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Roger Ebert's Last Spoken Words - Esquire interview - Page 2

post #31 of 49
Quote:
Originally Posted by Rammitinski View Post

I know what you're talking about with "pretentious young critics" with nothing good to say about anything, though.

Regardless of age, most critics ARE pretentious IMO.


Quote:
Originally Posted by Shaded Dogfood View Post

She was particularly fond of dumb comedies if they made her laugh (Dumb and Dumber, for one).

Kael definitely belonged to the "pretentious" club.
But I do agree with her....Dumb and Dumber is hysterical.
post #32 of 49
For anyone interested in R.E. he will speak for the first time on Oprah Winfrey's show on Tue 3/2 CBS, in my market anyway.
post #33 of 49
Same here in the Bay Area, I set my DVR...
post #34 of 49
Gotta love technology.

Roger Ebert's New Voice
post #35 of 49
Thanks for the link, Aliens. That was very nice. And is that Mrs. Ebert? She seems like quite a lovely lady.
post #36 of 49
Yes, it's his wife of many years.
post #37 of 49
Aren't most critics failed writers whose judicious fodder is preying upon the success of others, whom, through their criticisms of others, just bespeaks their frustration against those who have (unlike the critic) clawed their way to the screen? (good or bad... any one who makes it to a screen has succeeded beyond the "critic".)

Critics use the creativity of others, as parasites do, to fuel their existences... don't they? They don't create anything in and of themselves. They wait to respond, after the creation, to judge. They are after-the-fact, quipsters... are they not?
post #38 of 49
Quote:
Originally Posted by PainterPaul View Post

Aren't most critics failed writers whose judicious fodder is preying upon the success of others, whom, through their criticisms of others, just bespeaks their frustration against those who have (unlike the critic) clawed their way to the screen? (good or bad... any one who makes it to a screen has succeeded beyond the "critic".)

Critics use the creativity of others, as parasites do, to fuel their existences... don't they? They don't create anything in and of themselves. They wait to respond, after the creation, to judge. They are after-the-fact, quipsters... are they not?

Sorry to hear that their craft rubs you the wrong way but I never rely on a single voice, other than my own, to help me decide whether a piece I'm ask to spend my time and/or money on is worth it. I like to hear from and to read competing sources and then to form my own opinion.

YMMV
post #39 of 49
Quote:
Originally Posted by MrMike6by9 View Post

Sorry to hear that their craft rubs you the wrong way but I never rely on a single voice, other than my own, to help me decide whether a piece I'm ask to spend my time and/or money on is worth it. I like to hear from and to read competing sources and then to form my own opinion.

YMMV

Mike, I was being philosophical for the most part, and logical as well. No need to be sorry because I don't consider critics have a legitimate "craft". Their sustenance is after all, what others create... there's no denying that (the logical part). As to parasitical references, that is my take on it. I was never an Ebert fan, ever. The craft you refer to is an opportunity for would-be writers to set themselves apart by demonstrating their writing skills... yet without the foundation of what it is they are writing about (the movie), they'd have nothing to say whatsoever.

I think that what irks me the most... now that I think about it... is that most critics try to set themselves as above the average viewer... as if they are smarter and more articulate than Joe Blow. And since I have a computer on my lap, I am voicing an opinion.

Ebert is way too over rated. He is pedantic, and really talking to himself and other critics. Not at all to the average Joe. He's communicating to his inner circle. Same as other critics do... and on that note, same as most in the movie-making industry.
post #40 of 49
Quote:
Originally Posted by Josh Z View Post

I think it's a natural tendency of many film critics, in the early parts of their careers, to want to be perceived as experts in the subject, and thus to act extra "critical" and uncompromising in their opinions. When I was in film school, every single person in my class (myself included) would only ever praise the artiest and most pretentious of art films. We were all completely dismissive of any sort of populist entertainment.

But, as we get older, we realize that movies don't need to be perfect, or profound, to be entertaining. Sometimes, simple pleasures are pleasures all the same.

hmmmm and this fits your Avatar review how?

Quote:


This isn't always the case, of course. Some people just get more intracaible and hard-headed as they get older.

now you are talking
post #41 of 49
The old Siskel and Ebert show convinced me to pay less attention to movie critics. Before the show, when I read a movie review, the reviewer would write as if he was making "the" judgment of the film. With S&E, though, one of them would sometimes say "you're wrong" after the other had opined. I also found out that neither one of them had a background in moviemaking--they just had unrelated college degrees. All of this taken together made it very clear that these are just people expressing opinions, and that their only "expertise" regarding films is their ability to articulate what they think.
post #42 of 49
Quote:
Originally Posted by skibum5000 View Post

hmmmm and this fits your Avatar review how?

Some movies are just turds.
post #43 of 49
Quote:
Originally Posted by PainterPaul View Post

Aren't most critics failed writers whose judicious fodder is preying upon the success of others, whom, through their criticisms of others, just bespeaks their frustration against those who have (unlike the critic) clawed their way to the screen? (good or bad... any one who makes it to a screen has succeeded beyond the "critic".)

Critics use the creativity of others, as parasites do, to fuel their existences... don't they? They don't create anything in and of themselves. They wait to respond, after the creation, to judge. They are after-the-fact, quipsters... are they not?

No.
post #44 of 49
Quote:
Originally Posted by PainterPaul View Post

Aren't most critics failed writers whose judicious fodder is preying upon the success of others, whom, through their criticisms of others, just bespeaks their frustration against those who have (unlike the critic) clawed their way to the screen? (good or bad... any one who makes it to a screen has succeeded beyond the "critic".)

Critics use the creativity of others, as parasites do, to fuel their existences... don't they? They don't create anything in and of themselves. They wait to respond, after the creation, to judge. They are after-the-fact, quipsters... are they not?

Recycle stereotypes much?

I guess this would be kind of like how most teachers are failed ___ fill in the blank ___. Because they don't create either.

In fact, these critics have actually succeeded where you have failed. They wrote something, got people to read it, and got paid.
post #45 of 49
Quote:
Originally Posted by RobertR View Post

With S&E, though, one of them would sometimes say "you're wrong" after the other had opined. I also found out that neither one of them had a background in moviemaking.

"You're wrong!" (Couldn't resist.) Ebert did...he worked on three films for Russ Meyer, including BEYOND THE VALLEY OF THE DOLLS. (Which later found some of Ebert's dialogue quoted word-for-word in AUSTIN POWERS.)
post #46 of 49
Quote:
Originally Posted by gdc View Post

Recycle stereotypes much?

I guess this would be kind of like how most teachers are failed ___ fill in the blank ___. Because they don't create either.

In fact, these critics have actually succeeded where you have failed. They wrote something, got people to read it, and got paid.

Teachers can be very creative. And how do you know I have failed where others have succeeded??? I think you are making my point, brother.
post #47 of 49
Quote:
Originally Posted by Joel Clemons View Post

"You're wrong!" (Couldn't resist.) Ebert did...he worked on three films for Russ Meyer, including BEYOND THE VALLEY OF THE DOLLS. (Which later found some of Ebert's dialogue quoted word-for-word in AUSTIN POWERS.)

He did do some script writing, but that doesn't make him an editor or director or actor or cinematographer or producer or production designer, etc. If he had real screenwriting expertise, he would have worked on a lot more than Z grade Russ Meyer stuff.
post #48 of 49
Quote:
Originally Posted by RobertR View Post

He did do some script writing, but that doesn't make him an editor or director or actor or cinematographer or producer or production designer, etc. If he had real screenwriting expertise, he would have worked on a lot more than Z grade Russ Meyer stuff.

Perhaps...but he did have a background in the filmmaking process, regardless of what one thinks of Meyer's work, or the fact that Ebert wasn't an actor or director. And BEYOND is considered a bona-fide cult classic. By the way, there are many (probably more) talented screenwriters out there who've worked for years and have yet to see their efforts even make it to the screen. So Ebert was ahead of the curve in that respect.
post #49 of 49
Quote:
Originally Posted by film113 View Post

Perhaps...but he did have a background in the filmmaking process, regardless of what one thinks of Meyer's work, or the fact that Ebert wasn't an actor or director.

The most you could say is that he has some "qualification" in scriptwriting, but it hardly makes him an expert.
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