Quote:
Originally Posted by
glangford 
Thanks, I'm considering another player, but it will probably be another Oppo. At least I know I'm getting 24/88 from it via PCM.
I'm going to go out on a limb here and guess that the Denon players will manage to convert the DSD signal to 24/192, but I have no solid information that would allow me to assume this. While pure bit count is not sufficient to determine whether an effective conversion can take place, the bits per second from 24/88 (2.116Mb/s) is significantly below the number of bits per second for DSD (2.8224Mb/s).
Quote:
Originally Posted by
glangford 
Being kind of a noob to SACD this is confusing. Am I to summize that with analog outs I'd get full resolution from the player going directly into the Denon ext in connections?
Yes, that's right. The 1611 will be equipped with analog stereo outs, but you will have to go with the 2011 to get analog 7.1 surround outs. What I find as a drawback to using the analog inputs on my Denon AVR-1910 is that I don't appear to have access to the digital processing features such as Dolby PLIIx when I use the analog inputs. I certainly like the sound of DVD-A through HDMI as interpreted by Dolby PLIIx more than I do the pure direct sound of SACD. Thus, my own personal preference is to have a player that can at least send DSD through HDMI.
Quote:
Originally Posted by
glangford 
In addition would I get full resolution if I bought a DSD capable reciever and went HDMI?
From what I understand at this time, that seems most likely to be the case. However, I am seriously wondering whether it is worth going that far. I am strongly of the opinion that CD audio has held on for so long simply because the typical listener cannot hear the difference between a 16/44.1 signal and analog. We're all on this particular forum because we KNOW we can hear the difference, and optimal audio equipment within our budgets is extremely important.
However, I have to question whether I would be able to tell the difference between a DSD signal that has been converted even in a slightly lossy way to PCM and an unconverted DVD-A signal that went directly from PCM to PCM. The typical listener's ability to distinguish audio is I think surpassed by CD-quality audio. Each of us who are unimpressed by CD will have our own threshold of perception. I know that when I record my vinyl at 24/192, I can just barely tell the difference. However, my DVD-A player (Denon DVD-1920) only plays back at 24/96. I have a strong feeling that if I move to the 1611 which is capable of 24/192 output, I will be unable to distinguish between my records and the DVD-A's I create from them. Alternately, my hearing and cognitive faculties might be such that replay bit depth will have to reach 32 bits before I perceive a digital signal in the same way as an analog one. Of this, I'm uncertain.
At this time, I'm skimming a paper about DSD/PCM conversion.
http://grad.uprm.edu/tesis/latorrenavarro.pdf
The author makes three interesting claims:
1. Lossless conversion is impossible.
2. A good lossy conversion does not lead to audible differences.
3. Sony during the remastering process actually uses PCM anyway and converts it to DSD for the final product.
There was another study designed to see if people with attuned hearing could consistently detect auditory differences between SACD and DVD-A.
http://old.hfm-detmold.de/eti/projek...paper_6086.pdf
The results essentially determined that people couldn't consistently do this, and in fact the overall results showed that the participants' answers were statistically about the same as guessing. The subjects were mostly music students. There was a tiny number of participants who apparently could make such a consistent distinction. That kind of discriminatory faculty is I think very rare, and I'm pretty sure mine just isn't that good.
One thing I would love to see is some of these tests cross-referenced with an intelligence test. I predict that those of higher intelligence will tend to be better at discriminating among various audio sources.