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Up in the Air - Page 3

post #61 of 99
Fantastic film thoroughly enjoyed it!!
post #62 of 99
Quote:
Originally Posted by Daniel Hutnicki View Post

Oink, I knew that was going to happen the moment he decided to do it.

Quote:
Originally Posted by oink View Post

When he decided to do what?

DOH!
OK, I got it now.
Had to go back another page to find the relevant post.
post #63 of 99
Quote:
Originally Posted by Franin View Post

Fantastic film thoroughly enjoyed it!!

I am not surprised to learn that you liked it, too. It is a story for grownups that has a little sadness in it but no cynicism that I could see.
post #64 of 99
Quote:
Originally Posted by gwsat View Post

It is a story for grownups that has a little sadness in it but no cynicism that I could see.

Did you notice any narcissism?
post #65 of 99
Really enjoyed this movie, Jason Reitman proves beyond a doubt that he is a talented director, it will be interesting to see what he does next.
post #66 of 99
Quote:
Originally Posted by Joseph View Post

Did you notice any narcissism?

I assume you are talking about Ryan. There might have been a hint of narcissism in his makeup but but he seemed to me to be mostly a hedonist. The boy liked his comforts, especially when they were being paid for by his company, subsidized by American Airlines, and, oh, furnished by willing female executives.
post #67 of 99
Quote:
Originally Posted by gwsat View Post

I am not surprised to learn that you liked it, too. It is a story for grownups that has a little sadness in it but no cynicism that I could see.

Thats why im glad about these forums, you can pass up good films if it wasnt for these forums.

But this film is definitley a keeper.
post #68 of 99
I just got a new IT consulting job where I'm "Up In the Air" a lot, 60% travel, so this movie really is starting to hit home
post #69 of 99
Quote:
Originally Posted by JohnR_IN_LA View Post

I just got a new IT consulting job where I'm "Up In the Air" a lot, 60% travel, so this movie really is starting to hit home

John -- If you manage to make your new gig work as well as Ryan did his, you should, in the immortal words of COL Saito in The Bridge on the River Kwai, "Be happy in your work."
post #70 of 99
hah, my hotel room last week sported two 40 inch HD flatscreens, but (of course) no sound systems. I could start a blog called "Hotel HT Review"
post #71 of 99
NF finally coughed this BD up to me last week and we watched last night. Haven't read the whole thread, but it looks like there's not much disagreement about this one...a very well written, directed and acted film. I found it very funny and the Ryan character, who embraced his road warrier existence, lack of entanglements and even his toxic job was fun to watch. It was also fun to see him lose his detachment and question those (or lack of) values, only to have it backfire. Slightly bittersweet, certainly different, it did deserve consideration for all the nominations it received.
post #72 of 99
My wife and I watched Up In The Air a couple nights ago. I loved it. And it didn't need to be the most amazing movie of 2009 for me to love it. A lot of it was sheer appreciation for a movie that had smarts, that was adult, that was made for adults. It's such a breath of fresh air among all the gotta-attract-the-teenagers fair.

I get the same feeling when I put on older movies, e.g. 70's and earlier, especially 50's and earlier. The movies are filled with actual adults. Beyond their twenties, often middle-aged. Mature.


And as for the movie in particular the performances were excellent and I just drank in it's calm, quirky and agreeably understated photography and score. It's just nice to watch a movie that seems to have some respect for my intellect and willingness to let a plot unfold, instead of being slapped upside the head with ARE YOU AWAKE?!! action and sound effects.
post #73 of 99
Quote:
Originally Posted by Ron Temple View Post

NF finally coughed this BD up to me last week and we watched last night. Haven't read the whole thread, but it looks like there's not much disagreement about this one...a very well written, directed and acted film. I found it very funny and the Ryan character, who embraced his road warrier existence, lack of entanglements and even his toxic job was fun to watch. It was also fun to see him lose his detachment and question those (or lack of) values, only to have it backfire. Slightly bittersweet, certainly different, it did deserve consideration for all the nominations it received.

Quote:
Originally Posted by R Harkness View Post

My wife and I watched Up In The Air a couple nights ago. I loved it. And it didn't need to be the most amazing movie of 2009 for me to love it. A lot of it was sheer appreciation for a movie that had smarts, that was adult, that was made for adults. It's such a breath of fresh air among all the gotta-attract-the-teenagers fair.

I get the same feeling when I put on older movies, e.g. 70's and earlier, especially 50's and earlier. The movies are filled with actual adults. Beyond their twenties, often middle-aged. Mature.


And as for the movie in particular the performances were excellent and I just drank in it's calm, quirky and agreeably understated photography and score. It's just nice to watch a movie that seems to have some respect for my intellect and willingness to let a plot unfold, instead of being slapped upside the head with ARE YOU AWAKE?!! action and sound effects.

I guess this thread shows there are a lot of old farts around here....
post #74 of 99
Quote:
Originally Posted by R Harkness View Post

My wife and I watched Up In The Air a couple nights ago. I loved it. And it didn't need to be the most amazing movie of 2009 for me to love it. A lot of it was sheer appreciation for a movie that had smarts, that was adult, that was made for adults. It's such a breath of fresh air among all the gotta-attract-the-teenagers fair.

I get the same feeling when I put on older movies, e.g. 70's and earlier, especially 50's and earlier. The movies are filled with actual adults. Beyond their twenties, often middle-aged. Mature.

And as for the movie in particular the performances were excellent and I just drank in it's calm, quirky and agreeably understated photography and score. It's just nice to watch a movie that seems to have some respect for my intellect and willingness to let a plot unfold, instead of being slapped upside the head with ARE YOU AWAKE?!! action and sound effects.

That's a good analysis. Despite some touches of sadness in the story it was finally upbeat and satisfying. It was, indeed a story about grownups for grownups, which is something we seem to see less and less of these days.

Forgive my crotchetiness, friends. I have suits older than some of the posters here, so blame it on my advancing years.
post #75 of 99
This movie brought back memories I don't care to recall, and not all of them have to do with being laid off. Although I was younger at the time, making myself more marketable, getting laid off shakes your reality. It can be an exiting time and it can be a terrifying time. To be sure, you know you are alive, although you may wish you were dead.

I wasn't completely surprised when Ryan took his trip to Chicago.
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When he got out of the cab I said someone else would be there, but I didn't expect a family.

I'm in the camp that says she misled him. I thought that was what attracted him to her; they supposedly shared the same outlook on relationships. For her to have a family, made everything she said a lie. She violated the most critical element of any relationship - trust.


The Ryan character - what a horrible existence.

I just love Clooney, and if you agree, you know nothing else needs to be said.

I've watched two movies over the last couple of days and I'm looking forward to watching them again. How rare.
post #76 of 99
Quote:
Originally Posted by Aliens View Post

I just love Clooney, and if you agree, you know nothing else needs to be said.

This guy agrees.
"It's always embarrassing when you take one real swing for the fences and it just falls flat."
post #77 of 99
Quote:
Originally Posted by Aliens View Post

I wasn’t completely surprised when Ryan took his trip to Chicago.
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When he got out of the cab I said someone else would be there, but I didn’t expect a family.

I’m in the camp that says she misled him. I thought that was what attracted him to her; they supposedly shared the same outlook on relationships. For her to have a family, made everything she said a lie. She violated the most critical element of any relationship – trust.

For me this is the most re-watchable movie of last year. I suppose Ryan's unannounced trip to Chicago is the linchpin moment that triggered a second or third viewing. To see if it is more fully explained and justified elsewhere in the movie.
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Yes, Alex did mislead him. But why did she give him her home address in the first place? Even a Christmas card from an unfamiliar sender with an undoubtedly sexy reference in it would be hard to explain away to her stay-at-home(?) husband, wouldn't it?

I assume her husband is far more stay-at-home than she is, anyway. She mentioned the pitfalls of the wife making more money than the husband, but are we to assume her husband is practically "Mr. Mom"? She had a couple of youngish children. If her husband isn't "Mr. Mom", then how much less responsible is she than Ryan that she has committed to establishing a family but spends so much time on the road?

Which leaves us with the probable conclusion that Alex IS what Ryan would be like if he had married and started a family while maintaining his business travel schedule (as Alex did). The androgyny of their names is a cute touch and might be a hint in that direction. And that also contributes to the conclusion that his decision to reject the conventional married-with-children route is more honest, less hypocritical than Alex's decision to play both sides of fence, however "up in the air" that might leave him in his personal life.
Definitely, when you're dealing with a movie about adults meant to be seen by adults, there are many more layers of complexity worth considering and enjoying.
post #78 of 99
Say Hitch, I was all fired up to reply to your message but you stole it from me in the end...

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His life, while maybe unsatisfying and unconventional, was more honest while hers is decidedly not honest. She has been misleading EVERYONE in her life. While Ryan may not have much to offer anyone, at least he's honest about it.



Cary
post #79 of 99
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Originally Posted by hitchfan View Post

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But why did she give him her home address in the first place?

This isn't explained well in the film.
It seems like such a serious blunder it is hard to believe Alex could be guilty of it.
She seemed very smart up until that point.


Quote:
Originally Posted by jcmccorm View Post

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His life, while maybe unsatisfying and unconventional, was more honest while hers is decidedly not honest. She has been misleading EVERYONE in her life. While Ryan may not have much to offer anyone, at least he's honest about it.

+1
post #80 of 99
Quote:
Originally Posted by hitchfan View Post

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Yes, Alex did mislead him. But why did she give him her home address in the first place?

she was under the impression that he wasnt never really into settling and being tied to anyone she thought he will never persue her. I guess in her part it was definitley stupidity.
post #81 of 99
Quote:
Originally Posted by oink View Post

This isn't explained well in the film.
It seems like such a serious blunder it is hard to believe Alex could be guilty of it.
She seemed very smart up until that point.

It really doesn’t make any sense.
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After I posted, I was driving to town and remembered Alex giving Ryan her address and thought how stupid that was. Today I see hitchfan’s post, and it’s the first time its been brought up in this thread. I suppose it could be said she did it because subconsciously she wanted to be caught, but her response at the door and on the phone doesn’t support that. Maybe we’re all so caught up in how much we enjoyed the film, we’re overlooking the obvious; we were manipulated. In order for the film to have the ending we saw, it needed something like that to happen. Other movies have been criticized and ripped for jerking us around, yet no one has taken this film to task for possibly the same thing. It doesn’t take away my enjoyment of the film, but it does drop it down a notch from what I almost consider perfection. I haven’t come up with a reason for why she did such a stupid thing, so until someone can come up with a viable explanation, I think we were had. JMO. YMMV.
post #82 of 99
Quote:
Originally Posted by Aliens View Post

It really doesn't make any sense.
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After I posted, I was driving to town and remembered Alex giving Ryan her address and thought how stupid that was. Today I see hitchfan's post, and it's the first time its been brought up in this thread. I suppose it could be said she did it because subconsciously she wanted to be caught, but her response at the door and on the phone doesn't support that. Maybe we're all so caught up in how much we enjoyed the film, we're overlooking the obvious; we were manipulated. In order for the film to have the ending we saw, it needed something like that to happen. Other movies have been criticized and ripped for jerking us around, yet no one has taken this film to task for possibly the same thing. It doesn't take away my enjoyment of the film, but it does drop it down a notch from what I almost consider perfection. I haven't come up with a reason for why she did such a stupid thing, so until someone can come up with a viable explanation, I think we were had. JMO. YMMV.

Lets not forget, she didn't
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wear her wedding ring during her travels (at least I don't remember seeing it).
What does that say about Alex's underlying motives to begin with?
post #83 of 99
Quote:
Originally Posted by Aliens View Post

It really doesn’t make any sense.
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After I posted, I was driving to town and remembered Alex giving Ryan her address and thought how stupid that was. Today I see hitchfan’s post, and it’s the first time its been brought up in this thread. I suppose it could be said she did it because subconsciously she wanted to be caught, but her response at the door and on the phone doesn’t support that. Maybe we’re all so caught up in how much we enjoyed the film, we’re overlooking the obvious; we were manipulated. In order for the film to have the ending we saw, it needed something like that to happen. Other movies have been criticized and ripped for jerking us around, yet no one has taken this film to task for possibly the same thing. It doesn’t take away my enjoyment of the film, but it does drop it down a notch from what I almost consider perfection. I haven’t come up with a reason for why she did such a stupid thing, so until someone can come up with a viable explanation, I think we were had. JMO. YMMV.

Until someone CAN come up with a logical explanation that is obvious in the film, I agree 100%.
As it is, it's a damn shame.


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Almost anything would work.
Perhaps he discovered her address on the Internet or rifled her purse while she was asleep.
I am amazed the filmmaker let this go.
Otherwise, as you said, this is a perfect movie.
post #84 of 99
As clumsy as it is, there was still some internal logic for...
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...Alex giving Ryan her home address. She was misleading him. She wanted him to think she was as free as he was. If she had refused to give him her address after establishing more than a single one-night-stand with him, that would have given away her secret.

However, what if she had given him a bogus home address just to set aside an awkward issue? The only way he would have found out it was a bogus address was if he had tried to contact her through it, which is what she says she never would have wanted anyway and, apparently, spelled the end of their (her) little fantasy.

So, what does that leave us (if we are not willing to take that glitch as an unforgiveable cheat in the script)?

It leaves us with another possibility; For Alex, Clooney was simply too good looking, too charming, too easy as an ongoing on-the-road booty call to pass up and not cultivate, along with a selfish motivation to keep her fantasy going about being as free as he was. And that her giving him her real home address was a chance worth taking...on her assumption that he would never actually try to contact her through it any more than she would show up unannounced at his front door.

However, that doesn't explain her righteous indignation, to the point of being insulting and hurtful to him, over the fact that he did contact her through it. This, I feel, is the moment where the script faltered. SHE should have been a lot less indignant, a lot more apologetic and HE should have been ripping her a new one. But neither happened.

I believe this lack of clarity about who was wronged here adds to a certain weakness I found in the final moments of the movie. It almost looks like Ryan is too dim-witted to figure out he was the one who should have been indignant.

ON THE OTHER HAND, how is his inability to fathom and articulate his reaction to such a sucker punch to the gut any different than the reaction of those people sitting across the desk from him dozens of times per week getting sacked? hmm.
post #85 of 99
I think you guys are nitpicking...I don't think this needs spoiler tags, but I'll do it anyway.

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Ryan = honest, true to his values until he tastes a little more happiness than he's used to that creates a wiggle in his world view. He checks it out, get's slammed, but ultimately takes it as a learning experience and as an adult. He's grown some. Within his limits, he's an admirable character.

Alex = honest within a very narrow parameter. She'll be completely candid with her views, but outside of that she lives dishonestly. We don't know to what degree, but she's far from admirable. In effect, I consider her a normal person with some demons. Normal folks f'up and reveal things that ultimately hurt them...like home addresses. It could have been disastrous for her, but, in part due to Ryan, she dodged a bullet.

I don't think it's a weakness in the script. It's a plot device, but a very human error nonetheless. When you're cheating, you always f'up (take it from me ). Human errors were my modus operandi until I grew up...last week.
post #86 of 99
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I don’t think it was Alex’s first rodeo. I rarely nitpick, but that was a mistake that just doesn’t work for me. Having Ryan arrive at her doorstep by unscrupulous means, if you want to call it that, would have been perfect. Everything else could have remained the same.

I’ve been around the block once or twice myself, and giving a home address or phone number is inconceivable, especially to volunteer it. As I recall, Ryan didn’t ask for it, she willingly gave it to him.
post #87 of 99
I think all of us agree giving Ryan
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her home address (when it wasn't necessary to for her to carry on the "relationship") freely is hard to reconcile with her demonstrated IQ up until that point in the film.

The only flaw in a terrific movie, but a flaw nonetheless.
Maybe with a D.C. this could be corrected....
post #88 of 99
Fact is...I don't remember him ever receiving it. I'll take you guy's word that it happened .
post #89 of 99
I don't remember her giving it to him, either. I remember them comparing credit/frequent flyer cards, and her mentioning she lived in Chicago.

I can see him tracking her down if he knew only her last name and city of residence.
post #90 of 99
Quote:
Originally Posted by Tulpa View Post

I don't remember her giving it to him, either. I remember them comparing credit/frequent flyer cards, and her mentioning she lived in Chicago.

I can see him tracking her down if he knew only her last name and city of residence.

I don't remember a scene where she gave him her home address either, but...
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...I also don't remember a scene where they discussed each other's marital status. Maybe something was said about it, but I don't remember it.

I suppose we were supposed to assume those two topics (their marital status and home addresses/home phone numbers) were broached at some point but those scenes weren't shown to us. Convenient way to deal with the fact that they needed to play a little loose with those points in order to get to the scenes they wanted to show us, I suppose...

I'm not entirely opposed to filmmakers downplaying an inconvenient issue or two for the sake of dramatic license. In fact, I think it's rare when a dramatic piece doesn't do it somewhere at some point, often on a key issue.

Although I didn't remember a moment where she gave him her home address, I just assumed she had given it to him legitimately because she didn't make a big deal about how he got it in the confrontation scene after the scene at her front door, "How did you get my home address?!" kind of thing.
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