Quote:
The problem isn't the theoretical resolution of
Kodak 5274 negative stock, but the generational losses
to print, film weave, registration jitter, projector vibration, etc.
The problem isn't the theoretical resolution of
Kodak 5274 negative stock, but the generational losses
to print, film weave, registration jitter, projector vibration, etc.
Huge point. The absence of those factors make good digital cinema immediately impressive. I've been quite impressed with new digital conversions going into our local THX certified cinemas.
