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Gremlins (BDInfo & Screencaps) - Page 2

post #31 of 195
Ghostbusters is too bright, this transfer of Gremlins seems too dark... Hmm.
post #32 of 195
Quote:
Originally Posted by wnorris View Post

Because they paid for it, just like they did with Twilight...

Twilight I totally understand. Current hot movie with sequel on way. Gremlins...????!?!?!?!?

(This is no way reflects on the quality of the film itself mind you. Just as a business decision)

I can see the boardroom...





"We need some more hot exclusives. Twilight did very well. What's next? Anyone?"


"How about Gremlins?"


{crickets....}
post #33 of 195
meh... i think i'll wait before upgrading

maybe there will be some kind of special deal when gremlins 2 comes out
post #34 of 195
Quote:
Originally Posted by Dave Mack View Post

Twilight I totally understand. Current hot movie with sequel on way. Gremlins...????!?!?!?!?

(This is no way reflects on the quality of the film itself mind you. Just as a business decision)

I can see the boardroom...





"We need some more hot exclusives. Twilight did very well. What's next? Anyone?"


"How about Gremlins?"


{crickets....}

Hot Fuzz and Shaun of the Dead? Grace? Children of the Corn?

Most of the time the studios have the titles ready and offer them up as exclusives for a small amount of money. Target upped the street price $5 for Gremlins and will likely make a nice profit off of it. It also gets people into the store to buy other things. I certainly did today.
post #35 of 195
I think there will be a double dip. They had this and Goonies finished and partially printed, but then they started doing a remaster so they decided to just throw it at Target.
post #36 of 195
I highly doubt Warner will remaster this within the next 10 years. The bluray will be as good as it gets. It will make a good $10-$13 title.
post #37 of 195
Well compared to another WB flusher recently released, Creepshow.
Creepshow didn't blow up anyone's skirt but at least you knew you were watching a Blu-ray.
Gremlins? These screenshots look like the SD playing on a nice upconverting player.
If you don't already own the last DVD, and when this hits the $12.99 price point, then maybe it is a buy.
post #38 of 195
How long will this be a Target exclusive for? I imagine getting Gremlins for 12.99 in November off Amazon or something. These Agreements aren't for Target to indefinitely be the only store to carry this, right?
post #39 of 195
Quote:
Originally Posted by Spanbauer View Post

Did they transfer this off of VHS?

70:s and 80:s movies often looks soft like this depending on stock and budget.
Deal with it folks

And if you think this looks bad, then you better stay FAR away from the DVD
post #40 of 195
Quote:
Originally Posted by Evangelo2 View Post

How long will this be a Target exclusive for? I imagine getting Gremlins for 12.99 in November off Amazon or something. These Agreements aren't for Target to indefinitely be the only store to carry this, right?

It's supposed to be released by Warner in Canada on Oct. 13. I don't believe Warner has ever issued a release to Canada exclusively, as far as I know. So my guess is that even thought it isn't announced yet, it will street in the US on Oct. 13 as well.

So Target basically paid for a two week exclusive window.

Maybe they got a 2 for 1 deal with the exclusive Oz release.
post #41 of 195
Quote:
Originally Posted by nut bunnies View Post

I think there will be a double dip. They had this and Goonies finished and partially printed, but then they started doing a remaster so they decided to just throw it at Target.

Target is getting a similar exclusive with Goonies in Nov (alongside a similarly trimmed-down Gone With The Wind). Will Goonies get a remastered BD release too?

The conspiracy theories are really a bit too much.
post #42 of 195
Those screencaps look amazing compared to the old DVD! I love all the grain!
post #43 of 195
Quote:
Originally Posted by Stevie76 View Post

70:s and 80:s movies often looks soft like this depending on stock and budget.
Deal with it folks

With all the 30-and 40-something movie buffs on this site, you would think maybe they went to a theater sometime in the '80s. I did, and remember loads of grain! I grew up in a small town, and we got some pretty bad prints sometimes. If they weren't too grainy, they were usually scratched all to heck...
post #44 of 195
Quote:
Originally Posted by nut bunnies View Post

They had this and Goonies finished and partially printed, but then they started doing a remaster so they decided to just throw it at Target.

Quote:
Originally Posted by Dave Mack View Post

if there hadn't been that statement by joe dante about them having done a version which he the saw and went "woah!" about and a 2nd version done I don't think anyone would think anything. but i wouldn't past a studio if they had pressed some copies already to do something with them other than just chuck them. not saying it is likely, just possible...

Like Michael Corleone circa Godfather III... Just when I thought I was out.

Of, let's line up the facts, because it's easier to weed through than conjecture (although the conjecture will be all that follows this release throughout its life).

It's already been established in this very thread that the Gremlins Blu-ray has a last modified date of July 2009, meaning these discs weren't pressed until August 2009.
Dante's comments are from back in April (the report is from the set of The Hole and that finished principal photography back at the end of February, so you actually have to attribute this conversation to February or earlier) and at that point he's confirmed that "We’ve been involved quite a lot" and "I’ve seen the (new) transfer. We did them over."
It's not, "we're planning to do" or "we're just starting to do." It's "THIS IS DONE."

So why would anyone assume, given that the newer, better transfer was already completed before this Blu-ray was created, that the discs just released to Target are something that's been sitting around in a warehouse somewhere for years (which we know is impossible given the dates on the discs themselves)?

And by the way, Dante never says that he saw a version of the Blu-ray and when "Whoa." Dante attributes Warner and Amblin for delaying the originally planned release because they knew they "can make it look better." He never says he saw the original transfer at all.

Quote:
Originally Posted by Kram Sacul View Post

Maybe Xylon or someone can do a comparison with the broadcast HD version.

When did Xylon become the Messiah? It's like a bizarre Children of the Corn "And just as the Blue Man was offered up unto He Who Walks Behind the Rows, so shall be the unbelievers!" You can't compare two still images from two different mediums and come to any sort of rational conclusion about the hows and whys of the finished product. Were they sourced from the exact same transfer? Was the same element used for all versions? Was the same telecine equipment used for each version? Have you accounted for the fact that the broadcast version is probably a 1080i HDCAM or HDCAM SR while the Blu-ray is a completely different 1080p24 HDCAM SR and the DVD is a downconverted DigiBeta? Were all of the different versions handled by the same dub or post house? Is the broadcast version processed in anyway? What was the original camera used to shoot the film? What film stock did they utilize? Who approved the transfer (or transfers if there have been more than one- Braveheart has had at least three high def transfers that I know of in the past 14 years)? Were the any special demands by those who approved? There are so many variables to these different releases that to be able to make definitive declarations about the quality of one versus the other is impossible. No matter what screen shots Xylon or anyone else posts, anyone with free will and a knowledge of and desire to actually enjoy films should be able to see that this is a great release of Gremlins. Is it too dark? I don't know... compared to what- a 35mm presentation that might have been projected too brightly? I saw a new print of Ghostbusters recently and the Blu-ray is not as blown out as people would have you believe. While I used to find these screen shots interesting and amusing, I now find them virus-like and incredibly dangerous.

And while I'm at it, let me just get this out of the way. Anyone who tells you they remember how something looked theatrically 5, 10, 20 or more years ago is full of s#!t. The last new movie I saw that was shot on film and projected on film was The Hangover. I couldn't have told you a week later exactly how that movie was supposed to look from shot to shot. And if I did, what could I explain... how a 3rd, 4th or 5th generation dupe (and probably a high-speed one, at that) looked projected? When someone tells you that "this scene was really grainy theatrically" what they're most likely actually saying to you is, "my expectation is that this scene should be grainy, so I guess I remember it being grainy. But it's not grainy, so the studio has obviously botched it because my memory of a 4 second moment from 7 years ago can't possibly be wrong."

Sorry to unload all of that, but it's been a while since I wanted to be here. I just think more and more people are missing the forrest for the trees and it seems to be getting worse and worse.
post #45 of 195
Quote:
Originally Posted by Cliff Stephenson View Post

Like Michael Corleone circa Godfather III... Just when I thought I was out.

Of, let's line up the facts, because it's easier to weed through than conjecture (although the conjecture will be all that follows this release throughout its life).

It's already been established in this very thread that the Gremlins Blu-ray has a last modified date of July 2009, meaning these discs weren't pressed until August 2009.
Dante's comments are from back in April (the report is from the set of The Hole and that finished principal photography back at the end of February, so you actually have to attribute this conversation to February or earlier) and at that point he's confirmed that "We've been involved quite a lot" and "I've seen the (new) transfer. We did them over."
It's not, "we're planning to do" or "we're just starting to do." It's "THIS IS DONE."

So why would anyone assume, given that the newer, better transfer was already completed before this Blu-ray was created, that the discs just released to Target are something that's been sitting around in a warehouse somewhere for years (which we know is impossible given the dates on the discs themselves)?

And by the way, Dante never says that he saw a version of the Blu-ray and when "Whoa." Dante attributes Warner and Amblin for delaying the originally planned release because they knew they "can make it look better." He never says he saw the original transfer at all.


When did Xylon become the Messiah? It's like a bizarre Children of the Corn "And just as the Blue Man was offered up unto He Who Walks Behind the Rows, so shall be the unbelievers!" You can't compare two still images from two different mediums and come to any sort of rational conclusion about the hows and whys of the finished product. Were they sourced from the exact same transfer? Was the same element used for all versions? Was the same telecine equipment used for each version? Have you accounted for the fact that the broadcast version is probably a 1080i HDCAM or HDCAM SR while the Blu-ray is a completely different 1080p24 HDCAM SR and the DVD is a downconverted DigiBeta? Were all of the different versions handled by the same dub or post house? Is the broadcast version processed in anyway? What was the original camera used to shoot the film? What film stock did they utilize? Who approved the transfer (or transfers if there have been more than one- Braveheart has had at least three high def transfers that I know of in the past 14 years)? Were the any special demands by those who approved? There are so many variables to these different releases that to be able to make definitive declarations about the quality of one versus the other is impossible. No matter what screen shots Xylon or anyone else posts, anyone with free will and a knowledge of and desire to actually enjoy films should be able to see that this is a great release of Gremlins. Is it too dark? I don't know... compared to what- a 35mm presentation that might have been projected too brightly? I saw a new print of Ghostbusters recently and the Blu-ray is not as blown out as people would have you believe. While I used to find these screen shots interesting and amusing, I now find them virus-like and incredibly dangerous.

And while I'm at it, let me just get this out of the way. Anyone who tells you they remember how something looked theatrically 5, 10, 20 or more years ago is full of s#!t. The last new movie I saw that was shot on film and projected on film was The Hangover. I couldn't have told you a week later exactly how that movie was supposed to look from shot to shot. And if I did, what could I explain... how a 3rd, 4th or 5th generation dupe (and probably a high-speed one, at that) looked projected? When someone tells you that "this scene was really grainy theatrically" what they're most likely actually saying to you is, "my expectation is that this scene should be grainy, so I guess I remember it being grainy. But it's not grainy, so the studio has obviously botched it because my memory of a 4 second moment from 7 years ago can't possibly be wrong."

Sorry to unload all of that, but it's been a while since I wanted to be here. I just think more and more people are missing the forrest for the trees and it seems to be getting worse and worse.

WOW!
Incredibley well put and completely on point.....
post #46 of 195
Quote:
Originally Posted by Cliff Stephenson View Post

When did Xylon become the Messiah? You can't compare two still images from two different mediums and come to any sort of rational conclusion about the hows and whys of the finished product.

You're right, we can only guess why they look different. The point though is to see how they look different and Xylon and others who can post frame grabs are invaluable in that regard.
post #47 of 195
Quote:
Originally Posted by ChrisPC View Post

With all the 30-and 40-something movie buffs on this site, you would think maybe they went to a theater sometime in the '80s. I did, and remember loads of grain! I grew up in a small town, and we got some pretty bad prints sometimes. If they weren't too grainy, they were usually scratched all to heck...

Grain is not my concern here. The minute I saw the screencaps, I thought "why do the colors look way overblown?" I've seen the movie many many times, and I never remember it having colors that almost bleed.

As you can see from the 2-3 screencaps I've posted, the DVD and broadcast version did not have colors like that. Yes, there's nothing to say that they were correct, but considering that Warner has been doing this to other releases (granted, not all), it seems like something weirds going on. You can clearly see that all shadow detail has been completely lost due to whatever they did... Perhaps that was the intention... I don't know.

...
...
...
EDIT/UPDATE: It is possible the screen capture technique used in this thread may be wrong!!

Blu-ray.com has a review, and the colors are not NEARLY as bad. If blu-ray.com screen caps are correct, this may be good news!! I wasnt worried about the grain, or lack of fine detail.... it was the color that bothered me, and now it looks much better IMO. If blu-ray.coms are incorrect, I apologize for bringing it up.
post #48 of 195
Quote:
Originally Posted by Kram Sacul View Post

You're right, we can only guess why they look different. The point though is to see how they look different and Xylon and others who can post frame grabs are invaluable in that regard.

But Cliff's point is that even though you can see a difference, you don't know which one is "correct", and therefore no one can reasonably claim that the BD is "screwed up" or has wrong colors, or too much grain, etc. And I agree with him 100%.
post #49 of 195
The one without the black crush/blown highlights/DNR/EE/etc is usually the "correct" one.
post #50 of 195
Quote:
Originally Posted by Jason One View Post

Yeah, paku noticed that Rieper's Labyrinth caps were too dark, which can make the colors look oversaturated. It looks like the same thing happened with his Gremlins caps.

Compare this shot (Rieper's) with this one (Blu-ray.com).

Yeah, I didnt notice the issue when looking at his Labyrinth pics... I didnt pay as much attention because I had that pre-ordered and my mind was made up already to buy it. The second I saw the Gremlins I was like "OH NO!"

Since Warner has boosted the contrast on other titles, I thought they did the same for this. Then again, Sony boosted contrast for Ghostbusters (though that was said to be with someone's intention). Who knows... but it's looking more likely that I pick up this title...still want to wait until it's no longer exclusive....
post #51 of 195
Those shots over at Blu-ray.com look about what I thought this film would look like on blu-ray. Grain looks intact and there doesn't appear to be any DNR or EE present. I have a feeling that this is probably a pretty good representation of what the original source material looks like. I think I'm going to pick this one up.
post #52 of 195
Quote:
Originally Posted by Kram Sacul View Post

You're right, we can only guess why they look different. The point though is to see how they look different and Xylon and others who can post frame grabs are invaluable in that regard.

But the problem I have is that the screenshots create a mob mentality (and not an entirely educated one). There seems to be a prevailing notion that if an image is largely devoid of grain that it has been "scrubbed" or "DNR'd to hell" or "a wax museum" - all terms I loath and terms that do a lot to destroy someone's credibility in my opinion. While I won't deny that noise reduction is used to varying degrees on almost all releases, noise reduction isn't the primary offender for a lot of what it gets blamed for.

I also think that despite people thinking that screenshots are a perfect emulation of what a Blu-ray represents, movies are meant to be viewed on properly set up systems and, oh yeah... in motion. I know I've never had my computer monitor professionally ISF calibrated, but I have had my 73" Mitsubishi professionally done. There are shots presented in some of these threads that are truly appalling, but that look very good to great on my larger, properly calibrated screen. Which presentation should I give more merit? Which one do most people in these threads (you know, the people who never actually watch some of these discs based on the screenshots they view on their own uncalibrated LCD monitors)? Back in August, screenshots started showing up for Cutthroat Island and people automatically jumped on the DNR bandwagon:

Then once the disc actually made its way into people's players and they were able to view the disc as intended (24 frames at a time versus just one), they realized otherwise. From AVS reviewer Ralph Potts:

And now we come to realize that the shots in this very thread may be completely unrepresentative of what the disc actually looks like, but most people won't read past the flashy headlines and poor screenshots.

I've noticed that several people have proudly proclaimed themselves to be 'Screenshot Scientists,' an obvious FU to Penton Man and some of the gang over at Blu-ray.com, but I have to say, a scientist actually collects all of the facts needed before coming to a conclusion. They don't gather as many as they can (or simply want) and then just fill in the rest with opinion and guesses. You say you're just interested in seeing 'how they look different,' but that isn't what happens now. People see a difference and then create entire scenarios about what went wrong (assuming something actually DID go wrong) and then those scenarios mange to suddenly find themselves regurgitated over and over as facts. That's not science... that's something more akin to religion or folklore.

People are looking for perfection in an imperfect medium. Film is a chemical process that is utilized by human hands and eyes. I think people forget that sometimes.
post #53 of 195
Quote:
Originally Posted by ToddUGA View Post

Those shots over at Blu-ray.com look about what I thought this film would look like on blu-ray. Grain looks intact and there doesn't appear to be any DNR or EE present. I have a feeling that this is probably a pretty good representation of what the original source material looks like. I think I'm going to pick this one up.

Doesn't seem like the score matches the review.

He says as much in his review for what I bolded in your post. Opinions I've read from folks who have watched it says the score is too low!
post #54 of 195
Am I the only one that,
A) Has only a passing interest in this film.
B) Doesn't plan to spend more than $15 for it IF I do buy it.
C) Is almost ready to go get it at Target anyway, just to satisfy my own damn curiosity on how good/bad it looks?



Mark
post #55 of 195
Quote:
Originally Posted by Mark Booth View Post

Am I the only one that,
A) Has only a passing interest in this film.
B) Doesn't plan to spend more than $15 for it IF I do buy it.
C) Is almost ready to go get it at Target just to satisfy my own damn curiosity on how good/bad it looks?



Mark

No, I got it and haven't opened it. I got it cause I knew it would be gone quickly just like WOZ Emerald was. I'd have it to at least have time to make a decision afterwards instead of wishing I bought it just in case.

Problem is with Gremlins I cannot preview it via rental though regardless.
post #56 of 195
Quote:
Originally Posted by wnorris View Post

It's supposed to be released by Warner in Canada on Oct. 13. I don't believe Warner has ever issued a release to Canada exclusively, as far as I know. So my guess is that even thought it isn't announced yet, it will street in the US on Oct. 13 as well.

That seems like a reasonable deduction. However, for what it's worth, Netflix has it tentatively listed in their database for Dec. 1.
post #57 of 195
Quote:
Originally Posted by robertc88 View Post

Doesn't seem like the score matches the review.

He says as much in his review for what I bolded in your post. Opinions I've read from folks who have watched it says the score is too low!

I'd have to agree that his score is too low if this does replicate the look of the source material.
post #58 of 195
It's already been mentioned that the files have July 2009 dates, so these can't possibly be discs that have been sitting in a warehouse for 2 years. Several people have chimed in to say that the Blu-ray represents what they saw many times in theatrical showings in 1984 (Ron at HTF wrote a heartfelt piece about it). Why is it so hard to believe that this is the Dante approved remaster?
post #59 of 195
Quote:
Originally Posted by robertc88 View Post

No, I got it and haven't opened it. I got it cause I knew it would be gone quickly just like WOZ Emerald was.

I had to go to 3 different Target stores before finding either. The first 2 stores didn't appear to even have any place holders for either of these "Target Exclusives". I doubt they had sold out - just never received them. I finally went to the closest Target outside of the city and found both. I was also quite impressed with this store's Blu-ray selection. Both sides of an entire row of shelves (most other Targets only have 1 side) and 2 endcaps. Saw many, many Blu-ray titles that I have not seen at any other Target.
post #60 of 195
I wish I had a Target nearby since it appears you can't order it off of their website. The closest one is about 45 minutes away. Maybe I can make a road trip this weekend. One way or another I'm going to pick this up since it's a personal favorite.
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