Power Limit on Amps and Receivers
I have long been interested in what factors limit the power in amps and receivers. This article is an attempt to enumerate these factors. I am not an electrical engineer, and I make no claims all the information contained here is accurate - I have read numerous articles and consulted with electrical engineers to try to understand these concepts better.
I would like to thank the writing talents and knowledge of Gene DellaSala at Audioholics and Rodd Elliott at sound.westhost.com for their many excellent articles on amplifiers and amplifier power. Most of the information here I learned from them.
This will focus on typical class AB amplifiers.
Corrections and comments are always welcome
A few brief concepts
In case you know little to no electronics, here's a brief refresher.
In this article we are mainly interested in voltage, current (measured in amps)and resistance (measured in ohms). If you think of a battery as a storage tank of water, you can think of voltage as water pressure. Current could then be thought of as water flow rate. Resistance is pipe size. A smaller pipe makes it harder to push water through it.
A simple formula, ohm's law relates volts, amps and ohms. The formula is v = i * r, or volts is equal to amps times ohms. i represents current. An example would be a a circuit where you measure 28.3 volts and 3.5 amps. Resistance would be 8.1 ohms.
Power is what we are concerned with here. Electrical power is measured in watts. The formula for power is p = v * i, or watts is equal to volts times amps. Using the above voltage and current, we would have 28.3 * 3.5 or 100 watts.
Some people, like some audio salespeople I have talked to, seem confused by voltage and current. They seem to think they are not related. A salesperson told me that there's voltage watts and current watts, and current watts are what gives you a lot of power or something to that effect. Ohm's law tells us differently.
There are two kinds of electricity, alternating and direct. An audio signal has an alternating current. It's constantly changing. When we talk about the resistance to alternating current, we use the term impedance to differentiate them, because they don't work quite the same way. For example, direct current going through a coil of wire will only encounter resistance from the wire. Alternating current going through the same coil will create a magnetic field which will impede the flow of electricity.
An audio signal in the analog domain consists of a constantly changing voltage. If it's a line level signal, it might vary between -1 and +1 volts. If the signal was a simple 1 khz tone, it would look like a sine wave the repeats 1000 times every second. Audio consists of a bunch of waves added together, but ultimately is still a signal with variable voltage. A line level signal amplified would ideally be nothing but a bigger version of the line level signal. In the real world, it would contain noise.
To drive speakers, you need both voltage AND current. Quite a bit of it. The reason they call it a power amplifier is because that's literally what it does. It amplifiers a low voltage low current signal to a high voltage high current signal.
Speakers need quite a lot of current as they have a low impedance, and ohm's law tells us that a low impedance allows a lot of current to flow. To power an 8 ohm speaker with 100 watts, you need 3.5 amps. If you think 100 watts is not much power, consider how hot a 100 watt light bulb is. It can burn you.
The Outlet
Power starts at the power outlet. Seeing as how I live in the US, I will discuss a typical US 15 amp circuit.
According to what I have read, in the US, code dictates that 15 am fuses and breakers are only designed for continuous 12 operation, or 80% of max capacity. They will likely handle higher loads for short time intervals, but would blow under a continuous load of 15 amps.
You are also limited by other devices plugged into the same circuit.
According to an Audioholics article, there are some real limits to output power based on wall power. Assuming a derating of 15 amp circuit, you can only pull 12 amps from it. Current and voltage may not be in phase with each other, thus also limiting power. A power factor of less than one indicates that the voltage and current are out phase. By that, I mean that peak available current, and peak voltage are not occurring at the same time. Borrowing information from the Audioholics article, power is limited to 12 amp x 120 volts x 0.72 (power factor) = 1036 watts. Approx 1000 watts is the amount of power you can pull from the wall. Nor can you amp/receiver put all this power to the output terminal due to losses which I will cover later.
Interestingly in spite of these limits, you don't hear of a lot of people tripping breakers or blowing fuses while listening to movies or music. Anecdotally, wall power does not seem to be the main limitation of amplifier and receiver power.
The Transformer
The transformer(s) likely places the biggest limitation on amplifier power. The transformer takes high voltage AC power, such as the US 120 volt AC power, and lowers the voltage.
Transformers work by passing alternating current through one winding of wire called the primary. Alternating current through a winding creates a magnetic field. This field induces current into a secondary winding. A difference in the number of windings between the primary and secondary changes the voltage.
A receiver transformer likely has taps at various places in the secondary winding. Depending on where the tap is, you can get different voltages. A receiver needs a lot of different voltages to supply various ICs and circuits. An amplifier is simpler and would not need as many different voltages. One of these taps will supply the amplifier.
If a concrete example helps here, I believe a 200 watt amplifier would use a transformer supplied voltage of around 80v (I based this on a cursory examination of Leach's low TIM amplifier.)
Due to the way conventional class AB amplifiers work, we need to convert that 80 volts AC into a positive and negative DC voltage. This will be discussed in the next section.
As mentioned above, the transformer is the primary power limiter. One factor limiting it's output power is it's own resistance to current.
This is a bit of a tricky concept, but as you increase the volume on an amp/receiver, you are decreasing the resistance of the amplifier. This allows more current to flow through to the speaker. This presents a higher load on the power supply.
As the resistance of the amplifier drops, it becomes closer to the transformer's own resistance. Without getting into the math, this causes the voltage from the transformer to drop. If this voltage drops too much, the amplifier will start clipping.
Another factor is heat. The more current flow through the transistor, the hotter the wires in the winding will get. This will increase resistance further limiting performance. I measured the voltage from a wall wart (plug in power transformer,) into a low resistance dummy load, and the voltage on the meter started dropping almost right. The most likely explanation was a heat related increased in transformer resistance resulting in a voltage drop.
Transformers have a definite limit on power handling. One would expect their amp or receiver's protection circuits to kick in before a transformer would be damaged. The transformer could also be equipped with a one shot fuse to protect your receiver.
One more factor to consider is that the transformer is connected to a a rectifier which is connected to filter capacitors. This arrangement results in a stable voltage under normal operation. I don't pretend to understand all the details, but under heavy load the power supply may not be able to maintain a steady voltage and this could result in distortion.
The Power Supply
A standard linear amplifier power supply consists of the transformer, a rectifier and filter capacitors.
The transformer supplies an AC voltage stepped down from the voltage supplied from the wall as described above.
The rectifier separates the negative and positive AC voltage. It provides a positive and negative terminal. At this point, voltage is still AC.
To convert the voltage to DC, filter capacitors are connected to the rectifier. The filter capacitors smooth out the voltage. A steady voltage is important as change in voltage, known as ripple, can cause the amplifier to distort.
To attempt to see power spikes, I hooked a Kill A Watt meter up to my receiver. Sending drum hits to the receiver, I could see power output spike, but not immediately. A possible explanation for the brief delay was that the initial power demand was met by the filter caps, and the spike on the Kill A Watt meter was the demand for power as the caps recharged (further experimentation would be needed to confirm this, but it seems like a likely explanation.)
Amplifiers work by amplifying a small signal into a larger signal. They are limited by how much they can amplify the signal by the voltage supplied from the power supply. This is voltage is sometimes called the rail voltage.
It's not possible for the amplifier to amplify the signal past the rail voltage. If the rail voltage is -60/+60 volts, and the amplifier tries to amplify the signal to 65 volts, it won't happen. The amplifier will clip, and output 60 volts. Clipping causes distortion. It also causes additional power to flow through the speakers as the average voltage has now increased. This power can damage speakers.
Even if you don't clip due to exceeding your rail voltage. clipping can occur due to the voltage being reduced due to high loads (as explained in the section on power transformers.) A multi-channel receiver is likely not going to distort by exceeding normal rail voltage. It's going to distort due to the rail voltage dropping under heavy load.
If you look at a review of an audio video receiver, you will see that the power output starts dropping as more channels are driven. A review of my Yamaha RX-V3900 shows 189, 150, 100 and 88 with one, two, five and seven channels driven ( 1 khz into 8 ohms at clipping.) The limiting factor here is the inability of the power supply to maintain voltage under load. As the load increases by driving more channels, the power supply can't maintain the normal rail voltage which is why the power is decreasing as the channels driven increases.
Decreasing impedance has the same affect. Ideally, if you switched out your 8 ohm speakers for 4 ohm speakers, your power output would double. Few audio video receivers can pull this off. It's no different than driving more channels. Receivers commonly share a power supply, and load from lower impedance speakers or load from driving more channels works the same way - if the load is high enough, clipping will occur.
If your load is too high, you will activate the receiver or amps protection circuits - hopefully. Receivers attempt to protect themselves from acts such as shorting the speaker terminals, or overheating.
I have read stories about people driving 4 ohm speakers with a receiver not designed for that, and eventually the receiver fails. Heat is a legitimate problem. You think about how hot a 60 watt bulb gets. Now try to drive your speakers to high volumes, and realize your receiver is maybe 50% efficient, and realize half your power is going into heat.
Power Transistors
The final stage of amplification is performed by power transistors. The power transistors are connected to the power supply voltage rails. The power transistor multiplies the audio signal up to the rail voltage.
These handle very high voltage and current. A power transistor amplifying a signal to 100 watts into an 8 ohm speaker will be working on 30 volts and 3 amps. If this does not sound like a lot, just think of holding a 100 watt lightbulb while it's on. That lightbulb is dissipating 100 watts of electricity as heat ( yes I have said this twice, in case you did not read the whole article, or were not paying attention.)
Power transistors are bolted to large pieces of metal called heat sinks. This helps dissipate heat that's not being turned into power.
Power transistors, like any other electronic component have a safe operating area (SOA.) There's an upper limit to how much voltage and current they can handle without failing.
Something I read from a few sources, is that the gain of a transistor will drop as current increases. I am not sure how much of a factor that is.
Losses
Losses occur everywhere in an amp/receiver. Every device resists the flow of electricity and converts power to useless heat. The transformer has losses, the rectifier and capacitors and wiring have losses.
Class AB amplifiers are inherently inefficient as well. The number differs. A ball park estimate is that %50 of power being pulled from the wall is converted to power at the speaker terminals.
While not part of the amplifier, speakers are probably the least efficient part of the audio chain. A typical speaker used in a home audio system is probably below %5 efficiency. That means 95% or more of the power your amplifier supplies to it is converted to heat, and not sound.
Limiter Circuits
This is an area I don't fully understand. I won't lie. My understanding is that some receiver and amplifiers have limiter circuits. They detect and respond to overload conditions and limit power. Clearly the presence of any limiter circuit could limit power output. Pro amps are designed for abuse, and they often advertise some sort of soft clipping circuit. The idea is simply to reduce the signal so that the amplifier is not clipping - this can protect both the amplifier and the speakers connected to it.
Putting it all together
Going back to wall power, it can be seen that, at best, you are not going to be able to pull much more than 1000 watts from the wall. And with many amps and receivers, less than that. Losses would be around %50, so you are going to be able to put out maybe 500 watts to the speaker terminals. It should not be surprising how much power goes down per channel when trying to drive five or more speakers.
Short term power capability can be higher. The filter capacitors, for example, can store power, which can meet temporary demands, which is a good thing. Peak power needs can be 30 or more times average power needs (15 dB or greater peak to average level.)
This begs the question of why they make amps rated for much higher power than can be supplied continuously. First off, there's a demand for them
They can also meet peak needs better than less capable amps. Also, each channel is not always being driven to full power. So it's helpful to have channels each capable of peak output power even though all channels can't be driven to peak power at all times.
So don't take this article as any sort of condemnation of powerful multi-channel 200 watt per channel power amps.
Reference articles -
(Much good information on multi-channel amplifier power limitations)
http://www.audioholics.com/education...er-test-page-3
(Amplifier Power supply design)
http://sound.westhost.com/power-supplies.htm
( fairly technical, but extensive article on transformers)
http://sound.westhost.com/xfmr.htm
I have long been interested in what factors limit the power in amps and receivers. This article is an attempt to enumerate these factors. I am not an electrical engineer, and I make no claims all the information contained here is accurate - I have read numerous articles and consulted with electrical engineers to try to understand these concepts better.
I would like to thank the writing talents and knowledge of Gene DellaSala at Audioholics and Rodd Elliott at sound.westhost.com for their many excellent articles on amplifiers and amplifier power. Most of the information here I learned from them.
This will focus on typical class AB amplifiers.
Corrections and comments are always welcome
A few brief concepts
In case you know little to no electronics, here's a brief refresher.
In this article we are mainly interested in voltage, current (measured in amps)and resistance (measured in ohms). If you think of a battery as a storage tank of water, you can think of voltage as water pressure. Current could then be thought of as water flow rate. Resistance is pipe size. A smaller pipe makes it harder to push water through it.
A simple formula, ohm's law relates volts, amps and ohms. The formula is v = i * r, or volts is equal to amps times ohms. i represents current. An example would be a a circuit where you measure 28.3 volts and 3.5 amps. Resistance would be 8.1 ohms.
Power is what we are concerned with here. Electrical power is measured in watts. The formula for power is p = v * i, or watts is equal to volts times amps. Using the above voltage and current, we would have 28.3 * 3.5 or 100 watts.
Some people, like some audio salespeople I have talked to, seem confused by voltage and current. They seem to think they are not related. A salesperson told me that there's voltage watts and current watts, and current watts are what gives you a lot of power or something to that effect. Ohm's law tells us differently.
There are two kinds of electricity, alternating and direct. An audio signal has an alternating current. It's constantly changing. When we talk about the resistance to alternating current, we use the term impedance to differentiate them, because they don't work quite the same way. For example, direct current going through a coil of wire will only encounter resistance from the wire. Alternating current going through the same coil will create a magnetic field which will impede the flow of electricity.
An audio signal in the analog domain consists of a constantly changing voltage. If it's a line level signal, it might vary between -1 and +1 volts. If the signal was a simple 1 khz tone, it would look like a sine wave the repeats 1000 times every second. Audio consists of a bunch of waves added together, but ultimately is still a signal with variable voltage. A line level signal amplified would ideally be nothing but a bigger version of the line level signal. In the real world, it would contain noise.
To drive speakers, you need both voltage AND current. Quite a bit of it. The reason they call it a power amplifier is because that's literally what it does. It amplifiers a low voltage low current signal to a high voltage high current signal.
Speakers need quite a lot of current as they have a low impedance, and ohm's law tells us that a low impedance allows a lot of current to flow. To power an 8 ohm speaker with 100 watts, you need 3.5 amps. If you think 100 watts is not much power, consider how hot a 100 watt light bulb is. It can burn you.
The Outlet
Power starts at the power outlet. Seeing as how I live in the US, I will discuss a typical US 15 amp circuit.
According to what I have read, in the US, code dictates that 15 am fuses and breakers are only designed for continuous 12 operation, or 80% of max capacity. They will likely handle higher loads for short time intervals, but would blow under a continuous load of 15 amps.
You are also limited by other devices plugged into the same circuit.
According to an Audioholics article, there are some real limits to output power based on wall power. Assuming a derating of 15 amp circuit, you can only pull 12 amps from it. Current and voltage may not be in phase with each other, thus also limiting power. A power factor of less than one indicates that the voltage and current are out phase. By that, I mean that peak available current, and peak voltage are not occurring at the same time. Borrowing information from the Audioholics article, power is limited to 12 amp x 120 volts x 0.72 (power factor) = 1036 watts. Approx 1000 watts is the amount of power you can pull from the wall. Nor can you amp/receiver put all this power to the output terminal due to losses which I will cover later.
Interestingly in spite of these limits, you don't hear of a lot of people tripping breakers or blowing fuses while listening to movies or music. Anecdotally, wall power does not seem to be the main limitation of amplifier and receiver power.
The Transformer
The transformer(s) likely places the biggest limitation on amplifier power. The transformer takes high voltage AC power, such as the US 120 volt AC power, and lowers the voltage.
Transformers work by passing alternating current through one winding of wire called the primary. Alternating current through a winding creates a magnetic field. This field induces current into a secondary winding. A difference in the number of windings between the primary and secondary changes the voltage.
A receiver transformer likely has taps at various places in the secondary winding. Depending on where the tap is, you can get different voltages. A receiver needs a lot of different voltages to supply various ICs and circuits. An amplifier is simpler and would not need as many different voltages. One of these taps will supply the amplifier.
If a concrete example helps here, I believe a 200 watt amplifier would use a transformer supplied voltage of around 80v (I based this on a cursory examination of Leach's low TIM amplifier.)
Due to the way conventional class AB amplifiers work, we need to convert that 80 volts AC into a positive and negative DC voltage. This will be discussed in the next section.
As mentioned above, the transformer is the primary power limiter. One factor limiting it's output power is it's own resistance to current.
This is a bit of a tricky concept, but as you increase the volume on an amp/receiver, you are decreasing the resistance of the amplifier. This allows more current to flow through to the speaker. This presents a higher load on the power supply.
As the resistance of the amplifier drops, it becomes closer to the transformer's own resistance. Without getting into the math, this causes the voltage from the transformer to drop. If this voltage drops too much, the amplifier will start clipping.
Another factor is heat. The more current flow through the transistor, the hotter the wires in the winding will get. This will increase resistance further limiting performance. I measured the voltage from a wall wart (plug in power transformer,) into a low resistance dummy load, and the voltage on the meter started dropping almost right. The most likely explanation was a heat related increased in transformer resistance resulting in a voltage drop.
Transformers have a definite limit on power handling. One would expect their amp or receiver's protection circuits to kick in before a transformer would be damaged. The transformer could also be equipped with a one shot fuse to protect your receiver.
One more factor to consider is that the transformer is connected to a a rectifier which is connected to filter capacitors. This arrangement results in a stable voltage under normal operation. I don't pretend to understand all the details, but under heavy load the power supply may not be able to maintain a steady voltage and this could result in distortion.
The Power Supply
A standard linear amplifier power supply consists of the transformer, a rectifier and filter capacitors.
The transformer supplies an AC voltage stepped down from the voltage supplied from the wall as described above.
The rectifier separates the negative and positive AC voltage. It provides a positive and negative terminal. At this point, voltage is still AC.
To convert the voltage to DC, filter capacitors are connected to the rectifier. The filter capacitors smooth out the voltage. A steady voltage is important as change in voltage, known as ripple, can cause the amplifier to distort.
To attempt to see power spikes, I hooked a Kill A Watt meter up to my receiver. Sending drum hits to the receiver, I could see power output spike, but not immediately. A possible explanation for the brief delay was that the initial power demand was met by the filter caps, and the spike on the Kill A Watt meter was the demand for power as the caps recharged (further experimentation would be needed to confirm this, but it seems like a likely explanation.)
Amplifiers work by amplifying a small signal into a larger signal. They are limited by how much they can amplify the signal by the voltage supplied from the power supply. This is voltage is sometimes called the rail voltage.
It's not possible for the amplifier to amplify the signal past the rail voltage. If the rail voltage is -60/+60 volts, and the amplifier tries to amplify the signal to 65 volts, it won't happen. The amplifier will clip, and output 60 volts. Clipping causes distortion. It also causes additional power to flow through the speakers as the average voltage has now increased. This power can damage speakers.
Even if you don't clip due to exceeding your rail voltage. clipping can occur due to the voltage being reduced due to high loads (as explained in the section on power transformers.) A multi-channel receiver is likely not going to distort by exceeding normal rail voltage. It's going to distort due to the rail voltage dropping under heavy load.
If you look at a review of an audio video receiver, you will see that the power output starts dropping as more channels are driven. A review of my Yamaha RX-V3900 shows 189, 150, 100 and 88 with one, two, five and seven channels driven ( 1 khz into 8 ohms at clipping.) The limiting factor here is the inability of the power supply to maintain voltage under load. As the load increases by driving more channels, the power supply can't maintain the normal rail voltage which is why the power is decreasing as the channels driven increases.
Decreasing impedance has the same affect. Ideally, if you switched out your 8 ohm speakers for 4 ohm speakers, your power output would double. Few audio video receivers can pull this off. It's no different than driving more channels. Receivers commonly share a power supply, and load from lower impedance speakers or load from driving more channels works the same way - if the load is high enough, clipping will occur.
If your load is too high, you will activate the receiver or amps protection circuits - hopefully. Receivers attempt to protect themselves from acts such as shorting the speaker terminals, or overheating.
I have read stories about people driving 4 ohm speakers with a receiver not designed for that, and eventually the receiver fails. Heat is a legitimate problem. You think about how hot a 60 watt bulb gets. Now try to drive your speakers to high volumes, and realize your receiver is maybe 50% efficient, and realize half your power is going into heat.
Power Transistors
The final stage of amplification is performed by power transistors. The power transistors are connected to the power supply voltage rails. The power transistor multiplies the audio signal up to the rail voltage.
These handle very high voltage and current. A power transistor amplifying a signal to 100 watts into an 8 ohm speaker will be working on 30 volts and 3 amps. If this does not sound like a lot, just think of holding a 100 watt lightbulb while it's on. That lightbulb is dissipating 100 watts of electricity as heat ( yes I have said this twice, in case you did not read the whole article, or were not paying attention.)
Power transistors are bolted to large pieces of metal called heat sinks. This helps dissipate heat that's not being turned into power.
Power transistors, like any other electronic component have a safe operating area (SOA.) There's an upper limit to how much voltage and current they can handle without failing.
Something I read from a few sources, is that the gain of a transistor will drop as current increases. I am not sure how much of a factor that is.
Losses
Losses occur everywhere in an amp/receiver. Every device resists the flow of electricity and converts power to useless heat. The transformer has losses, the rectifier and capacitors and wiring have losses.
Class AB amplifiers are inherently inefficient as well. The number differs. A ball park estimate is that %50 of power being pulled from the wall is converted to power at the speaker terminals.
While not part of the amplifier, speakers are probably the least efficient part of the audio chain. A typical speaker used in a home audio system is probably below %5 efficiency. That means 95% or more of the power your amplifier supplies to it is converted to heat, and not sound.
Limiter Circuits
This is an area I don't fully understand. I won't lie. My understanding is that some receiver and amplifiers have limiter circuits. They detect and respond to overload conditions and limit power. Clearly the presence of any limiter circuit could limit power output. Pro amps are designed for abuse, and they often advertise some sort of soft clipping circuit. The idea is simply to reduce the signal so that the amplifier is not clipping - this can protect both the amplifier and the speakers connected to it.
Putting it all together
Going back to wall power, it can be seen that, at best, you are not going to be able to pull much more than 1000 watts from the wall. And with many amps and receivers, less than that. Losses would be around %50, so you are going to be able to put out maybe 500 watts to the speaker terminals. It should not be surprising how much power goes down per channel when trying to drive five or more speakers.
Short term power capability can be higher. The filter capacitors, for example, can store power, which can meet temporary demands, which is a good thing. Peak power needs can be 30 or more times average power needs (15 dB or greater peak to average level.)
This begs the question of why they make amps rated for much higher power than can be supplied continuously. First off, there's a demand for them
They can also meet peak needs better than less capable amps. Also, each channel is not always being driven to full power. So it's helpful to have channels each capable of peak output power even though all channels can't be driven to peak power at all times.So don't take this article as any sort of condemnation of powerful multi-channel 200 watt per channel power amps.
Reference articles -
(Much good information on multi-channel amplifier power limitations)
http://www.audioholics.com/education...er-test-page-3
(Amplifier Power supply design)
http://sound.westhost.com/power-supplies.htm
( fairly technical, but extensive article on transformers)
http://sound.westhost.com/xfmr.htm



















