This points to a difficulty in terminology. What does a 3D CMS mean?
The first meaning is not really related to color management per se. It is a specific type of signal designed to provide depth to the image.
The third meaning is not, I think, useful. All it describes is additional colors that are adjusted by the CMS. The nature of the adjustment is exactly the same. A red inside the color space does not exist in another "dimension". It is just a different version of a fully saturated color, must the same way that a DCi red is a different version of a color compared to the Rec. 709 red.
3D color management is best understood, I would argue, as adjustment across the three aspects of color performance: the second meaning. Not only does it match common sense, it also describes the evolution of color management from very primitive systems (such as what's found in the Pioneer Kuro) that adjust hue only, to second-generation devices that adjust hue and chroma, to the most modern and effective systems that independently adjust hue, saturation, and lightness. Furthermore, HSL are actually different dimensions of any single color.
- It can mean color management using a 3D (e.g., frame-packing) signal.
- It can mean color management in 3 planes of adjustment--lightness, saturation, and hue.
- It can mean calibrating throughout the color space, instead of at the gamut border only.
The first meaning is not really related to color management per se. It is a specific type of signal designed to provide depth to the image.
The third meaning is not, I think, useful. All it describes is additional colors that are adjusted by the CMS. The nature of the adjustment is exactly the same. A red inside the color space does not exist in another "dimension". It is just a different version of a fully saturated color, must the same way that a DCi red is a different version of a color compared to the Rec. 709 red.
3D color management is best understood, I would argue, as adjustment across the three aspects of color performance: the second meaning. Not only does it match common sense, it also describes the evolution of color management from very primitive systems (such as what's found in the Pioneer Kuro) that adjust hue only, to second-generation devices that adjust hue and chroma, to the most modern and effective systems that independently adjust hue, saturation, and lightness. Furthermore, HSL are actually different dimensions of any single color.


















