Show Prep
Burn-in 24x7 for 8 days
Stereophile Test CD 2
Radio Shack SPL Meter
Set levels (confirmed with SACD music)
Hiss/noise levels at 2/3 system gain
Oppo: very, very, very quiet
Sony: some low level hum is present
Check my profile for full equipment listing
Process
Not blind or double blind, but I did close my eyes frequently to focus on the music
One soda was consumed during the four hour review time (Diet Coke)
1) Listen to a disc on one player (usually the last one played becaue the draw is open)
2) Listen hard and write down whatever
3) Put the disc in the other player
4) Listen hard and check for omissions or differences
5) Take a swig of soda and repeat
Oppo Did Not
Reach deeper into the music to let me hear things I've never heard before
Display album, artist, title track info on the display
Like fast forward/rewind due to poor sampling: pretty much worthless
Draw a comment from my wife (to be fair she was not home during the testing)
Oppo Did
Present a soundstage comparable to the Sony
Make me close my eyes, tap my toes and bop my head up and down
Give me goosebumps
Convey ambiance, detail, rhythm and pace cohesively
Miss beginning notes when navigating using next track or previous track
Play stereo music from SACDs as well as my heavily modded Sony player
Listening Notes
Dave Brubeck Quartet
Time Out
-Take Five
The perfect cymbal left
Snare echo left to right
Floating pure sax slight spit and fingerings
5/4 marches on with sax beautifully centered
Drum solo, fast echo left right, bass fret board occasional, sticks on head
That cymbal ride again - perfect
Sax vibrato out
Willie Nelson
Stardust
-Georgia On My Mind
Tubular organ
Flat short triangle
Willie is in the room
Guitar fret buzz
Better triangle - med-short ring
Drums very recessed
Flat short triangle
Fluid and perfectly blended harmonica
Piano color recessed
Horns fade out
-Blue Skies
Slight sibilance
Clearly hear the picking and fingering on the solo
Strong vocal finish
Close with vibrato fade
Natalie MacMaster
In My Hands
-In My Hands
Crash symbols on intro recessed, stronger, then recessed left
Vocal is a little back
Nice blended mix builds
Violin timbre is simply complex
Drums lay it donw
Great jiggidy fiddln'
+ synth
+ background vocals
Suburb blended mix
Angelic chorus fades
McCoy Tyner Quartet
New York Reunion
-Recorda Me
Strong clear bass, fingers on strings
Detailed hi-hat
Syncopation sax like crazy
Goosebumps at 80 F
Can't stop my toes, fingers, head from going along
Perfect tenor - clear powerful
Big blend - wow dynamics
Perfect piano minor chords sound
Nice clear ride cymbal
Ron owns, no frets only fingers
Al no snare + toms nice
Nice strong ending
Bury me with this one!
Blue Oyster Cult
Agents of Fortune
-Don't Fear the Reaper
Consistent guitar riff intro, grinder back
Lead vocals front and center background vocals to the sides
Nice wide blended mix
Solo, edit/cut, hi-hat smear/echo, screaming guitar, grinder late, sustain until refrain
Separate bass line is plump
Crash cymbal splash
Weather Report
Heavy Weather
-Birdland
Oppo: misses part of the first note. Repeatable, and unavoidable
Sony: Does not miss a beat
It's all about the hi-hat
Nice builds and releases
Saxy - bright and clean
Jaco - bright and articulate
Main refrain
Good dynamics, tone, timbre
Rolling Stones
Hot Rocks
-Sympathy For the Devil
Yeaoow!
Bongos and gourds, syncopathic percussive rhythm
Dirty bass
Piano chords ring long and clear
Great passion in Mic's vocals
Whooo whoo getting louder
Piercing distorted guitar solo by K - Hot and center
Mic screams and echo's bg vocals
-Honky Tonk Women (Track 4)
Oppo: misses beginning of the song via next track, repeatable and unavoidable
Oppo: playing continuously from track 3 to 4 plays every note of track 4
Cow bell sounds the same - yes but hard to determine -took me 10 minutes
Deep Purple
Machine Head
-Smoke on the Water
THE dirty riff left
THE dirty riff right + THE hi-hat
+ snare
+ THE bass
Just add vocals (little recessed)
Jamm it with a Hammond back beat
Super clear hi-hat
THE Lead: lots o echo, nice mix with bass and organ at the end
Back to super tight jamm
Best rock bass ever: full rich occasionally plunky
B3 ownage and phase out