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Epson Calibration Guide! (1080, 1080UB, 6100, 6500UB, 7500UB) - Page 18

post #511 of 718
Quote:
Originally Posted by 1canuck2 View Post

Hi,

After reading this thread and a couple of others a few million times, I ran through a calibration on my 6500UB today. My screen is a N8 custom paint formula from Home Theater Shack and my PJ is a 6500UB with maybe 75 hours on the bulb.

Lamp was on low. Started from Natural and followed the recommended starting point setting and went from there.

My colorimter is a Spyder3, which I understand is not the greatest choice, but its what I have access to.

Attached is the zipped CHC file from my post calibration grayscale. My eyes tell me the results look good, the charts as a I can understand them look decent but I am far from an expert... I think the Spyder 3 does not do well with IRE0 and IRE10 readings, so take them with a pinch of salt...

Gray scale looks very good. I'm just surprised at your low Y reading with so few hours on your lamp. How big is your screen?
post #512 of 718
Quote:
Originally Posted by jcp2 View Post

I spent 9 hours last night trying my first calibration. I'm a complete noob. I'm using an i1 LT with a 6500. 200 hrs on bulb. Throw of 19" with 10.5ftl's read with i1 LT(iris off) low lamp, natural setting, on a 92" 1.0 gain screen with some ambient light. I used stereoman dan's excel with the avshd disk and ps3, hcfr software I used the 10% grey scale windows to do gamma and the 90/30 windows to do primary colours. Gamma with the sliders is very hard for me to do. It caused a lot of frustration for me. I used the 75% saturation windows to do the RBGMCY settings using the excel spreadsheet values with the 100% Y setting used from the cd/m2 box in hcfr. I thought I did quite well at getting the percentage graphs equaled with the proper Y value in all colours. After saving the settings and watching a few minutes of KFP and Star trek I was stunned at how overblown the colours were. Too much red and yellow, it looks terrible. I don't know what the problem is and I really need help. Here are my files.

Gray Scale looks good for your 1st try. The sliders are difficult to use. I would suggest pulling down the 2nd from the left slider a tick or two (it will raise the 10% some (and possibly the 20% a little)). Also you could move the 4th slider from the left down one tick and see if that pulls up the 40% some. The sliders affect more than one percentage, with the 2nd from the right affecting from about 70%-90%. As you move to the left the sliders affect less of a range until the 2nd from the left is almost exclusively 10%.

You really need to attach the color saturation readings (.chc file) and also dan's spreadsheet, although we can cut and paste the saturation results into the spreadsheet to seen what's going on with the colors. Don't forget to adjust the brightness of each of the 6 colors, not just balance the RGB color percentages (or the xy location, but the color percentages is much easier for me and quicker).
post #513 of 718
How do I attach the colour saturation readings? I adjusted the brightness slider to achieve as close as possible Y readings and tried not to use the saturation sliders too much, and used the hue slider to get the two colour pecentages as equal as possible. I did this for all 6 colours.
post #514 of 718
Quote:
Originally Posted by jcp2 View Post

How do I attach the colour saturation readings? I adjusted the brightness slider to achieve as close as possible Y readings and tried not to use the saturation sliders too much, and used the hue slider to get the two colour pecentages as equal as possible. I did this for all 6 colours.

The saturation reading I'm talking about are just windows on the screen, and then HCFR takes a reading. This is separate from the saturation slider that you are using to set (or move) the 75% saturation points. These readings should be taken after you have sent the 6, 75% points to see how well you have done.

I assume you are using the AVSHD disc. You go to the HCFR windows, and then select saturations (pink selection on lower right of menu). A 0% red should come up, which looks gray.

You then go into HCFR and select measures->saturations->all colors. It will then prompt you to go through the 6 colors with 5 readings each (0%, 25%, 50% 75% and 100%). Once you have these 30 readings, you can copy them from HCFR and paste them into the 2nd tab of Dan's spreadsheet. Once you have pasted these results (and don't forget to put in 100% Y reading at the top of this tab), the following tabs in the spreadsheet will show you how well your results are.

If you just take the 30 readings and post the .chc file, I can copy the results into the spreadsheet and post it for you if you are having trouble.
post #515 of 718
Thanks Knd. I work afternoons so I won't be able to get to it again till the weekend. I did another calibration last night and bumped up my contrast a bit which helped the gamma. For the 75% colour windows, I noticed that the HCFR app has a little coloured box in the bottom right corner with a bullseye target. This time I ignored the cylinder type percentage graphs and just used the hue, saturation and brightness sliders to get the arrow in the center of the bulls-eye (surprising to me, doing this achieved very close percentages on the cylinder graph)and am very pleased with the results. According to the spreadsheet, my Y target was not reached. To my eyes, the picture is not as bright as before, however the pic is ten times better. Colours are richer and shadow detail is better. Blacks are awesome, even with the DI off. I don't know if just setting the colours via the bulls-eye target is wrong, but I love the pic on my 6500 now.
post #516 of 718
Thread Starter 
I hope someone with a 8500UB or 9500UB can measure the full set of 30 color saturation measurements. (after the projector has been calibrated to 100% saturation windows) I'd love to see if Epson has resolved the "desaturation" issue in the lower saturation areas when you calibrate to the standard 100% saturation windows. I see that they received THX certification for these new projectors, so maybe this issue is resolved and my 75% method will be unnecessary. Crossing fingers.

Dan
post #517 of 718
I have a general question regarding my calibrations on hcfr. I don't see the white triangle on the CIE diagram tab. Just where the saturation dots and greyscale dots are. Am I supposed to run some sort of measure to have the white triangle show up?
post #518 of 718
Quote:
Originally Posted by stereomandan View Post

I hope someone with a 8500UB or 9500UB can measure the full set of 30 color saturation measurements. (after the projector has been calibrated to 100% saturation windows) I'd love to see if Epson has resolved the "desaturation" issue in the lower saturation areas when you calibrate to the standard 100% saturation windows. I see that they received THX certification for these new projectors, so maybe this issue is resolved and my 75% method will be unnecessary. Crossing fingers.

Dan

Dan
Your 75% saturation method works great! My 6500UB throws a great picture on my 118 inch screen.
post #519 of 718
Thread Starter 
Quote:
Originally Posted by den110 View Post

I have a general question regarding my calibrations on hcfr. I don't see the white triangle on the CIE diagram tab. Just where the saturation dots and greyscale dots are. Am I supposed to run some sort of measure to have the white triangle show up?

To get the white triangle, you need to go to Measures >>> Primary and Secondary colors. Then measure only the 100% saturation points for each color. Then the triangle should show up on the graph.

Quote:
Originally Posted by den110 View Post

Dan
Your 75% saturation method works great! My 6500UB throws a great picture on my 118 inch screen.

Great, glad to hear! The Epsons do throw a great image. Hard to imagine how good it is for the price really.

Dan
post #520 of 718
Quote:
Originally Posted by Knd View Post

Gray scale looks very good. I'm just surprised at your low Y reading with so few hours on your lamp. How big is your screen?

Gah, didn't check this thread for a while...

The screen is pretty big, 124" diagonal. I am about 16ft back.

Could the low Y be also because I am using a Spyder3 colorimeter?

The image itself looks good and plenty bright.
post #521 of 718
Quote:
Originally Posted by 1canuck2 View Post

Gah, didn't check this thread for a while...

The screen is pretty big, 124" diagonal. I am about 16ft back.

Could the low Y be also because I am using a Spyder3 colorimeter?

The image itself looks good and plenty bright.

I have no experience with the Spyder3.

BTW my bulb's output has been falling really quickly. I'm now running Dynamic High lamp after only 550 hours on the bulb. I have a 118" Carada BW screen, and it still looks good, but at the pace this bulb is ageing I could be buying a new one at 1000 hours. Some of this is my fault, as I bought a cheap UPS that doesn't work, so I've had several shutdowns without full cooling.
post #522 of 718
Quote:
Originally Posted by Knd View Post

I have no experience with the Spyder3.

BTW my bulb's output has been falling really quickly. I'm now running Dynamic High lamp after only 550 hours on the bulb. I have a 118" Carada BW screen, and it still looks good, but at the pace this bulb is ageing I could be buying a new one at 1000 hours. Some of this is my fault, as I bought a cheap UPS that doesn't work, so I've had several shutdowns without full cooling.

Well, I am on full UPS, and have never had an untoward shutdown yet. I only have about 75 hours on the bulb. I got a spare bulb as part of their summer promotion, so I am set for when it does die, but I certainly would hope to get 1500 hours out of the bulb.

The screen I am using is a custom paint formula which has neglible gain. I have another set of CHC files I can post where I took readings directly from the PJ (colorimeter pointed at the PJ) and then immediately after from the colorimeter pointed at the screen. I'll post them this evening.
post #523 of 718
here is my calab can some one have a look and to see how i went followed smalls guide... regarding ftl 10.5 approx...


when i did the measure grey scale and primaries i used the 100 percente windows not sat...
when i did colours i used the sat windows is this right..

thanx

denis

 

6100 natural.zip 5.30078125k . file
post #524 of 718
Quote:
Originally Posted by d4g View Post

here is my calab can some one have a look and to see how i went followed smalls guide... regarding ftl 10.5 approx...


when i did the measure grey scale and primaries i used the 100 percente windows not sat...
when i did colours i used the sat windows is this right..

thanx

denis

It looks very good. I loaded your saturation readings into Dan's spreadsheet, and the 25, 50 and 75% saturation points for all 6 colors line up very well. All dE are 4 (interpreted from the graph) or below for all colors up to 75% saturations.

I looked at your offset matrix, and I'm curious as to what meter you used for reference and what meter did you offset from the reference? The reason I ask is that I have offset the LT from the i1 Pro and red had quite a large adjustment, but yours doesn't have that much red adjustment. Both Dan and myself have the LT and they behaved similarly.

I assuming that the picture results look really good on the screen, as mine looked markedly better than default Epson settings, even my wife noticed it immediately, as she claims that she has no eye for the things that I look for.
post #525 of 718
Quote:
Originally Posted by 1canuck2 View Post

Well, I am on full UPS, and have never had an untoward shutdown yet. I only have about 75 hours on the bulb. I got a spare bulb as part of their summer promotion, so I am set for when it does die, but I certainly would hope to get 1500 hours out of the bulb.

The screen I am using is a custom paint formula which has neglible gain. I have another set of CHC files I can post where I took readings directly from the PJ (colorimeter pointed at the PJ) and then immediately after from the colorimeter pointed at the screen. I'll post them this evening.


I put in my new bulb and with less than 5 hours on it, we had another very brief outage - the lights flickered, and the projector turned off. I left the unit off for over an hour, turned it back on and set high altitude mode on (fan runs faster). I also ordered the PP800 sw, so I'll let those that are interested the results.
post #526 of 718
How much of this calibration method is applicable to a 8500?
post #527 of 718
Quote:
Originally Posted by Eyleron View Post

How much of this calibration method is applicable to a 8500?

Stereomandan has asked this question in a couple of different threads, but I don't believe anyone has responded, so we really don't know.

My guess is that it all still applies, as the 8500 is an upgraded 6500, from what I've read.

Possibly the THX certification has caused Epson to address this issue and the guide doesn't apply, but my vote is that it will apply.

All anyone has to do is to take the 30 saturation reading, load the results into stereomandan's spreadsheet and see how the points line up. If the 100% points line up and all the other points (25, 50 and 75%) are undersaturated, there is a very good chance that this guide will apply.
post #528 of 718
thanx for looking ok i used your matrix for the eye1lt as i had the huge red in grey scale and menus...wwith you matrix it did not make it so red....

i redid my calab but did not save.... as i boosted the contrastn this time to
+1 as is seen in the avs disk gave me ftl of approx 14.5


cool so i am doin this right....

and i got gamma to 2.1 this time round....

loooks good some bdrips i have the colour are not so great...

but that is to be execed...

thanx Denis
post #529 of 718
Dan, Knd:

Could you take a look at the two calibration files (the 142hr calibration has an associated cie chart that is in Dan's excel since I failed to save the saturations the first time through at 142hrs in the .chc file itself). Please tell me if this amount of "creep" or loss of calibration is expected in just over 200 hours of viewing? It seems like quite a bit of calibration loss to me....I guess I would not have been surprised if I noticed this much change in ~ 400 hours of viewing, but this just seemed like it lost a lot of delta-e accuracy and RGB tracking...but I am a novice so I have no real reason to judge. I was pleased to osee that the luminance and gamma were not far off, but the delta-e and RGB drift was big. I ask the question because I am also starting to doubt the accuracy of my eye-one display LT as well and I am wondering how much of this is sensor related vs. bulb related. Regarding the LT, I think that it may not sense red accurately (sensitive enough) and therefore cause me to require too much red in calibrations. Obviously, if this is true than all of my calibrations are crap at the end of the day.

NOTE: the only thing I have done so far at the 359hr mark that is different from a "settings' perspective and reflected in this .chc file is that I did adjust my gamma up a bit (the average gamma originally at 142hr was 2.20 and that had dropped to 2.19 or a bit lower when I first rechecked so I bumped all my sliders down by 3 ticks...going from 0,-4,-6,-7,-7,-8,-9,-12 to 0,-7,-9,-10,-10,-11,-12,-15 to get to the gamma that is now shown in the 359hr file, showing an average now of 2.24. Since I did run the grayscale before this gamma change, I can verify that this did not impact my observed drift in delta-e's or RGB variance that is illustrated in these two files.

Once you comment on my question above, I have two other questions.:

First, for true up calibrations what all needs to be done? Do I need to go all the way through and do the CMS 75% saturations for the primaries and secondaries saturations again also? Or, would you say that one should just redo the grayscale and also tighten up gamma (the latter of which I acknowledge I did out of sequence since I did a quick and dirty bump up with an old grayscale) after redoing the grayscale? What is best practical practice in your opinion.

Second, what would be the next most logical upgrade from a sensor standpoint that would not break the bank? Or, is there not one?

 

Dave_Calib_NatLo.zip 395.9140625k . file
post #530 of 718
Thread Starter 
davedelite,

I have found that sensor location can impact the readings a decent amount. That's why I try to have mine about two feet back from the screen, and centered left to right. The sensor sits a little below half the height of the screen, and I put HCFR in continuous read mode. Then I rotate the sensor left and right and up and down on the tripod head until I get the max Y reading. That way it gets a better reading from more of the screen which helps readings stay consistent from session to session. Not sure if that is the reason for the large difference in readings or not.

I would expect to see red drop as the bulb ages, which I see in your readings. In summary, if it were me, I would just readjust the greyscale and gamma and go back to enjoying the view. No worries.

Cheers,
Dan
post #531 of 718
Thread Starter 
Quote:
Originally Posted by Eyleron View Post

How much of this calibration method is applicable to a 8500?

This method is applicable to all displays, but was developed for the Epsons specifically due to some color saturation errors in a portion of the color gamut. Not sure if they've fixed them, but even if they did, the method will not hurt your calibration.

I'm hoping someone can post a full set of saturation measurements from a 8500UB soon so that we can see if Epson resolved the issue.

Dan
post #532 of 718
Quote:
Originally Posted by stereomandan View Post

davedelite,

I have found that sensor location can impact the readings a decent amount. That's why I try to have mine about two feet back from the screen, and centered left to right. The sensor sits a little below half the height of the screen, and I put HCFR in continuous read mode. Then I rotate the sensor left and right and up and down on the tripod head until I get the max Y reading. That way it gets a better reading from more of the screen which helps readings stay consistent from session to session. Not sure if that is the reason for the large difference in readings or not.

I have mine about 20-22" back, centered, about the same level as yours, and I do the tilting, rotating, vertical adjustment to maximize Y with each session. So I think I am doing it all correctly.

Quote:
Originally Posted by stereomandan View Post

I would expect to see red drop as the bulb ages, which I see in your readings. In summary, if it were me, I would just readjust the greyscale and gamma and go back to enjoying the view. No worries.

Roger..thanks
post #533 of 718
I would still be curious if anyone as an opinion on this question:

What would be the next most logical upgrade from a sensor standpoint that would not break the bank? Or, is there not one?
post #534 of 718
Thread Starter 
If I were to upgrade from the i1LT that I have, I would go to the i1pro. There is a big jump in price from a colorimeter like we have to a spectroradiometer like the i1pro though. (around $800) I wouldn't upgrade unless I was going to a spectroradiometer.

Dan
post #535 of 718
Quote:
Originally Posted by stereomandan View Post

If I were to upgrade from the i1LT that I have, I would go to the i1pro. There is a big jump in price from a colorimeter like we have to a spectroradiometer like the i1pro though. (around $800) I wouldn't upgrade unless I was going to a spectroradiometer.

Dan

I did the upgrade to the i1Pro a couple of months ago and find that creating an offset to the LT works very well. I also only do gray scale and gamma as the bulb ages.

BTW I got my i1Pro off of ebay at a much lower price, and I checked yesterday and the same seller that I bought mine from had 3 listed.

PM me if you want more details.
post #536 of 718
What I still don't understand is whether calibration settings are 'universal' (ie applicable to all modes - theater, natural etc) or whether a clibration has to be done for each mode?

For example if I calibrate in natural mode, do I have to re-calibrate for Theater Black 1/2. If I don't recalibrate for each mode then all my modes will be 'the same' - what's the point of different modes? If I do recalibrate for each mode, then what settings are being changed in each mode that make each mode different

Perhaps someone can set me straight.
post #537 of 718
Thread Starter 
If you are going to use all the different modes, then you need a calibration for each.

The only modes you need are Natural (most accurate color mode, and best mode overall), and either Dynamic or Living Room modes if you need more light output. All of the other modes are not needed.

Dan
post #538 of 718
ok i redid the calab with the highest ftp i could get wich was about 17 ftl on low lamp i have an 85 inch screen 1.2 meter 4 inch back...

can you see if this is ok too....

thanx

denis

 

6100 natural low lamp.zip 5.259765625k . file
post #539 of 718
forgot to mention my gamma is 2.7 (using 2.2 default settings) is this needed to change..


if anyone has any recommendation i am open to suggestions.....


when i tried th ecustom gamma to get it closer to 2.2 i need to go above the line.... to get it close..... some more than others.....if i use the 2.1 or 2.0 since im close to the screen will this help.... for the custom gamm

thanx for imput guys knd , stereo...
post #540 of 718
ok knd i did another with no offset matrix that i used before just i1lt display as is

have a look and let me know which is better.... your offset matrix or i1 as is

thanx for all your help dan and knd

thanx Denis

 

6100 low natural no offset.zip 4.662109375k . file
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