Quote:
Originally Posted by ksubrama 
+2.
Dev,
The immediate thing to try is the "All Ch Adj" setting. Ultimately it depends on too many factors in your listening environment, but I first ran MCACC with "symmetry" and was underwhelmed with the AQ. After reading this thread and the SC-37 thread (my receiver), I gave "All Ch Adj" a shot and the difference was night and day in my setup.
Hope this works out for you.
KS

+2.
Dev,
The immediate thing to try is the "All Ch Adj" setting. Ultimately it depends on too many factors in your listening environment, but I first ran MCACC with "symmetry" and was underwhelmed with the AQ. After reading this thread and the SC-37 thread (my receiver), I gave "All Ch Adj" a shot and the difference was night and day in my setup.
Hope this works out for you.
KS
The other thing is that that the greater the difference in your speakers, the worse IMO that 'symmetry' is going to do. I have Mythos ST fronts, Mythos 9 center and Gem XL surrounds (before that, StudioMonitor 350s), and I always felt that the reduced capability to reproduce 'full range' on the surrounds - both in terms of the size of the woofers and the range of the tweeters - was limiting what MCACC could do in one pass with symmetry. Independent adjustment of the channels would seem more logical with that setup, and the better range of the fronts came out comparatively more balanced - and with a very wide soundstage up front once dialed in - with "All Ch Adj".



















. Music sounds better in Memory 4 (non-tripod measured) sometimes. Still there is something is better in Memory 5 (tripod measured).


. Feel a bit more front stage, more dynamics. "All Ch Adj" slightly better than symmetry (but minimal).





