bconde,
By "we", I meant the people posting in this thread. By "why questions", I meant things like your, "So why did OPPO go to the expense....".
We are pretty good here at "what does it do" questions, and "how do I use it" questions. We are pretty bad at "why did they do it this way" questions, and downright awful at "when will they change it" questions.
The player is what it is. In addition to the fixed Crossover frequency it also has limitations in what you can do with the speaker distance settings. The 93 and 95 remove those speaker distance setting restrictions, and offer an adjustable Crossover, but even the 93 and 95 don't let you set a DIFFERENT Crossover frequency for different speakers. All Small speakers use the SAME Crossover frequency.
My end comment was simply that you may discover the 80Hz crossover frequency in your 83SE works just fine for your listening despite what Audyssey selected. The choices made by Audyssey are related to what it is trying to do to make its room correction work best. And without that room correction in the mix those may no longer be the best choices.
By the way, your experiment with external crossover processing (the Outlaw ICBM-1) is a good one. You mentioned you were going to start by using its recommended Crossover values. What are those?
--Bob
By "we", I meant the people posting in this thread. By "why questions", I meant things like your, "So why did OPPO go to the expense....".
We are pretty good here at "what does it do" questions, and "how do I use it" questions. We are pretty bad at "why did they do it this way" questions, and downright awful at "when will they change it" questions.

The player is what it is. In addition to the fixed Crossover frequency it also has limitations in what you can do with the speaker distance settings. The 93 and 95 remove those speaker distance setting restrictions, and offer an adjustable Crossover, but even the 93 and 95 don't let you set a DIFFERENT Crossover frequency for different speakers. All Small speakers use the SAME Crossover frequency.
My end comment was simply that you may discover the 80Hz crossover frequency in your 83SE works just fine for your listening despite what Audyssey selected. The choices made by Audyssey are related to what it is trying to do to make its room correction work best. And without that room correction in the mix those may no longer be the best choices.
By the way, your experiment with external crossover processing (the Outlaw ICBM-1) is a good one. You mentioned you were going to start by using its recommended Crossover values. What are those?
--Bob























and I haven't yet encountered this, but I occasionally use the Maxell BR-LC Blu-ray Lens Cleaner. Cannot guarantee it, but for me, it seems to do the trick (bought it originally when I owned a quite crappy BD player).