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ADA Mach 4......WOW!!!! - Page 5

post #121 of 2078
I was just asking as I am a former Halcro owner so I just want something that is at least as good SQ wise for movies.

So when you say the ADA sounds better with HDMI is that from a movie standpoint?
post #122 of 2078
Quote:
Originally Posted by DanFrancis View Post

No, but I installed the system at jbm's house and he has a Halcro (for now)- and I'm a Halcro dealer as well. That's why he's calling me a traitor. In my opinion, the ADA sounds better with HDMI, and the user interface alone puts the ADA ahead. More will come out in the wash once I get everything finished at his house- there's some more stuff in the works.

Dan

JBM doing an ADA? DOes he have it yet??
post #123 of 2078
Not going ADA yet- but I've been pushing that way. The best way to describe the difference between the two processors is that in my opinion it feels like you're one step closer to the signal with the ADA. The Halcro sounds great but the ada sounds more solid with HDMI sources. Ada processors have always sounded very good when setup right- I'm suprised that peole are suprised by that, they're just now reaching bandwagon status instead of flying below the radar seemingly.

I'm going to have to do an A/B when there are units available.

Dan
post #124 of 2078
I didn't know that there were any Halcro dealers left in the US. My understanding is that Halcro is completely pulling out of the US this summer and only honoring warranty work.

My beloved Halcro died and needs to be replaced so I'm seriously looking at ADA as well as some other options.
post #125 of 2078
Can someone recommend an amp to go with the ADA suite 7.1 HD.
I was thinking maybe the B&K 7-200. Or a Nuforce multi channel.
I was trying to keep the cost down below $3000.00 for the amp...Thanks
post #126 of 2078
Quote:
Originally Posted by DanFrancis View Post

Ada processors have always sounded very good when setup right- I'm suprised that peole are suprised by that, they're just now reaching bandwagon status instead of flying below the radar seemingly.

I agree completely that the ADA pre-pro's have really never gotten the buzz they should have. I got lucky when I had a chance to try a CR MKII in my system and was blown away by the SQ. While not as musical as the Proceed or Meridian it beat both for movies and was a all around solid performer. This is why I have such high hopes for the new HDMI offerings.
post #127 of 2078
Quote:
Originally Posted by elysandi View Post

Can someone recommend an amp to go with the ADA suite 7.1 HD.
I was thinking maybe the B&K 7-200. Or a Nuforce multi channel.
I was trying to keep the cost down below $3000.00 for the amp...Thanks

For a recommendation you should list your speakers and whether you plan to run them full range or not.
post #128 of 2078
Hi, I want to use B&W cwm7.3 inwall speakers for the fronts. I will not
always run them at full range. My wife does not like it to loud when
we are both watching movies.
post #129 of 2078
Hello there,
I'm in the UK and have the cinema rhapsody MK IV balanced processor, it does not come with a manual and as far as I know there isn't one for general use but there has been talk of producing one.I am still waiting to have it set up properly(had it 8 weeks) but there is only one distributor and not many dealers and of those dealers most are still learning the set up procedure.The unit sounds very good straight out of the box and comes with a default set of source inputs.I have managed to manually use the front panel screen to set up 8 different sources and to level and delay match all my speakers,but that is as far as I could go without a manual and that wasn't all plain sailing:although no-way set up correctly I am enjoying listening to the unit.

Regards............Alan
post #130 of 2078
Quote:
Originally Posted by elysandi View Post

Hi, I want to use B&W cwm7.3 inwall speakers for the fronts. I will not
always run them at full range. My wife does not like it to loud when
we are both watching movies.

Is this mostly a movie system or 50/50 movies and music?

There are plenty of good amps out there so a lot of times it just depends on the users individual tastes. For movies I like an amp that has a lot of headroom to play loud without any strain.
I personally have a EAD PM2000 which went out of business a long time ago but you can still buy the PM8300 new on audigon from Noble Electronics who has some new old stock. Noble is run by former EAD employees and they are a pleasure to deal with. I also really like the Earthquake Cinenova amps which have a ton of power behind them. When I had a pair of Aerial 9's the Theta Dreadnaught I had them paired with was just not cutting it. My dealer recommended the Earthquake and he let me borrow one which really made the Aerials open up. the only thing I don't like about the Earthquakes is the looks.

I would personally recommend you cross your speakers over to your subs at no lower than 60hz, 80hz might even be better but let your ears be the judge. The specs on your speakers state a response down to 43hz so running them full range for movies is not advisable, for music you could get away with it.

I did have a NuForce integrated amp which was good but I would not say great. I also had a couple of B&K amps which were good as well.

There are probably other members here who could recommend better matches for your fine B&W speakers, I personally run all Von Shweikerts which tend to have a different sonic character than B&W's.

I think the pre-pro is going to have a MUCH bigger effect on the SQ of your system than the amp, you just want an amp that can keep up with whatever level you plan to play your system at.
post #131 of 2078
Oh wait, I should have mentioned the ADA PTM-6150 as well. I had one when they first came out, it was my first high end amp. It is a very good amp but it does have a fan so keep this in mind if it will be close to your listening position. They also now make a PTM-8150 which has 8 channels and even higher powered amps which I have never tried personally.
post #132 of 2078
I really like the way ADA amps pair with their processors although slightly more expensive than your budget. Another manufacturer that is hard to beat watt for dollar is ATI. For the price you mention you can get 200w per channel in a seven
channel chasis fully differential power- that's hard to beat.

Dan

LOL, for a plane ticket Ill fly to the UK from Chicago to setup the rhapsody : D
post #133 of 2078
Richard (or anyone else),

1. Anyone program an RTI remote (RS-232) with ADA?

2. Read thru MACH III manual. Is there an IR input eye on the MACH IV unit? I didn't see it in the MACH III manual or do you have to add an external IR eye for IR remote?

3. Can you use IR and RS-232 with the unit out of the box or do you need some sort of ADA BUS to accomplish such?

4. Richard has said that you need to purchase an ADA BUS for RS-232 control. Would this same bus be the one used for programming the unit?

Thanks!!!
post #134 of 2078
ATI doesn't need the money or Theta for that matter.

Jeff, yes it's the same box for both programming and rs-232. You can control via it if you'd like and the rti master command list is very good.

Dan

Apologies or the spelling errors- been using th phone die this alot lately.
post #135 of 2078
OK, here's a couple things:

ISO-CATII is the black box that transcodes rs-232 to ADA BUS communication; it costs 600.

I've done several ada pieces with RTI but it was always IR- however, between the feedback available from the processor and your computer....

Jeff, this weekend is bluesfest. I have a client in the vicinity (SW suburbs) that has the suite 7.1 HD with balanced converter installed and running for several months now.
If you wanted a listen...

There's no independent IR input (1/8" mini) on the back, there is an IR receiver on the front panel.

Dan
post #136 of 2078
I should post this here instead of PM'ing those that have contacted me:

All ada pprocessors containing HDMI inputs will not be available until the first week of August (earliest ). I do not know what the production run will be, but my guess is between 50-100 so that allof you know 17 are already spoken for. The faster you act, the faster you get the processor- some of you may have that time pressure more than others.

Dan
post #137 of 2078
Quote:
Originally Posted by Richard_ADA View Post

The TEQ chassis (3RU) is designed to accommodate 4, 8 or 12 channels. It incorporates most of the Optomizer's feature set. I won't go into details right now but if you are familiar with that unit, you will be extremely pleased with our implementation. Currently, our TEQ will be an external device that will at least synchronize with the volume control of our Suite 7.1 HD and Cinema Rhapsody Mach IV.

Frankly, I mentioned it figuring that word might have hit these pages sooner or later about last weeks event. We are still defining some features and as those of you familiar with ADA know, we don't like talking "vapor". It's not our style. So as we clear a few milestones, I will update here.

As Iron Man says, "sometimes you have to run before you can walk."

Thank you. So an TEQ-12 is also upcoming? I guess this would be very usefull by providing multiple subwoofer channels.

Another very interesting feature of the Trinnov optimizer is the digital output capability. Is an AES digital output planned for the TEQ unit?

You are certainly aware that the additional A/D D/A steps are seen problematic. My guess is that the 2U form factor of the Rhapsody will prevent a full featured Trinnov implementation.

But what about your third and most powerful processor line - the Cinema Reference. This has been an 3U unit in the past - and a new revision combining the pre-amp capabilities of the Rhapsody IV with the exact same Trinnov implementation of your TEQ and 12 instead of 8 channels (free configuration, eg. 7 + 5 subwoofer channels, or 9.3/11.1 with Dolby PLIIz ...) would be my dream unit And a logical next step for Ada to offer such an all-in-one device IMHO.
post #138 of 2078
Quote:
Originally Posted by TheLion View Post

Thank you. So an TEQ-12 is also upcoming? I guess this would be very usefull by providing multiple subwoofer channels.

Another very interesting feature of the Trinnov optimizer is the digital output capability. Is an AES digital output planned for the TEQ unit?

You are certainly aware that the additional A/D D/A steps are seen problematic. My guess is that the 2U form factor of the Rhapsody will prevent a full featured Trinnov implementation.

But what about your third and most powerful processor line - the Cinema Reference. This has been an 3U unit in the past - and a new revision combining the pre-amp capabilities of the Rhapsody IV with the exact same Trinnov implementation of your TEQ and 12 instead of 8 channels (free configuration, eg. 7 + 5 subwoofer channels, or 9.3/11.1 with Dolby PLIIz ...) would be my dream unit And a logical next step for Ada to offer such an all-in-one device IMHO.

Sorry for the delay in getting back in here. For those of you who have been waiting, the Suite 7.1 HD Manual is done. There is both a user version and installer version. Currently both are available only via the dealer area of the site so please consult with your ADA professional.

The TEQ is analgo in and out and we have yet to test the 12 channel implementation. Much work still to be done but considering this has been brewing if you will for years, the progress as of late is impressing me. More about the TEQ as I have it.
post #139 of 2078
How varied are the ADA SUITE 7.1 and Mach IV manuals??

Are OSDs, menus, options, etc. similar? Gives a good feel for the Mach IV??
post #140 of 2078
Hi Richard--and everyone.

Having read through both this and the UK threads, and the UK spin-off thread, I have to say I'm very excited about the Mach IV-B. I just ordered a Marantz UD-9004, and think the ADA will mate with it rather well.

One question, however. What exactly does the 7.1 analog bypass input bypass? does it bypass all control like an HT bypass input, or just the EQ bands and level/distance settings? IOW, can I set all that with the Marantz but still use the master volume on the ADA?

My setup would be to hook up the Marantz via one of the stereo analog inputs for all 2ch music formats--wish it had balanced inputs but oh,well--hook up the audio HDMI output to an HDMI input on the ADA for movies, and use the 7.1 analog "bypass" for SACD and DVD-A. Plus an optical input for my Dish DVR.

So to summarize: What does the bypass bypass, and what does that leave?.

Thanks Richard, or anyone who can clear that up.
post #141 of 2078
Bypass does just that- bypasses everything but the analog volume control. It is just a straight through analog connection witha vc.

Dan
post #142 of 2078
Thanks Dan

That's what I thought.

I was just a bit unsure because my Parasound Halo P7 has a 7.1 HT bypass where it is not affected even by the volume control. I use it to run a Nuforce AVP17 through it, which I have my Dish DVR connected to by optical. The P7 has no digital input, hence my desire for a unit that will handle all (both) my sources.

If the Marantz works much at all like my current Denon 5910, using the built in basic delay/level setup and bass management for the occasional mc SACD or DVD-audio will work just fine, just as long as I control the volume with the ADA.
post #143 of 2078
First full review (extensive) of the ADA Suite 7.1 (similar to Mach IV).

http://www.livedigital.co.uk/2010/06...-suite-7-1-hd/


Looks to be the piece to beat,
post #144 of 2078
Quote:
Originally Posted by thebland View Post

First full review (extensive) of the ADA Suite 7.1 (similar to Mach IV).

Looks to be the piece to beat,

Thanks for the link to the excellent review. It has answered many questions for me, chief among them, would I entertain one in my system/life? Now I can say, emphatically, no.

PC for U/I? Been there (861), won't do that again.

Fan? Nope--not even a silent one. Just a phobia.

It has more PEQ bands than my current (SSP-800), but a different set of constraints for Q and attenuation. Still no shelving option (Tag really set the bar on this!)

Truncation of audio. They may indeed figure it out, of course, just as Classe finally did.

Cosmetics--it sits out in full view in my case. I guess it could be hidden away, though.

As cups of tea go, this one's not for me. It does look like it is unparalleled in addressing its mission as the heart of a sophisticated custom install. My issues are in the category of asking a hammer to be a screwdriver--so the mismatch is on my end, not ADA's. Their product is solidly on target for its intended use, so my complaints are of no real consequence, except perhaps the truncation.
post #145 of 2078
Quote:
Originally Posted by Roger Dressler View Post

Thanks for the link to the excellent review. It has answered many questions for me, chief among them, would I entertain one in my system/life? Now I can say, emphatically, no.

As you note below, to each their own and to me, this is exactly my cup of tea.



Quote:
Originally Posted by Roger Dressler View Post

PC for U/I? Been there (861), won't do that again.

Yes and no, and I say this as a former 861 owner myself. The Meridian computer interface was painful to use and, like all things Meiridian, a little finicky. The ADA computer inteface is much different in that:

1. It is for one componet, the processor, whereas the Meiridian interface was for every piece of Meridian equipment.

2. It is simple to use in that it is "point and click" or "point and pick form a list"...not like Meiridians where you had to check a bunch of parameters to make sure that you got what you wanted.

3. It works...plain and simple.



Quote:
Originally Posted by Roger Dressler View Post

Fan? Nope--not even a silent one. Just a phobia.

Not an issue for me as I will have mine in a separate equipment room...my focus is exclusively its sound quality.



Quote:
Originally Posted by Roger Dressler View Post

It has more PEQ bands than my current (SSP-800), but a different set of constraints for Q and attenuation. Still no shelving option (Tag really set the bar on this!)

TMA set the bar in a number of areas...too bad that they died on the vine as I really miss my tag equipment...with that, this is not a real concern of mine as I am using outboard DSP engines...



Quote:
Originally Posted by Roger Dressler View Post

Truncation of audio. They may indeed figure it out, of course, just as Classe finally did.

Huh, can you please explain this as I have not yet read the article and do not know what you are referring to.



Quote:
Originally Posted by Roger Dressler View Post

Cosmetics--it sits out in full view in my case. I guess it could be hidden away, though.

Again, and as noted above, not a concern of mine...I want pure performance...



Quote:
Originally Posted by Roger Dressler View Post

As cups of tea go, this one's not for me. It does look like it is unparalleled in addressing its mission as the heart of a sophisticated custom install. My issues are in the category of asking a hammer to be a screwdriver--so the mismatch is on my end, not ADA's. Their product is solidly on target for its intended use, so my complaints are of no real consequence, except perhaps the truncation.

I hope it does work exceptionally well in its intended use as mine will be insatlled next week...
post #146 of 2078
Shelf filters, robust rs232 are my primarys. Sonically good is a given.
post #147 of 2078
Quote:
Originally Posted by Joelc View Post

Huh, can you please explain this as I have not yet read the article and do not know what you are referring to.

It cuts off the first second or two from each track of audio.

From the review:
Quote:


If you love music you may wish to look away now as in my opinion this is something of a clanger.

Whilst the Suite 7.1 is probably installed mostly in Home Theatre applications, it is also designed to be used for music playback and certainly has a lot to offer in terms of audio quality, however about 1 second after spinning my first disc, I discovered the Suite 7.1 HD has a rather unacceptable tendency to miss the first second of each and every track on the disk! The only time this does no occur is on CDs mastered with no ‘silent’ gap between tracks such as some compilations or classical discs.

Anyone familiar with the pops, cracks, bangs and lock-ups on some other recent AV Processors will appreciate ADA moved to overcome that particular issue by adding a slight delay to the Audio lock on procedure. They can do it a lot faster but occasionally suffered some of these issues, so they have opted to introduce enough delay to negate any nasty noises being generated but instead it gives us this horrible truncated start to every track.

The Process is even visible on the Front panel when the Processor displays ‘Idle’ between tracks and then flicks to ‘PCM’ before going into ‘Idle’ again at the start of the following track.

ADA’s solution would barely be noticeable for someone watching a DVD or Blu-Ray as all you are likely to miss are short menu ‘beeps’ or the start of a Trailer or Studio logo. However for a music listener this is unacceptable. Ok it isn’t noticeable on every track you listen to as some contain silence initially anyway but when it does happen it is something of a slap in the face. As an example the opening line from Pink Floyd’s ‘The Wall Part II’ actually sounds like: ‘…n’t need no education…’ so it isn’t something you can easily ignore.

I did try a few sources, including a Harman Kardon DVD player, a Squeezebox Duet and an Oppo Blu-Ray player, using both Coax and Optical SPDIF, as well as HDMI and all produced the same disappointing results.

Most Processors and Receivers released nowadays seem to have issues at launch and it is unfortunately almost expected today but the Suite 7.1 HD has been out for some time now and although the vast majority of installs may well be for movie use only (the few owners I contacted did not use it for music or TV, so had not noticed the issue) I can’t believe something like this has not been picked up and rectified by now.

It seems that a relatively quick (if not somewhat dirty) fix would simply be to ‘suggest’ to the unit the most likely mode encountered when ‘Listening to Music’ so it is probably in the correct mode when you start and also to prevent the Suite 7.1 HD from going into ‘Audio-Detect’ for one to 2 seconds, thereby missing the period between tracks where no audible signal is present. I’ll admit I don’t know what problems this could throw up elsewhere but given the flexibility of their software, they could at least provide this as an option that could be activated purely for audio listening modes.

I have been assured that this issue will be resolved but it has been a few months since I pointed it out and I have heard nothing back from ADA, although Genesis insist they have been chasing the issue.
post #148 of 2078
Quote:
Originally Posted by Joelc View Post

Yes and no, and I say this as a former 861 owner myself. The Meridian computer interface was painful to use and, like all things Meridian, a little finicky. The ADA computer interface is much different in that:

1. It is for one component, the processor, whereas the Meridian interface was for every piece of Meridian equipment.

2. It is simple to use in that it is "point and click" or "point and pick form a list"...not like Meridian's where you had to check a bunch of parameters to make sure that you got what you wanted.

3. It works...plain and simple.

I thought Meridian's PC interface was great.

The issue for me is not how well the PC interface works, but that one needs a PC at all. I think you'd agree that setting up the ADA is not realistic without a PC. Setting up the SSP-800 from the touch screen is even nicer/faster than the Tag AV32R, and that creamed the 861 in terms of ease of use.

Quote:


Huh, can you please explain this as I have not yet read the article and do not know what you are referring to.

The beginnings of audio tracks are cut off whilst the decoder detects the bitstream type. The reviewer was quite vexed. I was too, with the SSP, but beta 2.03 finally showed they could fix it, with no ill effects.
post #149 of 2078
Quote:
Originally Posted by Roger Dressler View Post

Truncation of audio. They may indeed figure it out, of course, just as Classe finally did.

Seems to plague lots of manufacturers. My MC-12 started off this way. Took them a couple of firmware updates to fix it. ADA will hopefully figure it out.
Quote:


Cosmetics--it sits out in full view in my case. I guess it could be hidden away, though.

Guess I'm one of the few that actually likes the cosmetics. The 1RU height and spartan looks are my cup of chai.
post #150 of 2078
Quote:
Originally Posted by sdurani View Post

Seems to plague lots of manufacturers. My MC-12 started off this way. Took them a couple of firmware updates to fix it. ADA will hopefully figure it out.

Even the Tag guys struggled with it, and that was back in S/PDIF-only days. But they succeeded.

Quote:


Guess I'm one of the few that actually likes the cosmetics. The 1RU height and spartan looks are my cup of chai.

There's no one happier than me to see the ADA product emerge with a real contender in this specialized space (HDMI AV processors). And I'm as always impressed by the degree of detail ADA allows installers to drill in setting modes. No one else comes close.

My comments should not be taken as anything but my personal warped view of the little world I inhabit. I fully respect that others view and value things differently. How great is it that the ADA will never be accused of being a "me too" product!
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