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Official Rythmik Audio Subwoofer thread - Page 14

post #391 of 9709
Quote:


I am also contemplating ordering an epik empire... i am not sure if thats wise or perhaps just get a f15 and promote the f12 to the 2ch room... or epik for the other movie room and promote f12 to 2ch room... anyone here compare empire to f12 or f15?

I'm curious as well, if anyone has compared or knows what the pros/cons might be of the two designs? I know the Epik have the two outward firing drivers and I'm not sure how that will affect placement, etc. I have a 15 x 20 room with steep vaulted ceilings and so initially I will start with just one sub and hopefully later add a second. So I would be interested in the 370XLR. I have a UMC-1 so I will be able to use the EQ from that.

Thanks.
post #392 of 9709
Quote:
Originally Posted by Nativefx View Post

I'm curious as well, if anyone has compared or knows what the pros/cons might be of the two designs? I know the Epik have the two outward firing drivers and I'm not sure how that will affect placement, etc. I have a 15 x 20 room with steep vaulted ceilings and so initially I will start with just one sub and hopefully later add a second. So I would be interested in the 370XLR. I have a UMC-1 so I will be able to use the EQ from that.

Thanks.

I have dual empires and the opposing drivers eliminate any cabinet vibration. I have mine stacked and at very high volumes they don't vibrate at all. Also, I've done REW charts with them facing forward and to the side and there's no different in FR. You just need to keep a few inches clearance from the wall if the driver is facing the wall. It's design is similar to the seaton submersive.

I cannot speak for the Rythmik but from I've been reading they're excellent subs and it was on my short list when I bought the Empires. I don't think you'll go wrong either way.

I do know I've pushed the empires very hard without any noticeable strain. I'm sure, with rythmik's reputation and what I've read, they'll perform just as effortlessly.

What sold me on the Empire was the introductory price, the reviews I've been reading and 2 15" drivers. My guess is w/o EQ, the rythmik will dig deeper, however the Empires are gaining a decent rep for having excellent mid-bass slam.

It's a tough call!
post #393 of 9709
Has anyone considered how much of what you're hearing that you describe as mid bass slam isn't really coming from your subwoofer when its crossed over at 60hz?
post #394 of 9709
Quote:
Originally Posted by JimP View Post

Has anyone considered how much of what you're hearing that you describe as mid bass slam isn't really coming from your subwoofer when its crossed over at 60hz?

Agreed. I'm crossed 80-100 all the way around, however.
post #395 of 9709
Quote:
Originally Posted by Nativefx View Post

I'm curious as well, if anyone has compared or knows what the pros/cons might be of the two designs? I know the Epik have the two outward firing drivers and I'm not sure how that will affect placement, etc. I have a 15 x 20 room with steep vaulted ceilings and so initially I will start with just one sub and hopefully later add a second. So I would be interested in the 370XLR. I have a UMC-1 so I will be able to use the EQ from that.

Thanks.

I was in the same boat as you... i have not heard the epik empire but from what i have read here people seem to recommend rythmik if you are going to listen to music.. and seaton or empire for movies.

Another thing is the size and quality of driver on epik vs rythmik ONLY FROM Pictures look very different.

I tend to think if its good for music its good for movies... the rythmik for me has been very very good for music, I have played a few movies where i remember the bass from and its a day and night difference again.

If you want you can always order both and go from there.. compare and sell the one you don't like ... there maybe a "guarantee" and you may have to ship out for shipping.

I would have gone that route but i am in canada so i had to pay duties and kind of cash to the govt just for bringing it in... so i don't have that luxury.
post #396 of 9709
Quote:
Originally Posted by JimP View Post

Anyone?

Jim...I am waiting for you to get a Rythmik so you can tell us what you think.

In my experience with subs and my F15 with the 370PEQ amp, the sound quality from top to bottom is outstanding, great balance, and an excellent value when compared to other more expensive sealed offerings.
post #397 of 9709
Quote:
Originally Posted by porksoda View Post

I was in the same boat as you... i have not heard the epik empire but from what i have read here people seem to recommend rythmik if you are going to listen to music.. and seaton or empire for movies......

I tend to think if its good for music its good for movies... the rythmik for me has been very very good for music, I have played a few movies where i remember the bass from and its a day and night difference again.

pork...very true about music. Sound quality is much more important to music than it is to HT. Also, as with you, my F15 in my 2300^3ft room certainly does not lack for movies.

As to the Seaton Submersive, I have not heard one, but I know people who have and who's opinions I trust, and it too has excellent sound quality.
post #398 of 9709
Quote:
Originally Posted by cschang View Post

pork...very true about music. Sound quality is much more important to music than it is to HT. Also, as with you, my F15 in my 2300^3ft room certainly does not lack for movies.

As to the Seaton Submersive, I have not heard one, but I know people who have and who's opinions I trust, and it too has excellent sound quality.

Nods... I will probably order another rythmik but was contemplating a different flavour so i can give some input but being in canada... my options are limited.

I would be interested in ms submersive vs f15 also.. now that a dual sub is in the works at rythmik i think in the same price range category the competition would be very interesting i.e submersive vs rythmik dual.

On another note... i am sure you guys are eq'ing subs... what are you guys using with the rythmik?
post #399 of 9709
Quote:
Originally Posted by dondino View Post

I have dual empires and the opposing drivers eliminate any cabinet vibration. I have mine stacked and at very high volumes they don't vibrate at all. Also, I've done REW charts with them facing forward and to the side and there's no different in FR. You just need to keep a few inches clearance from the wall if the driver is facing the wall. It's design is similar to the seaton submersive.

I admit the opposing drivers is a good design. But in my point of view, the biggest problem in subwoofer is the cone itself. Everyone does a knock test on enclosure. Try that on cone. The cone is actually an opening to let people hear the sound inside. It is a difficult job -- the cone needs to generate sound and at the same time stop the sound from inside enclosure to escape to outside to be heard becuse sound is generated on both sides of cone. If the internal sound escapes to outside, it becomes a boxy sound. And there are various level of boxy sound. Sometimes a slightly boxy sound can sound exciting to people as it moves the mid bass forward, as often described as "in your face" type of sound. But actually it is a prominent or emphasized mid bass that masks details. After all, drum is based on a boxy sound inself. It uses the resonance inside drum shell to produce sound. This weekend, I went to Brazos Bend state park outside Houston. They have an observatory open to public and we had the chance to get in to hear the staff controlled the dome (open and turn). The sound it generated was a typical special effect sound we hear in movie -- moving a large heavy metallic object in a closed space. In real life, that sound comes and goes so fast and it is absolutely crisp even when the room is full of echo. Isn't that odd? Absolutely no boxy sound. Now the purpose of servo is to force the cone move according to the input signal and reject energy from inside to escape. This is advantage one.

The second advantage is no thermal memory effect. Recently I ran into a web page from Siegfried Linkwitz. http://linkwitzlab.com/frontiers_6.htm#Y He did a comparison to demonstrate so called "amplitude modulation" (AM as in AM radio). He compare Neo3W with 25TFFC and conclude Neo3W is the worse performer in that regard. But something he may have overlooked includes: 1) impact of impedance to voice coil DCR ratio. The frequency he picked --1.5khz exactly matches the impedance peak of 25TFFC and therefore gives unfair advantage to 25TFFC as AM is lowest at impedance peak when voice coil resistance is the smallest percentage of whole impedance. On the other hand Neo3W has a flat, also pure resistive impedance comprised mainly of VC resistance. If he had picked a different frequency point such as 5khz where both are at impedance minimal point, that would be a more fair comparison. 2) Efficiency normalization. Neo3W has a lighter diaphragm and therefore more efficient. Putting 30V to both drivers actually makes Neo3W sound louder and therefore not an apple-to-apple comparison. These set aside, the figure labeled "Neo3W response at 30Vpp" is a good illustration of thermal memory effect, not on Neo3W, but on subwoofer. The so-called AM distortion is better described as memory effect. Often people call it compression. But compression is misleading as compression is static. But in reality, the compression goes up and down on the fly. Subwoofer voice coils are designed to withstand up to 250 degrees F increase for a good reason. It does get hot. But it does not stay hot. It is more like hot and cool and hot and cool cycle. What goes up must come down. As the voice coil heats up, the output goes down, on the fly. And when voice coil cools down (when signal becomes small), the opposite happens -- reverse compression (or expansion), and the output goes up, again on the fly. When this type of up and down happens, it is more like the machine plays Rubato for us. That is not good. I want to hear the Rubato from performer, not transducer. Servo minimizes thermal memory effect to almost unnoticeable. Ilkka is busy with his new job. I once discussed with him to modify his test procedure to demonstrate the memory effect in both servo and non-servo subs. He can do his normal 85db plot, a short break, then 90db, a short break, then next level, ...etc. But the moment he is done with the highest SPL plot, he can do a 2nd 85db plot and then compare if the 2nd 85db plot is same as the first 85db plot. I bet majority is not the same.

Lastly, servo is very scalable. The improvement can be heard over and over again, on 12", on 15", single driver, dual drivers, there are more to come.

Anyway, hope the above gives other side of story. I really want to be specific. When we say servo is better, by what measurement it is better? I hope the above can answer that too, instead of using servo as a buzz word.
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post #400 of 9709
Quote:
Originally Posted by porksoda View Post

On another note... i am sure you guys are eq'ing subs... what are you guys using with the rythmik?

I'm using the Anti-mode 8033.
post #401 of 9709
Quote:
Originally Posted by cschang View Post

I'm using the Anti-mode 8033.

that was recommended so was the svs eq...

Also i think i may get a couple of these to flatten out responses in two of my rooms since i have rew already working this should be a breeze via midi. Behringer DSP1124P.
post #402 of 9709
Quote:
Originally Posted by Rythmik View Post

I admit the opposing drivers is a good design. But in my point of view ....

I'm not knocking the design and technology behind the Rythmik sub. I'm sure it sounds phenomenal!

Each design has it's pro's and con's. I wish there were a way to hear all these ID subs before buying ... If there were, I'm sure there wouldn't be 1/2 as many choices out there.
post #403 of 9709
Quote:
Originally Posted by porksoda View Post

that was recommended so was the svs eq...

Also i think i may get a couple of these to flatten out responses in two of my rooms since i have rew already working this should be a breeze via midi. Behringer DSP1124P.

All are good.

If you can get the auto adjustment to work via midi for the Behringer, I think that would be the most cost effective and easy solution. I had the Behringer, but no midi. Moving a sub and making adjustments were just too time consuming.
post #404 of 9709
Quote:
Originally Posted by dondino View Post

I'm not knocking the design and technology behind the Rythmik sub. I'm sure it sounds phenomenal!

Each design has it's pro's and con's. I wish there were a way to hear all these ID subs before buying ... If there were, I'm sure there wouldn't be 1/2 as many choices out there.

The issue is understanding the pros and cons. Now you can go to the Epik thread and explain the strengths of the Rythmik servo mechanism and it's advantages.

There would still be a lot of subs on the market. There are people that don't understand quality bass. Look how many subs there are in the B&M market....if it goes boom, there is a market for it.
post #405 of 9709
Quote:
Originally Posted by cschang View Post

All are good.

If you can get the auto adjustment to work via midi for the Behringer, I think that would be the most cost effective and easy solution. I had the Behringer, but no midi. Moving a sub and making adjustments were just too time consuming.

thanks... i may just even do it manually i will probably keep the behringer or whatever eq i get close to the reciever and do the adjustments on it manually perhaps as my computer is nearby also...
post #406 of 9709
Quote:
Originally Posted by porksoda View Post

thanks... i may just even do it manually i will probably keep the behringer or whatever eq i get close to the reciever and do the adjustments on it manually perhaps as my computer is nearby also...

One thing to remember, and I am sure you have seen it, if your equipment is in the line of sight, the Behringer has a lot of lights.
post #407 of 9709
Quote:
Originally Posted by cschang View Post

One thing to remember, and I am sure you have seen it, if your equipment is in the line of sight, the Behringer has a lot of lights.

yes something i just noticed so location maybe an issue as well not 100%... will do new graphs once i get the unit in and get acceptable response...
post #408 of 9709
Quote:
Originally Posted by porksoda View Post

On another note... i am sure you guys are eq'ing subs... what are you guys using with the rythmik?

Also using the Anti-Mode 8033 on my F12. Now every time my wife rearranges some furniture, I press 2 buttons, wait 5 minutes and I'm done.
post #409 of 9709
Quote:
Originally Posted by cschang View Post

Now you can go to the Epik thread and explain the strengths of the Rythmik servo mechanism and it's advantages. :

I'm sure that wouldn't be the proper forum for that ... pun intended.
post #410 of 9709
Quote:
Originally Posted by cschang View Post

Jim...I am waiting for you to get a Rythmik so you can tell us what you think.

In my experience with subs and my F15 with the 370PEQ amp, the sound quality from top to bottom is outstanding, great balance, and an excellent value when compared to other more expensive sealed offerings.

To be honest with you, I'd order one (maybe two) if I thought it would clearly outperform my SVS PB Ultra 13 in all areas. I don't want swap one strength and loose another. i.e..tighter midbass and loose extention.

I can see it outperforming lesser subs but not that convinced that it'll outperform better subs.

Just an FYI...on the Ultra 13, you can change the tune from 15hz to 10hz and get a tighter sound....so comparisons to Ultra 13 owners using 15hz tune may not be as comperable as it may seem.
post #411 of 9709
I completely understand being skeptical.

One on one, it certainly isn't going to have the output of the Ultra. But as you have said yourself, the Ultra does not sound as good as your old Velo, and I would be willing to bet that the Rythmik is at least as good as the HGS-15.
post #412 of 9709
cschang,

The ultra 13 wasn't as musical as the Velodyne HGS15 but did perform better in other areas. That's kind of my point....swapping one strength for another.

Since then, I've changed the crossover on my speakers and can't really make that comparison any more. I've got 7 speakers that are good down to 60hz and then some. So for the time being, my speakers are carrying the mid bass burden.
post #413 of 9709
Can you explain the areas where the HGS-15 was better than the Ultra? Like I mentioned, when it comes to output, I know the Ultra would be better.
post #414 of 9709
cschang,

I think you meant the Ultra-13. The Velodyne was more musical and the Ultra 13 sounds more exuberant in explosions and those really low thuds/grunts.

Probably not as descriptive as I would like but maybe you get the idea.
post #415 of 9709
Quote:
Originally Posted by JimP View Post

cschang,

I think you meant the Ultra-13. The Velodyne was more musical and the Ultra 13 sounds more exuberant in explosions and those really low thuds/grunts.

Probably not as descriptive as I would like but maybe you get the idea.

yep...I get the idea. Dynamics issue? Both were EQ'd? How are those low thuds and grunts in 10hz tune?

Like I mentioned before, I'm sure the F15 will outperform the HGS15. Would the F15 fair well with you wants/needs? Something that can only you can judge.
post #416 of 9709
Quote:
Originally Posted by JimP View Post

To be honest with you, I'd order one (maybe two) if I thought it would clearly outperform my SVS PB Ultra 13 in all areas. I don't want swap one strength and loose another. i.e..tighter midbass and loose extention.

I can see it outperforming lesser subs but not that convinced that it'll outperform better subs.

Just an FYI...on the Ultra 13, you can change the tune from 15hz to 10hz and get a tighter sound....so comparisons to Ultra 13 owners using 15hz tune may not be as comperable as it may seem.

Did you guys not read posts 387 & 389? BradH went from two Ultra-13 to two E15.

I'm sure he would expand more if asked...
post #417 of 9709
I've been looking at subs for awhile now and I'm strongly considering getting two D15SE's with A370-XLR amps. However, I had a few final questions before I place my order:

1) I've noticed that there is an option for more powerful amps (500-600w) on some of the other models. Will there a more powerful XLR amp than the A370-XLR available for the D15SE now or in the near future?

2) What are the main differences between the D15SE and F15? Do front-firing and down-firing subs offer better sound for different environments or is this usually a preference issue when trying to decide between these two 15" subs?

3) It looks like Ascend is affiliated with Rythmik and they seem to have the D15SE in stock while the official Rythmik page indicates that this product is on back order. Are there any differences when ordering from either the official site or Ascend?

Thanks in advance
post #418 of 9709
Quote:
Originally Posted by Cipher View Post

I've been looking at subs for awhile now and I'm strongly considering getting two D15SE's with A370-XLR amps. However, I had a few final questions before I place my order:

1) I've noticed that there is an option for more powerful amps (500-600w) on some of the other models. Will there a more powerful XLR amp than the A370-XLR available for the D15SE now or in the near future?

2) What are the main differences between the D15SE and F15? Do front-firing and down-firing subs offer better sound for different environments or is this usually a preference issue when trying to decide between these two 15" subs?

3) It looks like Ascend is affiliated with Rythmik and they seem to have the D15SE in stock while the official Rythmik page indicates that this product is on back order. Are there any differences when ordering from either the official site or Ascend?

Thanks in advance

1.- You need to ask Brian (Rythmik Audio Owner) for this question... Only He know about this point in particular.

2.- Front firing and down firing subwoofers sound almost the same. The F15 and D15SE subwoofers have the same specifications and the two models delivers the same SQ. Down firing subwoofers sounds better in concrete subfloors, front firing subwoofers sound almost the same in wood an concrete subfloors, for me is most about aesthetics.

3.- You need to ask Brian if He have D15SE in stock. In some items the Rythmik Audio web page is not updated.

Bye
post #419 of 9709
I'm thinking of getting a sub and was wondering which version of amp would be better for my use PEQ or XLR. Is the XLR preferred for multiple subs or is it only if you have a preamp with balanced outputs. Any other pro's and con's.

Also does anyone have any photo's of the matte black finish.
post #420 of 9709
ducky6,

Generally...XLR cables only benefit you for a very long run to prevent signal interfereance.

With that said, I think a lot of us like using them because they just seem high quality.
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