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State of DIY anamorphic lens

post #1 of 20
Thread Starter 
Most of the current chatter seems to be related to screens, and much of the DIY lens threads seem a bit dated. I have a long-throw (TR 2.2 max) 1080p projector and am considering CIH. I've seen some reports that show loss of detail with DIY prism setups, and other reports to the contrary. Am I missing it, or is there a general consensus regarding image quality effects to a 1080p setup and whether it makes more sense to abandon CIH in favor of zooming? I like the idea of CIH, but (in my setup), zooming and projector placement are not an issue, so if there is significant image degradation (other than the known pincushion and CA) I'd favor image quality over convenience. Lastly, other than being able to capture the image coming out of the projector, does throw ratio play into the image quality you can get from a DIY anamorphic? how about vertical offset? I'm sure there are tradeoffs, so I will probably just end up buying some prisms to try it out, but would rather not if experience has proven it futile with my setup (1080p, long throw, high vertical offset).
Thanks!
post #2 of 20
If you try anything, let us know, I am interested in what you come up with. Do you have a source to get prisms cheap to experiment with?
post #3 of 20
Thread Starter 
Quote:
Originally Posted by TomBonge View Post

If you try anything, let us know, I am interested in what you come up with. Do you have a source to get prisms cheap to experiment with?

when I say prisms, I mean the bk7 or crystal wedges... plenty of info on past work here... surplusshed has the frequently mentioned "french prisms", and trophy crystal wedges can be had blank from a number of vendors.
post #4 of 20
Thread Starter 
OK... I'll try a different approach...

Has anyone that has built an anamorphic lens from the typical french prisms or trophy wedges seen an improvement (compared to zooming) in detail or increase in brightness without loss of detail when paired with a 1080p projector? I've seen at least one poster show in pics an apparent loss of detail with a panasonic 1080p projector, but have not seen anyone show an increase in detail or even no loss. anyone?
post #5 of 20
Quote:
Originally Posted by dougri View Post

OK... I'll try a different approach...

Has anyone that has built an anamorphic lens from the typical french prisms or trophy wedges seen an improvement (compared to zooming) in detail or increase in brightness without loss of detail when paired with a 1080p projector? I've seen at least one poster show in pics an apparent loss of detail with a panasonic 1080p projector, but have not seen anyone show an increase in detail or even no loss. anyone?

Not in a DIY approach as no-one can DIY the optics that are required for CA and Astigmatism correction. This must be designed and built to exacting tollerances. The pro lenses certainly do allow full 1080 detail to be seen with no losses.
post #6 of 20
Thread Starter 
Quote:
Originally Posted by CAVX View Post

Not in a DIY approach as no-one can DIY the optics that are required for CA and Astigmatism correction. This must be designed and built to exacting tollerances. The pro lenses certainly do allow full 1080 detail to be seen with no losses.

Thanks for the reply... I'm aware of the CA and astigmatism in 2-prism (uncorrected) designs. Are these effects so detrimental as to negate the added detail emanating from the projector? I.e. are they more detailed images that show some CA, astigmatism and pincushion distortion? or are they less detailed images that do the same? If the latter, are people really only doing DIY prisms due to projector placement restrictions? Lastly, what level of lens is needed to recoup the lost resolution (from letterboxing)? HTB or aussiemorphic I, II, III, or isco? Thanks!
post #7 of 20
Quote:
Originally Posted by dougri View Post

Thanks for the reply... I'm aware of the CA and astigmatism in 2-prism (uncorrected) designs. Are these effects so detrimental as to negate the added detail emanating from the projector? I.e. are they more detailed images that show some CA, astigmatism and pincushion distortion? or are they less detailed images that do the same? If the latter, are people really only doing DIY prisms due to projector placement restrictions? Lastly, what level of lens is needed to recoup the lost resolution (from letterboxing)? HTB or aussiemorphic I, II, III, or isco? Thanks!

All lenses will allow you to recoupe the full 1080 lines as the image itself is scaled to fill the panel's 1080 rez prior to optical expansion.

The first 3 in that list are just 2 prisms lenses, so have no correction and in fact the Aussiemorphic 1 and 2 are discontinued because of that fact.

The next is a CA corrected 2 prisms (4 element) lens and the last is a fully corrected cylindrical lens which is in a different class altogether.

The key difference between cylindrical and prisms lenses is that cylindrical lenses like the ISCO can be brought into focus in both the horizontal and vertical plain at the same time. One of the limits of a prism lens is that they tend to only focus in one plain at a time, where the vertical rez (horizontal lines) are more important.

Without correction, the anamorphic lens will produce an image that is clear in the centre but gets progressively out of focus towards the edges. A huge portion of this "defocus" is CA, then there is anstigmatism grid distortion etc. It takes additional elements to correct for these abberations.

Surface quality is also important, where the "trophy" lense do not have a true optical coating. The MK3 is not a trophy lens BTW and it's prisms are finished to a true optical grade.
post #8 of 20
Thread Starter 
Quote:
Originally Posted by CAVX View Post

All lenses will allow you to recoupe the full 1080 lines as the image itself is scaled to fill the panel's 1080 rez prior to optical expansion.

The first 3 in that list are just 2 prisms lenses, so have no correction and in fact the Aussiemorphic 1 and 2 are discontinued because of that fact.

The next is a CA corrected 2 prisms (4 element) lens and the last is a fully corrected cylindrical lens which is in a different class altogether.

The key difference between cylindrical and prisms lenses is that cylindrical lenses like the ISCO can be brought into focus in both the horizontal and vertical plain at the same time. One of the limits of a prism lens is that they tend to only focus in one plain at a time, where the vertical rez (horizontal lines) are more important.

Without correction, the anamorphic lens will produce an image that is clear in the centre but gets progressively out of focus towards the edges. A huge portion of this "defocus" is CA, then there is anstigmatism grid distortion etc. It takes additional elements to correct for these abberations.

Surface quality is also important, where the "trophy" lense do not have a true optical coating. The MK3 is not a trophy lens BTW and it's prisms are finished to a true optical grade.

Thanks... understand. I would really like to see resolving detail (as opposed to pixel resolution) compared between zooming and simple DIY anamorphic... along the lines of the 'detail' tests commonly done in digital camera reviews... i.e. we get 1920x1080 pixels, but how many lines per inch on some standard size screen are we resolving at various points on the screen? How much of the detail is lost (if any) compared to not using 25% of the pixels on the imaging device.

Also, don't curved screens largely resolve the planar focus issue and leave only the abberations/distortions? thanks for all the replies... your site is very helpful as well.
post #9 of 20
Quote:
Originally Posted by dougri View Post

Thanks... understand. I would really like to see resolving detail (as opposed to pixel resolution) compared between zooming and simple DIY anamorphic... along the lines of the 'detail' tests commonly done in digital camera reviews... i.e. we get 1920x1080 pixels, but how many lines per inch on some standard size screen are we resolving at various points on the screen? How much of the detail is lost (if any) compared to not using 25% of the pixels on the imaging device.

I am not sure if I can explaion this correctly, but given any fixed height of screen, the lens method will be denser than the zoom as it allow 100% of the vertical rez to be used where the zoom only uses 75%. The pixels themselves will become 33% larger for the zoom. There is only 810 lines used out of the 1080 for a Scope film. You can't get more lines that what is there, but the way in which we project them can make a difference.

Quote:


Also, don't curved screens largely resolve the planar focus issue and leave only the abberations/distortions?

Curved screens are usually used to correct abberations like pincushion, but in some cases, the curved screen is used to focus the light to a centre point for a brighter image. I personally would not use a curved screen without a lens simply because the optics in HT projectors are designed for a flat surface. Projecting onto a curved surface only adds problems.

Quote:


thanks for all the replies... your site is very helpful as well.

Thank you. I only wish certain individuals would stop reporting it as SPAM and trying to have it deleted.
post #10 of 20
Thread Starter 
Quote:
Originally Posted by CAVX View Post

I am not sure if I can explaion this correctly, but given any fixed height of screen, the lens method will be denser than the zoom as it allow 100% of the vertical rez to be used where the zoom only uses 75%. The pixels themselves will become 33% larger for the zoom. There is only 810 lines used out of the 1080 for a Scope film. You can't get more lines that what is there, but the way in which we project them can make a difference.

Yeah... got that. Lets see if I can explain correctly... I understand that when a scaler stretches the image to use the entire imager, that the projector is spitting out the full resolution (e.g. 1920x1080). I am talking about the 'resolving power' to borrow a term from photography. That is, if we project a test pattern that has alternating black and white lines down to single pixel width (or color which would be the worst case for CA), how close to the test pattern max detail can we get with a cheap DIY anamorphic? Think of it this way, if a 1080p projector can resolve all the way to pixel-width lines without an anamorphic lens, then we place a piece of wax paper in front of the lens, we might still be able to make out when half the screen is black and half is white (i.e. a 960 pixel width lines), but certainly not the full resolution of the test pattern. I want to know how near full resolution is seen on screen (will obviously be much better with horizontal lines than vertical). Does that make any sense?


Quote:
Originally Posted by CAVX View Post

Curved screens are usually used to correct abberations like pincushion, but in some cases, the curved screen is used to focus the light to a centre point for a brighter image. I personally would not use a curved screen without a lens simply because the optics in HT projectors are designed for a flat surface. Projecting onto a curved surface only adds problems.

Yeah... I was talking about using a curved screen with an anamorphic lens, and wondering if it corrected some of the focus issues with prisms as well as pincushion.



Quote:
Originally Posted by CAVX View Post

Thank you. I only wish certain individuals would stop reporting it as SPAM and trying to have it deleted.

people are so darned thin-skinned... the VAST majority of people appreciate helpful input from those involved in the trade. The disclaimer is enough for me... what? are we two years old?!
post #11 of 20
Quote:
Originally Posted by dougri View Post

Yeah... got that. Lets see if I can explain correctly... I understand that when a scaler stretches the image to use the entire imager, that the projector is spitting out the full resolution (e.g. 1920x1080). I am talking about the 'resolving power' to borrow a term from photography. That is, if we project a test pattern that has alternating black and white lines down to single pixel width (or color which would be the worst case for CA), how close to the test pattern max detail can we get with a cheap DIY anamorphic?

Having actually tested this, I can honestly answer this part. The cheap 2 prisms (trophy lens) can only resolve a portion of the pattern.

The image will be clear in the centre but get progressively softer towards the edges as both CA and Astigmatism come into effect. The other key point is that the prism lens can only be focused in one direction at one time, so whist you will be able to focus the horizontal lines (vertical rez) all the way to the edges, the vertical lines (horizontal rez) becomes quite blured (even to the point of smear) from about the 1.78:1 area. This is a very demanding test and only the best anamorphic lenses can resolve this anyway. In some cases, the projector's lens can add artifacts as well which only get magnified by the anamorphic lens. My BenQ for example has quite a bit of CA, so the anamorphic lens simply magnifies this as it is already in the light path.

Quote:


Yeah... I was talking about using a curved screen with an anamorphic lens, and wondering if it corrected some of the focus issues with prisms as well as pincushion.

ONLY a lens with fully adjustible astigmatism will allow true corner to corner focus on a curved screen. Allot of this actually is not the anamorphic lense's fault, but rather the fact the projector's lens is designed for a flat surface, but it can be made to work. HT projectors have their roots in data projectors where they are designed to work off a table at the base of the screen. Lens shift has allowed projectors to be moved closer to the centre of the screen, but their optics are not like film projectors that work off the centre.

Quote:


people are so darned thin-skinned... the VAST majority of people appreciate helpful input from those involved in the trade. The disclaimer is enough for me... what? are we two years old?!

Thank you for the moral support From what I know, CIH for video is about 7 years old now. This is the 3rd year for the Aussiemorphic Lens.
post #12 of 20
Thread Starter 
I have not seen much on VC lenses with the trophy or french prisms. Mark, your discussions elsewhere mirror panamorph's opinion that a VC design is easier to get good performance from with 2 elements. Panamorph even goes so far as to say the improvement in image quality gained from corrective elements in a VC design is not worth the additional cost. This got me to thinking about the french prisms again... the primary complaint for these is the ghosting. Would the offensive reflections be on screen with a VC design? If not, and assuming one could use the smaller prisms in their setup (big if), this seems like a winner. no?
post #13 of 20
Quote:
Originally Posted by dougri View Post

I have not seen much on VC lenses with the trophy or french prisms.

The DIY Lens thread was origianally started with liquid filled prisms for a VC lens and moved on to HE and pretty much stayed that once trophies were dicovered.

Quote:


Mark, your discussions elsewhere mirror panamorph's opinion that a VC design is easier to get good performance from with 2 elements.

If you were to stay with a 2 element design, then yes, the VC has merrits, but...

Quote:


Panamorph even goes so far as to say the improvement in image quality gained from corrective elements in a VC design is not worth the additional cost.

...Allot also comes down to image size as well. The VC shrinks the 16:9 vertically to make a 2.37:1 image. The pixels are now compressed and abberations at that size are not very noticealble. It became a slightly different story when you blow that image up to the the same size as the image created by a HE lens. The difference now is that any CA, astigmatism etc will run horizontally not vertically and program pending, this may be better of worse. I found it to be worse and why I became interested in a CA corrected VC lens. I like the idea that the VC gives a longer throw, no pincushion etc so there are still many pluses for it.

Quote:


This got me to thinking about the french prisms again... the primary complaint for these is the ghosting. Would the offensive reflections be on screen with a VC design? If not, and assuming one could use the smaller prisms in their setup (big if), this seems like a winner. no?

I thought the "french prisms" were coated. Regardless, it is not a huge price to pay for an experiment that may prove a positive result.
post #14 of 20
Thread Starter 
Quote:
Originally Posted by CAVX View Post


I thought the "french prisms" were coated. Regardless, it is not a huge price to pay for an experiment that may prove a positive result.

Thanks... they are coated, but speculation is the larger prism angle (and thus reduced angle to the throw) places an internal reflection from the front element on screen... I was thinking it may be off screen with VC, but do not know much (and have not thought much) about the angles required for VC vs HE, and whether the offending reflection from the french prisms would be on screen or not. I'll probably go with the trophy prisms anyway, as I believe the french prisms are too small for my PJ either way (infocus x10 has a fairly recessed lens).
post #15 of 20
Quote:
Originally Posted by dougri View Post

I'll probably go with the trophy prisms anyway, as I believe the french prisms are too small for my PJ either way (infocus x10 has a fairly recessed lens).

The "French Prisms are small and when you rotate them for a VC lens leaves you with a very small apperture. You can get the trophies coated.
post #16 of 20
Thread Starter 
Quote:
Originally Posted by CAVX View Post

The "French Prisms are small and when you rotate them for a VC lens leaves you with a very small apperture. You can get the trophies coated.

yup... would come out about the same cost too. probably a bit more with shipping to/from the place that applies the coating.

the only cheap option for CA corrected prisms is used projection equipment (e.g. panatar), but I've not found anyone that was successful to the even the degree of trophy prisms, nor have I found anyone that has removed the prisms and adjusted the angles themselves... is this a dead-end? We can seemingly use a variety of thickness of prisms (only requiring different angles between them). Is this not the case with achromatic doublets? if the lenses in these older systems are in decent shape I can;t understand why no one has had excellent results???
post #17 of 20
Quote:
Originally Posted by dougri View Post

We can seemingly use a variety of thickness of prisms (only requiring different angles between them). Is this not the case with achromatic doublets? if the lenses in these older systems are in decent shape I can;t understand why no one has had excellent results???

I've only seen a photo of the lens your talking about and the person that posted the shot seemed to put it in the too hard basket. The prisms looked small, but I think it would have worked if the throw was long enough.

To state this simply: There IS NO cheap soloution for CA correction as not only is the interaction of the two glass types critial, but so are the angles and the surfaces where the glass is cemented. Even the bonding process is crital as you can not have bubbles in the join either. If this is not 100% perfect, the new prism will not work.
post #18 of 20
Thread Starter 
Quote:
Originally Posted by CAVX View Post

To state this simply: There IS NO cheap soloution for CA correction as not only is the interaction of the two glass types critial, but so are the angles and the surfaces where the glass is cemented. Even the bonding process is crital as you can not have bubbles in the join either. If this is not 100% perfect, the new prism will not work.

Is it really that complicated? isn't just an application of snell's law given the relationship of refractive index and wavelength across the visible spectrum? Now, grinding, binding and polishing is expensive, but is that the only solution? I know early DIY attempts (primarily VC lenses) used mineral oil (and water) between glass panes to form the prisms. Why could one not simply use water and the trophy prisms? The refractive indices appear sufficiently different, and the RI ratio across the visible spectrum is nearly constant (actually having tighter tracking than BK7 and SF5). My only concern is that water with a low RI (~1.33) and resulting thick prism might require BK7 prisms larger than even the 6x8 trophy prisms. Have 'mixed media' CA-corrected DIY lenses been attempted that you know of? If not, I might just buy the 6x8 prisms and try it... worst that could happen is that I have a bit of silicone sealant residue on the unused portion of an oversized two element system
post #19 of 20
Quote:
Originally Posted by dougri View Post

Is it really that complicated?

Yes it is...
post #20 of 20
Quote:
Originally Posted by dougri View Post

If not, I might just buy the 6x8 prisms and try it... worst that could happen is that I have a bit of silicone sealant residue on the unused portion of an oversized two element system

dougri

Did you ever try this experiment? Are you doing anything with the diy trophies?
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