Quote:
Originally Posted by
zax123 
Another interesting thing to consider here is that BD is pretty much optimized for 16:9 and not for scope. When watching a movie in scope on BD, you aren't taking advantage of the full 1920x1080 resolution whereas in 16:9 you are (since BD doesn't have anamorphic).
I just want to say that I find this slightly misleading, because resolutions is too often equated to quality and/or detail. It's true 16:9 is more resolution, but it's no more quality or detail.
The statement above "aren't taking advantage of the full..." seems to imply the quality would be better with 16:9 which is not the case. Look at it specifically from the perspective of standard 16:9 setups, the detail/information/quality is the same between 16:9 and scope on BD, only the size is different.
Of course for those with CIH setups, it of course would have been optimal for the BDA to include anamorphic provisions to give us more information to use to begin with.
Quote:
Originally Posted by
zax123 
Maybe it would change for standardization purposes? I'm just offering up ideas... Now that HD TVs are all 16:9 (and ushering in a new format of TV is really not going to happen in the near and not-so-near future), maybe studios, broadcasters, and movie-makers will move towards a standard format in order to simplify hardware setup, recording and editing equipment, cameras, etc...
Studios and movie-makers have a long history of intentionally making movies "non-standard", to differentiate from the home presentation. Films began in the "Academy Ratio" (roughly 4:3), they were like this for a long time. Then the TV came out, logically the same ratio as films were shot.
However not too long after TVs started to become commonplace, the film industry jumped to Cinemascope. Maybe a coincidence of technological advancement, but IMO the timing is to convenient and it sure seems to me that the uptake of Cinemascope was done in part (if not largely) to differentiate the cinema from home again.
As far as 3D and large formats go? Who knows what will happen this time, but they've been tried numerous times in the past, and they've faded quickly every time, yet the trusty Cinemascope format has continued on and only gained traction since it's introduction in 1953.
What's different this time? Digital projectors, but are they alone enough to overcome whatever problems have prevented large formats and 3D from taking off in the past?