ADA Mach 4......WOW!!!! - Page 40

Originally Posted by kamenoff

Adam, thanks for the help. I checked the settings but Harmony One is only IR remote. There actually no options, which you suggested.
I did what you suggested..installed Suite 7.1 and the remote is orking. The only thing I can't do is to switch the Rhapsody on. There is off button but no off...but for now I am happy.
The sound of Rhapsody is also improving with each viewing. So far happy camper...Thanks once again for the help.

Originally Posted by Perfectionist2

What do you mean by not being able to switch the Rhapsody on?

I'm using an IR remote and find that there is something wrong with the POWER ON code. Sometimes it works on the first attempt but other times I have to press the ON button 4 times before it powers up. It either works the first time or requires exactly 4 attempts to POWER ON. All of the other codes work correctly.

I think the code for POWER ON is defective on the Rhapsody.

Originally Posted by Perfectionist2

It's a URC MX-900 that ADA provided me when I bought the Mach IV. In fact, ADA programmed it. I've also tried various codes posted on the ADA site.

I did try different repeat settings but can't seem to get POWER ON to work reliably. Interestingly, all the other codes work the first time every time.

Originally Posted by AngelEyes

If you can afford a Rhapsody (I can't!) there is no excuse for having a crap remote

Adam

Originally Posted by magicj1

Go Adam!

Originally Posted by thebland

Any pictures of the back side?

Originally Posted by thebland

Are the they digitally connected? Or is the Mach IV spitting out an analog signal to the Trinnov inside?

Originally Posted by sdurani

Oh come on, the whole reason to have it in one chassis is to avoid the additional A/D-D/A steps of their outboard Trinnov boxes. However, since the Reference pre-pro can connect digitally (I think via network cable) to a TEQ slave unit for 16 more channels (32 total), it's too bad that their other pre-pros (Suite 7.1, Rapsody) don't have a similar way of connecting digitally to their 4/8/12 channel Trinnov boxes.

New York, NY - January 3, 2012 - Audio Design Associates (ADA), the recognized brand of excellence in high-end home cinema and custom installed electronics, announced that they will be launching the unprecedented Cinema Reference Mach IV at the Venetian Towers Suite 30-311 during the International CES in Las Vegas, Nevada.

The original Cinema Reference was introduced in 1996 and for nearly half a decade ruled the home cinema industry as the most advanced preamplifier of its day. ADA's Reference' pedigree has always been associated with state-of-the-art. notes Richard Stoerger, ADA's vice president and C.O.O. For us, to label a home cinema pre/pro with our Reference moniker, the unit must exceed the imagination of even the most ardent enthusiast. The Cinema Reference Mach IV, the fourth generation in a fifteen year love affair with home cinema is in my opinion, the finest home theater controller ever produced.

The Cinema Reference Mach IV features an impressive seven-inch 1080p front panel touch-screen display that doubles as a video preview display and setup interface. The rear panel boasts eight HDMI inputs with dual mirror HDMI outputs. Our dealers are quickly realizing that preamps with four or five HDMI inputs are limited right out of the box. states Albert Langella, president and chief design engineer. By the time you connect a set-top-box, Blu-ray, game console, Apple TV, and camcorder, you are out of inputs. We made certain that in addition to 12 audio-only components, you could connect at least 8 AV sources directly to the Cinema Reference. And naturally, all switching is HDMI 1.4 3-D compliant.

While the Cinema Reference Mach IV is feature loaded with every imaginable type of input connection, its defining feature is the built-in TEQ-16 sixteen-channel Trinnov electronic room correction optimizer. The Cinema Reference Mach IV is the world's only pre/pro with a built-in TEQ optimizer featuring Trinnov's incredible technology. adds Stoerger. From both digital and HDMI inputs, the signal path directly to the output stage is purely digital with no A/D and D/A conversion in between processing and post-processing stages. It is truly an amazing engineering marvel.