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Bolt (Blu-ray) Official AVSForum Review - Page 3

post #61 of 156
I saw this disc with the family a couple nights ago and we all enjoyed it very much. I agree with Ralph's review 100%. The video is stunning and the audio is top notch. Even my wife commented positively on the quality of both.

Great review. Awesome disc.

Gear mentioned in this thread:

post #62 of 156
Ralph or anyone else who has watched this, can you guys confirm 5.1 or 6.1? Some places are reporting this as a 5.1 track and some places have it listed as 6.1.

Thanks.
post #63 of 156
Thread Starter 
Quote:
Originally Posted by Toe View Post

Ralph or anyone else who has watched this, can you guys confirm 5.1 or 6.1? Some places are reporting this as a 5.1 track and some places have it listed as 6.1.

Thanks.


Greetings,

6.1...


Cheers,
post #64 of 156
Quote:
Originally Posted by Ralph Potts View Post

Greetings,

6.1...


Cheers,

Thanks
post #65 of 156
Anyone know if the BB release date for 3/22 is correct?
post #66 of 156
Yes...it's 3 days earlier than the DVD.
post #67 of 156
Quote:
Originally Posted by Dave Vaughn View Post

Yes...it's 3 days earlier than the DVD.

Nice, looks like I'll be enjoying this on Sunday if I can find a copy.
post #68 of 156
looking forward to this one Ralph, my Daughter and I are watching the trailer on my mobile every night before she goes to sleep. Hopefully I have this in my hands very soon.
post #69 of 156
Thread Starter 
Quote:
Originally Posted by Franin View Post

looking forward to this one Ralph, my Daughter and I are watching the trailer on my mobile every night before she goes to sleep. Hopefully I have this in my hands very soon.


Greetings,

I hope you both enjoy it Frank!


Regards,
post #70 of 156
Quote:
Originally Posted by Ralph Potts View Post

Greetings,

6.1...


Cheers,

I have a feeling this disc is encoded with the dts 6.1 ES Matrix track flag set. Like Wall-E some decoders were reporting it as 5.1 and others were reporting 6.1. It is not truely a 6.1 discrete track like X-Men 3 that plays decodes as 6.1 whether my receiver is decoding the stream from the BD35 or if the PS3 decodes it. But with Wall-E the receiver reports 5.1 with the BD35 streaming where the PS3 reports 6.1 when displaying the track info.

It is most likely a Matrix track. Nothing wrong with that since matrix decoding in the digital domain is pretty accurate. I think some of the original dts-HD decoders do not handle the track flags for special decoding options.
post #71 of 156
Quote:
Originally Posted by Toknowshita View Post

I have a feeling this disc is encoded with the dts 6.1 ES Matrix track flag set. Like Wall-E some decoders were reporting it as 5.1 and others were reporting 6.1. It is not truely a 6.1 discrete track like X-Men 3 that plays decodes as 6.1 whether my receiver is decoding the stream from the BD35 or if the PS3 decodes it. But with Wall-E the receiver reports 5.1 with the BD35 streaming where the PS3 reports 6.1 when displaying the track info.

It is most likely a Matrix track. Nothing wrong with that since matrix decoding in the digital domain is pretty accurate. I think some of the original dts-HD decoders do not handle the track flags for special decoding options.

Yeah,

It looks like the PS3 internally matrix decodes the DTS tracks that have an ES flag and reports it as 6.1 and outputs the decoded stream as 7.1 PCM. It duplicates the back channel with all 6.1 DISCRETE tracks as well (like Top Gun).

Wall-E reacts the same way as Bolt. I wish you could turn that off on the PS3 and allow the 5.1 track to be decoded to 5.1 PCM. That way I can activate PLIIx, which makes it much more aggressive and directional in the back channels via synthetic 7.1 decoding. I've found that PLIIx tracks better than just strait up DD EX or DTS ES matrix decoding.

Try bitstreaming the DTS-MA track to your surround processor directly and see what it says, rather than using the PS3.

Great review, by the way!

I'll buy it when it's not $27+! Too rich for my blood!
post #72 of 156
Thread Starter 
Quote:
Originally Posted by Dan Hitchman View Post

Yeah,

It looks like the PS3 internally matrix decodes the DTS tracks that have an ES flag and reports it as 6.1 and outputs the decoded stream as 7.1 PCM. It duplicates the back channel with all 6.1 DISCRETE tracks as well (like Top Gun).

Wall-E reacts the same way as Bolt. I wish you could turn that off on the PS3 and allow the 5.1 track to be decoded to 5.1 PCM. That way I can activate PLIIx, which makes it much more aggressive and directional in the back channels via synthetic 7.1 decoding. I've found that PLIIx tracks better than just strait up DD EX or DTS ES matrix decoding.

Try bitstreaming the DTS-MA track to your surround processor directly and see what it says, rather than using the PS3.

Great review, by the way!

I'll buy it when it's not $27+! Too rich for my blood!

Greetings,

The bitstreamed signal as decoded by my processor shows 6.1 DTS-HD MA..

Regards,
post #73 of 156
I just popped it into my computer, and Power DVD is saying it's DTS-HD MA 5.1, which matches the cover art. When I fire up the system tonight, I'll see what my Onkyo pre/pro says it is. It doesn't matter much to me because it's a kick-ass soundtrack no matter which format!!!


David
post #74 of 156
Quote:
Originally Posted by Toknowshita View Post

I have a feeling this disc is encoded with the dts 6.1 ES Matrix track flag set. Like Wall-E some decoders were reporting it as 5.1 and others were reporting 6.1. It is not truely a 6.1 discrete track like X-Men 3 that plays decodes as 6.1 whether my receiver is decoding the stream from the BD35 or if the PS3 decodes it. But with Wall-E the receiver reports 5.1 with the BD35 streaming where the PS3 reports 6.1 when displaying the track info.

It is most likely a Matrix track. Nothing wrong with that since matrix decoding in the digital domain is pretty accurate. I think some of the original dts-HD decoders do not handle the track flags for special decoding options.

So does this mean we are missing the rear surround info if our processors are reporting 5.1 for Wall*E (and Bolt from the sounds of it) from a bitstreamed signal, or does this info just get sent to the side surrounds in this case and applying PLIIx will basicaly accomplish the same thing as if the processor was reporting a 6.1 signal from the bitstreamed track?


This is why I asked.....Wall*E shows up as 5.1 when I bitstream from my BD-30 to my 885, but out of the PS3 it shows it as 6.1 and the 885 shows it is getting a 7.1 signal. So does Bolt do the same thing? Not sure why Wall*E does this (and maybe Bolt by the sound of it). X-Men 3 which is a discrete 6.1 track shows up as 6.1 on my 885 when bitstreamed so I know the 885 has no problem taking a bitstreamed 6.1 discrete track.....confusing
post #75 of 156
Thread Starter 
Quote:
Originally Posted by Dave Vaughn View Post

I just popped it into my computer, and Power DVD is saying it's DTS-HD MA 5.1, which matches the cover art. When I fire up the system tonight, I'll see what my Onkyo pre/pro says it is. It doesn't matter much to me because it's a kick-ass soundtrack no matter which format!!!


David

Greetings,

I agree that regardless of what it says this soundtrack sounds great...


Cheers,
post #76 of 156
Quote:
Originally Posted by d3code View Post

i believe disney made a critical error with the hamster.

it really sends a bad message towards childeren. they get the message it is a cool to put hamster in a plastic ball.

i know so, because i was with my family in the cinema watching the movie. and my brothers little girl asked after the movie, if she could get a hamsterball. although i first thought it was funny, later on i realized that it was the movie its fault to include it. imagine all childeren think it is cool to put a hamster in a plastic ball. it is simply cruel.

that said the hamster was the most fun part of the whole movie, but they should have thought better on how to include him. without a plastic ball would have been way better.

i wonder how Walt disney would have thought of this when he would still live.

Fully agree. I propose that we boycott this movie on the grounds of improper hamster ethics.
post #77 of 156
Quote:
Originally Posted by ElChupacabra View Post

Fully agree. I propose that we boycott this movie on the grounds of improper hamster ethics.

I fully support a Free Range Hamster Brigade!
post #78 of 156
Quote:
Originally Posted by Toe View Post

So does this mean we are missing the rear surround info if our processors are reporting 5.1 for Wall*E (and Bolt from the sounds of it) from a bitstreamed signal, or does this info just get sent to the side surrounds in this case and applying PLIIx will basicaly accomplish the same thing as if the processor was reporting a 6.1 signal from the bitstreamed track?


This is why I asked.....Wall*E shows up as 5.1 when I bitstream from my BD-30 to my 885, but out of the PS3 it shows it as 6.1 and the 885 shows it is getting a 7.1 signal. So does Bolt do the same thing? Not sure why Wall*E does this (and maybe Bolt by the sound of it). X-Men 3 which is a discrete 6.1 track shows up as 6.1 on my 885 when bitstreamed so I know the 885 has no problem taking a bitstreamed 6.1 discrete track.....confusing

Toe,

I have the Onkyo 805 which basically has the same decoding engine as your processor. I have observed the same thing, when I bitstreamed X3 from my BD35, the Onkyo indicated a 6.1 signal. But with Wall-E, the bitstreamed track indicates 5.1 and the receiver makes no reference to the Matrix track. The PS3 shows 6.1 for Wall-E if you have 6.1 or greater enabled, but if you only have 5.1 enabled, it correctly displays that Wall-E is only 5.1. But with only 5.1 enabled on the PS3 it still shows 6.1 for X3. It is a matrixed track, it is just some of the early versions of the dts-HD decoder do not handle the ES Matrix flag correctly. It is not that big of a deal since you really are not losing any information. You just have to manually apply the rear matrix decoding, DPLIIx, SurrEx, etc.

You are correct, the rear channel is just extracted from the surround channels and some may prefer to use another format, like DPLIIx. Since this is the second Disney disc to have this minor anomaly without being listed on the box, I wonder if the ES Matrix flag setting is intentional or do they have someone handling the encoding of the track that has it set by accident. Again it is not like anything is missing. BUT I do think the more complex the audio codec makers have made their tools that there is much more room for mistakes. Does dts really need, different angled speaker configurations for 7.1 when none of the current decoders on the market accept any user input indicating speaker angle configuration. The codec makers need to add a good dose of KISS, keep it simple stupid, to their toolsets. What we have now is both makers trying to one up another and we end up with a non-standardized configuration for 7.1.
post #79 of 156
Quote:
Originally Posted by Toknowshita View Post

Toe,

I have the Onkyo 805 which basically has the same decoding engine as your processor. I have observed the same thing, when I bitstreamed X3 from my BD35, the Onkyo indicated a 6.1 signal. But with Wall-E, the bitstreamed track indicates 5.1 and the receiver makes no reference to the Matrix track. The PS3 shows 6.1 for Wall-E if you have 6.1 or greater enabled, but if you only have 5.1 enabled, it correctly displays that Wall-E is only 5.1. But with only 5.1 enabled on the PS3 it still shows 6.1 for X3. It is a matrixed track, it is just some of the early versions of the dts-HD decoder do not handle the ES Matrix flag correctly. It is not that big of a deal since you really are not losing any information. You just have to manually apply the rear matrix decoding, DPLIIx, SurrEx, etc.

You are correct, the rear channel is just extracted from the surround channels and some may prefer to use another format, like DPLIIx. Since this is the second Disney disc to have this minor anomaly without being listed on the box, I wonder if the ES Matrix flag setting is intentional or do they have someone handling the encoding of the track that has it set by accident. Again it is not like anything is missing. BUT I do think the more complex the audio codec makers have made their tools that there is much more room for mistakes. Does dts really need, different angled speaker configurations for 7.1 when none of the current decoders on the market accept any user input indicating speaker angle configuration. The codec makers need to add a good dose of KISS, keep it simple stupid, to their toolsets. What we have now is both makers trying to one up another and we end up with a non-standardized configuration for 7.1.


Thanks so much for the post. I will just apply PLIIx (which I do anyway for 5.1 tracks) and it sounds like we will be good to go
post #80 of 156
Quote:
Originally Posted by Ralph Potts View Post

Why ?

Sorry took a while to reply.

I just think personally that 100 implies perfection. Its just a personal thing. No worries against you. I mean its an AV forum, but I look at the movie as well. I'm not going to buy a movie just because it has awesome video and audio. I'm going to buy the thing, which implies I will watch it more than once, thus renting it wouldn't be cost effective. Personal taste is personal taste, no worries.
post #81 of 156
Ralph's review is right on. The audio on this release was amazing and the best audio I have heard from an animated movie. I actually really enjoyed the movie itself. Actually, I liked Bolt better than Kung Fu Panda or Wall-E.
post #82 of 156
Quote:
Originally Posted by DJ Matt View Post

Ralph's review is right on. The audio on this release was amazing and the best audio I have heard from an animated movie. I actually really enjoyed the movie itself. Actually, I liked Bolt better than Kung Fu Panda or Wall-E.

Matt,

I enjoyed Bolt much more than Kung Fu Panda, but it's hard to compare it to Wall-E since they are completely different genres of animated titles. (Action versus drama). All were entertaining and are much better than most of the live-action crap that Hollywood releases!
post #83 of 156
Quote:
Originally Posted by Toe View Post

So does this mean we are missing the rear surround info if our processors are reporting 5.1 for Wall*E (and Bolt from the sounds of it) from a bitstreamed signal, or does this info just get sent to the side surrounds in this case and applying PLIIx will basicaly accomplish the same thing as if the processor was reporting a 6.1 signal from the bitstreamed track?


This is why I asked.....Wall*E shows up as 5.1 when I bitstream from my BD-30 to my 885, but out of the PS3 it shows it as 6.1 and the 885 shows it is getting a 7.1 signal. So does Bolt do the same thing? Not sure why Wall*E does this (and maybe Bolt by the sound of it). X-Men 3 which is a discrete 6.1 track shows up as 6.1 on my 885 when bitstreamed so I know the 885 has no problem taking a bitstreamed 6.1 discrete track.....confusing


TOE:
I have a DMP-BD55 - does the 35 have an option for surround back settings - processing either 5.1 vs 7.1? Actually it doesn't. Do you have BD secondary audio TURNED off? Are you getting menu clicks and sounds?

If you have BD secondary audio on I believe the 35/55 downcovert 6.1 and 7.1 to 5.1 only. The PS3 does not since it decodes everything to PCM and combines that with the original channel configuration.
post #84 of 156
Quote:
Originally Posted by eldithomaso View Post

TOE:
I have a DMP-BD55 - does the 35 have an option for surround back settings - processing either 5.1 vs 7.1? Actually it doesn't. Do you have BD secondary audio TURNED off? Are you getting menu clicks and sounds?

If you have BD secondary audio on I believe the 35/55 downcovert 6.1 and 7.1 to 5.1 only. The PS3 does not since it decodes everything to PCM and combines that with the original channel configuration.


Thanks for your thoughts. I have the BD-30 though, not the 35. I have secondary audio off and discrete 6.1 tracks (X-Men 3) and 7.1 tracks bitstream no problem. It is just Wall*E and from the sounds of it Bolt. Not a big deal as it sounds like it is just a flagging issue with my pre/pro and applying PLIIx will get me to the same goal
post #85 of 156
So there isn't a 3D version being released? Bummer really enjoyed the 3D version in the theatre, even got to keep the glasses from it
Perhaps I'll hold out for the 3D version.

This was a very enjoyable movie. Perhaps Disney has finally hit its stride once more.
post #86 of 156
Quote:
Originally Posted by modiGTI View Post

Anyone know if the BB release date for 3/22 is correct?

This is a great movie, for all ages.

Check with your local Blockbuster, I actually rented this on Friday. Also a friend purchsed his copy a Wal-Mart today.
post #87 of 156
Just watched the Blu-Ray version of Bolt and there is some serious bass. I'm running a 5.2 system with dual SVS PC Plus subs and they shook the house in a big way. Almost bottomed the subs out on the transition scene after scene 1.
post #88 of 156
Any one have any ideas why I wouldn't have any Audio after the FBI warning screen? I have audio prior to that and on the menu - but nothing after the FBI Warning.

I've had this happen on one other Disney Blu-Ray ...

I have my PS3 connected to a Panasonic 5.1 HTB (Home Entertainment in a Box) via an Optical cable. HDMI Vid to the TV.

Is there some settings in the PS3 I'm missing? Or could it be on the HTB?

Any info would be much appreciated ...
post #89 of 156
afviolettes,

Does your AVR support DTS? The trailers are in Dolby Digital, but once the movie starts, it's DTS, so you need a DTS decoder in your AVR.

Best regards,
post #90 of 156
Sorry - losing me on the abbreviations ... Whats an AVR ? And where do I look to see if its setup for DTS ?

The system is a Panasonic SC-PT960 - according to the panasonic website, my system does support DTS - is this a function I need to enable in the menus or something?


Here's some info out of the manual - not sure what its set to currently as my daughter is watching the DVD version on the PS3 right now, so I can't access any setup or menus. Then again, I don't know what I'd do since I don't understand what the manual is saying anyway...

Select to suit the type of audio from the OPTICAL IN terminal on the main unit.
1 While in “D-IN” mode
Press [SETUP] to select “MAIN/SAP”, “DRC” or “PCM FIX”.

2 While the selected mode is displayed
Press [3, 4] to make the setting.

MAIN/SAP mode (Only works with Dolby Dual Mono)
MAIN, SAP§, MAIN+SAP§ (stereo audio)
§ “SAP” = Secondary Audio Program

Dynamic Range Compression
DRC ON: Adjust for clarity even when the volume is low by compressing
the range of the lowest sound level and the highest sound level.
Convenient for late night viewing. (Only works with Dolby
Digital)
DRC OFF

PCM FIX mode
PCM ON: Select when receiving only PCM signals.
PCM OFF: Select when receiving Dolby Digital and PCM signals.

[Note]
Audio that is input through the OPTICAL IN terminal cannot be output
through the HDMI terminal
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