder for the flatter mid-bass frequency response.
post #1949 of 5241
Quote:
Originally Posted by MD Boy View Post

***So, anyone looking to buy a new SCII? I got a great deal on it at BB two weeks ago and I'm selling it for exactly what I paid for it.

If not, I'll just take it back and get a refund - just figured I could pass the deal onto someone else looking for a SCII and not wanting to pay full retail.

Why not hold onto the SCII? Then you can compare it with whatever other sub you buy? After listening to both in your room, you can return the sub you don't like.

Who knows, in your room, the SCII may sound better than the SVS PC12 or PB12.
post #1950 of 5241
I have narrowed my search down to just a few models, the Mythos ST line being one of them. I was able to demo the STS a few days ago and I was very impressed. However, the room I was listening in was smaller than the room I will be placing them in and I am wondering if I might need the ST.

I have not been able to find anyone who has a pair of ST's set up anywhere close to me so I wanted to get some opinions on the differences between these speakers from those who have heard them both.

These speakers will be in my living room which is 19x18 and it is mostly open into the kitchen which is 20x17. Eventually I will have a dedicated HT room in the basement with different speakers so I am not primarily concerned with how these speakers will handle movie duty. These speakers will be used for 50% TV, 20% games, 30% music, and maybe a few movies thrown in here and there.

So my concern is how well they will fill the 19x18 room with sound when listening to music. I like to listen very loud. I am okay with not having bass equivalent to an SVS PB13 Ultra for my music, but I still want to really feel the bass and I am very worried about having buyers remorse if I don't get the larger ST's. On the other hand, why waste the money if the STS's will be more than sufficient.
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