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The Official Panasonic 12G Settings/Issues Thread - Page 139

post #4141 of 4417
Quote:
Originally Posted by Meteor|WAR View Post

I just had the exact same issue, see my recent posts in this thread.

In THX mode my G10 does 2.08 gamma (about 29 ftL) when I use the AVS HD 709 to set brightness but looks really good. I get the proper 2.2 gamma if I use the method described here but it looks too dim/lifeless:



I concluded to say the hell with 2.2 gamma. It just doesn't look right on my G10. I think with some TV's you're better off just setting brightness with a pluge pattern.


Using the 0.65% method to set brightness only works if the gamma of your TV is 2.22 to start with. It doesn't work in reverse. Use the pluge method.

Larry
post #4142 of 4417
Seems that USA models Cinema-mode and THX-mode limits max power of light to something around 30ftL.
SUB-BRT anything to do with this?

I think that calculating brightness or contrast is not a good option, better is measuring with HCFR´s near black and near white tests and also visual checking grayscale ramp or pluge so there´s not clipped blacks or whites at 16-235 area.

alsavforum,

I think you should check your basic settings at first, brightness and contrast.
Seems that at least brightness is too high because your black level is 0.040ftL at cinema mode.
Also some finetuning with RGB levels could be done, I would lower B-DRV at first.
(Zoom RGB page with right mouse button Scale-->RGB--> to 80-120% so it´s easier to see)
If you measure whole grayscale 0-100 at everytime it´s easier to notice how those SM adjustments affect to whole RGB area, not just 80/30IRE.
post #4143 of 4417
Quote:
Originally Posted by LarryInRI View Post

Using the 0.65% method to set brightness only works if the gamma of your TV is 2.22 to start with. It doesn't work in reverse. Use the pluge method.

Larry

Thanks Larry.

Yeah unfortunately that guide doesn't elude to this. It just says "for advanced users that want a less subjective way of doing this, there is actually a more correct way of setting brightness." It doesn't mention to only use this if you're already at 2.2, and I assume that means if your TV has a gamma setting. That's why I suggested just using the pluge.
post #4144 of 4417
Quote:
Originally Posted by Meteor|WAR View Post

I just had the exact same issue, see my recent posts in this thread.

In THX mode my G10 does 2.08 gamma (about 29 ftL) when I use the AVS HD 709 to set brightness but looks really good. I get the proper 2.2 gamma if I use the method described here but it looks too dim/lifeless:



I concluded to say the hell with 2.2 gamma. It just doesn't look right on my G10. I think with some TV's you're better off just setting brightness with a pluge pattern.

Quote:
Originally Posted by LarryInRI View Post

Using the 0.65% method to set brightness only works if the gamma of your TV is 2.22 to start with. It doesn't work in reverse. Use the pluge method.

Larry

Quote:
Originally Posted by Make73 View Post

Seems that USA models Cinema-mode and THX-mode limits max power of light to something around 30ftL.
SUB-BRT anything to do with this?

I think that calculating brightness or contrast is not a good option, better is measuring with HCFR´s near black and near white tests and also visual checking grayscale ramp or pluge so there´s not clipped blacks or whites at 16-235 area.

alsavforum,

I think you should check your basic settings at first, brightness and contrast.
Seems that at least brightness is too high because your black level is 0.040ftL at cinema mode.
Also some finetuning with RGB levels could be done, I would lower B-DRV at first.
(Zoom RGB page with right mouse button Scale-->RGB--> to 80-120% so it´s easier to see)
If you measure whole grayscale 0-100 at everytime it´s easier to notice how those SM adjustments affect to whole RGB area, not just 80/30IRE.

Thanks guys for the feedback! After being at it for several hours and after several attempts, and finally getting close to 2.0 flat Gamma, I have to agree with Meteor|WAR that the 2.2 gamma is not a desirable setting. It is my opinion that the picture in cinema mode just isn’t worth the effort. Even under very dark conditions, I think the calibration I achieved in "standard" still looks superior.

I wonder if that's what Panasonic intended for these sets, the weird non- exponential gamma on all modes except Cinema? It seems they want to vary the gamma as a function of light level. Maybe that's how they achieve the contrast ratios they brag about. Has anyone seen spec's for these TV’s broken down into picture modes (especially contrast ratio)?

I happen to be an Electro-optics engineer by trade, been doing it for 35 years. I also had a TV repair business back when, yes, they still had vacuum tubes ….and solid state was just coming out. Having said all this, I would be the last to claim that I'm an expert in the calibration business, especially having gone through this process. The guys that do this legitimately deserve every penny they get!

But being a "tweaker" by heart, I must say that I had a blast doing this. I still may try to tweak further, (but not in cinema mode . ) At least my gray scale is much improved, the green cast was driving me nuts!

Last, I want to say this forum and the correspondence here is fantastic. I may be an engineer, but I know my limits. I would not have attempted the calibration at all if it wasn't for this forum and site. Keep up the good work guys!
post #4145 of 4417
< HCFR still tells me my gamma is off but whenever I adjust brightness to get it to measure 2.2 the picture just looks too dark to me so I'm not going to stress about the lower gamma.>

The only way to deal with the gamma issue in Custom is to adjust the the luminance at the various levels by adjusting percentage of all the primary colors up or down. There are spread sheets around which can calculate the correct setting.

It's time consuming but it can be done
post #4146 of 4417
Quote:
Originally Posted by Richard Smith View Post

< HCFR still tells me my gamma is off but whenever I adjust brightness to get it to measure 2.2 the picture just looks too dark to me so I'm not going to stress about the lower gamma.>

The only way to deal with the gamma issue in Custom is to adjust the the luminance at the various levels by adjusting percentage of all the primary colors up or down. There are spread sheets around which can calculate the correct setting.

It's time consuming but it can be done

...proving you have CMS. On my set, I can't adjust my primaries independantly at all. Hey, a 50x1 Panny for $629, I guess I can't expect that!
post #4147 of 4417
Quote:
Originally Posted by alsavforum View Post

Thanks guys for the feedback! After being at it for several hours and after several attempts, and finally getting close to 2.0 flat Gamma, I have to agree with Meteor|WAR that the 2.2 gamma is not a desirable setting. It is my opinion that the picture in cinema mode just isn't worth the effort. Even under very dark conditions, I think the calibration I achieved in "standard" still looks superior.

I wonder if that's what Panasonic intended for these sets, the weird non- exponential gamma on all modes except Cinema? It seems they want to vary the gamma as a function of light level. Maybe that's how they achieve the contrast ratios they brag about. Has anyone seen spec's for these TV's broken down into picture modes (especially contrast ratio)?

[snip]


The "weird" gamma in Standard is not weird at all. The Standard mode is intended for those who want 'pop' in their picture at the expense of the accuracy achieved by adhering to the industry standard. Bring an engineer, you should read Poynton. In particular:

http://www.poynton.com/notes/colour_.../GammaFAQ.html

and

http://www.poynton.com/notes/PU-PR-I...n-PU-PR-IS.pdf

Larry
post #4148 of 4417
Quote:
Originally Posted by LarryInRI View Post

The "weird" gamma in Standard is not weird at all. The Standard mode is intended for those who want 'pop' in their picture at the expense of the accuracy achieved by adhering to the industry standard. Bring an engineer, you should read Poynton. In particular:

http://www.poynton.com/notes/colour_.../GammaFAQ.html

and

http://www.poynton.com/notes/PU-PR-I...n-PU-PR-IS.pdf

Larry

HI LarryInRi,

Thanks for the references. Great stuff !

What I found interesting is the letter from Charles Poynton. In it he make a plea that a video standardization in the HDTV environment is badly needed "Current HD video standards, including BT.709 and its various descendantssuch as SMPTE 274M, specify the camera's reference encoding -the opto-electronic conversion function (OECF). However, surprisingly,the electro-optical conversion function (EOCF, or gamma) of studio reference displays has never been adequately standardized.
Without standardization of the EOCF, creative intent cannot be reproduced
with any certainty. Absent a studio standard, the consumer
electronics (CE) industry has no reference. Without clear standards
determining intended image appearance, the CE industry is effectively
encouraged to interpret - even enhance - consumer imagery
according to the judgements of its engineers and managers, often
overriding the cinematographers' artistic intent.


So, in here, he is pointing out exactly what's were discussing here. So why then is everyone going through great pains to achieve a 2-2.2 Gamma calibration for their monitor? I thought this was to "allow us to see what the film makers intent is". Well, if there's no Gamma standard, then how can that be true? Also, what does broadcast TV use..I'll bet it's different...
post #4149 of 4417
alsavforum,

The gamma issue is one of constant discussion in the calibration forum. Although there is no agreement on the value of gamma, there is agreement that that curve should be flat. The Standard gamma is not flat. The Cinema gamma is.

Gamma is a measure of a transfer function.

Larry
post #4150 of 4417
Quote:
Originally Posted by LarryInRI View Post

alsavforum,

The gamma issue is one of constant discussion in the calibration forum. Although there is no agreement on the value of gamma, there is agreement that that curve should be flat. The Standard gamma is not flat. The Cinema gamma is.

Gamma is a measure of a transfer function.

Larry

no argument here Larry- but I just can't see watching a washed out dull picture (on my tv anyway) just so I can say it's "flat". I guess, and this has already been said, it boils down to a matter of preference. That's why there's picture, brightness, and various modes in the first place, I guess.
post #4151 of 4417
Quote:
Originally Posted by alsavforum View Post

no argument here Larry- but I just can't see watching a washed out dull picture (on my tv anyway) just so I can say it's "flat". I guess, and this has already been said, it boils down to a matter of preference. That's why there's picture, brightness, and various modes in the first place, I guess.


Right. One person's 'washed out dull picture' is another person's very accurate picture.

Larry
post #4152 of 4417
Quote:
Originally Posted by LarryInRI View Post

Right. One person's 'washed out dull picture' is another person's very accurate picture.

Larry

Like the current episode of "House" on Fox right now. Dull, washed-out, out-of-focus, no contrast, but "artistic." Bleh!
post #4153 of 4417
alsavforum,

For information only: Why did you pick the Standard mode over the Custom? What difference between the two did you see? What aspect of picture quality made you choose Standard?


gamma - Cinema


gamma - Custom


gamma - Standard





Please, I do not want this to turn into which one is better.
That has been hashed over countless times in this forum almost from the first posts about 10 years or so ago.



Larry
post #4154 of 4417
LarryInRI,

Wow.... good question. I wasn't aware that they were different. In fact, I didn't even know Cinema & Standard were different until after I experimented with them. Ignorance is bliss, I guess, because if I knew this before hand I could have saved a lot of time ! (Guess I missed the post that indicated this?).

So, now you've done it ....I guess I'll have to recal using the custom mode, as it certainly appears to be a smoother curve and it makes sense that this may even be better for me!

Not to underscore my ignorance further, but do other brand plasmas and LCD's have different modes with variable gammas?

(I'm having fun with this stuff!)
post #4155 of 4417
alsavforum,

For the Panasonic TVs, the overwhelming difference in the Picture modes is gamma. Some of the more expensive Panasonic models have a gamma control that is accessible through the user menu -- but even with these sets, it is my understanding that this control is available only for specific Picture modes.

I don't know why you would have to 'recalibrate' in the Custom mode since the color temperature is global for all Picture modes. Unless, of course, you mean adjust the user menu when you use the word 'recalibrate.'

I don't know much about other flat panel brands so I can't comment on them.

Larry
post #4156 of 4417
Quote:
Originally Posted by LarryInRI View Post

alsavforum,

For the Panasonic TVs, the overwhelming difference in the Picture modes is gamma. Some of the more expensive Panasonic models have a gamma control that is accessible through the user menu -- but even with these sets, it is my understanding that this control is available only for specific Picture modes.

I don't know why you would have to 'recalibrate' in the Custom mode since the color temperature is global for all Picture modes. Unless, of course, you mean adjust the user menu when you use the word 'recalibrate.'

I don't know much about other flat panel brands so I can't comment on them.

Larry


Yes- right...I guess all I'll have to do is tweak the "user" settings. I'll check it out ! BUt a question...Were the gamma plots you provided earlier are from a calibrated flat gamma- with simply the user modes being switched to "standard" and to "Custom" ? Do you know if the brightness/picture settings were also tweeked from mode to mode, or were they set to a default and / or fixed setting for the comparision?

Thanks...
post #4157 of 4417
Quote:
Originally Posted by alsavforum View Post

Yes- right...I guess all I'll have to do is tweak the "user" settings. I'll check it out ! BUt a question...Were the gamma plots you provided earlier are from a calibrated flat gamma- with simply the user modes being switched to "standard" and to "Custom" ? Do you know if the brightness/picture settings were also tweeked from mode to mode, or were they set to a default and / or fixed setting for the comparision?

Thanks...

The TV was adjusted in the user mode and calibrated for grayscale in Cinema. The Custom and Standard settings were adjusted to give the same overall look to the picture in luminance. They then were simply switched to for the test runs.

Larry
post #4158 of 4417
Can someone explain how to set brightness and contrast and how it directly relates to setting gamma correctly? I understand basically everything else, but this has me a little confused.

I am using a 1eye LT, HCFR software, and the AVSHD 709 DVD from this forum.

1. Brightness - Run the basic setting test pattern, so you can see 17 barely flash.

2. Contrast - What pattern do I run and what do I look for?

Now when I have these set and run the grayscale test on my TV, to achieve 2.20 gamma, I would modify my settings for brightness and contrast. This is where I get a little confused as it would take away from my origonal settings.
post #4159 of 4417
Quote:
Originally Posted by jackal2001 View Post

Can someone explain how to set brightness and contrast and how it directly relates to setting gamma correctly? I understand basically everything else, but this has me a little confused.

I am using a 1eye LT, HCFR software, and the AVSHD 709 DVD from this forum.

1. Brightness - Run the basic setting test pattern, so you can see 17 barely flash.

2. Contrast - What pattern do I run and what do I look for?

Now when I have these set and run the grayscale test on my TV, to achieve 2.20 gamma, I would modify my settings for brightness and contrast. This is where I get a little confused as it would take away from my origonal settings.

It's answered a few posts below but I don't believe this is how you should be setting Brightness or Contrast. If you're using THX mode, the gamma should be correct. If you're using Custom, see which setting works best but if it's not flat, nothing you do is going to change that. Set brightness by the PLUGE and leave it alone...that's my 2 cents anyway.

Also, I don't know what people are saying about 2.2 gamma not looking right...if your gamma is flat and at 2.2 (or close to it), that's what it's supposed to be...period.
post #4160 of 4417
Quote:
Originally Posted by robi1138 View Post

It's answered a few posts below but I don't believe this is how you should be setting Brightness or Contrast. If you're using THX mode, the gamma should be correct. If you're using Custom, see which setting works best but if it's not flat, nothing you do is going to change that. Set brightness by the PLUGE and leave it alone...that's my 2 cents anyway.

Also, I don't know what people are saying about 2.2 gamma not looking right...if your gamma is flat and at 2.2 (or close to it), that's what it's supposed to be...period.

Factory gamma for THX on my TV is averaging at 2.13 so it isn't correct.
I was talking about custom anyway.
post #4161 of 4417
jackal2001, we were recently discussing this in this thread.

Just use the pluge pattern on the AVS HD disc to set brightness and be done with it.
Use the "white clipping pattern" on the disc to set contrast (2 chapters after the black clipping pattern).

I don't know why, but adjusting brightness/contrast to achieve a 2.2 gamma reading doesn't look correct on my TV. Maybe I'm doing something wrong but so far that's the conclusion I've come to.
post #4162 of 4417
Quote:
Originally Posted by Meteor|WAR View Post

jackal2001, we were recently discussing this in this thread.

Just use the pluge pattern on the AVS HD disc to set brightness and be done with it.
Use the "white clipping pattern" on the disc to set contrast (2 chapters after the black clipping pattern).

I don't know why, but adjusting brightness/contrast to achieve a 2.2 gamma reading doesn't look correct on my TV. Maybe I'm doing something wrong but so far that's the conclusion I've come to.

I'm assuming the plunge pattern is the first pattern that states set so #17 becomes visible??? I see no reference to "plunge" in the documentation at all.
post #4163 of 4417
Quote:
Originally Posted by jackal2001 View Post

I'm assuming the plunge pattern is the first pattern that states set so #17 becomes visible??? I see no reference to "plunge" in the documentation at all.

Yeah, that's the one I was referring to.
post #4164 of 4417
Quote:
Originally Posted by jackal2001 View Post

Can someone explain how to set brightness and contrast and how it directly relates to setting gamma correctly? I understand basically everything else, but this has me a little confused.

I am using a 1eye LT, HCFR software, and the AVSHD 709 DVD from this forum.

1. Brightness - Run the basic setting test pattern, so you can see 17 barely flash.

2. Contrast - What pattern do I run and what do I look for?

Now when I have these set and run the grayscale test on my TV, to achieve 2.20 gamma, I would modify my settings for brightness and contrast. This is where I get a little confused as it would take away from my origonal settings.


All the information is available -- if you look for it.

Page 12 of the AVSHD pdf manual under heading "White Clipping Pattern"

Quote:


Basic Settings Instructions - 10

Generally you want to have the white-level control set about as high as possible, as long as it does not introduce any detrimental effects. We will suggest starting with a high contrast setting, and then looking for any issues that might require turning down white-level. This link from Michael TLV mentions checking (1) clipping, (2) discoloration, and (3) eye-fatigue when setting white-level.

1. As long as you can see the bars marked 230-234 flash, essentially clipping is fine and you have finished with this item. If you cannot see 230- 234 flash, then you need to turn down white-level until they flash. A more conservative approach is to set white-level no higher than where most all the bars flash. It is perfectly acceptable if your display never clips near 235 and if you can always see the bars brighter than 235 flash, but the minimum is flashing from 230 to 234.

2. For discoloration, you generally want to see if you can notice any change in shade of grays near white as you adjust the white-level setting. With some displays increasing contrast beyond a point might cause the bright grayscale to begin to have a pinkish or other colored tint. If you cannot spot a change in tint by turning down contrast, then the second item is satisfied.

3. You could watch a movie to make sure whites appear relatively bright and you do not encounter eyestrain. Having eyestrain when watching would indicate a need to dim the display. If your TV seems too bright and has a backlight setting or iris control, you might try turning the setting down, which will also give you darker blacks. If the TV is still too bright after lowering those controls, then white-level could also be lowered to avoid eye-fatigue.

We mention a few white-level items in the Misc. Patterns section, and measurements can give more objective information, but generally the items mentioned above are the most straightforward issues to watch for in setting white-level. If your contrast is at a high setting where at least 230 to 234 flash, and there does not appear to be any discoloration or eye-fatigue watching, then congratulations you are done setting white-level. If you have tried to follow the above items and cannot spot any of the possible detrimental effects mentioned, and would simply like to err on the side of caution, then merely set contrast as high as it can go while you can still see that most all of the bars numbered higher than 235 flash. Some manufacturers seemingly have tried to limit the amount of possible error the white-level control can introduce, so even on the absolute highest contrast setting some digital displays may never clip levels lower than 253 and it could be difficult to clearly spot any of the items discussed.

Larry
post #4165 of 4417
I did see that but I was wondering if it was the PROPER way to do it with using an eye1 lt. If you go by those settings and try to configure THX it doesn't work out too well, if at all.
post #4166 of 4417
A couple local stores have the 42U1 and 42S1 models on sale. The black level issue has me a little cautious. In a post earlier on this thread I noticed the U1 series was conspicuously absent from the list of suspected models. Has there been any spotted black level issues with the U1? I couldn't really find any documented. Is it just a problem with the NeoPDP panels, which the U1 does not have?
I have to say that U1 panel is pretty shiny, but this is for a bedroom and mostly dark room viewing.

Thanks for any help.
post #4167 of 4417
Quote:
Originally Posted by jackal2001 View Post

I did see that but I was wondering if it was the PROPER way to do it with using an eye1 lt. If you go by those settings and try to configure THX it doesn't work out too well, if at all.


Proper way to do what with an i1 LT? Set Contrast? If so, there is no proper way. I like 25 ftL. Above 30 ftL hurts my eyes.

I don't use a meter for setting Contrast -- just like it says in the passage I quoted above.

Larry
post #4168 of 4417
Quote:
Originally Posted by LarryInRI View Post

Proper way to do what with an i1 LT? Set Contrast? If so, there is no proper way. I like 25 ftL. Above 30 ftL hurts my eyes.

I don't use a meter for setting Contrast -- just like it says in the passage I quoted above.

Larry

I'm trying to play around with setting brightness and contrast in order to achieve a good gamma. The GUIDE doesn't specifically state how to achieve this and what to adjust for gamma. It is kind of confusing to me.

I adjust something, take a complete grayscale measurement, adjust again, over and over again.
post #4169 of 4417
as far as I understand, that's basically what you have to do. Others have found, and my meter agrees, that a light output around 31ftL (on the S1 at least) tends to work the best for achieving close to 2.2 average gamma in cinema mode. I think my 31ftL settings put me right at 2.20...getting ready to make a final run with all the offsets and greyscale/color measurements. Gamma is a complete mess in the other modes, so I haven't worried about trying to do anything with it outside of cinema.
post #4170 of 4417
Quote:
Originally Posted by jackal2001 View Post

I'm trying to play around with setting brightness and contrast in order to achieve a good gamma. The GUIDE doesn't specifically state how to achieve this and what to adjust for gamma. It is kind of confusing to me.

I adjust something, take a complete grayscale measurement, adjust again, over and over again.


The only proper way to adjust gamma is with a gamma control. If you set does not have one, you'll have to do what Chad does and live with it even if the result is a too dim or too bright. That is if "proper" gamma means more to you than an enjoyable picture to watch.


What is the with the sudden compulsion and obsession with gamma? Is it because more owners have meters? I don't get it. If there is no control to adjust gamma, it is what it is. Select the Picture mode that gives the flattest curve that's all.

Not long ago, almost all members of this forum did not like a flat gamma because it didn't make the picture "pop". Now, it seems, everyone needs a flat gamma near 2.2 and when the get it they say the picture is 'flat', 'dim', 'dull', 'doesn't have pop'.

Please, I am not starting an argument. I have always liked a flat gamma even on my Sony XBR CRT sets. Everything else appears cartoonish to me. Too much "pop".

Larry
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